Wiki I Ching

Small Powers 62.6 56 The Wanderer

From
62
Small Powers
To
56
The Wanderer

Climbing too high
When one goes too far, the others give up, and one breaks something.
taoscopy.com


Small Powers 62
Focus on the details.
Embrace humility and small steps to achieve success.
Avoid overreaching or taking on too much to prevent failure.


Line 6
This line warns against missing opportunities or failing to connect with others.
It suggests that one should be mindful of their actions and avoid isolation or detachment.


The Wanderer 56
Embrace the journey.
Stay adaptable and attentive.
Balance independence with humility.
Success comes from accepting change and being resourceful.



62
Small Powers


Other titles: Preponderance of the Small, The Symbol of Excess in Small Things, The Small get by, Slight Excess, Small Exceeding, Small Surpassing, Excess of the Small, Small gains, Conscientiousness, Smallness in Excess, Exceeding the Mean, Proliferation of Details, "Like a bird, do not fly too high or attempt too much because this will lead to disaster." -- D.F. Hook

 

Judgment

Legge:Small Powers indicates that there will be progress and attainment in small affairs, but not in great affairs. It will be advantageous to be firm and correct. It is like the song of a flying bird: It is better to descend than to ascend. In this way there will be good fortune.

Wilhelm/Baynes:Preponderance of the Small. Success. Perseverance furthers. Small things may be done; great things should not be done. The flying bird brings the message: It is not well to strive upward, it is well to remain below. Great good fortune.

Blofeld:The Small Get By -- success! Persistence in a righteous course brings reward. Small things can be accomplished now, but not great ones. When birds fly high, their singing is out of tune. The humble, but not the mighty, are favored now with great good fortune. [To aim high now would be to put ourselves out of accord with the times.]

Liu:Slight Excess. Success. Continuing is of benefit. Undertaking small things, not great things. The song of the flying bird. It is not good to go up; it is good to stay below. Great good fortune. [Slight Excess signifies the slight excess or small mistake that can prevent the achievement of great things.]

Ritsema/Karcher:Small Exceeding, Growing. Harvesting Trial. Permitting Small

Affairs. Not permitting Great Affairs. Flying bird: abandoning's sound. Above not proper, below proper. The great significant. [This hexagram describes your situation in terms of an overwhelming variety of encounters and details. It emphasizes that an excessive concern with adapting yourself to these inner and outer events is the adequate way to handle it...]

Shaughnessy: Small Surpassing : Receipt; beneficial to determine; possible for little service, but not possible for great service. The sound left by the flying bird is not proper for ascent but is proper for descent; greatly auspicious.

Cleary (1):Predominance of the small is developmental, beneficial if correct. It is suitable for a small affair but not for a great one. The call left by a flying bird should not rise but descend. This is very auspicious.

Cleary (2):Small excess turns out all right. It is beneficial to be correct. It is all right for small matters, not for great matters. A flying bird leaves its cry; it should not ascend but descend – then there will be great good fortune.

Wu: Excess of the Small indicates pervasiveness and the advantage of being persevering. One may succeed in doing small business, but not big one. Like the lingering sound of a bird flying by, it is not suitable to go upward, but suitable to go downward. Great fortune.

 

The Image

Legge: The image of thunder above a hill forms Small Powers. The superior man, in accordance with this, in his conduct exceeds in humility, in mourning exceeds in sorrow, and in his expenditure exceeds in economy.

Wilhelm/Baynes: Thunder on the mountain: the image of Preponderance of the Small. Thus in his conduct the superior man gives preponderance to reverence. In bereavement he gives preponderance to grief. In his expenditures he gives preponderance to thrift. [The superior man derives an imperative from this image: he must always fix his eyes more closely and more directly on duty than does the ordinary man, even though this might make his behavior seem petty to the outside world. He is exceptionally conscientious in his actions.]

Blofeld: This hexagram symbolizes thunder over the mountains. The Superior Man now acts with too much reverence, experiences too much sorrow from bereavement and is overly thrifty in satisfying his needs.

Liu: Thunder over the mountain symbolizes Slight Excess. The superior man's conduct is overly humble; In mourning he laments exceedingly, and he is stingy in his spending.

Ritsema/Karcher: Above mountain possessing thunder. Small Exceeding. A chun tzu uses moving Exceeding to reach-to courtesy. A chun tzu uses losing Exceeding to reach-to mourning. A chun tzu uses availing of Exceeding to reach-to parsimony.

