One thinks that one has thought of everything even though the others have not made any comments. taoscopy.com
Dispersion59
Adapt to situations by letting go of rigidity; dissolve obstacles through openness and flexibility.
↓ Line 2
Seeking support and guidance during times of uncertainty brings relief and clarity.
↓ Line 4
Breaking away from limiting associations can lead to greater opportunities and success.
↓ Line 5
Expressing oneself openly and honestly can lead to resolution and understanding.
↓ Line 6
Removing oneself from harmful situations or influences is wise and leads to safety.
↓ Enthusiasm16
Inspiration fuels energy; align enthusiasm with purpose to move forward effectively.
59 Dispersion
Other titles: Dispersion, Dissolution, Disintegration, Dispersal, Overcoming Dissension, Scattering,Dispersing, Unintegrated, Reuniting, Evaporation, Reorganization, New Deal, Re-Shuffle, Course Correction, Catharsis
Judgment
Legge: Expansion intimates that there will be progress and success. The king goes to his ancestral temple. It will be advantageous to cross the great stream. It will be advantageous to be firm and correct.
Wilhelm/Baynes:Dispersion. Success. The king approaches his temple. It furthers one to cross the great water. Perseverance furthers.
Blofeld:Scattering -- success! The King has approached his temple. [An omen of safety.] It is advantageous to cross the great river (or sea). [I.e., to go on a long journey.] Persistence in a righteous course brings reward.
Liu: Dispersion. Success. The king approaches the temple. It is of benefit to cross the great water. It benefits to continue.
Ritsema/Karcher: Dispersing , Growing. The king imagines possessing a temple. Harvesting: wading the Great River. Harvesting Trial. [This hexagram describes your situation in terms of confronting obstacles, illusions and misunderstandings. It emphasizes that clearing away what is blocking the light is the adequate way to handle it. To be in accord with the time, you are told to: disperse what obstructs awareness!]
Shaughnessy: Dispersal: Receipt; the king approaches into the temple; beneficial to ford the great river; beneficial to determine.
Cleary (1): In Dispersal there is development. The king comes to have a shrine. It is beneficial to cross great rivers . It is beneficial to be correct.
Cleary (2):Dispersal is successful. The king goes to his ancestral temple. The benefit crosses great rivers. It is beneficial if correct.
Wu: Dispersion indicates pervasiveness. The king does homage to his ancestral temple. It will be advantageous to cross the big river, but only with perseverance.
The Image
Legge: The image of wind moving over water forms Expansion. The ancient kings, in accordance with this, presented offerings to God and established the ancestral temple.
Wilhelm/Baynes: The wind drives over the water: the image of Dispersion. Thus the kings of old sacrificed to the Lord and built temples.
Blofeld: This hexagram symbolizes wind blowing across the face of the waters. The kings of old built temples in which to sacrifice to the Supreme Lord of Heaven. [A temple is a place of safety from the ills of the world. The symbolism here is that the upper trigram forms a temple in which people are safe from the pit (the lower trigram); its middle line (five) signifies the King. The implication is that we should employ spiritual or moral means to preserve ourselves from the danger threatened by the lower trigram.]
Liu: Wind blowing over water symbolizes Dispersion. The ancient kings offered sacrifices to the Deity, then built temples.
Ritsema/Karcher: Wind moves above stream. Dispersing. The Earlier Kings used presenting tending-towards the supreme to establish the temples.
Cleary (1): Wind blows above water, Unintegrated. Thus ancient kings honored god and set up shrines.
Cleary (2): Wind travels over the water, dispersing. Ancient kings honored God and set up shrines.
Wu: The wind moves above water; this is Dispersion. Thus, the ancient kings made offerings to the Supreme Being and consecrated their ancestral temple.
COMMENTARY
Confucius/Legge: The dynamic line is central in the lower trigram, and the magnetic fourth line is correct in the upper trigram, uniting with the dynamic ruler above her. The king's mind is without any deflection as he goes to his ancestral temple. He rides over water in a vessel of wood, and will cross the great stream with success.
Legge: The hexagram of Expansion denotes a state of dissipation or dispersion. It shows men's minds alienated from correctness and sure to go on to disorder. Here an attempt is made to show how the situation should be remedied.
