Wiki I Ching

The Cauldron 50.1.6 34 Great Power

From
50
The Cauldron
To
34
Great Power

One is increasingly appreciative of small treats.
taoscopy.com


The Cauldron 50
Transformation and nourishment lead to inner and outer change.
Embrace renewal by discarding the old and refining the new.


Line 1
The beginning of a process of transformation.
It is beneficial to clear away the old to make way for the new.


Line 6
The culmination of efforts leads to great success and recognition.
Everything is favorable.


Great Power 34
Harness inner strength wisely; true power comes from patience and understanding, not force.



50
The Cauldron


Other titles: The Cauldron, The Vessel, Rejuvenation, Cosmic Order, The Alchemical Vessel, "A complete transformation of a person or circumstance." -- D.F. Hook

 

Judgment

Legge: The Sacrificial Vessel means great progress and success.

Wilhelm/Baynes:The Cauldron. Supreme good fortune. Success.

Blofeld: A Sacrificial Vessel -- supreme success!

Liu:The Cauldron. Great good fortune. Success.

Ritsema/Karcher:The Vessel, Spring significant. Growing. [This hexagram describes your situation in terms of the imaginative capacity of a sacred vessel. It emphasizes that securing and imaginatively transforming the material at hand is the adequate way to handle it. To be in accord with the time, you are told to: hold and transform things in the vessel!]

Shaughnessy:The Cauldron: Prime auspiciousness; receipt.

Cleary (1): The cauldron is basically good; it is developmental.

Cleary (2): The Cauldron is very auspiciously developmental.

Wu: The Cauldron indicates great auspiciousness and pervasiveness.

 

The Image

Legge: Wood under a fire -- the image of a Sacrificial Vessel. The superior man maintains his correctness in every situation to secure the appointment of heaven.

Wilhelm/Baynes: Fire over wood: the image of The Cauldron. Thus the superior man consolidates his fate by making his position correct.

Blofeld: This hexagram symbolizes fire upon wood. The Superior Man, taking his stance as righteousness requires, adheres firmly to heaven's decrees.

Liu: Fire above wood symbolizes the Caldron. The superior man makes his destiny firm with a correct position.

Ritsema/Karcher: Above wood possessing fire. The Vessel. A chun tzu uses correcting the situation to solidify fate.

Cleary (1): There is fire on top of wood; a cauldron. Thus do superior people stabilize life in the proper position.

Cleary (2): Fire over wood -- The Cauldron . Leaders stabilize their mandate by correcting their position.

Wu: There is fire on wood; this is The Cauldron . Thus the jun zi rectifies his position and consecrates the mandate.

 

COMMENTARY

Confucius/Legge: The image of the Sacrificial Vessel shows us wood entering a fire, which suggests the idea of cooking. The sages cooked their sacrifices to God and nourished their able ministers with feasts. We have the trigrams of Flexible Obedience and Quick Intelligence, with the magnetic line advanced to the ruler's place and responded to by her dynamic correlate below. All these things give the auspice of successful progress.

Legge: The written Chinese character for Sacrificial Vessel represents a cauldron with three feet and two "ears" used for cooking and preparing food for both the table and the altar. The hexagram pictures this vessel -- the divided first line represents the feet, the three undivided lines above represent the body, the divided fifth line shows the ears (or carrying rings), and the top line is the handle by which the container is carried or suspended from a hook.

The lesson of the hexagram is that the nourishing of men of talent and virtue intimates great progress and success. The K'ang-hsi editors point out that the distinction between hexagram number forty-eight, The Well, and this one is the difference between the nourishment of the people in general and the specific nourishing of worthy men. They add that the reality of sacrifice is nourishing in this regard.

 

NOTES AND PARAPHRASES

Judgment: You are the Sacrificial Vessel.

The Superior Man holds to the principles of the Work to attain transcendence.