Cleary (1): There is thunder over a mountain, exessively small. Thus superior people are excessively deferential in conduct, excessively sad in mourning, excessively frugal in consumption.

Cleary (2): Thunder over a mountain – small excess. Genteel people are exceedingly deferential in conduct, exceedingly sad in mourning, and exceedingly abstemious in consumption.

Wu: Thunder rolls over the mountain; this is Excess of the Small. Thus the jun zi conducts himself with a little excess in respect to others, a little excess in sorrow at mourning, and a little excess in frugality in expenditure.

 

COMMENTARY

Confucius/Legge: In Small Powers we see the magnetic lines exceeding the others, and giving the intimation of progress and attainment. To be advantageous, such excesses must be associated with firm correctness, and must always be in harmony with the requirements of the time. The magnetic lines are in the central places, and hence it is said that small excesses may be done in small affairs with good effect. Of the dynamic lines, one is not in its proper place, and the other is not central; thus it is said that small excesses should not be done in great affairs. In the hexagram we have the symbol of the flying bird, whose song reminds us that it is better to descend than ascend. To ascend is contrary to what is reasonable in the case, while to descend is natural and right.

Legge: The meaning of this hexagram in which an excess of yin lines prevails, may be grasped by contrasting its image with that of hexagram number twenty-eight, Critical Mass, in which an excess of yang lines prevails. Here the idea is the prevalence of small or inferior powers, and the lesson to be learned is how to distinguish essentials from non-essentials. Is it ever good to deviate from the established course of procedure? The answer is that it is permissible only in small matters, but never in matters of import. Sometimes form may be dispensed with, but never substance, and the thing must always be done responsibly and with appropriate humility. The symbol of the bird is to teach humility -- it is better for it to descend, keeping near to where it can perch and rest, than to ascend into the homeless regions of the upper air.

 

NOTES AND PARAPHRASES

Judgment: Ground your flights of fancy.

The Superior Man bends over backwards to be correct.

Small Powers shows the preceding figure of Inner Truth turned inside-out. Here the magnetic lines are all on the outside -- uncontained and uncontrolled. The hexagram often reflects a situation in which the "archetypes": the passions, appetites, emotions, drives and instincts have left their proper places within the psyche and are flying free like birds escaped from the zoo. Most of the lines either depict the danger of such a situation or warn about how to control it.

In this inflated, compulsive state of identity, we and the drive are at our most harmful; the drive will unfold and we will act out its extreme, inappropriate and destructive side. In the process we get the worst of it, along with the other people involved. The wrong thing usually happens at the wrong time and in the wrong place. A capacity for moving toward differentiation and transforming the drive will not arise until the state of identity has been dissolved. This requires a confrontation of the drive as a Thou, as something that is not I, as something separate from ourselves. Only at this point can the inner dialogue begin. Until then the drive remains unconscious, primitive and destructive. Only after the identity has been dissolved by learning to experience the drive as an autonomous entity that is separate from the ego, do we get a chance to choose a right time and place and to develop the positive potential of the drive.
E.C. Whitmont --The Symbolic Quest

Interestingly, the only line that seems to be correctly "out of its cage" is the second -- suggesting a situation in which an intuitive inner wisdom takes proper precedence over the usual firm correctness of "reason."


Line 6

Legge: The sixth line, magnetic, shows its subject not meeting the exigency of her situation, and exceeding her proper course. It suggests the idea of a bird flying far aloft. There will be evil. The case is one of calamity and self-inflicted injury.

Wilhelm/Baynes: He passes him by, not meeting him. The flying bird leaves him. Misfortune. This means bad luck and injury.

Blofeld: Instead of accosting him, he passed him by, The bird flew away from him -- misfortune in the form of natural calamity and deliberate injury.

Liu: He passes over someone, not meeting him. The birds fly away. Misfortune. There will be disaster.

Ritsema/Karcher: Nowhere meeting, Exceeding it. Flying bird radiating it. Pitfall. That designates Calamity and Blunder.

Shaughnessy: Not meeting him, but surpassing him; the flying bird is netted in it; inauspicious. This is called calamitous imperfection.

Cleary (1): Don’t overstay here. The flying bird is gone. This is called calamity.

Cleary (2): The flying birds leave. This is unfortunate. This is called calamity.

Wu: He meets with no one even though he applies the spirit of small excess. Like a bird flying away from other birds, he is alone. Foreboding. It will be catastrophic.