The lower trigram represents Water, and the upper, Wind. Wind moving over water evaporates it, and suggests the idea of dispersion. Success is intimated because there are dynamic lines occupying the central places in the trigrams. The king's piety moves the spirits by its sincerity -- when the religious spirit rules men's minds, there will be no alienation from what is right and good. Under such conditions even hazardous enterprises may be undertaken.
The second sentence of the Confucian commentary literally begins: "The king is indeed in the middle..." This means that his heart and mind are set on the central truth of what is right and good. The ancestral temple signifies the recognition that sincere religious practices counteracted the tendency to mutual alienation and selfishness among men. The wooden vessel refers to one of the attributes of the upper trigram, which is Wood. It suggests a boat riding on water (the lower trigram), hence: crossing the great water.
NOTES AND PARAPHRASES
Judgment: Focus on the ideals of the Work and maintain your will. A major synthesis is possible.
The Superior Man subdues his ego to attain his latent potential.
Because of the intimate relationship between this figure and hexagram number 45, Contraction, I have chosen the title of Expansionto best emphasize their polarity.
The "ancient kings and sages" are more mythical than historical, so we can assume that they symbolize archetypal forces ("gods") within the psyche -- of whom the ego is only the current spacetime representative (i.e., servant- facilitator). The Self is the focal point, the center of this multidimensional awareness complex.
In both timeless and spaceless experiences, the mundane world is virtually excluded. Of course, the converse is true of the mundane state of daily routine, in which the oceanic unity with the universe, in ecstasy and Samadhi, is virtually absent. Thus, the mutual exclusiveness of the "normal" and the exalted states, both ecstasy and Samadhi, allows us to postulate that man, the self- referential system, exists on two levels: as "Self" in the mental dimension of exalted states; and as "I" in the objective world, where he is able and willing to change the physical dimension "out there.” R. Fischer -- "A Cartography of the Ecstatic and Meditative States," Science:174, 1971
The symbol of a temple, where one worships one's ancestors may be taken as the perfect gestalt of the Work as it exists outside of spacetime, as well as the karmic repository of all previous incarnations. It represents both the completed Work and the Work in progress. That the family temple was regarded in China as symbolic of an ideal standard of perfection such as this, is implied in the following passage:
Diplomatic negotiations were carried on in the ancestral temple, in the veritable presence, it was believed, of the ancestors; diplomatic banquets were given there, also. Even a proposal of marriage was received by the father of the prospective bride in his ancestral temple, in the presence of the spirits ... (The world of Confucius), we must remember, was one in which there was a nearly complete breakdown of moral standards ... Only in the performance of religious ceremonies could there still be found, consistently, a type of conduct regulated by a socially accepted norm of behavior, in which men's actions were motivated by a pattern of cooperative action, rather than swayed by the greed and passions of the moment. H.G. Creel -- Confucius and the Chinese Way
Psychologically, Expansion depicts a state of inner pressure capable of fruitful resolution if it can be properly guided. The king in the Image (in this case, the ego) sacrifices for a high ideal: the good of the Work. Legge's commentary tells us that the "second sentence of the Confucian commentary literally begins: `The king is indeed in the middle...'" This suggests a combination of his second and third sentences into the paraphrase: "The king steers a middle course when crossing the water to the ancestral temple." This gives the image of a vessel and the proper way to guide it toward a destination. Anyone who has ever steered a boat with a rudder knows that to over-correct on either side is a mark of poor seamanship: the goal is to maintain a dynamic balance in our guidance of the Work. Lines two and five represent proper course-correction because they are both in the middle of their respective trigrams.
Expansionis the inverse of the following hexagram of Restrictive Regulations. What is there confined and hoarded is here dispensed -- but this dispensation must conform with the ultimate good of the Work. Not just any release of tension will do -- it must recombine itself into a new and better organization, as imaged in the fourth line. If this new order is a proper one, the released tension precipitates a catharsis, as imaged in line five.
The form, then, in which our complexes confront us is the form in which the fundamental materials of our human structure come into our here-and-now existence. Like crystals they are always imperfect to some extent and often unrecognizable or grossly disfigured in comparison with the “ideal” shape, the shape that would represent the “pure” incorporation of the crystal scheme. But we have to meet them in this more or less imperfect or distorted form and out of this form we have to transform them into something that may be more akin to the aboriginal “intent” inherent in their archetypal cores. This undertaking, this process, is what Jung calls individuation. E.C. Whitmont -- The Symbolic Quest
SUGGESTIONS FOR MEDITATION
The Judgment of hexagram number forty-five, Contraction, also mentions the king going to his ancestral temple. A close comparison of this figure with Expansion will reveal much about the dynamics of the Work.
