Wiki I Ching

Small Powers 62.1.3 51 Shock

From
62
Small Powers
To
51
Shock

One scoots before the others can realize what one has done to them.
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Small Powers 62
Focus on the details.
Embrace humility and small steps to achieve success.
Avoid overreaching or taking on too much to prevent failure.


Line 1
This line warns against overreaching or attempting too much.
It suggests that one should be cautious and avoid taking unnecessary risks.


Line 3
This line warns of potential danger from unexpected sources.
It advises vigilance and awareness of one's surroundings to avoid being caught off guard.


Shock 51
Sudden change or shock, like thunder, that can jolt you awake.
Embrace the disruption as an opportunity for growth, respond calmly, and align your actions with the new reality.



62
Small Powers


Other titles: Preponderance of the Small, The Symbol of Excess in Small Things, The Small get by, Slight Excess, Small Exceeding, Small Surpassing, Excess of the Small, Small gains, Conscientiousness, Smallness in Excess, Exceeding the Mean, Proliferation of Details, "Like a bird, do not fly too high or attempt too much because this will lead to disaster." -- D.F. Hook

 

Judgment

Legge:Small Powers indicates that there will be progress and attainment in small affairs, but not in great affairs. It will be advantageous to be firm and correct. It is like the song of a flying bird: It is better to descend than to ascend. In this way there will be good fortune.

Wilhelm/Baynes:Preponderance of the Small. Success. Perseverance furthers. Small things may be done; great things should not be done. The flying bird brings the message: It is not well to strive upward, it is well to remain below. Great good fortune.

Blofeld:The Small Get By -- success! Persistence in a righteous course brings reward. Small things can be accomplished now, but not great ones. When birds fly high, their singing is out of tune. The humble, but not the mighty, are favored now with great good fortune. [To aim high now would be to put ourselves out of accord with the times.]

Liu:Slight Excess. Success. Continuing is of benefit. Undertaking small things, not great things. The song of the flying bird. It is not good to go up; it is good to stay below. Great good fortune. [Slight Excess signifies the slight excess or small mistake that can prevent the achievement of great things.]

Ritsema/Karcher:Small Exceeding, Growing. Harvesting Trial. Permitting Small

Affairs. Not permitting Great Affairs. Flying bird: abandoning's sound. Above not proper, below proper. The great significant. [This hexagram describes your situation in terms of an overwhelming variety of encounters and details. It emphasizes that an excessive concern with adapting yourself to these inner and outer events is the adequate way to handle it...]

Shaughnessy: Small Surpassing : Receipt; beneficial to determine; possible for little service, but not possible for great service. The sound left by the flying bird is not proper for ascent but is proper for descent; greatly auspicious.

Cleary (1):Predominance of the small is developmental, beneficial if correct. It is suitable for a small affair but not for a great one. The call left by a flying bird should not rise but descend. This is very auspicious.

Cleary (2):Small excess turns out all right. It is beneficial to be correct. It is all right for small matters, not for great matters. A flying bird leaves its cry; it should not ascend but descend – then there will be great good fortune.

Wu: Excess of the Small indicates pervasiveness and the advantage of being persevering. One may succeed in doing small business, but not big one. Like the lingering sound of a bird flying by, it is not suitable to go upward, but suitable to go downward. Great fortune.

 

The Image

Legge: The image of thunder above a hill forms Small Powers. The superior man, in accordance with this, in his conduct exceeds in humility, in mourning exceeds in sorrow, and in his expenditure exceeds in economy.

Wilhelm/Baynes: Thunder on the mountain: the image of Preponderance of the Small. Thus in his conduct the superior man gives preponderance to reverence. In bereavement he gives preponderance to grief. In his expenditures he gives preponderance to thrift. [The superior man derives an imperative from this image: he must always fix his eyes more closely and more directly on duty than does the ordinary man, even though this might make his behavior seem petty to the outside world. He is exceptionally conscientious in his actions.]

