One mops up to absorb everything that has been spilled. taoscopy.com
Inner Truth61
Inner truth and sincerity lead to harmony and trust. Genuine communication fosters unity. Be truthful with yourself and others to create meaningful connections.
↓ Line 2
Sincere communication and mutual understanding bring harmony and shared joy.
↓ Line 3
Emotional fluctuations and uncertainty can be resolved through finding a true companion.
↓ Line 5
True sincerity creates connections and understanding, leading to a harmonious outcome.
↓ Line 6
Overreaching or excessive persistence can lead to negative consequences.
↓ Clouded Perception36
Stay resilient amidst adversity. When in challenging circumstances, maintain inner clarity and integrity while concealing your light from those who may not understand or appreciate it. Patience and perseverance are key.
61 Inner Truth
Other titles: The Symbol of Central Sincerity, Inward Confidence, Inner Truthfulness, Sincerity, Centering- Conforming, Central Return, Faithfulness in the Center, Sincerity in the Center, Insight, Understanding, The Psyche, "Take the middle road and avoid extremes." -- D.F. Hook
Judgment
Legge: Inner Truth moves even pigs and fish, and leads to good fortune. There will be advantage in crossing the great stream. There will be advantage in being firm and correct.
Wilhelm/Baynes:Inner Truth. Pigs and fishes. Good fortune. It furthers one to cross the great water. Perseverance furthers.
Blofeld: Inward Confidence and Sincerity. Dolphins -- good fortune! It is advantageous to cross the great river (or sea). Persistence in a right course brings reward.
Liu:Inner Truthfulness. Sea Lions -- good fortune. It is of benefit to cross the great water.
Ritsema/Karcher:Centering Conforming, hog fish significant. Harvesting: wading the Great River. Harvesting trial. (Hog fish, T’UN YU: aquatic mammals; porpoise, dolphin; intelligent aquatic animals whose development parallels the human; sign of abundance and good luck.) [This hexagram describes your situation in terms of the relation between your inner core and the circumstances of your life. It emphasizes that bringing your central concerns and your life situation into a sincere and reliable accord is the adequate way to handle it...]
Shaughnessy:Central Return: the piglet and fish are auspicious; harmonious: beneficial to ford the great river; beneficial to determine.
Cleary (1): Faithfulness in the center is auspicious when it reaches even pigs and fish . It is beneficial to cross great rivers. It is beneficial to be correct.
Cleary (2): Sincerity in the center is auspicious when simple-minded ... etc.
Wu:Sincerity moves piglets and fishes. Auspicious. It will be advantageous to cross the big river with perseverance.
The Image
Legge: Wood on a Marsh -- the image of Inner Truth. The superior man deliberates about cases of litigation and delays the infliction of death.
Wilhelm/Baynes: Wind over lake: the image of Inner Truth. Thus the superior man discusses criminal cases in order to delay executions.
Blofeld: This hexagram symbolizes wind blowing over a marshy lake. The Superior Man devotes careful thought to his judgments and is tardy in sentencing people to death.
Liu: The wind over the lake symbolizes Inner Truthfulness. The superior man judges criminals and postpones capital punishment.
Ritsema/Karcher: Above marsh possessing wind. Centering Conforming. A chun tzu uses deliberating litigating to delay dying.
Cleary (1): There is wind above a lake, with truthfulness between them. Thus superior people consider judgments and postpone execution.
Cleary (2): There is wind over a lake, with sincerity in the center. True leaders consider judgments and postpone execution.
Wu: There is wind above the marsh: this is Sincerity. Thus, the jun zi deliberates the verdicts and enjoins the death sentence.
COMMENTARY
Confucius/Legge:Inner Truth shows two magnetic lines occupying the innermost part of the hexagram, with dynamic lines in the centers of the trigrams. We see the attributes of Cheerfulness and Flexible Penetration -- sincerity thus symbolized reaches even to pigs and fishes and will transform the country. We see one riding on the symbol of Wood, which forms an empty boat -- hence it is advantageous to cross the great stream. The virtue of Inner Truth requires firm correctness and shows the proper response of man to heaven.
