Burning bridges
One repaints one's home in red so that others will avoid it. taoscopy.com
Critical Mass28
Embrace resilience during times of overwhelming pressure. Acknowledge the burden, make necessary adjustments, and seek support to prevent collapse. Balance is crucial for enduring success.
↓ Line 3
Overburdening leads to collapse. Caution is needed to avoid disaster.
↓ Line 4
Stabilizing the situation brings good fortune, but hidden agendas can lead to disgrace.
↓ Line 6
Facing overwhelming challenges can lead to misfortune, but maintaining integrity prevents blame.
↓ Dispersion59
Adapt to situations by letting go of rigidity; dissolve obstacles through openness and flexibility.
Original Readings
28 Critical Mass
Other titles: Preponderance of the Great, The Symbol of Great Passing, Excess, Great Excess, The Passing of Greatness, Great Surpassing, Great Gains, Experience, Greater than Great, Greatness in Excess, Dominance by the Mighty, The Passing of Greatness, Excess of the Great, Law of Karma
Judgment
Legge:Critical Mass depicts a weak beam. Under such conditions it is advantageous to move in any direction whatever. Success is indicated.
Wilhelm/Baynes:Preponderance of the Great. The ridgepole sags to the breaking point. It furthers one to have somewhere to go. Success.
Blofeld:Excess! The ridgepole sags. It is favorable to have some goal (or destination) in view. Success! [A glance at the hexagram will show that it is too heavy in the middle and too weak at the ends. A number of firm lines is generally auspicious, but there can be too much of a good thing!]
Liu: Great Excess. The ridgepole is crooked. It benefits to go anywhere. Success.
Ritsema/Karcher:Great Exceeding, the ridgepole sagging. Harvesting; possessing directed going. Growing. [This hexagram describes your situation in terms of your connection to a ruling principle. It emphasizes that pushing the guiding idea beyond ordinary limits and accepting the results is the adequate way to handle it...]
Shaughnessy: Great Surpassing: The ridgepole bows upward; beneficial to have someplace to go; receipt.
Cleary (1): When the great is excessive, the ridgepole bends. It is good to go somewhere; that is developmental. [When the ridgepole snaps, the whole house falls down. In the same way, practitioners of the Tao who promote yang too much, who do not know when enough is enough, who can be great but cannot be small, suffer damage to their spiritual house.]
Cleary (2): When greatness passes, the ridgepole bends. It is beneficial to have somewhere to go, for you will succeed.
Wu:Excess of the Great indicates a beam that warps. It will be advantageous to have undertakings. It will be pervasive.
The Image
Legge: The image of trees beneath a marsh forms Critical Mass. The superior man, in accordance with this, fearlessly stands alone, and stays retired from the world without regret.
Wilhelm/Baynes: The lake rises above the trees: the image of Preponderance of the Great. Thus the superior man, when he stands alone, is unconcerned, and if he has to renounce the world, he is undaunted.
Blofeld: This hexagram symbolizes a forest submerged in a great body of water. The Superior Man, though standing alone, is free from fear; he feels no discontent in withdrawing from the world. [This is suggested by the component trigrams. Water is necessary for the nourishment of the trees, but too much of it can cause serious damage.]
Liu: The lake rising over the trees symbolizes Great Excess. The superior man, when isolated, is undisturbed. If he has to retreat from society, he feels no regret.
Ritsema/Karcher: Marsh submerging wood. Great Exceeding. A chun tzu uses solitary establishing not to fear. (A chun tzu uses) retiring-from the age without melancholy.
Cleary (1): Moisture destroys wood in excess. Thus superior people stand alone without fear, and leave society without distress.
Cleary (2): Moisture destroys wood. Developed people, etc. [Only when sustained by the power to stand alone without fear and avoid society without distress can learning be firmly rooted and development have a proper basis; then it is possible to refine and support the mediocre.]
Wu: Marsh covers over wood; This is Excess of the Great. Thus the jun zi stands alone without fear and withdraws from the world without melancholy.
