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Enthousiasme16
L'inspiration alimente l'énergie ; alignez l'enthousiasme avec le but pour avancer efficacement.
↓ Line 2
La fermeté et la patience sont nécessaires. En tenant bon, le succès viendra en temps voulu.
↓ Line 4
Le véritable enthousiasme attire le soutien et conduit à de grandes réalisations. Ayez confiance en votre vision et rassemblez des alliés.
↓ Line 5
Malgré les défis et les difficultés, la persévérance mènera à la survie et au succès éventuel.
↓ Danger29
Affrontez les défis répétés avec courage et détermination. Accueillez les revers comme des opportunités pour renforcer votre résilience. Restez fidèle à vos principes pour traverser les difficultés.
Lectures originales
16 Enthousiasme
Other titles: The Symbol of Harmonious Joy, Repose, Happiness, Providing-for/Provision, Excess, Merriment, Self-confidence, Contentment, Harmonize, Excitement, Intemperance, Self-deception "Repose in the absolute confidence that the action now being taken is right. Also refers to music." -- D.F. Hook
Judgment
Legge: Enthusiasm indicates that feudal princes may be set up and the army advantageously mobilized.
Wilhelm/Baynes:Enthusiasm. It furthers one to install helpers and to set armies marching.
Blofeld:Repose profits those engaged in building up the country and sending forth armies. [This means that perfect certainty as to the rightness of our cause is of great value under the conditions mentioned. The usual meaning of this character is "beforehand" or "happiness." In the English translation of Wilhelm's version, it appears as "enthusiasm." "Repose" was suggested by the Chinese experts who kindly vetted this manuscript. At first I felt hesitant about adopting it, until I realized that, where it is used favorably, it must be understood as the kind of mental repose which follows absolute confidence that the action now being taken is the right one. In lines one, three and six, however, it clearly means failure to act when action is essential; in line five, failure to act owing to incapacity.]
Liu:Happiness. It is of benefit to build up the country (or business), and send the army forth. [Receivers of this hexagram should be wary of exhibiting excessive enthusiasm when beginning a new undertaking. If they are not, there will be misfortune. The hexagram also advises that everything necessary for advancement should be made ready. Then if an opportunity presents itself, it should be seized immediately, without hesitation.]
Ritsema/Karcher: Providing-for , Harvesting: installing feudatories to move legions. [This hexagram describes your situation in terms of what is needed to meet the future. It emphasizes that accumulating strength through foresight and prudence so things can be fully enjoyed is the adequate way to handle it. To be in accord with the time, you are told to: provide-for!]
Shaughnessy: Excess: Beneficial to establish a lord and to move troops.
Cleary (1):Joy. It is advantageous to set up a ruler and mobilize the army.
Wu:Merriment indicates the advantage of establishing principalities and taking military actions.
The Image
Legge: Thunder exploding out of the Earth -- the image of Enthusiasm. The ancient kings, in accordance with this, composed their music and honored virtue, offering it especially to God when they worshipped him at the service of their ancestors.
Wilhelm/Baynes: Thunder comes resounding out of the earth: the image of Enthusiasm. Thus the ancient kings made music in order to honor merit, and offered it with splendor to the Supreme Deity, inviting their ancestors to be present.
Blofeld: This hexagram symbolizes thunder over the earth. The ancient rulers venerated heaven's gifts with solemn music and they sacrificed abundantly to the Supreme Lord of Heaven in order to be worthy of their ancestors.
Liu: Thunder arising from the earth symbolizes Happiness. The ancient kings composed music to honor virtue, offering it to God and the spirits of their ancestors.
Ritsema/Karcher: Thunder issuing-forth-from earth impetuously. Providing-for. The Earlier Kings used arousing delight to extol actualizing-tao. Exalting worship's Supreme Above. Using equalizing the grandfather predecessors. [Actualize-tao:ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]
Cleary (1): When thunder emerges the earth stirs: Thus did the kings of yore make music to honor virtue, offering it in abundance to God, thereby to share it with their ancestors.
Wu: Thunder breaks out above the earth with a boom; this is Merriment. Thus the ancient kings used music to praise virtuous accomplishments and made grand offerings to the Supreme Being to be accompanied by their ancestors.
COMMENTARY
Confucius/Legge: Enthusiasm shows one dynamic line inspiring responsive obedience in all the others: devoted obedience takes action. Such obedient action conforms to natural law and creates order and discipline in the people. The planets and the seasons follow their natural cycles. The sages similarly obey the laws of their nature and the people acknowledge their regulations and punishments as just.