 

COMMENTARY

Confucius/Legge: The position indicates the habit of domineering. Wilhelm/ Baynes: He is already arrogant. Blofeld: The first sentence suggests that we behave too arrogantly. Ritsema/Karcher: Climaxing overbearing indeed. Cleary (2): Passing by without meeting is because of arrogance. Wu: Because he is too arrogant.

Legge: Line six is magnetic at the top of the trigram of Movement. She is possessed by the idea of the hexagram to an extreme degree, and is incapable of keeping herself under restraint.

 

NOTES AND PARAPHRASES

Siu: The man does not know how to control his preoccupation with trivia. His overshooting and restlessly pressing on bring disappointment and calamity to himself and his people.

Wing: Your ambitions may be too great. In an aggressive attempt to reach an unrealistic goal you will meet with disaster.

Editor: Wilhelm and Blofeld both translate "domineering" as "arrogance," thus creating an image of rising above one's proper station (exceeding the mean) through over-confidence or pride. If we accept the universal symbol of the bird as emblematic of thoughts or thought processes, the line becomes a commentary on the dangers of excessive intellectualism. Compare this line with the sixth line of hexagram number fifty-six.

Wherever there is identity, as we have seen, there is compulsiveness. When we are identical with a drive we never question why we are moving or where we are going: there is only automatic response to an impulse. This state of compulsiveness, moreover, gives us the feeling of being carried by a tremendous force of energy, in much the same way that an automobile going at the speed of eighty miles an hour may give us a feeling of exhilaration: We are really going fast now! This exhilaration, this unquestioning feeling of assurance that "I'm really going, and I'm going fine and well" is called inflation.
E.C. Whitmont -- The Symbolic Quest

A. You have missed the mark. Arrogance or overconfidence have put your head in the clouds.

56
The Wanderer


Other titles: The Wanderer, The Symbol of the Traveler, The Exile, Sojourning, The Newcomer, To Lodge, To Travel, Traveling, The Stranger, Strangers, The Traveling Stranger, The Outsider, The Alien, The Gnostic, The Tarot Fool, Wandering, Homeless, Uncommitted, On Your Own, "Can refer to being out of one's element." -- D.F. Hook

 

Judgment

Legge: Transition means that small attainments are possible. If the traveling stranger is firm and correct, there will be good fortune.

Wilhelm/Baynes:The Wanderer. Success through smallness. Perseverance brings good fortune to the wanderer.

Blofeld:The Traveler -- success in small matters. Persistence with regard to traveling brings good fortune.

Liu: The Exile. Small success. To continue leads to good fortune.

Ritsema/Karcher:Sojourning, the small: Growing. Sojourning, Trial: significant. [This hexagram describes your situation in terms of wandering journeys and living in exile. It emphasizes that mingling with others as a stranger whose identity comes from a distant center is the adequate way to handle it...]

Shaughnessy:Traveling. Small receipt. Traveling; determination is auspicious.

Cleary (1): Travel is developmental when small; if travel is correct, it leads to good fortune.

Cleary (2): Travel has a little success. Travel is auspicious if correct.

Wu:Traveling indicates small pervasion. Perseverance will bring auspiciousness.

 

The Image

Legge: A fire on the mountain -- the image of Transition. The superior man exerts cautious wisdom in his punishments, and does not permit prolonged litigation.

Wilhelm/Baynes: Fire on the mountain: the image of The Wanderer. Thus the superior man is clear-minded and cautious in imposing penalties, and protracts no lawsuits.

Blofeld: This hexagram symbolizes fire upon a mountain. The Superior Man employs wise caution in administering punishments and does not suffer the cases brought before him to be delayed.

Liu: Fire over the mountain symbolizes the Exile. The superior man is careful and clever in imposing punishments, and does not delay the cases brought.

Ritsema/Karcher: Above mountain possessing fire. Sojourning. A chun tzu uses brightening consideration to avail-of punishing and-also not to detain litigating.

Cleary (1): There is fire atop a mountain, transient. Thus superior people apply punishments with understanding and prudence, and do not keep people imprisoned.

Cleary (2): Fire on a mountain – traveling. Etc.

Wu: There is fire on the mountain; this is Traveling. Thus the jun zi exercises the utmost deliberations in exacting punishments such that prisoners will not be detained without cause.

 

COMMENTARY

Confucius/Legge:Transition indicates that there may be some small attainment and progress -- the magnetic line occupies the central place in the upper trigram, and is obedient to the dynamic lines above and below it. We also have the attributes of Keeping Still connected with Intelligence in the lower and upper trigrams. Hence it is said that there may be some small attainment and progress. If the traveling stranger is firm and correct as he ought to be, there will be good fortune. Great is the time and great is the right course to be taken under these circumstances!