Line 2
Legge: The second line, dynamic, shows its subject, amid the dispersion, hurrying to his contrivance for security. All occasion for repentance will disappear.
Wilhelm/Baynes: At the dissolution he hurries to that which supports him. Remorse disappears.
Blofeld: When disintegration is in process, hasten to the altar and regret will vanish.
Liu: At the dispersion he hastens to the opportunity. Remorse vanishes.
Shaughnessy: Dispersal rushes its stairs; regret is gone.
Cleary (1): Running to support upon dispersal, regret vanishes.
Wu: At the time of Dispersion, he rushes to where the couch is. The regret will disappear.
COMMENTARY
Confucius/Legge: He gets what he desires. Wilhelm/Baynes: And thus attains what he wishes. Blofeld: We shall obtain what we desire. Ritsema/Karcher: Acquiring desire indeed. Cleary (2): Running to support on dispersal is attaining what is wished. Cleary (2): Attaining what is wished. Wu: He gets what he wishes.
Legge: Line two is dynamic, but in a magnetic place, and although that place is central, it is in the trigram of Peril. These conditions indicate evil, and action will be dangerous. But line two looks to line one below him, and takes shelter in union with it. Line two desires success in counteracting the prevailing tendency to disunion, and the Confucian commentary suggests that he attains his desire.
NOTES AND PARAPHRASES
Siu: The man finds himself alienated from others because of the prevailing ill humor and misanthropy. However, he revises his judgment of humanity and takes shelter in his strong position. His moderate and just view of mankind removes the causes for repentance later.
Wing: Your problems originate from within. You must modify your attitudes and overcome any feelings of alienation. If you can improve your opinions and feelings toward your fellow man you will find peace of mind and avoid unnecessary suffering.
Editor: Legge renders the object of security here as a "contrivance.” Other translations of this are: "Altar,” "Opportunity,” "Bench,” "Stairs” "Shelter,” “Couch,” and “That which supports him.” Wilhelm and Blofeld say that this object is not line one, but line five. Blofeld's commentary on the Image is appropriate to this second line as well: "The symbolism here is that the upper trigram forms a temple in which people are safe from the pit (the lower trigram); its middle line (five) signifies the king. The implication is that we should employ spiritual or moral means to preserve ourselves from the danger threatened by the lower trigram.” In other words: when confusion prevails rely on the principles of the Work to guide your choices.
In the market place of every Chinese town there were a few I Ching priests who would throw coins for you or take the yarrow stalks, and get answers to your questions, but then it was forbidden. In 1960 Mao thought of slightly releasing the rationalistic political pressures on the masses and found out that there were two possibilities: either to give more rice, or to allow the use of the I Ching, and all those whom he consulted told him that the people were more eager to use the I Ching again than to get more food. Spiritual food, and the I Ching was their spiritual food, was more important to them, so it was allowed for I think one or two years and then he strangled it again. M.L. Von Franz -- On Divination and Synchronicity
A. When things fall apart, maintain your center. (“The [Self] is indeed in the middle...”)
B. Have faith in the principles of the Work.
Line 4
Legge: The fourth line, magnetic, shows its subject scattering the different parties in the state, which leads to great good fortune. From the dispersion she collects again good men standing out, a crowd like a mound, which is what ordinary men would not have thought of.
Wilhelm/Baynes: He dissolves his bond with his group. Supreme good fortune.
Dispersion leads in turn to accumulation. This is something that ordinary men do not think of.
Blofeld: He disperses his group of companions [Namely a group of people who have proved themselves inimical to the public good] -- sublime good fortune! Dispersion leads to accumulation, but this is not something that ordinary people understand. [This is an auspicious time to "cast our bread upon the waters." Acts of great generosity are now essential to our success.]
Liu: He disperses his group. Great and fortune. (Sic.) He disperses his hills (property). Ordinary people do not think of this.
Ritsema/Karcher: Dispersing one's flock, Spring significant. Dispersing possessing the hill-top. In-no-way hiding, a place to plunder.
Shaughnessy: Dispersing his flock; prime auspiciousness. Dispersal has a hillock; it is not that about which the younger sister thinks.
Cleary (1): Dispersing the crowd is very auspicious. On dispersal there is gathering, inconceivable to the ordinary.