Blofeld: This hexagram symbolizes thunder over the mountains. The Superior Man now acts with too much reverence, experiences too much sorrow from bereavement and is overly thrifty in satisfying his needs.

Liu: Thunder over the mountain symbolizes Slight Excess. The superior man's conduct is overly humble; In mourning he laments exceedingly, and he is stingy in his spending.

Ritsema/Karcher: Above mountain possessing thunder. Small Exceeding. A chun tzu uses moving Exceeding to reach-to courtesy. A chun tzu uses losing Exceeding to reach-to mourning. A chun tzu uses availing of Exceeding to reach-to parsimony.

Cleary (1): There is thunder over a mountain, exessively small. Thus superior people are excessively deferential in conduct, excessively sad in mourning, excessively frugal in consumption.

Cleary (2): Thunder over a mountain – small excess. Genteel people are exceedingly deferential in conduct, exceedingly sad in mourning, and exceedingly abstemious in consumption.

Wu: Thunder rolls over the mountain; this is Excess of the Small. Thus the jun zi conducts himself with a little excess in respect to others, a little excess in sorrow at mourning, and a little excess in frugality in expenditure.

 

COMMENTARY

Confucius/Legge: In Small Powers we see the magnetic lines exceeding the others, and giving the intimation of progress and attainment. To be advantageous, such excesses must be associated with firm correctness, and must always be in harmony with the requirements of the time. The magnetic lines are in the central places, and hence it is said that small excesses may be done in small affairs with good effect. Of the dynamic lines, one is not in its proper place, and the other is not central; thus it is said that small excesses should not be done in great affairs. In the hexagram we have the symbol of the flying bird, whose song reminds us that it is better to descend than ascend. To ascend is contrary to what is reasonable in the case, while to descend is natural and right.

Legge: The meaning of this hexagram in which an excess of yin lines prevails, may be grasped by contrasting its image with that of hexagram number twenty-eight, Critical Mass, in which an excess of yang lines prevails. Here the idea is the prevalence of small or inferior powers, and the lesson to be learned is how to distinguish essentials from non-essentials. Is it ever good to deviate from the established course of procedure? The answer is that it is permissible only in small matters, but never in matters of import. Sometimes form may be dispensed with, but never substance, and the thing must always be done responsibly and with appropriate humility. The symbol of the bird is to teach humility -- it is better for it to descend, keeping near to where it can perch and rest, than to ascend into the homeless regions of the upper air.

 

NOTES AND PARAPHRASES

Judgment: Ground your flights of fancy.

The Superior Man bends over backwards to be correct.

Small Powers shows the preceding figure of Inner Truth turned inside-out. Here the magnetic lines are all on the outside -- uncontained and uncontrolled. The hexagram often reflects a situation in which the "archetypes": the passions, appetites, emotions, drives and instincts have left their proper places within the psyche and are flying free like birds escaped from the zoo. Most of the lines either depict the danger of such a situation or warn about how to control it.

In this inflated, compulsive state of identity, we and the drive are at our most harmful; the drive will unfold and we will act out its extreme, inappropriate and destructive side. In the process we get the worst of it, along with the other people involved. The wrong thing usually happens at the wrong time and in the wrong place. A capacity for moving toward differentiation and transforming the drive will not arise until the state of identity has been dissolved. This requires a confrontation of the drive as a Thou, as something that is not I, as something separate from ourselves. Only at this point can the inner dialogue begin. Until then the drive remains unconscious, primitive and destructive. Only after the identity has been dissolved by learning to experience the drive as an autonomous entity that is separate from the ego, do we get a chance to choose a right time and place and to develop the positive potential of the drive.
E.C. Whitmont --The Symbolic Quest

Interestingly, the only line that seems to be correctly "out of its cage" is the second -- suggesting a situation in which an intuitive inner wisdom takes proper precedence over the usual firm correctness of "reason."


Line 1

Legge: The first line, magnetic, suggests the idea of a bird flying, and ascending until the issue is evil.