Legge: Inner Truth denotes the highest quality of man, giving its possessor the power to prevail with spiritual beings, with other men and with lower creatures. There are two magnetic lines in the center and two dynamic lines above and below them. The magnetic lines represent the heart and mind free from all preoccupation, without any consciousness of self. The two dynamic lines immediately above and below them are each in the center of their respective trigram, and denote the solid virtue of one so free from selfishness.
The trigram of Wood above the trigram for a Lake or Marsh suggests a boat crossing the great stream. The pigs and fishes symbolize the rudest and most obstinate of men. Ch'eng-tzu observes: "We have in the sincerity shown in the upper trigram superiors condescending to those below them in accordance with their peculiarities, and we have in that of the lower those below delighted to follow their superiors. The combination of these two things leads to the transformation of the country and state."
NOTES AND PARAPHRASES
Judgment: It is a great accomplishment when Inner Truthalters archetypal forces within the psyche. The ego’s devotion to the Work is the means to this end.
The Superior Man carefully differentiates his options and avoids drastic measures. (Can sometimes mean: "Don't act until you are sure of all the facts.")
Anyone who monitors his dreams and other images knows that the unconscious is a continuous wellspring of psychic energy. Jung has observed that we are probably dreaming all of the time -- the only reason we don't usually notice this is because the conscious mind is so powerful that the more subtle manifestations of the psyche are eclipsed. Since consciousness consists of only the upper layers of a deep continuum of awareness it is obvious that we are being continuously "created from within." The ultimate source of our being is not easily accessible, but all of the empirical evidence points to a "Self" which transcends the space-time continuum -- i.e., lives in another "dimension."
The capacity to nullify space and time must somehow inhere in the psyche, or, to put it another way, the psyche does not exist wholly in time and space. It is very probable that only what we call consciousness is contained in space and time, and that the rest of the psyche, the unconscious, exists in a state of relative spacelessness and timelessness. Jung --Letters
This seemingly exotic concept was written by Jung in 1939, yet today the theories of the quantum physicists are approaching the point where awareness itself will be recognized as space-time transcendent.
In the modern Kaluza-Klein theory all the forces of nature, not merely gravity, are treated as manifestations of spacetime structure. What we normally call gravity is a warp in the four spacetime dimensions of our perceptions, while the other forces are reduced to higher-dimensional spacewarps. All the forces of nature are revealed as nothing more than hidden geometry at work ... There is a deep compulsion to believe in the idea that the entire universe, including all the apparently concrete matter that assails our senses, is in reality only a frolic of convoluted nothingness, that in the end the world will turn out to be a sculpture of pure emptiness, a self-organized void. Paul Davies -- Superforce
The physicists now hypothesize an eleven-dimensional universe, and state that the seven "extra" dimensions are somehow "rolled up to a very small size" so that they are not apparent to our senses. If we are going to hypothesize such fantastic realms it is more elegant to hypothesize consciousness itself as emanating from an extra-dimensional source. This is the Pleroma of the Gnostics and Alchemists, the upper and lower worlds of shamanism, or in Jungian parlance: the Objective Psyche or Collective Unconscious.
The familiar spacetime of our conscious experience consists of three linear dimensions, plus time. Time is considered a dimension, but not like the other three -- one can go up, down, forward and backward, to the left or right at will, but one cannot go back to this morning or forward to next Thursday afternoon. The time dimension is a continuous "now" and we experience it and the other three dimensions from the reference point of consciousness -- we are the center from which all dimensions radiate. Consciousness is like time in that it is always "now," and since consciousness emerges from within in a continuous and autonomous flow, we can legitimately hypothesize that we emanate from a power source in another dimension. We are a kind of continuous explosion from within -- a microcosmic version of the "Big Bang" which originated the universe, and which, incidentally, is still exploding-expanding outward into space.
If everything that is recognizable is so only because it has separated itself from the "all and nothingness," leaving its complementary half behind in the unmanifested state, then the earth too must have its complementary half in the unmanifested state, and the force of gravitation it exerts on all the creatures and objects living on it is the striving for reunification between the earth and its unmanifested complementary half which has been left behind in the void as its negative reflection. The earth's gravitational pull thus draws all the earth towards the void which stands beyond time and space, in order to bring about this reunion. If the earth were to yield, all the earth and everything on it would disappear into the center, into the void. But that would be a return to the paradisiacal unity -- to God -- to bliss! Elisabeth Haich -- Initiation
The image of the hexagramInner Truth gives us the idea of an "empty" center -- as good an image as could be devised from the structural components of the trigrams to show the inner source of human consciousness. The pigs and fishes of the Judgment are the archetypal complexes which must be tamed through the process of the Work, and to "cross the great stream" with firm correctness is to accomplish this holy task.
