Wiki I Ching

Biting Through 21.2.3.5 1 The Creative

From
21
Biting Through
To
1
The Creative

Defending one's interests by bribing those who can tip the balance in one's direction
One sacrifices their savings for favors.
taoscopy.com


Biting Through 21
Face conflicts head-on to clear blockages; decisive action breaks through obstacles.


Line 2
One must be firm and resolute to overcome obstacles, but should not be overly harsh.


Line 3
Challenges are tough and may lead to minor setbacks, but persistence will lead to no lasting harm.


Line 5
Success is possible through careful and persistent effort, despite the risks.


The Creative 1
Pure potential.
Creative energy.
Initiate bold actions.



21
Biting Through


Other titles: Biting Through, Gnawing, The Symbol of Mastication and Punishment by Pressing and Squeezing, Gnawing Bite, Severing, Chewing, Punishment, Reformation, Reform, Differentiation, Discrimination, Making a Distinction, Getting the message "Something which should be, or has to be bitten through. This is essentially the legal hexagram. When asking about a man's intentions, he is probably married." -- D.F. Hook

 

Judgment

Legge: Success is found in Discernment. The restrictions of the law bring advantage.

Wilhelm/Baynes:Biting Through has success. It is favorable to let justice be administered.

Blofeld: Gnawing. Success! The time is favorable for legal processes. [The concept of gnawing is suggested by the component trigrams, which are regarded (owing to the arrangement of their lines) as not commingling; they are as separate from each other as the upper and lower jaw when something tough is being gnawed.]

Liu: Chewing: Success. It benefits to administer justice. [Chewing indicates success through hard work. Those who get this hexagram will have trouble in the beginning.]

Ritsema/Karcher:Gnawing Bite, Growing. Harvesting: availing of litigating. [This hexagram describes your situation in terms of confronting a tenacious obstacle. It emphasizes that biting through and picking things clean until the essential is revealed is the adequate way to handle it. To be in accord with the time, you are told to: gnaw and bite through!]

Shaughnessy: Biting and chewing: Receipt; beneficial to use a court case.

Cleary (1):Biting through is developmental. It is beneficial to administer justice.

Cleary (2): Biting through is successful. It is beneficial to apply justice.

Wu: Discernment is pervasive. It will be advantageous to exact punishments.

 

The Image

Legge: The images of thunder and lightning form Discernment. Thus the ancient kings promulgated their laws and framed their penalties with intelligence.

Wilhelm/Baynes: Thunder and lightning: The image of Biting Through. Thus the kings of former times made firm the laws through clearly defined penalties.

Blofeld: This hexagram symbolizes lightning accompanied by thunder. The ancient rulers, after making their legal code perfectly clear to all, enforced the laws vigorously. [The firm and yielding lines more or less alternate; or the lower trigram can be regarded as filled with the power of thunderous force, while the upper trigram, representing beauty, is soft and yielding. (Li, the upper trigram, stands for lightning as well as for fire, beauty, etc.) I do not know what the ancient Chinese views on thunder and lightning were; it appears from this that they were regarded as two forces which, like steel and flint, emitted brilliance when brought into sharp contact with each other. A pair of trigrams both with yielding centers is not felt to be a good arrangement; that it nevertheless favors the process of the law may have been suggested to the writer of the Text by the fact that the weak lines (morally weak people?) are fully contained by the strong (prison walls, warders and so forth?)]

Liu: Thunder and lightning symbolize Chewing. The ancient kings made the laws and clarified the penalties.

Ritsema/Karcher: Thunder, lightning. Gnawing Bite. The Earlier Kings used brightening flogging to enforce the laws.

Cleary (1): Thunder and lightning, biting through. Thus did the kings of yore clarify penalties and proclaim laws. [Those who administer laws should emulate the ancient kings in first clarifying them before executing them, in order to avoid mistakenly injuring life.]

Wu: Thunder and lightning form Discernment. Thus the ancient kings made just punishments and upheld the law of the land.

