Wiki I Ching

Decrease 41.2.3 22 Grace

From
41
Decrease
To
22
Grace

Fearing confrontation
One talks constantly for reassurance.
taoscopy.com


Decrease 41
Simplify and reduce.
Embrace minimalism to gain clarity and focus on what truly matters.
Letting go can bring unexpected abundance.


Line 2
Steadfastness is advantageous, but taking on new ventures may lead to trouble.
By maintaining one's own resources, one can support others.


Line 3
In a group, resources may be stretched thin, but solitude can lead to new alliances.


Grace 22
Refinement and grace enhance your presence.
Focus on beauty and elegance in actions, but do not let appearance overshadow substance.
Simplicity often holds the truest value.



41
Decrease


Other titles: Decrease, The Symbol of Lessening, Loss, Diminishing, Reduction, Diminution of Excesses, Decline, Bringing into Balance, Dynamic Balance, Sacrifice, "Not necessarily material loss. Can mean decreasing the lower self to increase the higher." -- D.F. Hook

 

Judgment

Legge: Compensating Sacrifice means that sincerely maintained rectitude brings great success. Action is appropriate if one's sacrifice is sincere -- even two baskets of grain, though there be nothing else, may be offered.

Wilhelm/Baynes:Decrease combined with sincerity brings about supreme good fortune without blame. One may be persevering in this. It furthers one to undertake something. How is this to be carried out? One may use two small bowls for the sacrifice.

Blofeld: Loss accompanied by confidence -- sublime good fortune and no error! It is favorable to have in view some goal (or destination). If there is doubt as to what to use for the sacrifice, two small bowls will suffice.

Liu:Decrease with sincerity: great good fortune, no blame. One may continue. It is beneficial to go somewhere. How can this (decrease with sincerity) be done? One may use two bamboo containers of grain for a sacrifice.

Ritsema/Karcher: Diminishing, possessing conformity. Spring significant. Without fault, permitting Trial. Harvesting: possessing directed going. Asking-why: having availing of. Two platters permit availing-of presenting. [This hexagram describes your situation in terms of sacrifice and loss. It emphasizes that lessening yourself and decreasing your involvements is the adequate way to handle it...]

Shaughnessy: There is a return; prime auspiciousness; there is no trouble. It can be determined. Beneficial to have someplace to go. Why use two tureens; you can use aromatic grass.

Cleary (1): Reduction with sincerity is very auspicious, impeccable. It should be correct. It is beneficial to go somewhere. What is the use of the two bowls? They can be used to receive.

Cleary (2): … It is beneficial to have somewhere to go, etc … They can be used for presentation.

Wu: Loss indicates that with confidence there will be great fortune, no error, perseverance, and advantage to have undertakings. What to use in offerings? Two boxes of grain are adequate.

 

The Image

Legge: The image of a mountain and beneath it the waters of a marsh form Compensating Sacrifice. The superior man, in accordance with this, restrains his wrath and represses his desires.

Wilhelm/Baynes: At the foot of the mountain, the lake: the image of Decrease. Thus the superior man controls his anger and restrains his instincts.

Blofeld: This hexagram symbolizes a marshy lake at the foot of a mountain. The Superior Man keeps his anger under control and is moderate in his desires.

Liu: The lake beside the mountain symbolizes Decrease. The superior man curbs his indignation and restricts his desires.

Ritsema/Karcher: Below mountain possessing marsh. Diminishing. A chun tzu uses curbing anger to block the appetites.

Cleary (1): There is a lake under a mountain, reducing it. Thus does the superior person eliminate wrath and cupidity.

Cleary (2): Lake below a mountain – Reducing. Thus do developed people eliminate anger and greed.

Wu: There is a marsh below the mountain; this is Loss. Thus the jun zi mitigates his anger and restrains his desires.

 

COMMENTARY

Confucius/Legge: In Compensating Sacrificethe lower trigram is diminished to increase the upper, and the flow is upward. The two baskets of grain accord with the time. There is a time when the strong should be diminished and the weak strengthened. Decrease and increase, overflowing and emptiness, take place in harmony with the demands of the time.

Legge: Ch'eng-tzu says: "Every diminution and repression of what we have in excess to bring it into accordance with right and reason is comprehended under Compensating Sacrifice. If there is sincerity in doing this it will lead to success and happiness, and even if the offering is small, yet it will be accepted."