Legge:Enthusiasm shows harmony and contentment throughout the kingdom -- a time when the people rejoice in their sovereign and readily obey him. At such a time his appointments and any military undertakings would be hailed and supported. Because he is close to the fifth place of dignity, the dynamic fourth line is seen as the chief executive officer of the ruler. The ruler has confidence in him, and all of the magnetic lines yield their obedience. Obedience is the attribute of the lower trigram which here takes the initiative and uses Movement, which is the attribute of the upper trigram.
The symbolism of the Image is more obscure than usual. The use of music at sacrifices is supposed to assist in producing the union between God and his worshippers as well as the present and past generations.
NOTES AND PARAPHRASES
Judgment: Delegate authority and gather your forces.
The Superior Man synchronizes his will with the intent of the Self via the principles of the Work.
Enthusiasm is the reverse of the preceding hexagram of Temperance. In Temperance we saw the calm strength of a mountain concealed within the earth. In Enthusiasm we see thunder exploding out of the ground into the sky: the strength that was formerly tempered and restrained is now released. It is significant to note that while every line of Temperance is more or less "favorable,” every line of Enthusiasm is either negative or cautionary -- even the generally positive fourth line carries a hint of warning about “doubt.”
Negatively, Self-Deception (the passion of True Believers) seems to be what this hexagram is portraying. The figure often suggests a callow or deluded buoyancy -- the kind of outlook associated with romantic idealists. In its most negative aspect, Enthusiasm is Intemperance -- the exact opposite of the moderation and restraint shown in the preceding hexagram. The behavior of an untrained Great Dane puppy suddenly bursting into a formal dinner party could be described as "enthusiasm,” but hardly a desirable form thereof. The lower trigram of Obedient Devotion has suddenly employed the action and energy of the upper trigram of Thunderous Shock to express itself. This is inconsistent with the code of the superior man.
Conversely, in its most positive sense, Enthusiasm suggests the surety of total self-confidence. Blofeld translates this as Repose, explaining that the name was suggested to him by his Chinese advisors. We begin to understand this subtle distinction when we compare the seemingly obscure connection with music in the Image with a passage from Chuang- tse:
He who understands the music of heaven lives in accordance with nature in his life and takes part in the process of change of things in his death. In repose, his character is in harmony with the yin principle; in activity, his movement is in harmony with the yang principle. Therefore he who understands the music of heaven is not blamed by heaven or criticized by men ... It is said, "In action he is like heaven. In repose he is like the earth ... Because his mind has found repose, therefore the creation pays homage to him.”
To understand “the music of heaven” is to attain Repose, which is another way of describing the tranquility that comes with furthering the intent of the Self. The only dynamic line in the hexagram is in the minister's place just below the fifth-line ruler. He has the confidence of his sovereign and his actions therefore accord with heaven. We can turn to the Stoics to find an illustration of this idea:
My will is simply that which comes to pass. For I esteem what God wills better than what I will. To Him will I cleave as His minister and attendant; having the same movements, the same desires, in a word the same will as He. -- Epictetus
Thus we see that the hexagram can describe either one of two opposite conditions -- the intemperate Enthusiasm of ego-confidence (a synonym for Self-Deception), or the calm Repose of true SELF-confidence. The fifteenth and sixteenth hexagrams, each the inverse of the other, represent magnetic and dynamic aspects of the same general idea: Enthusiasm, when it emanates from the Self, is just Temperance in action.
Line 2
Legge: The second line, magnetic, shows one who is firm as a rock. She sees a thing without waiting till it has come to pass; with her firm correctness there will be good fortune.
Wilhelm/Baynes: Firm as a rock. Not a whole day. Perseverance brings good fortune.
Blofeld: Unmoved as a rock; before the end of day, righteous persistence will bring good fortune. [Unmoved as a rock because of the repose which results from absolute confidence in a decision already taken.]
Liu: Firm and stable like a rock. Do not wait a whole day. Continuing brings good fortune.
Ritsema/Karcher: Chain-mail tending-towards petrification: Not completing the day. Trial: significant.
Shaughnessy: Scratched on a rock; not to the end of the day; determination is auspicious.
Cleary (1): Firm as a rock, not procrastinating, rectitude is good.