Wilhelm/Baynes: The bird meets with misfortune through flying. [A bird ought to remain in the nest until it is fledged. If it tries to fly before this, it invites misfortune.]

Blofeld: A bird in flight brings misfortune.

Liu: A bird encounters misfortune when it soars.

Ritsema/Karcher: Flying bird: using a pitfall.

Shaughnessy: The flying bird brings inauspiciousness.

Cleary (1): A bird that flies thereby brings misfortune.

Wu: The flying bird gets its misfortune.

 

COMMENTARY

Confucius/Legge: Nothing can be done to avoid this issue. Wilhelm/Baynes: Here there is nothing to be done. Blofeld: There is nothing we can do about it. [The bird is merely a symbol; we are due to encounter misfortune which we are powerless to avert.]Ritsema/Karcher: Wherefore not permitted thus indeed. Cleary (2): Nothing can be done about it. Wu: It cannot be helped.

Legge: Line one is magnetic in a dynamic place, and possessed by the idea of exceeding the limitations of the hexagram. Her correlate is the dynamic fourth line, belonging to the trigram of Movement, so that instead of being repressed from her tendency to ascend, she is actually stimulated to do so. Nothing can be done to avoid an evil issue because she brings it on herself.


NOTES AND PARAPHRASES

Siu: At the outset, the man should heed the case of a bird leaving the nest before it is fledged. He should spend his early life learning the traditional ways in order to avoid wasting his energies in senseless jousting.

Wing: If you are considering an extraordinary plan, forget it. The time and your position could not be more inappropriate. Your destiny lies in the ordinary or traditional, and anything beyond that would lead you into danger.

Editor: Despite the gloomy Confucian commentary, my experience with this line has usually been conditional: "If the bird flies, disaster is inevitable." The implicit conclusion is: "If the bird doesn't fly, it will escape the unpleasant consequences." The image of the bird (an air creature symbolizes a thought, concept or idea) can suggest blue-sky thinking that will only end up lost in space. Wilhelm’s commentary offers the idea of a fledgling trying to fly before it is ready, suggesting that the impulse to act may be more premature than improper.

If we do not know what moves us we are in no position to understand what we are doing, nor are we in any position to choose what we wish to do. We may think we decide what we want to do but what actually happens may be quite another matter. Without an awareness of the psychic fields in which we operate, any idea of freedom of will, decision or of relationship is an illusion.
E.C. Whitmont --The Symbolic Quest

A. You have allowed your thoughts to run away with you.

B. You are in over your head -- have exceeded your ability to cope with the reality of the situation.

Line 3

Legge: The third line, dynamic, shows its subject taking no extraordinary precautions against danger, and some in consequence finding opportunity to assail and injure him. There will be evil.

Wilhelm/Baynes: If one is not extremely careful, somebody may come up from behind and strike him. Misfortune.

Blofeld: Unless he takes appropriate precautions, one of his subordinates may slay him -- misfortune!

Liu: If he does not protect himself carefully, someone will stab him in the back. Misfortune.

Ritsema/Karcher: Nowhere Exceeding defending-against it. Adhering, maybe killing it. Pitfall.

Shaughnessy: Not surpassing him but repelling him, following which someone injures him; inauspicious.

Cleary (1): If you do not overcome and forestall it, indulgence will cause harm, which would be unfortunate.

Cleary (2): One does not take precautions in excess, so pursuers attack one. This is unfortunate.

Wu: Ignoring to secure a little excess of protection, he may be fatally wounded. Foreboding.


COMMENTARY

Confucius/Legge: There will be evil: how great it will be! Wilhelm/Baynes: What a misfortune this is! Blofeld: Were that to happen, it would indeed be misfortune! Ritsema/Karcher: Wherefore a pitfall thus indeed. Cleary (2): Pursuers attack one. How unfortunate! Wu: How can it not be foreboding?

Legge: The subject of line three is too confident in his own strength, and too defiant of the magnetic enemies that seek to hurt him.