The usual name for this hexagram is The Cauldron -- specifically, a type of food-containing vessel which was used in ancient China for religious sacrifices. I prefer Blofeld’s title of the Sacrificial Vessel as more evocative of the ideas presented in the figure.

When the forty-ninth hexagram of Transformation is turned upside down, it becomes the fiftieth hexagram of the Sacrificial Vessel, thus giving us some valuable insights into the nuances of meaning in each of the figures. The combined ideas of transformation and a cauldron used for sacrifices remind us of the alchemical vessel or retort which "cooked" its contents and transformed them into a higher state of matter -- turned lead into gold in the popular conception. Of course, the true esoteric purpose of the alchemist was psychological, not physical.

The vessel of the alchemists, like the circle of the psyche and the mandala, must be closed if the transformation process is to proceed satisfactorily. For the alchemists, the process took place in the material substances collected in the retort. For us, this is a symbol representing a similar process taking place within the psyche. Thus it is said that a wall must be securely built about the psyche before the reconciliation of the opposites can take place within it, and before the new center of the individual can be created. ... For if anything is lost the process is nullified and the final product will be incomplete, imperfect. So long, for instance, as the individual continues to project his deficiencies, or his values, upon circumstances or upon another, he does not have an impervious vessel ... Thus the contents essentially involved in the transformation are seen to be the irrational, instinctual, not yet human factors of the psyche, the nonego. The human and civilized factors, those subject to the will, make up the wall of the vessel.
M.E. Harding -- Psychic Energy

Now an ancient Chinese cauldron used to contain food intended for religious sacrifices is not the same thing as a hermetically sealed alchemical retort made to withstand extreme pressures, but symbolically they are identical images. The ego sacrifices its autonomy for the good of the Work in the same way that the alchemist devotes his entire life to the transformation of base metal into gold -- i.e., to transform his psyche by following the extreme discipline of the Work. Thomas Cleary’s Taoist I-Ching explicitly tells us that this is the meaning intended here:

The work of refinement is the means by which to sublimate earthly energy and stabilize celestial energy, causing the raw to ripen and the old to be renewed, whereby it is possible to illumine the mind and to solidify life. Therefore the cauldron is basically good and it has a developmental path. The basis is the potential of everlasting life of goodness; the cooking of the great medicine in the cauldron is the firing of this living potential to make it incorruptible and permanent. But in this path there is process and procedure; even the slightest deviation and the gold elixir will not form. Therefore people must first thoroughly investigate the true principle.
Liu I-ming

 

SUGGESTIONS FOR MEDITATION

In his commentary Legge mentions that the Chinese see an analogy between this figure and hexagram number forty-eight, The Well. Compare the two figures, noting the similarities between the first, third, fifth and sixth lines. The component trigrams of the Sacrificial Vessel appear in reverse sequence in hexagram number thirty-seven, Family. What other similarities are there in the two figures? How is the idea of a family analogous to the idea of a sacrificial vessel?


Line 1

Legge: The first line, magnetic, shows the cauldron overthrown and its feet turned up. But there will be advantage in getting rid of what was bad in it. Or it shows us the concubine whose position is improved by means of her son. There will be no error.

Wilhelm/Baynes: A cauldron with legs upturned. Furthers removal of stagnating stuff. One takes a concubine for the sake of her son. No blame.

Blofeld: To rid it of decaying remnants of meat, the vessel is turned upside down. [Some actions, though highly improper in themselves, may be properly performed if circumstances so require; a merely ritualistic conception of right and wrong is not desirable.] It is not shameful to take a concubine for the sake of bearing sons. [This is added as an example, immediately acceptable to a traditionally minded Chinese of something improper in itself which becomes proper when the motive is acceptable.]

Liu: A cauldron overturned by its legs -- it is beneficial to clean out the stagnating matter. One takes a concubine to get a son. No blame.

Ritsema/Karcher:The Vessel: toppling the foot. Harvesting: issuing-forth-from obstruction. Acquiring a concubine, using one's sonhood. Without fault.