The K'ang-hsi editors say: "What is meant by diminishing in this hexagram is the regulation of expenditure or contribution according to the time. This would vary in a family according to its poverty or wealth, and in a state according to the abundance or scantiness of its resources. If one supplements the insufficiency of his offering with the abundance of his sincerity, the insignificance of his two baskets will not be despised."

The waters of a marsh are continually rising up in vapor to bedew the hill above it, and thus increase its verdure. What is taken from the marsh gives increase to the hill.

 

NOTES AND PARAPHRASES

Judgment: A sacrifice creates equilibrium.

The Superior Man sacrifices his appetites to a higher principle.

The traditional name for this hexagram is Decrease, but the lines and commentary all describe a compensating exchange of forces to attain equilibrium. The idea of "sacrifice" is mentioned in the Judgment, and that also might make a good title, though the image of two baskets of grain suggests a balancing scale: a "compensating" device. In this hexagram, the flow of energy moves from below upwards -- the waters of the lake or marsh are dispersed to enrich the mountain. In psychological terms we think of the ego sacrificing or decreasing its autonomy to achieve psychic equilibrium with the Self: we forfeit something valuable to obtain something even more valuable. Without this quid pro quo, the concept of sacrifice is meaningless and irrational.

A sacrifice is meant to be a loss, so that one may be sure that the egoistic claim no longer exists. Therefore the gift should be given as if it were being destroyed. But since the gift represents myself, I have in that case destroyed myself, given myself away without expectation of return. Yet, looked at in another way, this intentional loss is also a gain, for if you can give yourself it proves that you possess yourself. Nobody can give what he has not got.
Jung -- Transformation Symbolism in the Mass

Compare the Image message from hexagram number 15, Temperance with the notion of a compensating balance: "The superior man, in accordance with this, diminishes his excesses to augment his insufficiencies, thus creating a just balance." We are reminded of another "Temperance" -- the 14th Arcanum of the Tarot, which depicts an angel pouring water from one vessel into another: "compensating." A comparison of its symbolism with that of hexagram number 41 yields many insights:

The Path of ... TEMPERANCE, leads from ... the Personality [ego] to the Higher Self ... The whole experience is one of preparation of the Personality [ego], and the body in which it is operating, to deal with an influx of Light which would be devastating to a system unready to handle such energy. Most important here is the monitoring of progress, the continual testing from above. It is the angel here which is at once the Higher Self and the initiatory forces of Nature, which pours the elixir from vase to vase. This is an ongoing process of testing; measuring to see how much the physical vehicle can bear.
R. Wang --The Qabalistic Tarot

Without belaboring the point, we can see that all sacrifice is a kind of remuneration: it couldn't be otherwise in an interconnected universe. The Image instruction for the superior man to “control his anger” is also echoed in the Temperance card. This relates to:

...an aspect of the Mysteries only rarely discussed, and certainly germane to the Twenty-Fifth Path [the Kabbalistic equivalent of the relationship between lines one and four in this hexagram]: this is the very real hostility often felt by the student toward the Path itself, as he works day after day and seems to be getting nowhere. Such hostility and frustration is in itself a major test; it is part and parcel of the work prior to the emergence of inner proofs. -- Ibid

"Decrease with sincerity" (Liu) refers to one's continuous sacrifice for the goals of the Work, and "curbing anger" (Ritsema/Karcher) is how one handles the archetypal forces evoked when the decrease seems endless and you've yet to receive anything in return. Like any other hexagram, Compensating Sacrifice can symbolize an infinity of possible situations, but psychologically speaking we can first regard it as an image of sacrifice for the purpose of attaining a balance of power within the psyche. Without the sacrificial devotion of the ego, the Self cannot attain its will; and if the Self can't make it, the ego is doomed by default.


Line 2

Legge: The second line, dynamic, shows that it will be advantageous for its subject to maintain firm correctness, and that action on his part will be evil. He can give increase to his correlate without taking from himself.

Wilhelm/Baynes: Perseverance furthers. To undertake something brings misfortune. Without decreasing oneself, one is able to bring increase to others.

