Wiki I Ching

Waiting 5.4.6 1 The Creative

From
5
Waiting
To
1
The Creative

Demonstrating authority so that others are not able to break the law.

One does not accept constraints when their loved ones are threatened.
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Waiting 5
Be patient and prepare.
Trust timing for success.
Be steady and ready.


Line 4
Danger is present.
Take decisive action to remove yourself from harm.


Line 6
Unexpected challenges may arise.
Welcome them and adapt, leading to eventual success.


The Creative 1
Pure potential.
Creative energy.
Initiate bold actions.



5
Waiting


Other titles: Nourishment, Calculated Inaction, Attending, Biding One's Time, Nourishment Through Inaction, Waiting for Nourishment, Moistened, "Waiting with the assurance that a blessing will come." -- D.F. Hook

 

Judgment

Legge:Waitingintimates that with sincerity and firmness there will be brilliant success and good fortune. It will be advantageous to cross the great stream.

Wilhelm/Baynes:Waiting. If you are sincere, you have light and success. Perseverance brings good fortune. It furthers one to cross the great water.

Blofeld: Calculated inaction (or exhibiting the power to wait) and the confidence of others win brilliant success. Righteous persistence brings good fortune. It will be advantageous to cross the great river (or sea). [The significance of this hexagram is that inaction while awaiting the outcome of events will enable us to avoid a danger now threatening. Firmness, clarity of mind and success in winning the confidence of others are now demanded of us; with them, our undertakings will prosper. Moreover, this period of inaction is a good time in which to go on a journey or else for relaxation and enjoyment.]

Liu: Waiting.If you are sincere you will have glory (light) and success. Continuing leads to good fortune. It is of benefit to cross the great water (to travel to remote places).

Ritsema/Karcher: Attending, possessing conformity . Shining Growing, Trial: significant. Harvesting: wading the Great River. (Editor: "Possessing conformity" is translated as: ... "Inner and outer are in accord; confidence of the spirits has been captured...") [This hexagram describes your situation in terms of being compelled to wait for and serve something. It emphasizes that fixing your attention on what is required while waiting carefully for the right moment to act is the adequate way to handle it. To be in accord with the time, you are told to: attend!]

Shaughnessy: Moistened: There is a return, radiant receipt; determination is auspicious; beneficial to ford the great river.

Cleary (1): In Waiting there is sincerity and great development. It is good to be correct. It is beneficial to cross a great river.

Cleary (2):Waiting with truthfulness lights up success in correct orientation toward good. It is beneficial to cross a great river.

Wu: Waiting indicates having confidence. It is brilliant and pervasive and auspicious to be persevering. It will be advantageous to cross the big river.

The Image

Legge: The image of clouds ascending over the sky forms Waiting. The superior man, in accordance with this, eats and drinks, feasts and enjoys himself as if there were nothing else to employ him.

Wilhelm/Baynes: Clouds rise up to heaven: the image of Waiting. Thus the superior man eats and drinks, is joyous and of good cheer.

Blofeld: This hexagram symbolizes clouds rising to the zenith -- inactivity! The Superior Man will pass this time in feasting and enjoyment.

Liu: Clouds rise up in the sky; this symbolizes Waiting. The superior man enjoys his food and drink. He remains relaxed and happy.

Ritsema/Karcher: Above clouds with-respect-to heaven. Attending. A chun tzu uses drinking [and] taking-in to repose delighting.

Cleary (1): Clouds rise to heaven, waiting. The superior person makes merry with food and drink.

Wu: The clouds ascend to the sky; this is Waiting. Thus the jun zi enjoys food and peace.

 

COMMENTARY

Confucius/Legge: Waiting shows peril in front, but its subject does not allow himself to be involved in the dangerous defile. The success in sincerity and good fortune in firmness are shown by the position of the fifth line which is correctly situated in the central place assigned by Heaven. Crossing the great stream will be followed by meritorious achievement.

Legge: Waiting is composed of the lower trigram of strength and the upper trigram of peril. Strength confronted by peril might be expected to advance boldly and deal with it at once, but the lesson of the hexagram is that it is wiser to wait until success is sure. In the situation at hand, firm correctness is all that is required for eventual victory.

"Crossing the great stream" is a frequent expression in the I Ching which symbolizes the undertaking of hazardous enterprises, or encountering great difficulties. Historically it refers to the Yellow River which the lords of Chou had to cross in their revolution against the Yin Dynasty tyrants. The crossing made by King Wu in 1122 B.C. was one of the greatest deeds in the history of China, and was preceded by a long period of waiting until success could be assured.

Regarding the Image, it is said that the cloud that has risen to the top of the sky has nothing to do but wait until the harmony of heaven and earth require it to discharge its store of rain. The superior man is likewise counseled to enjoy his idle time while waiting for the correct moment to deal with the approaching danger.