Through all ages men have sought, and some have found; there is a door through which we can pass out on to the higher planes, but that door is within the soul, it is an enlargement of consciousness whereby we perceive these things to which we have hitherto been blind, and from such perception comes the sense of reality which is lacking while we perceive nothing but appearances. Whoso has this wider vision is freed from the limitations of the five physical senses; his memory extends back beyond birth, and his hopes go forward beyond death ... Having all aspects of his own nature harmoniously developed, he is at one with all aspects of the universe, nothing is alien to him, and no form of existence is hostile. The path of life is open before him and he treads it with joy. D. Fortune -- The Esoteric Philosophy of Love and Marriage
Line 2
Legge: The second line, dynamic, shows its subject like the crane crying out in her hidden retirement, and her young ones responding to her. It is as if it were said: "I have a cup of good spirits," and the response were, "I will partake of it with you."
Wilhelm/Baynes: A crane calling in the shade. Its young answers it. I have a good goblet. I will share it with you.
Blofeld: A crane sings in the shade; its young ones follow suit. [This symbolizes a longing in which others share.] I have a fine goblet and will share it with you. [We should allow others to benefit from something or some circumstance which is valuable to us.]
Liu: A crane calls in the shade; its young ones respond. I have a good goblet (wine, virtue) to share with you.
Ritsema/Karcher: Calling crane located-in yin. One's son-hood harmonizing it. I possess a loved wine-cup. Myself associating, simply spilling it.
Shaughnessy: A calling crane in the shade, its young harmonizes with it: We have a good chalice, I will down it with you.
Cleary (1): A calling crane is in the shade, its fledgling joins it; I have a good cup, which I will quaff with you.
Wu: A crane cries in the shade and her young chime in. “I have fine wine. I would like to share it with you.”
COMMENTARY
Confucius/Legge: Her young ones respond to her from the common wish of the inmost heart. Wilhelm/Baynes: This is the affection of the inmost heart. Blofeld: `Its young ones follow suit' indicates heartfelt desire. Ritsema/Karcher: Centering the heart desiring indeed. Cleary (2): The fledgling joining in is the heart’s desire. Wu: The harmony comes from within.
The Master said: "The superior man occupies his apartment and sends forth his words. If they be good, they will be responded to at a distance of more than a thousand miles -- how much more will they be so in the nearer circle! If his words be evil, they will awaken opposition at a distance of more than a thousand miles – how much more will they do so in the inner circle! Words issue from one's person, and proceed to affect the people. Actions proceed from what is near, and their effects are seen at a distance. Words and action are the spring and hinge of the superior man. The movement of that hinge and spring determines glory or disgrace. His words and actions move Heaven and Earth -- may he be careless in regard to them?"
Legge: The young ones of the crane are represented by line one. The symbolism suggests two men brought together by their sympathy in virtue. The subject of the line is the effect of sincerity. As one bond of loving regard unites the mother bird and her young, so answers the heart of man to man.
NOTES AND PARAPHRASES
Siu: The man voices his feelings and defends his deeds by clear explanations, which exert a far-reaching chain reaction.
Wing: Here insight and influence are in their finest hour. The deeds you do, the words you speak, resonate in the hearts and minds of others near and far. You may expect a fortunate and beneficial response from your environment.
Editor: We see here a hidden mother bird calling to her young to share a cup of spirits. (Wilhelm, Blofeld and Liu all translate "hidden retirement" as "shade.") The image is of a mother who cannot be seen -- i.e., a hidden source. Psychologically interpreted, this suggests the inner Self, and the shade suggests the darkness of the unconscious from which the Self calls to us. The young birds who respond to the call are the complexes of the psyche, including, of course, the conscious ego-complex. Despite conscious negative associations of alcohol with intoxication, "spirits" are a common dream symbol for the action of the spirit on consciousness. (Aqua Vitae, literally: "water of life," means alcohol or hard liquor.) The overall image then is one of the Self and its complexes united by their common "spirit."