Wu: He disbands cliques. Great fortune. A few mounds remain. This is not what ordinary people can anticipate.
COMMENTARY
Confucius/Legge: Brilliant and great are her virtue and service. Wilhelm/Baynes: His light is great.Blofeld: In this context, sublime good fortune connotes glory. Ritsema/Karcher: Shining great indeed. Cleary (2): The illumination is great. Wu: What he does is right and brilliant.
Legge: Line four, though magnetic, is in its correct place, and adjoins the dynamic fifth-line ruler. The subject of four therefore fitly represents the minister, whose task is to assume a great part in remedying the evil of dispersion. She brings divisive partisanship to an end, and re-assembles those who had been divided into a great body so that they stand out conspicuously like a hill.
NOTES AND PARAPHRASES
Siu: The man brings dissent and partisanship to an end by his transcendent view of life's interrelationships. He rises above personal friendships to assemble good men from near and far.
Wing: Here you can bring dissent and discord to an end. The perspective that comes with far-reaching ideals and concerns for the general welfare will allow you to transcend partisan interests. In this way you will find extraordinary success.
Editor: Psychologically interpreted, "parties in the state" can symbolize obsolete attitudes and limiting beliefs held by complexes within the psyche. The image suggests a process of psychic re-organization. One is reminded of the alchemical aphorism: Solve et coagula, et habebis magisterium. (“Separate and recombine, and you will have the masterpiece.”) This refers to the differentiation of all the aspects of a situation for the purpose of recombining them into a totally new entity.
Ultimately all conflicts of man are not only created by his, let us say, wrong conscious attitude, but by the unconscious itself in order to reunite the opposites on a higher level. Therefore this situation, where some religious doctrine or teaching or tradition is poisonous and destructive to the physical instinctuality of man, is not only to be viewed as a catastrophe or as a deviation from the original pattern, but just as much a device of the unconscious psyche to bring forth higher consciousness. M.L. Von Franz -- Alchemical Active Imagination
A. Breaking up old patterns of perception makes room for new ideas.
Line 5
Legge: The fifth line, dynamic, shows its subject amidst the dispersion issuing his great announcements as the perspiration flows from his body. He scatters abroad also the accumulations in the royal granaries. There will be no error.
Wilhelm/Baynes: His loud cries are as dissolving as sweat. Dissolution! A king abides without blame.
Blofeld: Scattering perspiration, he issues his royal command. The King disperses the treasures in his palace among the people -- no blame. [One additional commentary suggests that perspiration comes from illness and anxiety and that the meaning is: "The King rids himself of cause for anxiety by ordering that his goods be dispersed among the needy.” Again, large generosity is required for our success.]
Liu: Dispersion is like sweat pouring from the body, with loud cries. Separation from the king's palace. No blame.
Ritsema/Karcher: Dispersing sweat, one's great crying out. Dispersing. Kinghood residing, without fault.
Shaughnessy: Dispersing his liver with a great cry. Dispersing the king's residence; there is no trouble.
Cleary (1): Dispersing defilement, that is a great directive. The dispersing king remains impeccable.
Cleary (2): Scattering sweat; the great call scatters. The king abides. There is no fault.
Wu: At the time of dispersion, he proclaims with loud voice until he perspires. He distributes the contents in the royal residence. No error.
COMMENTARY
Confucius/Legge: The accumulations of the royal granaries are dispersed, and there is no error -- this is due to the correctness of the position. Wilhelm/Baynes: He is in his proper place. Blofeld: The correct position of this ruling line. Ritsema/ Karcher: Correcting the situation indeed. Cleary (2): This is the right position. Wu: His position is correct.
Legge: Line five shows us the proclamations and benevolent actions of the ruler himself. Canon McClatchie gives an ingenious and original note upon the symbol of the perspiration: “As sweat cures fevers, so do proclamations cure rebellions.”
NOTES AND PARAPHRASES
Siu: The man announces a great policy during a period of disunity and deadlock which serves as a rallying point for reforms. Misunderstanding is thereby dissipated by his proclamation.
Wing: During times of discord and disunity a great proclamation or inspiring idea is necessary to again reunify the situation. In this way, others put aside their factionalism and work together once again.