 

NOTES AND PARAPHRASES

Judgment: Strength in the face of danger here consists of the will to sit tight and do nothing.

The Superior Man carries on as if nothing was the matter, and nourishes himself through inaction.

There are many kinds of courage -- perhaps the greatest of all is the courage to remain unflinchingly in place when all the circumstances seem to cry out for action. It takes far more courage to wait for the dragon to slowly come to you than to rush forth and attack him in his lair. As a strategy, to out-wait your opponent through pure willpower and inner strength can be more effective than a direct attack -- but it can only succeed when you are truly strong. It is as if the real battle takes place on the inner planes, and the first one to act in the world thereby concedes defeat.

A very large part of the Work consists in disciplining oneself to wait -- to take no action until some indefinite time in the future. This is exceedingly difficult to do, and creates incredible stresses within the psyche -- which is exactly why it is necessary. Psychologically, to "cross the great stream" is to subdue all of the autonomous instincts, drives and emotions that are accustomed to responding whenever they are stimulated. As long as waiting creates feelings of stress, you can be sure that the battle has not been won. When you can wait like the superior man -- as if there were nothing else to do, then you can allow yourself to hope that you may be getting somewhere.

To nourish oneself through inaction is to digest and absorb the energy of one's instinctive responses. As in any nourishing assimilation, their strength then becomes your strength. The true adept is one who has digested all of his passion and is thereby empowered to use it for his own purposes. Instead of engaging in civil war, he has united his forces to act in the world.

Tradition says that Moses did not set the Tabernacle up straight away, but delayed for three months, despite the fact that the people wanted to dedicate it at once. In this is repeated a lesson of patience concerning matters of the spirit. For instead of accepting their Teacher's word, which conveyed the will of God, the Israelites sought to impose their own will over what they had made ... This phenomenon is not unknown among those who cannot wait, which is a vital part of esoteric training. Unfortunately, it has to be demonstrated over and over again that the timing of a spiritual event is contingent upon a cosmic schedule, and not the will of the individual.
Z.B.S. Halevi -- Kabbalah and Exodus


Line 4

Legge: The fourth line, magnetic, shows its subject waiting in the place of blood. But she will get out of the cavern.

Wilhelm/Baynes: Waiting in blood. Get out of the pit.

Blofeld: Inactivity amidst blood -- we shall emerge from the abyss.

Liu: Waiting in blood. Come out from the pit.

Ritsema/Karcher: Attending tending-towards blood. Issuing- forth originates-from the cave.

Shaughnessy: Moistened in the blood; it comes out from the cavity.

Cleary(1): Waiting in blood. Leaving the cave.

Wu: He is waiting in blood. He exits from the cave.

 

COMMENTARY

Confucius/Legge: She accommodates herself to the circumstances of the time, and hearkens to its requirements. Wilhelm/Baynes: He is yielding and obeys. Blofeld: To abstain from action amidst deeds of blood is to accord with the principle of allowing things to take their course. Ritsema/Karcher: Yielding uses hearkening indeed. Cleary (2): Means listening receptively. Wu: Waiting in blood calls for obedience.

Legge: Line four has passed from the lower to the upper trigram and entered the scene of danger and strife: "the place of blood." However, she is magnetic and in her correct place, so she withdraws from engagement with the enemy and is thereby enabled to escape from the cavern. Recognition of the circumstances of the time and yielding to its requirements are the lessons here. She acknowledges her inadequacies and takes the prudent step.

 

NOTES AND PARAPHRASES

Siu: The man enters the scene of strife and danger in a life and death struggle. He accommodates himself to fate, stands fast, and refrains from aggravating the problem.

Wing: You are waiting in the very center of chaos. Any sort of confrontation with the problems that present themselves will only make things worse. Remove yourself immediately and unobtrusively from the situation.

Editor: Psychologically interpreted, this line sometimes implies that during a transitional phase in the dialectical process of individuation one must avoid any influence that might interfere with that process. Each translator uses a different word for what may be interpreted as an image of the unconscious psyche: "cavern," "pit," "abyss," "cave" and "cavity" all describe a hidden, dark, dangerous influence in the situation at hand.

For the ordinary esoteric aspirant the best approach to the evil within us is, after having recognized and faced it, to starve it, working only upon the development of the good and spiritual qualities. By developing the contact of the Spirit the psyche will eventually be so transformed that there is no room for evil within it. Direct work upon evil forces will tend to set up a polarity and occult link with these forces and this is one thing which must be sedulously avoided.
Gareth Knight --Qabalistic Symbolism

A. Withdraw from a dangerous position.

B. "Don't touch it with a ten-foot pole!"

C. Wait until the situation clarifies.

Line 6

Legge: The sixth line, magnetic, shows its subject entered into the cavern. But there are three guests coming, without being urged, to help her. If she receives them respectfully, there will be good fortune in the end.