As concerning the most sovereign form of soul in us we must conceive that heaven has given it to each man as a guiding genius -- that part which we say dwells in the summit of our body and lifts us from earth toward our celestial affinity, like a plant whose roots are not in earth, but in the heavens. And this is most true, for it is to the heavens, whence the soul first came to birth, that the divine part attaches the head or root of us and keeps the whole body upright. Plato -- The Timaeus
A. An image of affinity and connectedness which may be hidden or not readily apparent.
B. Self and satellites united in accord: Nourishment which comes from within.
Line 3
Legge: The third line, magnetic, shows its subject having met with her mate. Now she beats her drum, and now she leaves off. Now she weeps, and now she sings.
Wilhelm/Baynes: He finds a comrade. Now he beats the drum, now he stops. Now he sobs, now he sings. [Here the source of a man’s strength lies not in himself but in his relation to other people. No matter how close to them he may be, if his center of gravity depends on them, he is inevitably tossed to and fro between joy and sorrow.]
Blofeld: He makes an enemy. Beating a drum by fits and starts, he weeps and sings in turn. [We are conscious of having made an enemy, but we cannot make up our minds what to do about it. The implication is that we should have more courage.]
Liu: One meets a person. Suddenly he beats a drum, and suddenly he stops; then he weeps, then he sings. [You can expect to gain sometimes, but also to lose sometimes; in happiness hides sadness, but from sadness will spring joy.]
Shaughnessy: Getting an enemy: now drumming, now weary, now crying, now singing.
Cleary (1): Finding enemies , sometimes drumming, sometimes stopping, sometimes crying, sometimes singing. [Believing in what is not to be believed will inevitably destroy faith. This is faith that takes the false to be true.]
Cleary (2): Finding a mate … etc. [All of this is due to lack of virtuous qualities and being out of place.]
Wu: He meets with his counterpart. Sometimes he drums, sometimes he stops, sometimes he wails, and sometimes he sings.
COMMENTARY
Confucius/Legge: The position of the line is not the appropriate one for it. Wilhelm/ Baynes: The place is not appropriate. Blofeld: His beating the drum by fits and starts is indicated by the unsuitable position of this line. Ritsema/Karcher: Situation not appropriate indeed. Cleary (2): The position is not appropriate. Wu: Because he is out of place. [The judgment describes how circumstances may influence the action of a person, but makes no comments on his behaviors.]
Legge: The mate of line three is line six. Although they are matched as correlates, each is in an inappropriate place. The idea is that sincerity, not left to itself, is influenced from outside which causes changes and uncertainty in one's moods.
NOTES AND PARAPHRASES
Siu: The man depends on others for his joys and sorrows, which generates an uncertainty of moods. His sincerity is impure and contaminated with external influences.
Wing: You depend upon your external relationships to dictate your mood or to gauge your confidence in yourself. This can sometimes elevate you to the heights of joy or banish you to the depths of despair. Possibly you may enjoy such range in emotion.
Editor: Note the close similarity between this line and line three of Hexagram #30, Clarity:"In the light of the setting sun, men either beat the pot and sing or loudly bewail the approach of old age. Misfortune” (Wilhelm). Here, line three is unduly influenced by her sixth line correlate, who is portrayed as a crowing cock: an egotistical sham. Blofeld, Shaughnessy and Cleary (1) describe an enemy; Ritsema/Karcher call it “acquiring antagonism.” Whatever it is, the influence is not consistent with proper management of the Work. This suggests the psychic processes of the average human being. With her choices largely influenced by unconscious forces (which her correlate would probably call "free will"), her life is largely determined by circumstances beyond her control. At its most neutral, the line images the waxing and waning of fortune: "The Lord giveth, and the Lord taketh away."