 

COMMENTARY

Confucius/Legge: The existence of something between the jaws gives rise to the name Discernment-- union by means of biting through the intervening article. The dynamic and magnetic lines are equally divided in the figure. Movement is denoted by the lower trigram, and Clarity by the upper -- thunder and lightning uniting in them, and having brilliant manifestation. The magnetic fifth line is in the center, and acts in her high position. Although she is not in her proper place, this is advantageous for the use of legal constraints.

Legge: Discernment means literally "union by gnawing." The figure consists of undivided lines in the top, bottom and fourth places -- giving the image of open jaws with something in them "being gnawed." When the object has been bitten through, the upper and lower jaws come together in union -- hence: " Union by gnawing." Remove the obstacles to union and high and low will meet together in understanding. The force exerted by gnawing suggests the idea of legal constraints.

The equal division of the dynamic and magnetic lines is seen by taking them in pairs, though the order of the first pair is different from the other two. The magnetic fifth line is the ruler of the hexagram, indicating that judgment is tempered by leniency.

Ch'eng-tzu says that thunder and lightning are always found together, and hence their trigrams go together to give the idea of union intended in Discernment: one trigram symbolizing majesty and the other intelligence.

Cleary (1): Practice of the Tao is like administering justice: Discerning true and false, right and wrong, is like the judge deciding good and bad; getting rid of falsehood and keeping truth, so as to preserve essence and life, is like the [just] administration rewarding the good and punishing the bad, so as to alleviate the burden of injustice.

 

NOTES AND PARAPHRASES

Judgment: Further the Work through careful Discernment between what is true and false, right and wrong, correct and incorrect.

The Image portrays the connection between cause and effect, where consequences are always based on the inexorable laws of nature.

To bite is to comprehend, and to bite through is to make distinctions. The top and bottom lines of the hexagram represent the upper and lower jaws, and both bear images of restriction and punishment. Each of the lines between them portrays some version of biting through flesh. Hence, the jaws define the general problem, and the teeth differentiate the details.

The symbol of losing teeth has the primitive meaning of losing one's grip because under primitive circumstances and in the animal kingdom, the teeth and mouth are the gripping organ. If one loses teeth, one loses the grip on something. Now this can mean a loss of self-control, etc. The English word grip is contained in the German word begriff (conception or notion). The Latin word conceptio means the same, i.e., catching hold of something, having a grip on something.
Jung -- Letters

In I Ching symbolism, the "ancient kings” are always synonymous with spiritual authority. Analogous to gods or cosmic forces, their "laws" are like the laws of karma or of nature -- inexorable in their outcome. Therefore, the punishment theme in the hexagram warns us that a lack of Discernment in the matter at hand has built-in penalties: i.e., "Get the message or suffer the consequences.”

Behold, sin and punishment are one, and the fire of punishment is the fire that refines my works. Even in the sinner I am the actor, and I, too, am the sufferer in the experience of punishment.
P.F. Case -- The Book of Tokens

To receive this hexagram without changing lines indicates a need to make some important distinctions in the matter at hand. “Figure it out” might make a good alternate title at such times. Cleary’s Taoist note on the image (“Those who administer laws should emulate the ancient kings in first clarifying them before executing them, in order to avoid mistakenly injuring life”) is a clear admonition to get all of your facts straight before proceeding with your inquiry. That you don’t know or understand something is implied.

 

SUGGESTIONS FOR MEDITATION

The twenty-first hexagram turned upside down becomes the twenty-second. The message for the superior man in the Image of each concerns the enforcement of law. What is the relationship between Discernmentand Persona in such a context? The component trigrams of these two figures also make up hexagrams number fifty-five, Expansion of Awareness and number fifty-six, Transition.The messages for the superior man in each of these figures also relate to litigation. Why? What do the four hexagrams suggest about the nature of the Work?


Line 2

Legge: The second line, magnetic, shows one biting through soft flesh, and going on to bite off the nose. There will be no error.

Wilhelm/Baynes: Bites through tender meat, so that his nose disappears. No blame.

Blofeld: Gnawing flesh so that the nose is hidden in it --no error! [The meaning of this line is not at all obvious. The Chinese additional commentaries take it to mean that we may do a little harm to our own interests but that we shall not deserve blame for what happens.]