CONFUCIAN COMMENTARY
Confucius/Legge: Excess is weakly supported at either end, with weakness in both the lowest and topmost lines. The dynamic lines are in excess, but two of them are in the central positions. The trigrams of Flexibility and Satisfaction indicate that there will be advantage in moving in any direction whatever -- there will be success. Great indeed is the work to be done during this extraordinary time.
Legge: Extraordinary times require extraordinary skill in their management. The figure shows two magnetic lines at top and bottom, with four dynamic lines between them -- giving the image of a great beam unable to sustain its own weight. Lines two and five are both dynamic and central however, and from this and the attributes of the component trigrams a good auspice is obtained.
NOTES AND PARAPHRASES
Judgment: A stressful situation is best managed with a comprehensive strategy. (Or: in the chess game of life, one succeeds by planning several moves in advance.)
The Superior Man serves The Work by going his own way, regardless of public opinion.
Wilhelm titles this hexagram Preponderance of the Great. I prefer R.L. Wing's paraphrase of Critical Massas more evocative of the figure's meaning in modern terminology.
In Critical Mass four dynamic lines lurk inside of the hexagram, weakly contained at top and bottom by two magnetic lines. This energetic concentration could explode in an unpredictable release of force, and hence the Judgment tells us to move now (remember: non-action is also action) to avoid unwanted consequences. (Often the outcome is predictable – be prepared to just walk away if and when that is your best move.)
Legge’s translation of the Judgment is:
"...It is advantageous to move in any direction whatever. "
This is a different message than Wilhelm's:
"...It furthers one to have somewhere to go."
Legge’s version implies an almost hysterical flight from danger while Wilhelm's rendition suggests prior intention and planning. The latter interpretation is definitely what is meant here, as confirmed by Cleary’s Buddhist commentary:
When the transformative path is flourishing, contaminations easily arise; it is best to set up guidelines and regulations. When meditation work is advanced, ignorance is about to dissolve; it is best to exercise the mind skillfully.
Coupled with Cleary’s translation of the Image as: “Developed people stand alone without fear, avoid society without distress,” the idea is that one should follow one's best intuition and ignore popular illusions, political correctness or inner fears. (Psychologically: conventional thinking, socially conditioned reflexes, knee-jerk responses, etc.). During a time of Critical Mass, pay close attention to direction from the Self to preserve the Work. This is not the time to follow the crowd. Sometimes this can mean that you are obliged to go it alone – one of the Work’s frequent tests (Cf. line 6):
The Gulf is something that has to be leaped, and leaped alone, stripped of all hindering burdens, in faith ... It is thus one of the crisis points of spiritual progress because of the great temptation to turn back from the unknown to the apparent safety of known things, and to succumb to this temptation is to lose all the fruits of past endeavor. G. Knight -- A Practical Guide to Kabbalistic Symbolism
SUGGESTIONS FOR MEDITATION
Compare the Judgment and Image of this hexagram with those of hexagram number 32, Consistency.
Anthony: We must regain modesty through the effort to rid ourself of strong elements that cause us to press forward. The strong elements may exist in someone else, causing them to assault us with their fear, mistrust or doubt. Strong refers to impetuous movement to resolve what is ambiguous … We can meet the challenge by remaining detached and letting things go through their changes … To be truly rich is to remain modest; to be truly powerful is to remain reticent.
Line 3
Legge: The third line, dynamic, shows a beam that is weak. There will be evil.
Wilhelm/Baynes: The ridgepole sags to the breaking point. Misfortune.
Blofeld: The ridgepole sags -- misfortune!
Liu: The ridgepole bends under pressure; misfortune.
Ritsema/Karcher: The ridgepole buckling. Pitfall.
Shaughnessy: The ridgepole sags; inauspicious.
Cleary (1): The ridgepole bends; misfortune.
Cleary (2): The ridgepole bending is foreboding.
Wu: The beam warps. Foreboding.