But this duality would seem to alternate; what is victor today is the vanquished tomorrow; what guides us today becomes secondary and subordinate tomorrow. And everything is equally mechanical, equally independent of will, and leads equally to no aim of any kind. The understanding of duality in oneself begins with the realization of mechanicalness and the realization of the difference between what is mechanical and what is conscious. This understanding must be preceded by the destruction of the self-deceit in which a man lives who considers even his most mechanical actions to be volitional and conscious and himself to be single and whole. Gurdjieff
A. An image of inconstancy and lack of will. Unstable effort and lack of centeredness (perhaps influenced by egotistical illusions) create consistently inconclusive results.
Line 5
Legge: The fifth line, dynamic, shows its subject perfectly sincere, and linking others to him in closest union. There will be no error.
Wilhelm/Baynes: He possesses truth, which links together. No blame.
Blofeld: He seems to be pulled forward by his confidence in what he is doing -- no error!
Liu: His truthfulness is steadfast. No blame. [Good fortune in everything.]
Ritsema/Karcher: Possessing conformity, binding thus. Without fault.
Shaughnessy: There is a return linkedly; there is no trouble.
Cleary (1): With faithfulness that is firm, there is no fault.
Cleary (2): With sincerity that is firm, there is no fault.
Wu: Sincerity can unite people as if connecting them with strings. No blame.
COMMENTARY
Confucius/Legge: The place of the line is the correct and appropriate one. Wilhelm/ Baynes: The place is correct and appropriate. Blofeld: This is indicated by the correct position of this ruling line. Ritsema/Karcher: Situation correcting appropriate indeed. Cleary (2): The position is correct. Wu: It comes from the proper position.
Legge: Line five is dynamic and in the central place of the ruler. He is the sage on the throne whose sincerity goes forth to bind all in union with himself.
Wilhelm/ Baynes: This describes the ruler who holds all elements together by the power of his personality. Only when the strength of his character is so ample that he can influence all who are subject to him, is he as he needs to be. The power of suggestion must emanate from the ruler. Without this central force, all external unity is only deception and breaks down at the decisive moment.
NOTES AND PARAPHRASES
Siu: The perfect sincerity of the sage on the throne binds all in union with himself.
Wing: This is the position of a true ruler. Such a person holds to virtuous goals and principles and emanates, to those all around him, the overwhelming force of his character. Others cling to him, and there is no blame in this.
Editor: The line and its commentaries present a highly accurate image of the individuation process in its concentrated essence. The goal of the Work is to unite all of the disparate aspects of the psyche into a harmonious whole. If this is the only changing line, the hexagram becomes number forty-one, Compensating Sacrifice, the corresponding line of which images a profound and beneficial increase: “Someone does indeed increase him. Ten pairs of tortoises cannot oppose it. Supreme good fortune” (Wilhelm). Psychologically interpreted, this is the seat of the Self in the hexagram of Inner Truth.
Behold, the kingdom of God is within you. Luke 17: 21
A. Inner Truth links powers together within the psyche.
B. "The truth shall make you free."
Line 6
Legge: The topmost line, dynamic, shows its subject as chanticleer trying to mount to heaven. Even with firm correctness there will be evil.
Wilhelm/Baynes: Cockcrow penetrating to heaven. Perseverance brings misfortune.
Blofeld: The noise of cocks crowing rises to the sky -- to persist now would bring misfortune. [This suggests that we are over-confident and inclined to crow about our good fortune; but we should remember that triumph seldom lasts long and avoid seeking even greater triumphs at this time.]
Liu: The crow of a cock piercing the heavens. To continue -- misfortune.
Ritsema/Karcher: A soaring sound mounting, tending-towards heaven. Trial: pitfall.
Shaughnessy: The golden pheasant's sound ascends to the heavens; determination is inauspicious.
Cleary (1): The voice of a pheasant reaches the skies; even if devoted, the outlook is bad.
Cleary (2): A rooster ascends to the skies. Self-righteousness leads to misfortune.
Wu: The crowing sound of a rooster ascends high in the sky. It will be foreboding, even with perseverance.
COMMENTARY
Confucius/Legge: Chanticleer tries to mount to Heaven, but how can such an effort continue long? Wilhelm/Baynes: How could such a one last long? Blofeld: For how could this continue for long? Ritsema/Karcher: Wherefore permitting long-living indeed? Cleary (2): How can the rooster who ascends to the skies last? Wu:
How long can it last?