 

NOTES AND PARAPHRASES

Siu: The man is disdainful of weak enemies and does not exercise adequate precautions in the face of apparently insignificant signs. He will be hurt.

Wing: This is a warning. Because you are in the right and things have gone smoothly in the past, you may be tempted to overlook details and become overly confident. Dangers are lurking. They can be avoided with Conscientiousness. Take precautions now.

Editor: The "magnetic enemies" are all of the yin lines in the hexagram, seen here as treacherous adversaries. There is no ambiguity in this line at all -- it is saying in the clearest possible terms to "Watch out!"

We are therefore on safe ground when we speak of a personal part of the psyche consisting of the conscious and controllable elements, and a nonpersonal part consisting of those elements not controlled by the conscious I but superordinated to and acting independently of it, often dominating it and forcing it to act contrary to its desires ... A man in this stage of self-consciousness does not realize as a rule that ideas occur to him without his willing them, that actions are performed through him -- that he is being used by thoughts and impulses arising from something other than his I.
M.E. Harding -- Psychic Energy

A. You are vulnerable to harm -- wake up!

B. You have taken no precautions against the threat of attack from unseen quarters. If you are not extremely careful, you're going to get hurt.

51
Shock


Other titles: The Arousing, Thunder, The Symbol of Startling Movement, Shake, The Beginning of Movement, Shocking, The Thunderclap, Action, Motion, Sudden Change, Surprise! "The necessity to keep tranquil in the midst of upheaval." -- D.F. Hook

 

Judgment

Legge:Shock intimates ease and development. When the time of movement which it indicates comes, the subject of the hexagram will be found looking out with apprehension, and yet smiling and talking cheerfully. When the movement like a crash of thunder terrifies all within a hundred miles, he will be like the sincere worshipper who is not startled into dropping his ladle and cup of sacrificial spirits.

Wilhelm/Baynes:Shock brings success. Shock comes --oh, oh! Laughing words -- ha, ha! The shock terrifies for a hundred miles, and he does not let fall the sacrificial spoon and chalice.

Blofeld: Thunder -- success! Thunder comes with a terrible noise, laughing and shouting in awesome glee and frightening people for a hundred miles around. The sacrificial wine is not spilt. [This suggests that the holder of the sacrificial vessel is not easily alarmed or else that he is very wise and able to distinguish between the apparently dangerous and the truly dangerous.]

Liu: Thunder. Success. Thunder comes -- ho ho! Speaking and laughing -- ha ha! It shocks and terrifies for a hundred miles. But one does not drop the spoon or chalice.

Ritsema/Karcher: Shake, Growing. Shake coming: frightening, frightening. Laughing words, shrieking, shrieking. Shake scaring a hundred miles. Not losing the ladle, the libation. [This hexagram describes your situation in terms of a disturbing and inspiring shock. It emphasizes that rousing things to new activity, the action of Shake is the adequate way to handle it. To be in accord with the time, you are told to: stir things up!]

Shaughnessy:Thunder: Receipt; thunder comes so renewingly; laughter and talk yaya; thunder alarms one hundred miles; not losing the ladle or goblet.

Cleary (1): Thunder is developmental. When thunder comes, there is alarm, then laughter. Thunder startles for a hundred miles, but one does not lose the spoon and wine.

Cleary (2):Thunder comes through. Etc.

Wu:Motion indicates pervasiveness. When Motioncomes, it frightens people. Later, it makes people talk and laugh. Its majesty reaches one hundred li in all directions. There is no misplacement of the ladle or sacrificial wine.

 

The Image

Legge: The image of Thunder, being repeated, forms Shock. The superior man, in accordance with this, is fearful and apprehensive, cultivates his virtue, and examines his faults.

Wilhelm/Baynes: Thunder repeated: the image of Shock. Thus in fear and trembling the superior man sets his life in order and examines himself.