Liu: Biting the skin, his nose is cut. No blame.

Ritsema/Karcher: Gnawing flesh, submerging the nose. Without fault.

Shaughnessy: Biting flesh and cutting off the nose; there is no trouble.

Cleary (1): Biting skin, cutting off the nose, etc.

Cleary (2): Biting through the skin, destroying the nose, etc. [This is investigating principle and gradually penetrating.]

Wu: He bites through a skin burying his nose in it, etc. [This makes it easy for him to judge the case like biting through a soft skin …The judgment seems to have cautioned mildly not to over-judge an easy case.]

 

COMMENTARY

Confucius/Legge: She is mounted on the dynamic first line. Wilhelm/

Baynes: He rests upon a hard line. Blofeld: This is indicated by the position of the line (a yielding one) above a firm one. Ritsema/Karcher: Riding a solid indeed. Cleary (2): Riding on strength. Wu: He is riding on a yang.

Legge: Line two is appropriately magnetic in a central place, therefore her action should be effective. This is shown by her biting through the soft flesh -- an easy thing. Immediately below, however, is a strong offender represented by the first line. Before he will submit it is necessary to bite off his nose. Punishment is the rule, and it must be continued and increased until the end is secured. Ch'eng-Tzu says: "Being mounted on the dynamic first line means punishing a strong and vehement man, when severity is required, as is denoted by the central position of the line."

 

NOTES AND PARAPHRASES

Siu: The hardened sinner must be punished severely to secure the desired ends. Although indignation often goes too far in meting out punishment, it may still be just.

Wing: Punishment and retribution come swiftly and thoroughly to the person who continues in wrong behavior. Even though it may seem overly severe, it will effectively bring about Reform. Finally, there is no mistake in this.

Editor: This is an interestingly ambiguous line which admits of more than one interpretation. I have always taken the hexagram as symbolic of the process of differentiation, so the following associations come from that perspective: Bite: To "get your teeth into" something is to get a grip on it, to comprehend it. Flesh: Meat, food, nourishment -- the raw material, data or experience of the situation at hand. Soft: Easily bitten and penetrated. An easy discrimination. Nose: Intuition, subtle discrimination, as: "I smell a rat.” The various translators indicate that the nose is either injured or buried in the meat, suggesting that the intuitive faculty is damaged or obscured by an overly easy act of mental discrimination. A simplistic comprehension goes too far, but since the idea of "No Blame" is attached to the line this seems to be a natural consequence of the situation. A syllogism might go like this: "Drunk drivers are bad. George is a drunken driver, therefore George is bad.” This is the easy discrimination. The subtlediscrimination is that George, normally a modest drinker, was required by his Embassy job to drink toasts with the Russian ambassador and he miscalculated his capacity to hold his liquor. The easy distinction over-rides the subtle one because the offense is serious enough to require a severe punishment. The line can sometimes suggest the squabbles of lawyers, and the differences between the spirit and letter of the law.

The world of the soul and the realms of the spirit can only be known to him whose inner senses are awakened to life. The things of the body are seen through the instrumentality of the body, but the things of the soul require the power of spiritual perception.
F. Hartmann -- Paracelsus: Life and Prophecies

A. An oversimplification is better than a total illusion: half-true is better than totally false.

B. Suggests a conclusion based upon simplistic reasoning. You only see the obvious: seek the subtle hidden within the obvious.

C. “There is more to the subject than meets the eye.”

Line 3

Legge: The third line, magnetic, shows one gnawing dried flesh, and meeting with what is disagreeable. There will be occasion for some small regret, but no great error.

Wilhelm/Baynes: Bites on old dried meat and strikes something poisonous. Slight humiliation. No blame.

Blofeld: Gnawing dried meat, he was poisoned, but not severely enough to indispose him for long -- no error! [This line presages trouble through no fault of ours which will not, however, incapacitate us for long.]

Liu: By chewing dried salt meat one gets poisoned. Small humiliation, but no blame.

Ritsema/Karcher: Gnawing seasoned meat. Meeting poison. The small abashed. Without fault.