Wu: He is upright like a rock. In less time than the passing of the day, he discriminates the good from the bad. To be persevering is auspicious.
COMMENTARY
Confucius/Legge: This is shown by the central and correct position of the line. Wilhelm/Baynes: Because it is central and correct. Blofeld: This is indicated by the suitable position of this line which is central to the lower trigram. Ritsema/Karcher: Using centering correcting indeed. Cleary (2):
It is balanced in the right way. Wu: Because he is central and correct.
The Master said:"Does not he who knows the inception of things possess spirit-like wisdom? The superior man, in his intercourse with the high, uses no flattery, and, in his intercourse with the low, no coarse freedom: does not this show that he knows the inception of things? Those beginnings are the slight stirrings of movement, and the earliest indications of good fortune or ill. The superior man sees them, and acts accordingly without waiting for the delay of a single day. As is said in the I Ching, `He is firm as a rock, and acts without waiting for the delay of a single day. With firm goodness there will be good fortune.' Firm as a rock, how should he have to wait a single day to ensure his knowing those beginnings and his course? The superior man knows the minute and the manifested; he knows what is weak, and what is strong: he is a model to ten-thousand."
Legge: The magnetic second line is in her correct central position in the lower trigram. Quietly and firmly she is able to abide in her place and exercise a far-seeing discrimination. All is indicative of good fortune.
NOTES AND PARAPHRASES
Siu: The man is quiet, but firm as a rock, yet sensitive to the first imperceptible signs of impending changes. He does not delay in taking action.
Wing: To be able to recognize the early signs of a change in fortune is a tremendous gift. While others may be swept away by compelling rhythms and fads, you adhere firmly to the underlying principles of your nature and react appropriately to the demands of the time. Such is the behavior of leaders.
Editor: All translations except Legge and Cleary's render the second sentence in the imagery of "not waiting for a whole day to pass,” which suggests action taken on the basis of foresight, premonition or intuition. This line is sometimes an injunction to follow your common sense -- saying in effect, that an oracle is unnecessary to proclaim the obvious.
You don't need a weatherman to know
which way the wind blows.
-- Bob Dylan
A. Proper discrimination knows when to act, and when to refrain from action.
B. Your own intuition already knows the answer to your query.
Line 4
Legge: The fourth line, dynamic, shows him from whom the harmony and satisfaction come. Great is the success which he obtains. Let him not allow suspicions to enter his mind, and thus friends will gather around him.
Wilhelm/Baynes: The source of enthusiasm. He achieves great things. Doubt not. You gather friends around you as a hair clasp gathers the hair.
Blofeld: From repose, great results accrue. Harbor no doubts. Why should it be harmful to befriend this official? [The meaning of this terse question is not obvious; but the enquirer may find it apt in the context either of his question or of subsequent events.]
Liu: The source of happiness. One receives great gain without hesitation. Your friends are already successful.
Ritsema/Karcher: Antecedent Provision. The great possesses acquiring. No doubting. Partners join-together suddenly.
Shaughnessy: Really excess; if one greatly has gain, do not doubt; cowries and shells slander.
Cleary (1): Being the source of joy, there is great gain. Do not doubt. Companions gather.
Wu: Let merriment have its way. There is much to gain. No doubt about it. Friends will unite their hairpins.
COMMENTARY
Confucius/Legge: His aims take effect on a grand scale. Wilhelm/Baynes:
His will is done in great things. Blofeld: The first sentence indicates the fullest attainment of our will. Ritsema/Karcher: Purpose: the great moving indeed. Cleary (2): The aspiration is carried out greatly. Wu: His aspirations are fully realized.
Legge: The dynamic subject of line four is the agent to whom the happy condition is owing, and it is only necessary to caution him to maintain his confidence in himself and his purpose. His adherents and success will continue.
Anthony: The source of enthusiasm is in believing in our path and its ultimate success, because it is correct. We gather friends and helpers when this belief is strong enough that we do not try to convince people or contend with them. Contending comes from the ego, which secretly disbelieves.
NOTES AND PARAPHRASES
Siu: The man is confident, free of suspicions of others, and sincere in his dedication. He instills harmony and satisfaction among his associates. People gather around him in effective cooperation.
Wing: Harmonious times are approaching. It is safe to exhibit your confidence in the future. Your attitude will attract others to you, who will co-operate in your endeavors. In this way you can accomplish great deeds.