Shaughnessy: The cauldron's upturned legs; beneficial to expel the bad; getting a consort together with her son; there is no trouble.

Cleary (1): When the cauldron overturns on its base, it is beneficial to eject what is wrong. Getting a concubine, because of her child she is not faulted.

Wu: The cauldron tips over and conveniently spills its stale food, like a man taking a secondary wife because of her son. There will be no error.

 

COMMENTARY

Confucius/Legge: The cauldron is emptied -- this is not incorrect. There will be advantage in getting rid of what was bad so that the subject of the line will thereby follow the more noble subject of line four. Wilhelm/Baynes: This is still not wrong. To follow the man of worth. Blofeld: There is nothing improper about up-ending a sacrificial vessel to rid it of decaying matter. Such actions are necessary in the pursuit of what is noble. Ritsema/Karcher: Not-yet rebelling indeed. Using adhering-to valuing indeed. Cleary (2): That is not bad. To go along with what is valuable. Wu: There is nothing to worry about. The outlook is after prominence.

Legge: Line one is magnetic, and little can be expected from her, but she has a proper correlate in the dynamic fourth line. The overthrow of the cauldron, causing its feet to be turned upward towards the fourth place empties it of what was bad in it. This is deemed fortunate, because it thereby hastens the cooperation between the two lines. A similar idea is that a concubine is less honorable than a wife --like the overthrown cauldron. But if she has a son, while the wife has none, he will be his father's heir, and the concubine-mother will share in the honor of his position.

 

NOTES AND PARAPHRASES

Siu: At the outset, the evil is being discarded. This opens up opportunities for renewal, no matter how lowly a position the man may temporarily occupy.

Wing: To attain a goal that is worthy in itself, you may need to use means that are considered unorthodox. If this goal has been a long-term objective, you may have to begin again, using entirely new methods. This is not a mistake. You can succeed no matter how inexperienced you are.

Editor: An alchemical vessel is a metaphor for the psyche undergoing the transformation of the Work. To rid the vessel of what is "bad" (Wilhelm calls it "stagnating stuff") is to rid oneself of limiting beliefs, negative emotions or whatever harmful element may be suggested by the matter at hand. After years of work, the testing process becomes increasingly refined -- one goes through long periods of stress with perfect equanimity, and begins to take pride in one's strength of will. At about that point, something will happen to evoke an emotional response, and one becomes suddenly aware that the refining process is not complete until all of the scum comes to the top and is eliminated from the psyche. The symbolism of the concubine suggests a rather humble or simple emotional component, union with which produces a new and promising synthesis.

When this part of the work has been accomplished it is as if the individual had built a psychic container, and this must be done to the very best of his ability, or it may go to pieces when the strains and stresses of the transformation process begin. For there will still remain certain things, and these usually the very darkest, that will come to light when he explores the unconscious ... These blackest shadows, that the alchemists called the state of nigredo, will probably prove to be connected with the unadapted emotions representing the nonpersonal part of the psyche, and it is most painful to realize that they actually exist within oneself.
M.E. Harding -- Psychic Energy

A. After ridding oneself of limiting beliefs, a conscious connection with basic principles brings forth new and valuable insights.

B. Expel dross and embrace simplicity.

C. The simplest, least complicated solution is the best one.

D. An image of dealing with unconscious material -- confronting one's hidden issues.

Line 6

Legge: The sixth line, dynamic, shows the cauldron with rings of jade. There will be great good fortune, and all action taken will be in every way advantageous.

Wilhelm/Baynes: The cauldron has rings of jade. Great good fortune. Nothing that would not act to further.

Blofeld: The Ting has jade handles -- great good fortune! [A further improvement on the progress indicated in the preceding note.]

Liu: The cauldron has carrying rings of jade. Great good fortune. Benefit in everything.