Shaughnessy: Biting dried meat and meeting with poison; small distress; there is no trouble.

Cleary (1): Biting on dried meat, running into poison. There is a little shame, but no blame.

Wu: He bites dried salted meat and gets an unpleasant aftertaste. There will be slight regret, but no error. [A yin in a yang position makes his judgment hard like biting on dried cured meat. The “unpleasant aftertaste” may suggest he is biting more than he can chew, he faces rowdy offenders, or he has a little rough time. But he makes no error.]

 

COMMENTARY

Confucius/Legge: She meets with what is disagreeable and hurtful -- her position is not the proper one for her. Wilhelm/Baynes: The place is not the appropriate one. Blofeld: His being poisoned is indicated by the unsuitable position of this line. Ritsema/Karcher: Situation not appropriate indeed. Wu: His position is improper.

Legge: Line three is magnetic in a dynamic place. Her action will be ineffective, and is symbolized by gnawing through tough meat only to taste something rancid. Since punishment is the rule in this hexagram, the auspice is not all bad.

 

NOTES AND PARAPHRASES

Siu: The man lacks sufficient power and authority and the culprit does not submit to him. It is like biting through old dried meat and coming upon something poisonous. Some humiliation results but no blame.

Wing: You lack sufficient power and authority to bring about Reform. Your attempts meet with indifference, and you may feel humiliated at your ineffective actions. Yet Reform is necessary, and therefore your endeavors are justified.

Editor: In his commentary Wilhelm emphasizes that "the matter at issue is

an old one.” A magnetic line in a dynamic place suggests weakness or passivity which is unable to deal very effectively with a long-standing problem. Implicit also is the idea of confronting something disagreeable within one's own psyche.

For there are very many kinds of evil which formed the delight of his former life, that is of the old life. These evils cannot all be subdued at once and together; for they cleave tenaciously, since they have been inrooted in the parents for many ages back, and are therefore innate in man, and are confirmed by actual evils from himself from infancy.
Swedenborg -- Arcana Coelestia

A. You seem impotent in coming to grips with an old issue. Recognition and acceptance of this are the first steps toward initiating needed reforms.

Line 5

Legge: The fifth line, magnetic, shows one gnawing at dried flesh, and finding the yellow gold. Let her be firm and correct, realizing the peril of her position. There will be no error.

Wilhelm/Baynes: Bites on dried lean meat. Receives yellow gold. Perseveringly aware of danger. No blame.

Blofeld: While gnawing dried meat, he encountered a piece of gold embedded in it -- unwavering determination now will bring down trouble, but no error is involved. [If we persist with our plans, trouble will arise; the only comfort we can take is that we shall not be to blame for it.]

Liu: By chewing the dried meat one gains gold. To continue is dangerous. No blame.

Ritsema/Karcher: Gnawing parched meat. Acquiring yellow metal. Trial: adversity. Without fault.

Shaughnessy: Biting dry meat and meeting with poison; determination is dangerous; there is no trouble.

Cleary (2): Biting dry meat, finding gold, if one is upright and diligent there will be no blame.

Wu: He bites dried meat and gets yellow gold. He will have no error if he remains perseverant in such a critical situation. [What he bites suggests he still has a hard time simply because he is not strong-minded. A softhearted person vested with the authority of a judge should be perseverant in impartiality.]

 

COMMENTARY

Confucius/Legge: She will possess every quality appropriate to her position and task. Wilhelm/Baynes: She has found what is appropriate. Blofeld: That we shall not be to blame for the trouble is indicated by the suitable position of this line. Ritsema/Karcher: Acquiring the appropriate indeed. Cleary (2): This is finding what is appropriate. Wu: Because he acts properly.

Legge: The fifth line represents the ruler and judge. As it is a magnetic line, she will be disposed to leniency, and her judgments will be correct. This is shown by her finding the "yellow metal." (Yellow is one of the five "correct" colors.) The position is in the center, but because the line is magnetic, a caution is given, as under the previous line.

Anthony: We would like to be lenient, but our job is to be impartial. To accept an alliance merely because the other person wants it, while they are not firmly committed to being correct, would be wrong. They must realize, through their own perception, that correctness is the only path to an alliance, and that spiritual growth is the source of unity that endures.