CONFUCIAN COMMENTARY
Confucius/Legge: No help can be given to the condition thus represented. Wilhelm/Baynes: The misfortune of the sagging and breaking of the ridgepole is due to its finding no support. Blofeld: The misfortune of being without adequate support. Ritsema/Karcher: Not permitted to use possessing bracing indeed. Cleary (2): There is no way to help. Wu: Because no support will help.
Legge: The third line is dynamic in a dynamic place and confident in his own strength. But his correlate line six is magnetic. Alone, he is unequal to the extraordinary strain. Any attempt to sustain the broken beam will have no effect in supporting the roof.
NOTES AND PARAPHRASES
Siu: The man becomes overconfident in his limited strength. He rushes ahead in opposition to advice from those in a position to help. This leads to the loss of voluntary support. His burdens increase, and he proves unequal to the task.
Wing: You are inclined to force your way forward when, in fact, there are obstacles that cannot be overcome in this way. Even worse, you cannot accept advice from others because it is not what you wish to hear. Misfortune will inevitably follow.
Editor: This is the weak beam referred to in the Judgment. In the metaphor of Wing’s title of Critical Mass, the situation is about to detonate
Owing to neglect the rooftree gives way;
for want of care the house lets in the rain.
Ecclesiastes 10: 18
A. The situation is unstable.
B. You have no support in the matter at hand.
C. Your assumptions have no foundation.
Line 4
Legge: The fourth line, dynamic, shows a beam curving upwards. There will be good fortune. If the subject of the line looks for other help but that of line one, there will be cause for regret.
Wilhelm/Baynes: The ridgepole is braced. Good fortune. If there are ulterior motives, it is humiliating.
Blofeld: The ridgepole is upheld -- good fortune! Were it otherwise, there would be cause for blame.
Liu: The ridgepole is strengthened; good fortune. But something else may cause humiliation.
Ritsema/Karcher: The ridgepole crowning. Significant. Possessing more: abashment.
Shaughnessy: The ridgepole bows upward; auspicious; there is harm; distress.
Cleary (1): The ridgepole is raised; good fortune. There is another shame.
Cleary (2): … This is auspicious, but there is another shame.
Wu: The beam is held upright, and there will be good fortune. There may be humiliation in unexpected situations.
CONFUCIAN COMMENTARY
Confucius/Legge: The good fortune arises because it does not bend toward what is below. Wilhelm/Baynes: It does not sag downward and break. Blofeld: Good fortune in the sense that it does not fall. [This would seem to be good fortune of a negative kind; not so much good fortune as the failure of expected bad fortune to materialize.] Ritsema/Karcher: Not sagging, reaching-to the below indeed. Cleary (2): It does not bend down. Wu: The beam (is) held upright, not warping downward.
Legge: Line four is just below the fifth line ruler. His duty is to meet the extraordinary exigency of the time. Although dynamic, he is in a magnetic place and his strength is tempered -- he will be equal to his task. Should he seek help from line one, that would affect him with another element of weakness, and his action would give cause for regret.
NOTES AND PARAPHRASES
Siu: The man becomes the master of the difficult situation by refusing the assistance of weak men. He relies on his own strength of character.
Wing: You can now find within yourself the strength and vision to achieve a successful outcome in your endeavors. Do not rely upon people or things outside of your Self for guidance. Dependence now on external things leads to humiliation.
Editor: This is one of those maddening lines of which every translator renders a subtly different version. Some aren't even internally consistent: Legge's translation says that there will be cause for regret if the subject "looks for other help but that of line one,” which I take to mean: "Only line one is the proper source of assistance.” Inexplicably, his exposition then cautions against such assistance, as does his Confucian commentary. Blofeld's version is a tautology effectively removing serious warning from the line. The Wilhelm and Liu translations are least confusing and imply that we are protected as long as we suppress our lower impulses and maintain allegiance to a higher principle. In my experience, this interpretation has been most accurate.