Ritsema/Karcher: The Vessel: jade rings. The great significant. Without not Harvesting.

Shaughnessy: The cauldron's jade bar; greatly auspicious; there is nothing not beneficial.

Cleary (1): The cauldron has a jade handle. This is very auspicious, entirely beneficial.

Cleary (2): The jade handle of the cauldron is very auspicious, beneficial to all.

Wu: The cauldron’s carrying pole is decorated with jade. There will be great fortune and nothing disadvantageous.

 

COMMENTARY

Confucius/Legge: The rings of jade are at the very top -- the dynamic and magnetic meet in their due proportions. Wilhelm/Baynes: The jade rings in the highest place show the firm and the yielding complementing each other properly. Blofeld: The first part of the passage is indicated by this top line-- a firm line which meets the yielding fifth harmoniously. Ritsema/Karcher: Solid and supple articulating indeed. Cleary (2): The jade handle is above. Hard and soft join. Wu: The strong and the weak are balanced.

Legge: Line six is dynamic, but his strength is tempered by being in a magnetic place. It is this which makes the handle to be of jade, which, though very hard has a peculiar and rich softness all its own. The auspice of the line is excellent. The Great Minister (line six) performs for the ruler (line five) by helping his government and nourishing the worthy. This is the part that the handle does for the cauldron.

 

NOTES AND PARAPHRASES

Siu: The sage imparts wise counsel to the benefit of the worthy recipient. His gentle and sincere behavior pleases the heavens, which dispense good fortune to all.

Wing: There exists a general atmosphere of clarity and greatness. All circumstances are favorable. The inner self has reached a highly developed stage. Everyone will benefit.

Editor: The top line of a hexagram often represents the sage or holy man. Here the wisdom of the sage is offered to the ruler. Psychologically, the ego is receptive to instruction from its higher Self. The Confucian commentary alludes to the proper union of dynamic and magnetic forces -- this is the Holy Marriage of the Perennial Philosophy. The image suggests the Chinese concept of Li, the character for which combines the ideas of heaven's ordinances with that of a receptive vessel.

The term Li signifies one of the most important concepts in Confucian ethics. [The character] is made up of two elements, one representing influence coming down from heaven, and the other ... representing a sacrificial vessel ... Li came to include all the customary regulations and acknowledged practices which govern social relationships.
D.H. Smith --Confucius

A. One is receptive to the highest influence.

B. An image of the harmonious union of thought and feeling.

34
Great Power


Other titles: The Power of the Great, The Symbol of Great Vigor, Persons of Great Authority, Great Strength, Great Invigorating, Great Maturity, Accumulated Force, The Strength of the Mighty, Righteous Power, Excessive Force

 

Judgment

Legge:Great Power necessitates firm correctness.

Wilhelm/Baynes:The Power of the Great. Perseverance furthers.

Blofeld: The Power of the Great. Persistence in a righteous course brings reward. [This hexagram with a solid group of firm lines topped by a small number of yielding lines obviously signifies strength -- in this case the power to succeed in spite of difficulties. Much of what follows concerns goats -- a symbol presumably suggested by the form of the hexagram, namely a solid body distinguished by a pair of horns -- the yielding lines at the top.]

Liu: Great Power. It is of benefit to continue.

Ritsema/Karcher: Great Invigorating , Harvesting Trial. [This hexagram describes your situation in terms of the invigorating power of a central creative idea. It emphasizes that animating everything around you through this guiding motivation is the adequate way to handle it. To be in accord with the time, you are told to invigorate through the great!]

Shaughnessy: Great Maturity: Beneficial to determine.

Cleary(1):Great power is beneficial when correct.

Wu: Great Strength indicates that it is advantageous to be persevering.

 

The Image

Legge: The image of thunder over heaven forms the hexagram of Great Power. The superior man, in accordance with this, does not take one step that is not in accordance with propriety.