Blofeld: This hexagram symbolizes continuous thunder. The Superior Man in fear and trembling seeks to improve himself.

Liu: Thunder doubled symbolizes shock. The superior man contemplates himself with fear and caution.

Ritsema/Karcher: Reiterated thunder. Shake. A chun tzu uses anxious fearing to adjust inspecting.

Cleary (1):Traveling thunder reverberates. Thus superior people cautiously practice introspection.

Cleary (2): Repeated thunder reverberates.Developed people practice introspection with caution.

Wu: One thunderclap after another constitutes hexagram Motion. Thus the jun zi reflects and rectifies for fear of being wrong.

 

COMMENTARY

Confucius/Legge: His feeling of dread leads to happiness because he is thereby made to adopt proper laws for himself. The movement startles the distant and frightens the near, yet he makes the proper sacrifices the same as always.

Legge: Shock consists of the trigram for Thunder doubled. (This trigram also represents Movement and the Eldest Son.) The hexagram therefore symbolizes a crash or peal of thunder, and combined with the idea of movement shows a sudden change taking place in the kingdom. The lesson is the conduct to be pursued in a time of sudden change through an awareness of danger and the proper regulation of oneself.

A successful issue is predicted if the dynamic first line can be superior to the two magnetic lines above him. It is in the idea of the hexagram that he should be moving and advancing. Although sensible of the danger, he is confident and self-possessed -- so much so that he can calmly perform his religious duties during the prevailing chaos. This is proper behavior for the eldest son, who must eventually assume the duties of his father.

Anthony: In the I Chingshock means being subjected to unsettling events. It also means perceiving and reacting to these events … perceiving, in any of these changes, that a new set of limits, or deprivations, has been placed on our life which seems to restrict or even penalize us. This sense of being projected by events into a sort of emotional trap is what this hexagram calls “Fate.” Acknowledgement of this fate, or trap, and the imperative – to find the way out – is one of the purposes of shock. As far as the I Ching is concerned, there is only one way out – to undergo spiritual development.

 

NOTES AND PARAPHRASES

Judgment: During sudden changes, adjust your tempo and move ahead, remembering that while conditions may alter, the goal remains the same.

The Superior Man double-checks his premises, confronts his weak spots and adheres to the rules and ideals of the Work.

The image here is one of a sudden, dramatic release of energy, power and force. To receive this hexagram without changing lines can refer to almost any abrupt, startling or unexpected situation. Sometimes it is the oracle's way of saying: "Surprise!” It can also be a kind of reprimand for asking a dumb or inappropriate question -- the oracle is "shocked” by your temerity, ignorance, etc. In such instances there is often an element of wry humor in the situation -- usually at the ego's expense. On rare occasions, it is possible to receive this hexagram as a warning about an upcoming event which has no bearing on the question posed. Should you receive such an oracle, be extremely vigilant – as always, the advice to the superior man in the Image suggests the proper course.

A true test of devotion to the Work is to maintain one's will under all circumstances. The world may be falling apart around us, but the adept does not ruin the performance of his sacrifice: the ego continues the Work regardless of conditions, and keeps a cool head under all circumstances.

Have no fear of sudden terror

or of assault from wicked men,

since Yahweh will be your guarantor,

He will keep your steps from the snare.

Proverbs 3: 25-26

Both Yahweh and Christ are what Jung calls "god images” which exist in one form or another in every human psyche, whether it is consciously religious or not. The god image is synonymous with the Self, and the implication of the above quotation from Proverbsis that as long as the ego remains devoted to the Work -- in I Chingterms: "maintains the sacrifice” -- it is under the protection of the Self.

The Perfect Man is godlike. Though the great swamps blaze, they cannot burn him; though the great rivers freeze, they cannot chill him; though swift lightning splits the hills and howling gales shake the sea, they cannot frighten him. A man like this rides the clouds and mist, straddles the sun and moon, and wanders beyond the four seas. Even life and death have no effect on him, much less the rules of profit and loss!
Chuang Tzu