Editor: As the only dynamic line in the hexagram, line four is considered to be its ruler. When we note that Legge mentions "harmony and satisfaction" instead of "enthusiasm," we begin to see the meaning behind Blofeld's title of Repose. Indeed, his translation of the line begins: "From repose, great results accrue..." Wilhelm's version gives the idea of consolidating forces "as a hair clasp gathers the hair." Psychologically interpreted, a process of integration is symbolized. The line can sometimes be a gentle admonition to have faith in your own unconscious processes to advance the Work.
The One does not aspire to us, to move around us; we aspire to it, to move around it. Actually, we always move around it; but we do not always look. We are like a chorus grouped about a conductor who allow their attention to be distracted by the audience. If, however, they were to turn towards their conductor, they would sing as they should and would really be with him. We are always around The One. If we were not, we would dissolve and cease to exist. Yet our gaze does not remain fixed upon the One. When we look at it, we then attain the end of our desires and find rest. Plotinus -- The Enneads
A. A powerful force calmly organizes separate elements to effect a synthesis.
B. Quiet SELF-confidence inspires the allegiance of inner forces, accumulating energy for transformation.
Line 5
Legge: The fifth line, magnetic, shows one with a chronic complaint, but who lives on without dying.
Wilhelm/Baynes: Persistently ill, and still does not die.
Blofeld: Illness is presaged, but it will not last long or cause death.
Liu: Long illness, but still living.
Ritsema/Karcher: Trial: affliction. Persevering, not dying.
Shaughnessy: Determination is illness; if constant you will not die.
Cleary (1): There is a persistent illness, but one never dies.
Cleary (2): Chaste in illness, one never dies.
Wu: It is like having a persistent illness, but not fatal.
COMMENTARY
Confucius/Legge: She is mounted on a dynamic line in the central position, and her memories of the past have not yet perished. Wilhelm/Baynes: It rests upon a hard line. That it nevertheless does not die is due to the fact that the middle has not yet been passed. Blofeld: Illness is indicated because this yielding line comes immediately above a firm one. Recovery rather than death is to be expected because this line is, nevertheless, central to the upper trigram. Ritsema/Karcher: Trial: affliction. Riding a solid indeed. Persevering, not dying. Center not-yet extinguished indeed. Cleary (2): Being chaste in illness means riding on firmness. Never dying means not losing balance. Wu: Because its position remains central.
Legge: Line five is magnetic in the place of a dynamic ruler, and in danger of being carried away by the lust of enthusiasm. Her proximity to the powerful influence below is a source of danger. Hence she is represented as suffering from a chronic complaint.
NOTES AND PARAPHRASES
Siu: The man is continually complaining. Yet the very struggling against the daily troubles constitutes his immediate incentive for living.
Wing: Total harmony is obstructed and impossible. Yet the very awareness of this will keep you from sinking again into chaos and eventual defeat.
Wilhelm/Baynes: Here enthusiasm is obstructed. A man is under constant pressure, which prevents him from breathing freely. However, this pressure has its advantage – it prevents him from consuming his powers in empty enthusiasm. Thus constant pressure can actually serve to keep one alive.
Anthony: The situation is difficult and uncomfortable. We are still under the influence of striving to achieve results or hedging to prevent them. However, our discomfort is useful in causing us to seek out these attitudes which block our progress.
Editor: At its most neutral, the image suggests a chronic condition currently not amenable to being cured. Sometimes this feels like ironic irritation: the oracle seems to be asking: "When are you ever going to learn?” The ego is clinging to outmoded ways (the "memories" mentioned in Legge's Confucian commentary), and is yet unable to fully comprehend the demands of the Work. If this is the only changing line, the hexagram becomes #45, Gathering Together, with a corresponding line hinting that the source of our illness may be less-than-pristine dedication. Cleary (2): “Gathering around the position, there is no blame. If those who are not loyal remain ever-faithful to their original commitment, regret vanishes.”
Better is one’s own dharma, though imperfectly performed, than the dharma of another well performed. Bhagavad Gita
A. A chronic problem remains unresolved.
B. Nobody’s perfect: do the best you can with what you have.
C. Old illusions obstruct your growth.
29 Danger
Autres titres : L'Abysse, Le Symbole de l'Enfoncement, L'Eau, L'Abîme, La Gorge, Gorge Répétée, Piège Répété, Double Piège, Danger Multiple, Double Eau, La Profondeur, Forces Sombres, Le Puits Périlleux, "Cela peut ne pas être aussi mauvais que cela en a l'air, mais quoi qu'il arrive, restez fidèle à vous-même." -- D.F. Hook
Jugement
Legge : Le trigramme de Danger, ici répété, montre la possession de la sincérité, par laquelle l'esprit est pénétrant. Une action en accord avec cela sera de grande valeur.