Wilhelm/Baynes: Thunder in heaven above: The image of The Power of the Great. Thus the superior man does not tread upon paths that do not accord with established order.

Blofeld: This hexagram symbolizes thunder in the sky. The Superior Man never takes a step involving impropriety. [Note: The combination of trigrams meaning thunder and sky suggests something of the awe-inspiring quality of the truly great.]

Liu: Thunder in the sky above symbolizes Great Power. The superior man's conduct does not oppose the rules.

Ritsema/Karcher: Thunder located above heaven. Great Invigorating. A chun tzu uses no codes whatever, nowhere treading.

Cleary (1): Thunder is up in the sky, with great power. Thus do superior people refrain from what is improper.

Cleary (2): … Developed people do not do what is improper.

Wu: There is thunder above heaven; this is Great Strength. Thus the jun zi does not practice what is not proper.

 

COMMENTARY

Confucius/Legge: In Great Powerwe see that which is great becoming strong. The trigram of Strength directs the trigram of Movement, and hence the whole is expressive of vigor. But that which is great necessitates firm correctness. The attributes of heaven and earth are displayed when firmness and correctness attain their ideal state.

Legge: Because the dynamic lines predominate in Great Power,the figure suggests a state in which there is an abundance of strength and vigor. Is strength alone enough for the conduct of affairs? Of course not! Strength must always be subordinated to the idea of right, and exerted only in harmony with it.

The lower trigram symbolizes Strength, the upper symbolizes Movement. In the Confucian commentary, "that which is great” denotes the group of four dynamic lines which strikes us on looking at the figure, and also the superior men in positions of power, of whom these are the representatives. That the attributes of heaven and earth are displayed means that the power of men should be a reflection of the great power which we see impartially working in nature.

Ch'eng-tzu says on the Image: "Thunder rolling in the sky and making all things shake is the symbol of Great Power." In relating its application to man, he quotes a beautiful saying of antiquity: "The strong man is he who overcomes himself."

 

NOTES AND PARAPHRASES

Judgment: Control yourself.

The Superior Man does nothing that is not in accordance with the principles of the Work.

Wilhelm and Blofeld translate this hexagram as The Power of the Great., but I prefer Liu's rendition of Great Power, because it has a more neutral connotation. The Power of the Great suggests the might of kings and emperors, and implies "superior" power wielded at one's own discretion. It is too easy to misinterpret this hexagram as a clear injunction to take unilateral action. Such is seldom the case -- the hexagram depicts a charge of latent energy which must be properly managed.

The figure is usually compared with the image of a ram or goat -- the four lower dynamic lines being the body, and the two upper magnetic lines representing the horns. Since this hexagram is the preceding figure of Retreat turned upside down, one can imagine the two together as a person retreating across a pasture pursued by a charging beast. The ram/goat is mentioned in four of the six lines of the hexagram. This is certainlyGreat Power, but in such a crude form it cannot be truthfully called The Power of the Great.

Truly Great Power, as the Judgment tells us, is derived from our will to restrain our emotions, instincts and appetites. Note that lines two and four are the most positively forceful lines in the hexagram and that both imply restraint of power as the proper way to attain one's goals. Without changing lines, the hexagram sometimes refers to provocations in which one is "legitimately” tempted to a self-righteous display of "power.” Remember that other people's ego-trips are none of your concern: the superior man does not respond to them with other than dignified reserve. Regard it as a test and be joyful if you pass it!

Everything found in later literature seems to indicate that these meditative schools required a strong discipline and faithful adherence to a strict regimen. The schools were extremely demanding, and were open only to those willing to devote themselves totally. Before even being admitted to one of these ancient meditative schools, a person had to be not only spiritually advanced but in complete control of all his emotions and feelings. Beyond that, the disciplines of the Torah and commandments were central to these schools, and these disciplines required a degree of self-mastery to which not everyone could aspire.
Aryeh Kaplan -- Jewish Meditation