The patient must be alone if he is to find out what it is that supports him when he can no longer support himself. Only this experience can give him an indestructible foundation. Jung -- Psychology and Alchemy
A. The Work is protected if you keep the faith.
Line 6
Legge: The sixth line, magnetic, shows its subject with extraordinary boldness wading through a stream, till the water hides the crown of her head. There will be evil, but no ground for blame.
Wilhelm/Baynes: One must go through the water. It goes over one's head. Misfortune. No blame.
Blofeld: While he was fording the river, the water rose above his head -- misfortune, but he was not at fault.
Liu: One walks through the water and it goes over his head. Misfortune, no blame.
Ritsema/Karcher: Exceeding wading submerges the peak. Pitfall. Without fault.
Shaughnessy: Surpassing and fording causes the top of the head to vanish; inauspicious; there is no trouble.
Cleary (1): Excess reaching the peak of destruction is unfortunate; there is no blame on other people. [At the end of Excess of the Great, being ignorant and acting arbitrarily, not knowing the medical substances or the firing process, doing whatever comes to mind, going astray and not returning, the damage is worse the higher one goes; excess reaches the peak of destruction. One calls misfortune upon oneself – it is no fault of others. This is Excess of the Great in the sense of being weak and entertaining illusions.]
Cleary (2): Going too far, passing away at the peak, there is misfortune, but no blame. [Here are only the virtues of flexibility and uprightness, without the ability to solve difficulties, so misfortune cannot be avoided; but one is really not to blame. In Buddhist terms, this is when correct concentration has no insight, winding up as a fall at the peak.]
Wu: He is drowned while crossing the river. This is foreboding, but blameless.
CONFUCIAN COMMENTARY
Confucius/Legge: Evil follows wading with extraordinary boldness through the stream, but the act affords no ground for blame. Wilhelm/Baynes: One should not join blame to the misfortune of going through the water. Blofeld: This presages a misfortune for which we cannot possibly be blamed. Ritsema/ Karcher: Not permitting fault indeed. Cleary (2): The misfortune of going too far cannot be blamed. Wu: The ill fortune of getting drowned should not be a cause for blame.
Legge: The sixth line pursues her daring course with an intent to rectify the extraordinary exigency of the time and benefit all under the sky. She is unequal to the task and sinks beneath it, but her motive justifies the judgment on her conduct.
NOTES AND PARAPHRASES
Siu: The man pursues his objectives for the public good, regardless of the consequences and danger. Misfortune results. But no blame is attached to his conduct, because there are certain things more important than life itself.
Wing: The goal is worth accomplishing, although the sacrifice to attain it may be confounding in its enormity. No blame is attached to such action, although you should realize the extraordinary reality of what is happening.
Anthony: It is careless to wish to accomplish our task, no matter what happens. Plunging ahead on our own is always dangerous and willful. It is best to retain carefulness, allowing ourself to be guided. Meanwhile, having followed our principles is without blame, even though the result may be dangerous.
Editor: Like anyline in theI Ching, this one is open to more than one interpretation. It can suggest suffering while undertaking a necessary but difficult task, or it can portray one ignorantly “pushing the river” in pursuit of goals one doesn’t really understand. Legge's commentary about being “unequal to the task” is not explicit in the original line -- i.e.: failure is not necessarily a foregone conclusion. Life's lessons are often painful -- that's just the way it is, and you are not to blame for it. Cleary (1)’s mention of “medical substances, etc.,” refers to Taoist alchemical procedures.
If anyone wants to be a follower of mine, let him renounce himself and take up his cross every day and follow me. For anyone who wants to save his life will lose it; but anyone who loses his life for my sake will save it. Luke 9: 23-25
A. Plunge in and accept the consequences of your choices: Bite the bullet and do your duty.
B. A painful lesson in the school of hard knocks.
C. “The road to hell is paved with good intentions.”
59 Dispersion
Other titles: Dispersion, Dissolution, Disintegration, Dispersal, Overcoming Dissension, Scattering,Dispersing, Unintegrated, Reuniting, Evaporation, Reorganization, New Deal, Re-Shuffle, Course Correction, Catharsis
Judgment
Legge: Expansion intimates that there will be progress and success. The king goes to his ancestral temple. It will be advantageous to cross the great stream. It will be advantageous to be firm and correct.