Wilhelm/Baynes :L'Abysse répété. Si vous êtes sincère, vous avez le succès dans votre cœur, et tout ce que vous faites réussit.
Blofeld : Abîme sur abîme -- grave danger ! Tout ira bien si la confiance est maintenue et un contrôle strict de l'esprit est gardé ; les activités ainsi menées gagneront l'estime.
Liu : Eau doublée. Danger. La sincérité mène au succès (à la paix) dans votre cœur et votre esprit. Vous réussirez dans vos actions. [Ce hexagramme signifie danger, malchance ou enchevêtrement dans une situation difficile... Vous devez être à la fois prudent et patient ; ne luttez pas contre toutes les difficultés qui vous entourent.]
Ritsema/Karcher : Gorge Répétée. Posséder la conformité. Tenir fermement le cœur Croissant. Le mouvement possède de l'honneur. [Ce hexagramme décrit votre situation en termes d'une situation dangereuse que vous ne pouvez éviter. Il souligne que prendre le risque sans réserve, l'action de la Gorge, est la manière adéquate de la gérer. Pour être en accord avec le temps, on vous dit de : s'aventurer et tomber !]
Shaughnessy : Piège Répété : Il y a un retour ; le cœur ajouté ; réception ; en mouvement, il y aura élévation.
Cleary (1) : En maîtrisant les pièges il y a de la véracité ; ainsi l'esprit se développe. Il y a de l'excellence dans la pratique.
Cleary (2) : Dans le danger multiple, s'il y a de la sincérité, l'esprit passe à travers et l'action a de la valeur.
Wu :Piège indique qu'il y a de la confiance. Le cœur de la question est qu'il est omniprésent. Les actions prises en son accord seront louables.
L'Image
Legge : L'image de l'eau coulant continuellement forme le trigramme répété de Danger. L'homme supérieur, en accord avec cela, maintient constamment la vertu de son cœur et la sincérité de sa conduite, et pratique l'affaire de l'instruction.
Wilhelm/Baynes : L'eau coule sans interruption et atteint son but. L'image de l'Abysse répété. Ainsi l'homme supérieur marche dans une vertu durable et poursuit l'affaire de l'enseignement.
Blofeld : Ce hexagramme symbolise l'eau coulant sans cesse et abîme sur abîme. [Le trigramme K'an est généralement de mauvais augure ; ici il apparaît en double comme le trigramme supérieur et inférieur ; ainsi l'implication est que nous sommes assaillis par de graves dangers dont, si nous pouvons y échapper, la plus grande habileté et confiance seront nécessaires pour nous en sortir.] L'Homme Supérieur agit en accord avec les vertus immuables et passe beaucoup de son temps à instruire les autres dans la conduite des affaires.
Liu : L'eau coule sans cesse dans les profondeurs symbolisant Eau doublée. L'homme supérieur préserve constamment sa vertu et pratique sa tâche d'éducation.
Ritsema/Karcher : Ruisseaux réitérant culminant. Gorge Répétée. Un chun tzu utilise des règles actualisant-tao pour se déplacer. [Un chun tzu utilise] la répétition pour enseigner les affaires. [Actualiser-tao, TE : réaliser le tao en action ; pouvoir, vertu ; capacité à suivre le cours tracé par le processus continu du cosmos... Lié à acquérir, TE : acquérir ce qui fait qu'un être devient ce qu'il est censé être.]
Cleary (1) : L'eau voyage, double eau. Ainsi les personnes supérieures pratiquent constamment la vertu et apprennent à enseigner.
Cleary (2) : L'eau vient à plusieurs reprises – danger multiple. Les personnes développées pratiquent l'enseignement par une action vertueuse constante. [C'est en parfait accord avec l'enseignement bouddhiste Tiantai de savoir comment traverser une impasse, la méthode de faire de l'impasse elle-même un moyen de passage ; c'est aussi la méthode d'utiliser habilement les maux naturels.]