 

NOTES AND PARAPHRASES

Siu: A clear-cut case meets with difficulty because of a tendency to be lenient. The man must be as true as gold and as impartial as the mean.

Wing: Even though there are few alternatives, a decision is difficult to make. Once you choose the course you will take, do not waver from your decision. Remain aware of the dangers and in this way you will surmount them.

Editor: Flesh: Meat, food, nourishment -- the raw material, data or experience of the situation at hand. Dried: Tough, difficult to chew and digest -- difficult to sort out, comprehend or accept as true. Yellow:Color of the mean, of the sun -- suggests wisdom which comes from clarity, balanced perception. Gold: The supreme treasure, Divine Intelligence, truth.

When a man sins, good and evil are intermingled. A legal opinion is a clear separation between the permitted and the forbidden, the clean and the unclean. When you study religious law, good is once again separated from the evil and the sin is rectified.
Rabbi Nachman of Breslov

A. Sorting out a complex issue involves difficulty, but success is possible -- you have the resources to comprehend the matter.

B. Success lies in making a hard choice.

1
The Creative


Other titles: The Creative, The Symbol of Heaven, The Creative Principle, Force, The Key, Creativity, The Originating, Creative Power, Primal Power, Yang, The Life Force, Kundalini, God the Father

 

Judgment

Legge:The Dynamic represents what is great and originating, penetrating, advantageous, correct and firm.

Wilhelm/Baynes:The Creative works sublime success, furthering through perseverance.

Blofeld: The Creative Principle . Sublime Success! Persistence in a righteous course brings reward.

Liu:The Creative brings great success, benefiting all through perseverance.

Ritsema/Karcher:Force: Spring Growing Harvesting Trial. [This hexagram describes your situation in terms of the primal spirit power that both creates and destroys. It emphasizes that dynamic, unwearied persisting, the action of Force, is the adequate way to handle it. To be in accord with the time, you are told to: persist!]

Shaughnessy:The Key: Primary reception; beneficial to determine.

Cleary(1):Heavencreates, develops, brings about fruition and consummation.

Cleary(1): The creative is successful; this is beneficial if correct.

Wu:The Originator is primordial, pervasive, prosperous and persevering.

 

The Image

Legge: Heaven, in its motion, gives the idea of strength. The superior man, in accordance with this, nerves himself to ceaseless activity.

Wilhelm/Baynes: The movement of heaven is full of power. Thus the superior man makes himself strong and untiring.

Blofeld: This hexagram symbolizes the power of the celestial forces in motion, wherewith the Superior Man labors unceasingly to strengthen his own character.

Liu: Heaven moves powerfully; the superior man strengthens himself unceasingly.

Ritsema/Karcher: Heaven moves persistingly. A Chun tzu uses originating strength not to pause.

Cleary(1): The activity of heaven is powerful; superior people thereby strengthen themselves ceaselessly.

Wu: Heaven moves in full strength. Thus the jun zi strives ceaselessly to be self-reliant.

 

COMMENTARY

Confucius/Legge: All things owe their inception to the vast and originating power of The Dynamic. It contains all the meaning of the word: Heaven. Clouds move, rain falls, and the myriad things appear in their created forms. The sages comprehend the link between the end and the beginning. They understand how the changes of the six lines of the hexagram are accomplished, each in its season, and with this knowledge they ascend toward Heaven as though mounted on six dragons. The intent of The Dynamic is to transform everything so that it reflects its correct nature as originally conceived by the mind of Heaven. Thereafter, this great harmony is preserved in union and firm correctness. The sage appears aloft, high above all things, and the myriad states are harmoniously united.

Legge: For the Chinese, the dragon has been from the earliest times a symbol of dignity, wisdom, sovereignty and sagehood. It is the symbol of the superior man, and especially the "great man," exhibiting all the virtues and attributes of Heaven. Although the dragon's home is in the water, it can disport itself on land, and also fly through the air.