Wilhelm/Baynes:Dispersion. Success. The king approaches his temple. It furthers one to cross the great water. Perseverance furthers.
Blofeld:Scattering -- success! The King has approached his temple. [An omen of safety.] It is advantageous to cross the great river (or sea). [I.e., to go on a long journey.] Persistence in a righteous course brings reward.
Liu: Dispersion. Success. The king approaches the temple. It is of benefit to cross the great water. It benefits to continue.
Ritsema/Karcher: Dispersing , Growing. The king imagines possessing a temple. Harvesting: wading the Great River. Harvesting Trial. [This hexagram describes your situation in terms of confronting obstacles, illusions and misunderstandings. It emphasizes that clearing away what is blocking the light is the adequate way to handle it. To be in accord with the time, you are told to: disperse what obstructs awareness!]
Shaughnessy: Dispersal: Receipt; the king approaches into the temple; beneficial to ford the great river; beneficial to determine.
Cleary (1): In Dispersal there is development. The king comes to have a shrine. It is beneficial to cross great rivers . It is beneficial to be correct.
Cleary (2):Dispersal is successful. The king goes to his ancestral temple. The benefit crosses great rivers. It is beneficial if correct.
Wu: Dispersion indicates pervasiveness. The king does homage to his ancestral temple. It will be advantageous to cross the big river, but only with perseverance.
The Image
Legge: The image of wind moving over water forms Expansion. The ancient kings, in accordance with this, presented offerings to God and established the ancestral temple.
Wilhelm/Baynes: The wind drives over the water: the image of Dispersion. Thus the kings of old sacrificed to the Lord and built temples.
Blofeld: This hexagram symbolizes wind blowing across the face of the waters. The kings of old built temples in which to sacrifice to the Supreme Lord of Heaven. [A temple is a place of safety from the ills of the world. The symbolism here is that the upper trigram forms a temple in which people are safe from the pit (the lower trigram); its middle line (five) signifies the King. The implication is that we should employ spiritual or moral means to preserve ourselves from the danger threatened by the lower trigram.]
Liu: Wind blowing over water symbolizes Dispersion. The ancient kings offered sacrifices to the Deity, then built temples.
Ritsema/Karcher: Wind moves above stream. Dispersing. The Earlier Kings used presenting tending-towards the supreme to establish the temples.
Cleary (1): Wind blows above water, Unintegrated. Thus ancient kings honored god and set up shrines.
Cleary (2): Wind travels over the water, dispersing. Ancient kings honored God and set up shrines.
Wu: The wind moves above water; this is Dispersion. Thus, the ancient kings made offerings to the Supreme Being and consecrated their ancestral temple.
COMMENTARY
Confucius/Legge: The dynamic line is central in the lower trigram, and the magnetic fourth line is correct in the upper trigram, uniting with the dynamic ruler above her. The king's mind is without any deflection as he goes to his ancestral temple. He rides over water in a vessel of wood, and will cross the great stream with success.
Legge: The hexagram of Expansion denotes a state of dissipation or dispersion. It shows men's minds alienated from correctness and sure to go on to disorder. Here an attempt is made to show how the situation should be remedied.
The lower trigram represents Water, and the upper, Wind. Wind moving over water evaporates it, and suggests the idea of dispersion. Success is intimated because there are dynamic lines occupying the central places in the trigrams. The king's piety moves the spirits by its sincerity -- when the religious spirit rules men's minds, there will be no alienation from what is right and good. Under such conditions even hazardous enterprises may be undertaken.
The second sentence of the Confucian commentary literally begins: "The king is indeed in the middle..." This means that his heart and mind are set on the central truth of what is right and good. The ancestral temple signifies the recognition that sincere religious practices counteracted the tendency to mutual alienation and selfishness among men. The wooden vessel refers to one of the attributes of the upper trigram, which is Wood. It suggests a boat riding on water (the lower trigram), hence: crossing the great water.