Legge: Line six should be magnetic, but is dynamic, and coming after line five, what can he accomplish? His efforts will be ineffectual and self-destructive. He is symbolized as a cock -- literally: "The plumaged voice." But a cock is not fitted to fly high, and will only hurt himself in the attempt.
NOTES AND PARAPHRASES
Siu: Mere words cannot be relied upon. Overdependence on them leads to bad results.
Wing: Your character has developed to a point where you can make a formalized appeal for help and allegiance in attaining ambitious aims. However, your position is not correct for such aspirations. The pursuit of these aims brings unhappiness and remorse.
Editor: The cock is a proud and stubborn bird: loud and aggressive, it is an appropriate symbol of a deluded ego. [Cocksure: "Given to or marked by overconfidence, presumptuousness, lack of thoroughness or cockiness."] The sound of a cock's crowing suggests proud words or vain ideas. His correlate is the weak and inconstant, “drumming and sobbing” third line, and he can be seen as an over-confident ego aspiring to lead the psyche to glory -- an illusion which can only fail and thereby retard the progress of the Work. At worst, this implies bad faith; at best it suggests ignorance and illusion.
Reliance on one's apparent self [ego] leads to ruin. To presume to be all-knowing is extremely harmful. Self-reliance or self-confidence means faith in the higher self. To persist in remaining what one already is or in holding on to one's preconceived opinions at any cost -- such self-importance is unprofitable. Swami Turlyananda
A. Ego pride destroys the Work.
B. Don't pretend to know or try to understand what is beyond your comprehension.
36 Clouded Perception
Other titles: Darkening of the Light, The Symbol of the Appearance of Clear Intelligence Wounded, Injury, Wounding of the Bright, Brightness Hiding, Calling Pheasant, The Darkened Light, Concealment of Illumination, Injury of Illumination, Light Obliterated, Intelligence Unappreciated, Censorship, Hiding One's Light, The Dark Night of the Soul, Ignorance "Not necessarily as bad as it sounds, may just mean being restricted or restricting yourself." -- D.F. Hook
Judgment
Legge: Under the conditions of Clouded Perceptionbe aware of the difficulty of your position and maintain firm correctness.
Wilhelm/Baynes: Darkening of the Light. In adversity it furthers one to be persevering.
Blofeld:Darkening of the Light. Righteous persistence in the face of difficulty brings reward.
Liu:Darkening of the Light. It benefits one to carry on through hard times.
Ritsema/Karcher: Brightness Hiding, Harvesting: drudgery, Trial. [This hexagram describes your situation in terms of intelligence hidden or harmed. It emphasizes that deliberately concealing your light by entering what is beneath you is the adequate way to handle it. To be in accord with the time, you are told to: hide your brightness!]
Shaughnessy: Calling pheasant: Beneficial to determine about difficulty.
Cleary (1): In concealment of illumination, it is beneficial to be upright in difficulty.
Cleary (2): When illumination is damaged, it is beneficial to be upright in difficulty.
Wu:Light Obliterated indicates that it is advantageous to be persevering in time of danger.
The Image
Legge: The sun enters the earth -- the image ofClouded Perception.The superior man manages his subordinates and shows his intelligence by keeping it hidden.
Wilhelm/Baynes: The light has sunk into the earth: the image of Darkening of the Light. Thus does the superior man live with the great mass: He veils his light, yet still shines.
Blofeld: This hexagram symbolizes light hidden within the earth. In governing the people, the Superior Man, though taking care to conceal his light, nevertheless shines.
Liu: The sun sinking under the earth symbolizes the Darkening of the Light. In approaching the people the superior man veils his brightness, yet still has glory.
Ritsema/Karcher: Brightness entering earth center. Brightness Hiding. A chun tzu uses supervising the crowds to avail-of darkening and-also Brightening.
Cleary (1): Light enters into the earth, illumination is concealed.Thus do Superior people deal with the masses, acting unobtrusively while in fact illuminated. [When practitioners of the Tao are among the masses, if they use their illumination too much, they will startle the ignorant and amaze the worldly, easily bringing on abuse and slander.]