Wilhelm/Baynes: One falls into the pit. Three uninvited guests arrive. Honor them, and in the end there will be good fortune.

Blofeld: Entering a pit. Three uninvited guests arrive; to honor them will ultimately bring good fortune.

Liu: Entering the pit, three unexpected guests arrive. Treat them courteously. Good fortune in the end.

Ritsema/Karcher: Entering tending-towards the cave. Possessing not urging's visitors. Three people coming. Respecting them: completing significant.

Shaughnessy: Entering into the cavity; there are unbidden guests, three men, who come; respect them; in the end auspicious.

Cleary (1): Entering a cave. Three people come, guests not in haste: Respect them, and it will turn out well.

Cleary (2): … Three unhurried guests come … etc.

Wu: He enters the cave. There come three uninvited guests. To receive them with respect will be auspicious in the end.

 

COMMENTARY

Confucius/Legge: There has been no great failure in what has been done. Wilhelm/Baynes: Although the line is not in its proper place, at least no great mistake is made. Blofeld: Nothing is lost by it. [There is a Chinese proverb which runs: `Being over-courteous excites no blame from others.'] Ritsema/ Karcher: Not-yet the great let-go indeed. Cleary (2): Even though you do not reach rank, still you have not lost much. Wu: Although his position is not tenable, he has not faulted badly.

Legge: The magnetic sixth line has entered deeply into the cavern. Her correlate third line comes with two dynamic companions from the lower trigram to give help. If they are respectfully received, that help will prove effectual.

 

NOTES AND PARAPHRASES

Siu: The man falls into great complications. Everything looks black. But unexpected help arrives. If he is sensitive to it and accepts it graciously, there will be a happy turn of events.

Wing: The time is complex. The waiting is over because the difficulties are upon you. There appears to be no way out of the situation. Yet help arrives if you recognize it. To know and graciously accept such unexpected and unfamiliar assistance will turn the entire situation toward the good.

Editor: A cavern, a narrow, dark and restricted place, can refer to ignorance as well as danger. However, things here are not as dark as they may appear and the issue will improve if you are receptive to a solution. Waiting is the subjective experience of the passage of time. If time and consciousness are in some ways synonymous, then "waiting” implies the interval between ignorance and enlightenment.

What is experienced only in terms of a personal impasse can seem quite hopeless until and unless it receives a general human meaningfulness by being recognized as one's individual and perhaps discordant share in, or variation of, a general theme of human striving and seeking.
E.C. Whitmont -- The Symbolic Quest

A. The working out of an impasse -- respect the process by allowing it to unfold naturally.

B. “It is always darkest before the dawn."

1
The Creative


Other titles: The Creative, The Symbol of Heaven, The Creative Principle, Force, The Key, Creativity, The Originating, Creative Power, Primal Power, Yang, The Life Force, Kundalini, God the Father

 

Judgment

Legge:The Dynamic represents what is great and originating, penetrating, advantageous, correct and firm.

Wilhelm/Baynes:The Creative works sublime success, furthering through perseverance.

Blofeld: The Creative Principle . Sublime Success! Persistence in a righteous course brings reward.

Liu:The Creative brings great success, benefiting all through perseverance.

Ritsema/Karcher:Force: Spring Growing Harvesting Trial. [This hexagram describes your situation in terms of the primal spirit power that both creates and destroys. It emphasizes that dynamic, unwearied persisting, the action of Force, is the adequate way to handle it. To be in accord with the time, you are told to: persist!]

Shaughnessy:The Key: Primary reception; beneficial to determine.

Cleary(1):Heavencreates, develops, brings about fruition and consummation.

Cleary(1): The creative is successful; this is beneficial if correct.

Wu:The Originator is primordial, pervasive, prosperous and persevering.

 

The Image

Legge: Heaven, in its motion, gives the idea of strength. The superior man, in accordance with this, nerves himself to ceaseless activity.

Wilhelm/Baynes: The movement of heaven is full of power. Thus the superior man makes himself strong and untiring.

Blofeld: This hexagram symbolizes the power of the celestial forces in motion, wherewith the Superior Man labors unceasingly to strengthen his own character.

Liu: Heaven moves powerfully; the superior man strengthens himself unceasingly.

Ritsema/Karcher: Heaven moves persistingly. A Chun tzu uses originating strength not to pause.

Cleary(1): The activity of heaven is powerful; superior people thereby strengthen themselves ceaselessly.

Wu: Heaven moves in full strength. Thus the jun zi strives ceaselessly to be self-reliant.