Blofeld: Persistence in a righteous course brings reward, but to advance (or go anywhere) now would bring misfortune. This is not a time for decreasing but for augmenting.

Liu: To continue is beneficial. Undertakings bring misfortune. Without decrease, without increase.

Ritsema/Karcher: Harvesting Trial. Chastising: pitfall. Nowhere Diminishing, augmenting it.

Shaughnessy: Beneficial to determine; to be upright is inauspicious. Not decreasing it, but increasing it.

Cleary (1): It is beneficial to be correct. An expedition is inauspicious. No reduction or increase of this. [If you do not know when enough is enough and go on reducing and increasing, you will reactivate the human mentality and thus obscure the mind of Tao … It is because the strong energy is balanced, not biased or lopsided, that there is no more reduction or increasing to be done.]

Cleary (2): … Increase it without reduction.

Wu: It is advantageous to be firm and correct, but foreboding to go ahead. His decision of not taking a loss will benefit the other. [It may be justifiable for the below to support the above in a very moderate way in time of Loss, but it would be unacceptable by asking the below to give up all of its possessions … to satisfy the above.]

 

COMMENTARY

Confucius/Legge: His central position gives its character to his aim. Wilhelm/Baynes: It has the correct mean in its mind. Blofeld: The central position of this line in the lower trigram indicates that persistence will be rewarded by the fulfillment of what is willed. Ritsema/Karcher: Centering using activating purposes indeed. Cleary (2): The balance that characterizes its aim. Wu: He is to remain central.

Legge: Line two is dynamic and in the central place. But he is in the place of a magnetic line, and should maintain his position without moving to help his fifth line correlate. Maintaining his own firm correctness is the best way to give assistance. " His aim" is to abide where he is and help the fifth line by the exhibition of firm correctness.

 

NOTES AND PARAPHRASES

Siu: The man renders faithful service without sacrificing himself. Forfeiting one's dignity and personality to do the bidding of a person of high rank is shameful.

Wing: When aiding others, be certain to maintain your sense of dignity. If the nature of your task diminishes your strength or compromises your principles, or if you sacrifice your personality to please your superior, you are acting shamefully. Only efforts that do not diminish your Self are worthwhile.

Editor: This line changes the hexagram to number twenty- seven, Nourishing, the corresponding line of which carries a similar message, i.e., the idea that one's impetus to act is incorrect. Lines one and three each show some variation of active compensating (balancing) going on. Here in line two, which is the center of the lower trigram, action is inappropriate. It is the fulcrum or point of balance which must remain stationary. Note the subtle differences in the various translations of the last sentence. You decide.

The Sage uses his mind like a mirror. It remains in its place passively, and it gives back what it receives without concealment. Therefore it can overcome things without distorting them.
Chuangtse

A. You serve the Work best now by remaining in place. Willpower, non-action and example are all the assistance that is required.

B. Maintain the status-quo.

Line 3

Legge: The third line, magnetic, shows how of three men walking together, the number is diminished by one; and how one, walking, finds his friend.

Wilhelm/Baynes: When three people journey together, their number decreases by one. When one man journeys alone, he finds a companion.

Blofeld: If three set forth together now, one will be lost on the way; whereas one man going forth alone will find company.

Liu: Three people walking together will lose one. When one walks alone, he will meet a friend.

Ritsema/Karcher: Three people moving, by-consequence Diminishing the-one-person. The-one-person moving. By-consequence acquiring one's friend.

Shaughnessy: If three men move then they will decrease by one man; if one man moves then he will obtain his friend.

Cleary (1): Three people traveling are reduced by one person; one person traveling finds a companion.

Cleary (2): … One person traveling gets companionship.

Wu: When three persons walk, one will be left out. When one walks alone, he will find a friend.

 

COMMENTARY

Confucius/Legge: When three are together, doubts arise among them. Wilhelm/Baynes: If a person should seek to journey as one of three, mistrust would arise. Blofeld: It is well to travel alone now, as three would give rise to suspicion. Ritsema/Karcher: Three by-consequence doubting indeed. Cleary (2): When one person travels, three then doubt. Wu: Three would create doubts.

The Master said: "Heaven and earth come together, and all things take shape and find form. Male and female mix their seed, and all creatures take shape and are born. In the Book of Changes it is said: `When three people journey together, their number decreases by one. When one man journeys alone, he finds a companion.' This refers to the effect of becoming one."