Cleary (2): Illumination goes underground, in concealment of illumination. In dealing with the masses, true leaders act unobtrusively while in fact being illuminated. [What sages learn is to become daily more illumined unbeknownst to others.]
Wu: The light enters the earth; this is Light Obliterated. Thus the jun zi uses the spirit of dimness in place of brightness to administer affairs of the populace. [By “dimming” his internal strength, he would make people feel that he is one of them.]
COMMENTARY
Confucius/Legge: The image of Brightness entering into the midst of the earth suggests clarity that has been wounded or obscured. The lower trigram shows Clarity, the upper Docility. King Wen had both of these qualities, yet he was involved in great difficulties. The individual concerned should obscure his brightness. Thus was Count Chi able to correctly maintain his mind and intent amidst the difficulties of his situation.
Legge: This hexagram shows an able officer going forth in the service of his country, notwithstanding the occupancy of the throne by a weak and unsympathetic ruler. Hence the name Clouded Perception or Intelligence Wounded -- that is, injured and oppressed. The lesson of the figure is to show how such an officer will conduct himself and maintain his purpose.
King Wen was not of the line of Shang. Though opposed and persecuted by its sovereign, he could pursue his own course, till his line came in the end to supersede the other. It could not be so with the Count of Chi, who was a member of the House of Shang. He could do nothing that would help on its downfall.
NOTES AND PARAPHRASES
Judgment: Recognize a difficult situation and use your willpower to cope with its restrictions.
The Superior Man manages the situation by subduing his need to speculate, meddle, or call attention to himself. (Alternate: When in the presence of arrogance, the wise man plays the fool.)
The thirty-fifth hexagram shows the trigram of Clarity progressing over the earth -- an image of advancing awareness. The thirty-sixth hexagram is the inverse of this -- it shows the trigram of Clarity swallowed up by the earth. If the image of Advance of Consciousness symbolizes noon, when the sun is at the midheaven, then Clouded Perception symbolizes midnight, when the sun is at the Imum Coeli, or undersky. It is a time of maximum darkness, maximum ignorance; a time when the dark forces of the unconscious are at their strongest. We are reminded of the Dark Night of the Soul, an inescapable and inevitable phase of the Work:
When, at length, they have practiced themselves for some time in the journey of virtue, persevering in meditation and prayer, wherein, with the suavity and relish they have found, they have become detached from worldly things, and acquired some spiritual strength in God, so as to be able to curb the creature appetites and in some small degree suffer for God some slight load and dryness, without turning back at the crucial moment; when, to their thinking, they are proceeding in these spiritual exercises to their entire satisfaction and delight; and when the Sun of Divine favors seems to them to shine most radiantly upon them, God darkens all this light, and shuts the door and fountain of the sweet spiritual water, which they were wont to drink in God as often and as long as they chose ... and thus, he leaves them in darkness so profound that they know not whither to direct the sense of the imagination and speculations of the mind. St. John of the Cross
The Dark Night of the Soul is the universal experience of everyone who follows the way beyond the tried and true paths of the spiritual dilettante. It is an archetypal filter for determining the survival of the fittest in psychic evolution. For those who have entered this phase of the Work, it is good to remember that no one is given a test that they can't pass if they sincerely want to.
The situation in line five of this hexagram means little to one who is unacquainted with Chinese history. In its essence, the story of Count Chi concerns a superior man who was imprisoned by an evil emperor. The only way that he could survive this dark time was to feign insanity. Thus the message in the Image counsels us to show our intelligence by concealing it. There is a wide range of applications for this rule, and perhaps Lao Tse gives us the best paraphrase of the idea in his famous aphorism: He who knows does not speak; He who speaks does not know.
In terms of the Work this can mean that one must firmly understand that there are some things which cannot be shared with just anyone. Inner work is very fragile until it has had time to crystallize, and to expose its truths to the harsh light of unsophisticated intellect is to risk severe damage to the process of individuation.
One must not tell people of things they cannot grasp. There are mysteries that cannot be shared with everybody ... Some things can be told to no one and a secret told to a wrong person is destructive and even irresponsible. M.L. Von Franz -- The Feminine in Fairytales
This hexagram can symbolize many situations, but sometimes it is a suggestion that you are ignorant or "in the dark" about the true state of affairs now prevailing.