NOTES AND PARAPHRASES
Judgment: Focus on the ideals of the Work and maintain your will. A major synthesis is possible.
The Superior Man subdues his ego to attain his latent potential.
Because of the intimate relationship between this figure and hexagram number 45, Contraction, I have chosen the title of Expansionto best emphasize their polarity.
The "ancient kings and sages" are more mythical than historical, so we can assume that they symbolize archetypal forces ("gods") within the psyche -- of whom the ego is only the current spacetime representative (i.e., servant- facilitator). The Self is the focal point, the center of this multidimensional awareness complex.
In both timeless and spaceless experiences, the mundane world is virtually excluded. Of course, the converse is true of the mundane state of daily routine, in which the oceanic unity with the universe, in ecstasy and Samadhi, is virtually absent. Thus, the mutual exclusiveness of the "normal" and the exalted states, both ecstasy and Samadhi, allows us to postulate that man, the self- referential system, exists on two levels: as "Self" in the mental dimension of exalted states; and as "I" in the objective world, where he is able and willing to change the physical dimension "out there.” R. Fischer -- "A Cartography of the Ecstatic and Meditative States," Science:174, 1971
The symbol of a temple, where one worships one's ancestors may be taken as the perfect gestalt of the Work as it exists outside of spacetime, as well as the karmic repository of all previous incarnations. It represents both the completed Work and the Work in progress. That the family temple was regarded in China as symbolic of an ideal standard of perfection such as this, is implied in the following passage:
Diplomatic negotiations were carried on in the ancestral temple, in the veritable presence, it was believed, of the ancestors; diplomatic banquets were given there, also. Even a proposal of marriage was received by the father of the prospective bride in his ancestral temple, in the presence of the spirits ... (The world of Confucius), we must remember, was one in which there was a nearly complete breakdown of moral standards ... Only in the performance of religious ceremonies could there still be found, consistently, a type of conduct regulated by a socially accepted norm of behavior, in which men's actions were motivated by a pattern of cooperative action, rather than swayed by the greed and passions of the moment. H.G. Creel -- Confucius and the Chinese Way
Psychologically, Expansion depicts a state of inner pressure capable of fruitful resolution if it can be properly guided. The king in the Image (in this case, the ego) sacrifices for a high ideal: the good of the Work. Legge's commentary tells us that the "second sentence of the Confucian commentary literally begins: `The king is indeed in the middle...'" This suggests a combination of his second and third sentences into the paraphrase: "The king steers a middle course when crossing the water to the ancestral temple." This gives the image of a vessel and the proper way to guide it toward a destination. Anyone who has ever steered a boat with a rudder knows that to over-correct on either side is a mark of poor seamanship: the goal is to maintain a dynamic balance in our guidance of the Work. Lines two and five represent proper course-correction because they are both in the middle of their respective trigrams.
Expansionis the inverse of the following hexagram of Restrictive Regulations. What is there confined and hoarded is here dispensed -- but this dispensation must conform with the ultimate good of the Work. Not just any release of tension will do -- it must recombine itself into a new and better organization, as imaged in the fourth line. If this new order is a proper one, the released tension precipitates a catharsis, as imaged in line five.
The form, then, in which our complexes confront us is the form in which the fundamental materials of our human structure come into our here-and-now existence. Like crystals they are always imperfect to some extent and often unrecognizable or grossly disfigured in comparison with the “ideal” shape, the shape that would represent the “pure” incorporation of the crystal scheme. But we have to meet them in this more or less imperfect or distorted form and out of this form we have to transform them into something that may be more akin to the aboriginal “intent” inherent in their archetypal cores. This undertaking, this process, is what Jung calls individuation. E.C. Whitmont -- The Symbolic Quest
SUGGESTIONS FOR MEDITATION
The Judgment of hexagram number forty-five, Contraction, also mentions the king going to his ancestral temple. A close comparison of this figure with Expansion will reveal much about the dynamics of the Work.