The sage rules in the world of men as Heaven rules nature. He sees the connection between the end and the beginning as the law of cause and effect in the operations of nature and human affairs. The various steps in that course are symbolized by the lines of the hexagram, and the ideal sage, conducting his ideal government, is represented as driving through the sky in a carriage drawn by six dragons.

 

NOTES AND PARAPHRASES

Judgment:The Dynamic is the life force itself.

The Superior Man tirelessly furthers the Great Work of Transformation.

The image of a dragon appears in every line of this hexagram, except the third. Like most symbols, the dragon has both a positive and a negative aspect. In Western myth, it is usually an adversary which the hero must conquer before he can obtain a treasure or often, a captive maiden. The Chinese, on the other hand, regard the dragon positively. Blofeld comments:

In China, the dragon has always been regarded as a highly admirable creature of celestial origin. Dragons provide rain; make rivers run and rule the ocean. The European dragon is clearly of another species.

This seeming anomaly may say more about how east and west perceive the forces of nature, rather than refer to any true differences in the forces perceived.

Wilhelm compares the dragon to the electrical energy within a thunderstorm -- as lightning it can destroy us, but in the form of electricity it can be harnessed to do useful work. A dragon is nothing if not a huge serpent, and this suggests the idea of the "serpent power," or Kundalini energy which when aroused in the human body has been likened to a sudden jolt of electricity running up from the base of the spine to the top of the head. The Kundalini force is equated in turn with sexual energy -- dynamic power which ensures the continuance of all but the most primitive of living organisms. Without the powerful energy of sexuality, life as we know it could not exist.

When the dragon remains unconquered in the cave-like depths of the unconscious, the life force autonomously rules our lives and we become passive vehicles for random desires and appetites. This "electricity" will flow wherever it finds a circuit of least resistance, and under these conditions an individual's life is largely "created" by chance and circumstance. When one begins the Work, the task of Individuation, one assumes the role of the hero or warrior, who does battle with the dragon in order to bring it under his will. This is a great struggle, and success is not guaranteed, but if one is able to control the primordial power of the life force, the treasure (or the maiden, which in the male psyche amounts to the same thing), is obtained. This is tantamount to attaining a higher level of consciousness -- in its highest form it constitutes "enlightenment."

The symbolism of all of the hexagrams works on many different levels, and this is especially true of the first two, which must be studied together for a full comprehension of each. (Kabbalists, for example, will recognize in these two figures the same forces found in Chokmah and Binah on the Tree of Life.) For the purposes of this comparison it must be noted that the first hexagram symbolizes Heaven, and the second symbolizes Earth: Force and Form. (As consciousness is to the body it inhabits, so Force is to Form and Heaven to Earth.) Form is magnetic, or "negative" in polarity, and Force is dynamic, or "positive."

In esoteric symbolism "Heaven" does not mean the universe above us -- it means the consciousness within us. This polarity is also reflected in the relationship between the ego and the Self -- in a properly regulated psyche, the ego is always magnetic to the dynamic Self.

There is an invisible universe within the visible one, a world of causes within the world of effects. There is force within matter, and the two are one, and are dependent for their existence on a third, which is the mysterious cause of their existence. There is a world of soul within a world of matter, and the two are one, and caused by the world of spirit.
F. Hartmann -- Paracelsus: Life and Prophecies

 

SUGGESTIONS FOR MEDITATION

To get a fuller grasp of the numinously beautiful structure of the I Ching and the transcendent reality which it reflects, one should meditate on each of the hexagrams as often as possible -- one can never exhaust their meaning. The first two hexagrams (because they are the "cosmic parents" of all the others), are especially rich in their associations. Here are a few suggestions for meditation:

1. Compare and contrast the general ideas in the first three hexagrams, noting how the third is a logical progression of the first two.

2. The Confucian commentary on The Dynamic is particularly rich in meaning. Read it over and over again -- it contains the principles of the Work as outlined in more detail in the other hexagrams. Compare the sixth sentence with the ideas in hexagram number twenty, Contemplation.

3. Compare the first two hexagrams with hexagram number eleven, Harmony, and number twelve, Divorcement, noting the implications of the symbolism in terms of the proper management of the Work.