 

COMMENTARY

Confucius/Legge: All things owe their inception to the vast and originating power of The Dynamic. It contains all the meaning of the word: Heaven. Clouds move, rain falls, and the myriad things appear in their created forms. The sages comprehend the link between the end and the beginning. They understand how the changes of the six lines of the hexagram are accomplished, each in its season, and with this knowledge they ascend toward Heaven as though mounted on six dragons. The intent of The Dynamic is to transform everything so that it reflects its correct nature as originally conceived by the mind of Heaven. Thereafter, this great harmony is preserved in union and firm correctness. The sage appears aloft, high above all things, and the myriad states are harmoniously united.

Legge: For the Chinese, the dragon has been from the earliest times a symbol of dignity, wisdom, sovereignty and sagehood. It is the symbol of the superior man, and especially the "great man," exhibiting all the virtues and attributes of Heaven. Although the dragon's home is in the water, it can disport itself on land, and also fly through the air.

The sage rules in the world of men as Heaven rules nature. He sees the connection between the end and the beginning as the law of cause and effect in the operations of nature and human affairs. The various steps in that course are symbolized by the lines of the hexagram, and the ideal sage, conducting his ideal government, is represented as driving through the sky in a carriage drawn by six dragons.

 

NOTES AND PARAPHRASES

Judgment:The Dynamic is the life force itself.

The Superior Man tirelessly furthers the Great Work of Transformation.

The image of a dragon appears in every line of this hexagram, except the third. Like most symbols, the dragon has both a positive and a negative aspect. In Western myth, it is usually an adversary which the hero must conquer before he can obtain a treasure or often, a captive maiden. The Chinese, on the other hand, regard the dragon positively. Blofeld comments:

In China, the dragon has always been regarded as a highly admirable creature of celestial origin. Dragons provide rain; make rivers run and rule the ocean. The European dragon is clearly of another species.

This seeming anomaly may say more about how east and west perceive the forces of nature, rather than refer to any true differences in the forces perceived.

Wilhelm compares the dragon to the electrical energy within a thunderstorm -- as lightning it can destroy us, but in the form of electricity it can be harnessed to do useful work. A dragon is nothing if not a huge serpent, and this suggests the idea of the "serpent power," or Kundalini energy which when aroused in the human body has been likened to a sudden jolt of electricity running up from the base of the spine to the top of the head. The Kundalini force is equated in turn with sexual energy -- dynamic power which ensures the continuance of all but the most primitive of living organisms. Without the powerful energy of sexuality, life as we know it could not exist.

When the dragon remains unconquered in the cave-like depths of the unconscious, the life force autonomously rules our lives and we become passive vehicles for random desires and appetites. This "electricity" will flow wherever it finds a circuit of least resistance, and under these conditions an individual's life is largely "created" by chance and circumstance. When one begins the Work, the task of Individuation, one assumes the role of the hero or warrior, who does battle with the dragon in order to bring it under his will. This is a great struggle, and success is not guaranteed, but if one is able to control the primordial power of the life force, the treasure (or the maiden, which in the male psyche amounts to the same thing), is obtained. This is tantamount to attaining a higher level of consciousness -- in its highest form it constitutes "enlightenment."

The symbolism of all of the hexagrams works on many different levels, and this is especially true of the first two, which must be studied together for a full comprehension of each. (Kabbalists, for example, will recognize in these two figures the same forces found in Chokmah and Binah on the Tree of Life.) For the purposes of this comparison it must be noted that the first hexagram symbolizes Heaven, and the second symbolizes Earth: Force and Form. (As consciousness is to the body it inhabits, so Force is to Form and Heaven to Earth.) Form is magnetic, or "negative" in polarity, and Force is dynamic, or "positive."

In esoteric symbolism "Heaven" does not mean the universe above us -- it means the consciousness within us. This polarity is also reflected in the relationship between the ego and the Self -- in a properly regulated psyche, the ego is always magnetic to the dynamic Self.

There is an invisible universe within the visible one, a world of causes within the world of effects. There is force within matter, and the two are one, and are dependent for their existence on a third, which is the mysterious cause of their existence. There is a world of soul within a world of matter, and the two are one, and caused by the world of spirit.
F. Hartmann -- Paracelsus: Life and Prophecies

 

SUGGESTIONS FOR MEDITATION

To get a fuller grasp of the numinously beautiful structure of the I Ching and the transcendent reality which it reflects, one should meditate on each of the hexagrams as often as possible -- one can never exhaust their meaning. The first two hexagrams (because they are the "cosmic parents" of all the others), are especially rich in their associations. Here are a few suggestions for meditation:

1. Compare and contrast the general ideas in the first three hexagrams, noting how the third is a logical progression of the first two.

2. The Confucian commentary on The Dynamic is particularly rich in meaning. Read it over and over again -- it contains the principles of the Work as outlined in more detail in the other hexagrams. Compare the sixth sentence with the ideas in hexagram number twenty, Contemplation.

3. Compare the first two hexagrams with hexagram number eleven, Harmony, and number twelve, Divorcement, noting the implications of the symbolism in terms of the proper management of the Work.