Wu : L'eau vient encore et encore ; c'est l'Entrapment. Ainsi le jun zi pratique une conduite vertueuse et révise les didactiques.
COMMENTAIRE
Confucius/Legge : Danger répété nous montre une souillure succédant à une autre. C'est la nature de l'eau -- elle coule, sans accumuler son volume pour déborder ; elle poursuit son chemin à travers un défilé dangereux, sans perdre sa vraie nature. Que l'esprit soit pénétrant est indiqué par la ligne dynamique au centre. Avancer en accord avec cela sera suivi par la réussite. La hauteur dangereuse du ciel ne peut être ascendue ; les endroits difficiles de la terre sont montagnes, rivières, collines et monticules. Les rois et les princes arrangent, par de tels moyens, de maintenir leurs territoires. Grande est en effet l'utilité de ce qui est enseigné ici sur les saisons de péril.
Legge : Le trigramme de Danger qui est doublé pour former ce hexagramme est le symbole de l'eau, et signifie un puits, une cavité ou un défilé périlleux avec de l'eau qui y coule. Les trigrammes consistent en une ligne centrale dynamique entre deux lignes magnétiques. Ensemble, ils symbolisent le danger -- comment il doit être affronté, ses effets sur l'esprit, et comment s'en échapper.
Liang Yin dit : "L'eau s'arrête au bon moment, et bouge au bon moment. N'est-ce pas un emblème du cours de l'homme supérieur face au danger ?”
Les éditeurs de K'ang-hsi disent que s'exercer à affronter la difficulté et le péril est la manière d'établir et de renforcer le caractère, et l'utilisation de cette expérience se voit dans toutes les mesures d'autodéfense.
NOTES ET PARAPHRASES
Jugement : L'engagement envers le Travail engendre un discernement aigu des situations menaçantes et des facteurs qui les créent. Avec la capacité de reconnaître les éléments dangereux dans une situation, le succès est assuré.
L'Homme Supérieur maintient sa connexion avec le Soi et apprend des épreuves ainsi fournies.
C'est l'un des premiers hexagrammes que l'on apprend à reconnaître par nom et numéro, et il est généralement reçu avec appréhension. Comme la carte de la Mort dans le Tarot, il est souvent interprété comme un mauvais présage, bien qu'une compréhension plus profonde révèle une opportunité plutôt qu'une défaite dans de telles images.
Il y a du danger et de la souffrance dans le Travail, mais probablement bien moins (à long terme) que dans une vie ordinaire non examinée. L'angoisse au service d'un but est finalement tolérable -- c'est la souffrance incroyable de l'ignorance qui est vraiment tragique : toute cette douleur et ce chagrin dépensés sur des illusions mondaines !
Le commentaire confucéen fournit des aperçus précieux concernant l'utilisation défensive du danger par les rois et les princes pour protéger leurs royaumes. Maîtriser un défi dangereux avant de pouvoir progresser vers un niveau de conscience supérieur est un thème classique de l'initiation : sans cela, le candidat serait détruit par des forces qu'il n'était pas prêt à affronter. (C'est le but et le sens derrière l'archétype du "Gardien du Seuil".) Le danger est mauvais ou malheureux seulement si l'on est intimidé par lui -- un comportement correct en accord avec les principes du Travail vous mènera toujours à votre destination. Le Soi ne vous donnera que rarement, voire jamais, un test que vous ne pouvez pas réussir si vous vous appliquez pleinement. Quand il semble autrement, gardez à l'esprit que l'échec rend souvent de meilleures leçons que le succès, ou l'illusion de celui-ci.
Une névrose n'est en aucun cas simplement une chose négative, c'est aussi quelque chose de positif. Seul un rationalisme sans âme renforcé par une vision matérialiste étroite pourrait avoir négligé ce fait. En réalité, la névrose contient la psyché du patient, ou du moins une partie essentielle de celle-ci ; et si, comme le prétend le rationaliste, la névrose pouvait être arrachée de lui comme une mauvaise dent, il n'aurait rien gagné mais aurait perdu quelque chose de très essentiel pour lui. C'est-à-dire qu'il aurait perdu autant que le penseur privé de son doute, ou le moraliste privé de sa tentation, ou l'homme courageux privé de sa peur. Perdre une névrose, c'est se retrouver sans objet ; la vie perd son sens et donc sa signification. Ce ne serait pas une guérison, ce serait une véritable amputation. Jung -- Civilisation en Transition