Legge: Chu Hsi says that the lower trigram was originally three yang lines, like "three men" walking together, and that the third line was removed and made into the topmost line of the upper trigram which was originally three yin lines. This exchange of places between lines three and six maintains their proper correlation and suggests the proper pairing of affinities. The K'ang-hsi editors observe that this line is true not only of three men, but of many repetitions of thought or action.

 

NOTES AND PARAPHRASES

Siu: A close bond is possible only between two persons. A group of three engenders jealousy. The lone man finds a complementary companion.

Wing: The closest bonds are now possible only between two persons. Groups of three create jealousy and mistrust and will eventually splinter. Yet someone who remains alone becomes lonely and will seek a companion. It is time to strike a proper balance.

Editor: The original condition described by Chu Hsi is an image of hexagram number eleven, Harmony, which represents the correct union of male and female forces. Psychologically the Syzygy archetype is suggested: the proper pairing of male and female which is seen in its supreme state in the hieros gamos or holy marriage. (See commentary on hexagram eleven for further detail.) A dialectical process is also implied.

God unfolds himself in the world in the form of syzygies (paired opposites), such as heaven/earth, day/night, male/female, etc ... At the end of this fragmentation process there follows the return to the beginning, the consummation of the universe through purification and annihilation.
Jung -- Aion

A. The image suggests a sorting-out of affinities to attain balance or unity. Forces are seeking their natural level.

B. "Birds of a feather flock together."

22
Grace


Other titles: Grace, The Symbol of Decoration, Elegance, Gracefulness, Luxuriance, Adorning, Public Image, Adornment, Beauty, Conceit, Vanity, Veneer, Façade, Manners, Embellishment, Superficiality, Superficial Appearances, Form vs. Function, "Art," Ego-trips, "Often refers to conceit, vanity or beauty. It stresses that the content is more important than the outward appearance." -- D.F. Hook

 

Judgment

Legge: Persona should be given its due, but there is no advantage in allowing it to advance and take the lead.

Wilhelm/Baynes:Grace has success. In small matters it is favorable to undertake something.

Blofeld: Elegance. Success! Some small advantage can be derived from having a particular goal (or destination). [The implication is that the advantage is not sufficient to make it worth while to seek that goal or destination unless no special difficulty or inconvenience is involved. The arrangement of the lines in this hexagram is very similar to that in the previous one, but it is adjudged much more suitable. The general idea is that, like nature, we should conform to a regular and well ordered pattern of behavior which, since we are human beings and not mere animals, involves a high degree of refinement. From the point of view of divination, it would seem that this is a time to watch carefully so as to learn how those involved in the situation think and behave, the better to influence them for the good when the opportunity arises.]

Liu:Gracefulness, success. Small undertakings benefit.

Ritsema/Karcher: Adorning , Growing. The small, Harvesting: possessing directed going. [This hexagram describes your situation in terms of its outward presentation. It emphasizes that building intrinsic value by embellishing appearance and displaying valor is the adequate way to handle it...]

Shaughnessy: Luxuriance : Receipt; a little beneficial to have someplace to go.

Cleary (1):Adornment is developmental. It is beneficial to go somewhere in a minimal way.

Cleary (2):Adornment is successful. It is beneficial to go somewhere in a small way.

Wu:Adornment is pervasive and shows small advantage of an undertaking. [Adornment does not change the nature of what it adorns, but merely makes what it adorns appear more attractive. In other words, the change is mostly superficial but not substantive…]

 

The Image

Legge: Fire at the foot of the mountain -- the image of Persona. Thus the superior man adorns his rule with grace, but makes important decisions in conformance with higher laws.

Wilhelm/Baynes: Fire at the foot of the mountain: the image of Grace. Thus does the superior man proceed when clearing up current affairs. But he dare not decide controversial issues in this way.

Blofeld: This hexagram symbolizes fire at the foot of a mountain. The Superior Man, desiring to ensure the enlightened functioning of the various departments of state, dare not make light decisions regarding legal matters. [The component trigrams, fire below mountain, suggest a brilliance which cannot be perceived from afar. The Chinese commentators go on to suggest that this symbolizes a firm and somewhat severe exterior which hides brilliance and the beauty within. For purposes of divination, this should be taken as a pattern for our comportment in the matter at issue.]