Legge: The written Chinese character for this hexagram denotes people traveling abroad, and is often translated as Strangers. The figure addresses itself to traveling strangers, and tells them how they ought to comport themselves through the cultivation of humility and firm correctness. By means of these they would escape harm, and make progress. The status of traveling stranger is seen as too low to expect great things of them.

It is assumed that the wanderer is in the position of the fifth line. The ideas of humility, docility, calmness and intelligence are derived from the attributes of the component trigrams. These are all characteristics which are proper to a stranger, and are likely to lead to advancement and attainment of his desires. Concerning the Image, K'ung Ying-ta comments: "A fire on a mountain lays hold of the grass, and runs with it over the whole space, not stopping anywhere long, and soon disappearing -- such is the emblem of the traveler."

 

NOTES AND PARAPHRASES

Judgment: During a Transition, keep your willpower great and your expectations small.

The Superior Man sees clearly and does not embroil himself in complexity. He is clear-minded and cautious in judging the truth of the situation, maintaining detachment from the social milieu.

Wilhelm's translation of the title of this hexagram is The Wanderer. A wanderer is one who has no home, or who is between one home and another. This reminds us of the gnostic notion of the "Alien": the incarnate soul exiled to wander in the space-time dimension (i.e., this world).

The alien is that which stems from elsewhere and does not belong here ... The stranger who does not know the ways of the foreign land wanders about lost; if he learns its ways too well, he forgets that he is a stranger and gets lost in a different sense by succumbing to the lure of the alien world and becoming estranged to his own origin ... The recollection of his own alienness, the recognition of his place of exile for what it is, is the first step back; the awakened homesickness is the beginning of the return.
Hans Jonas -- The Gnostic Religion

In the broadest interpretation then, the message in the Judgment: "If the traveling stranger is firm and correct, there will be good fortune" can refer to not becoming entangled in the affairs of this world in which we wander -- an idea emphasized in the first line. Ritsema/Karcher state it explicitly -- defining our challenge as "mingling with others as a stranger whose identity comes from a distant center." This is good general advice for anyone seriously engaged in the Work, since the "distant center" ("God," or the Self) represents the essence we incarnated to serve.

We are strangers in this world, and the body is the tomb of the soul, and yet we must not seek to escape by self- murder; for we are the chattels of God who is our herdsman, and without his command we have no right to make our escape.
Pythagorean ethic

In more specific situations, the hexagram symbolizes a transitional phase. Lines two, three and four all depict "Inns" or temporary resting places (commonly experienced in dreams as images of hotels or motels). The symbolism is identical: the psyche is reflecting an interim situation during a state of Transition.

By definition, a transition is fluid and not yet fixed. Depending upon the choices made, one can go in different directions. In terms of consciousness, it is obvious that the transition can be from a lower state of awareness to a higher one, or vice-versa. Because a transition is an opportunity for deliberate choice-making, the Confucian commentary concludes with: "Great is the time and great is the right course to be taken under these circumstances!"

Lines one, three and six depict very negative situations involving ignorant, arrogant choices. We think of the ego blindly pushing the river of its desires, unable to see the unfortunate consequences it thereby engenders. Line two suggests a solid resting place during our journey, while line four depicts a tenuous, though not necessarily incorrect, similar situation. The fifth line counsels a kind of sacrifice to the ruler (the Self) which results in an eventual reward. The message is to let the Self guide you through a Transition.

 

SUGGESTIONS FOR MEDITATION

Hexagram number fifty-six is the reverse of hexagram number fifty-five. Compare the role of the superior man in the Image of each figure. How are they the same? How are they different? What are the differences and similarities of the component trigrams of each hexagram, and how do they affect their respective meanings?

Notes, August 15, 2009: A new paraphrase of the Judgment and Image:

The Gnostic Alien. Small attainments are possible if the Alien keeps a clear head and maintains his self-discipline. The initiated Adept is intelligent, discreet, and displays vigilant wisdom: he maintains and protects his gnosis via cautious reserve in worldly disputes, eschewing needless contention. [He can do this because he knows that this is an illusory reality: a set-up, a trap, a Loosh factory created by the Demiurge.] A chun tzu uses brightening consideration to avail-of punishing and-also not to detain litigating. [In other words “do the work in the place in which you find yourself” quickly, and efficiently, with as few entanglements as possible under the circumstances. Shun new karma. Implicit is that this experience is preparation for the bodhisattva vow.]