Liu: Fire illuminates the base of the mountain symbolizing Gracefulness. Thus the superior man clarifies ordinary affairs, but does not judge lawsuits.

Ritsema/Karcher: Below mountain possessing fire. Adorning. A chun tzu uses brightening the multitudinous standards without daring to sever litigating.

Cleary (1): There is fire below the mountain, adorning it. Thus do superior people clarify governmental affairs, without presumptuous adjudication. [What superior people see in this is that just as the light of a fire below a mountain is not great, when people are lacking in capacity their vision is not far reaching; therefore the superior people administer and clarify the simple matters of governmental affairs, and do not act presumptuously in difficult matters of adjudication… Not judging presumptuously thus has the meaning of respect for life.]

Wu: There is fire at the foot of the mountain; this is Adornment. The jun zi brings openness to administering civil affairs, but refrains from judging cases in criminal litigation.


COMMENTARY

Confucius/Legge: In Persona we see the magnetic central line ornamenting the dynamic lines of the lower trigram, and hence it is said that ornament should have free course. On the other hand, the dynamic top line ornaments the magnetic lines of the upper trigram, and hence it is said that there will be little advantage if ornament is allowed to advance and take the lead. The elegance and intelligence of the lower trigram is regulated by the restraint of the upper trigram. This suggests the observances which adorn human society. We observe the ornamental figures of the sky, and thereby ascertain the changes of the seasons. We observe the ceremonial customs of society, and understand how transformation is accomplished in the world.

Legge: Persona is the symbol of what is ornamental and of the act of adorning. As there is adornment in nature, so should there be in society, but its place is secondary to that which is substantial.

The K'ang-hsi editors say that the magnetic line coming and ornamenting the two dynamic lines in the lower trigram shows how substantiality should have the benefit of ornamentation. The dynamic line ornamenting the two magnetic lines in the upper trigram shows how ornamentation should be restrained by substantiality. Ornament has its use, but it should be kept in check.

The figures of the sky are all the heavenly bodies in their relative positions and various movements, producing day and night, heat and cold, etc. The observances of society are the ceremonies and performances which regulate and beautify the intercourse of men.

"A mountain," says Ch'eng-tzu, "is a place where we find grass, trees, and a hundred other things. A fire burning below it throws up its light, and brings them all out in beauty. This gives the idea of ornament, or being ornamented. The various processes of government are small matters, and elegance and ornament help their course, but great matters of judgment demand the simple, unadorned truth.”

 

NOTES AND PARAPHRASES

Judgment: There's nothing wrong with showing a little style, but don't become so identified with a role that it makes your decisions for you.

The Superior Man displays wit and charm when that is appropriate, but relies upon shrewd discernment when making serious choices.

Confucius points out the correct attitude for this hexagram in his third sentence -- the elegant intelligence, or "brilliant wit" of the lower trigram is being "sat on" by the mountain of the upper trigram. Brilliant wit is often just an "ornament" to make one look clever in the company of others. Like seasoning on food, a little bit ofPersona or ornamentation is life-enhancing, but too much curry powder overwhelms the meal.

Jung's conception of the Persona points out the fact that it is a major vehicle for the complexes to express themselves under the guise of social interaction:

(The Persona) is only a mask for the collective psyche, a mask that feigns individuality, and tries to make others and oneself believe that one is individual, whereas one is simply playing a part in which the collective psyche speaks.
Jung -- The Relations between the Ego and the Unconscious

For an urban shipping clerk to wear cowboy clothes may be a legitimate expression of his personality, or it may be the only outlet available for repressed portions of his psyche. When he begins driving a pickup truck and frequenting Country-Western bars we might suspect that his role is playing him and the real Self is being masked by excessive ornamentation orPersona.

The person cannot be more than an instrument for the manifestation of the self. But people get so attached to their mask that they cannot free themselves from it any more ... They make a king out of the servant and separate themselves from their true being. They force their higher self into exile, into the unconscious.
Elisabeth Haich --Initiation

To receive this hexagram without changing lines suggests that perhaps you are more focused on form than meaning, or that superficial appearances are concealing something more substantive in the situation. Look deeper – what’s really going on?