Editor: Perspiration is a healing release of energy in response to somatic disequilibrium: a catharsis. The definition of catharsis is: "Any purification or purgation that brings about a spiritual renewal or a satisfying release of tension.” Wilhelm interprets this as an idea or concept: “In times of general dispersion and separation, a great idea provides a focal point for the organization of recovery.” Psychologically interpreted, "royal granaries” (or "treasures”) are wellsprings of libido or Chi (Qi). The line thus suggests psychic energy being redistributed as the result of the elimination of a previously blocked condition. The keywords are redistribution/ reorganization -- showing how the forces symbolized in this hexagram and Number 45, Contraction, comprise the expansion and contraction phases of a larger evolutionary process. At its most neutral, the line can depict any sudden release of energy, such as conversational enthusiasm.
Shaughnessy’s rendering: “Dispersing his liver with a great cry…” suggests a connection with Chinese medicine which may be useful in interpreting the symbolism of this line:
“Traditional Chinese physiology tells us that the healthy liver establishes a smooth and soothing flow of energy through the whole person, in both body and mind … When obstructed, stagnant, or overheated, the energy flow in the liver and throughout the body is hampered, resulting in myriad physical and emotional problems … Mood swings as well as emotional excesses in general are liver-related … From the Five Element perspective, an excessive and “greedy” liver not only steals from its mother, the kidneys, but…also refuses to give sufficient energy to its own son, the heart. One of the most efficient ways of improving the condition of the liver is to give its excess a place to go, and the obvious place is where it naturally flows – to its son, the heart. By strengthening the heart and encouraging it to receive energy, the liver is encouraged to release its excess .” P. Pitchford – Healing with Whole foods
A. Release of tension ("letting-go") creates a nourishing catharsis.
B. Image of a beneficial reorganization of some kind: perhaps of ideas or beliefs.
C. "You can't make an omelet without breaking eggs."
Line 6
Legge: The sixth line, dynamic, shows its subject disposing of what may be called his bloody wounds, and going to separate himself from his anxious fears. There will be no error.
Wilhelm/Baynes: He dissolves his blood. Departing, keeping at a distance, going out, is without blame.
Blofeld: Dispersing blood (i.e. fending off injury or violence), he keeps it at a distance -- no blame! [The text of the original is so unclear that the additional commentaries all disagree as to the meaning of dispersing blood, but the general idea is perfectly clear from the commentary on the line.]
Liu: Dissolving his (coagulated) blood. Departing to a remote place. No blame.
Ritsema/Karcher: Dispersing one's blood. Departing far-away, issuing-forth. Without fault.
Shaughnessy: Dispersing his blood, he departs, warily exiting.
Cleary (1): Dispersing the blood, going far away, there is no fault.
Wu: At the time of dispersion, he disperses what hurts himand alleviates what worries him. No error.
COMMENTARY
Confucius/Legge: His bloody wounds are gone. He is far removed from the danger of injury. Wilhelm/Baynes: He keeps at a distance from injury. Blofeld: This means keeping evil at a distance. Ritsema/Karcher: Distancing harm indeed. Cleary (2): Scattering the blood means avoiding harm. Wu:“He disperses what hurts him,” because he is able to distance it.
Legge: Line six is dynamic, with a magnetic third line correlate. However, because three is at the top of the trigram of Peril, six avoids her company. He does this in the spirit of dispersion, and therefore incurs no blame.
NOTES AND PARAPHRASES
Siu: The man removes the sources of danger and bloodshed.
Wing: Avoidance of danger is necessary at this time, both for yourself and especially for those of your concern. This should be accomplished in whatever way possible. Depart the situation if necessary. You will not be blamed for such action.
Editor: Wilhelm emphasizes in his commentary the idea of one who helps his kin avoid danger. Psychologically, this means to keep your "inner family” from harm. If this is the only changing line, the hexagram becomes number twenty-nine, Danger, suggesting a serious situation demanding a careful choice of options. Wu’s translation seems to convey the idea most succinctly.
ONE STEP BACKWARD TAKEN
Not only sands and gravels
Were once more on their travels,
But gulping muddy gallons
Great boulders off their balance
Bumped heads together dully
And started down the gully.
Whole capes caked off in slices.
I felt my standpoint shaken
In the universal crisis.
But with one step backward taken
I saved myself from going.
A world torn loose went by me.
Then the rain stopped and the blowin g
And the sun came out to dry me.
Robert Frost
A. For the good of the Work avoid any confrontation with disruptive elements.
B. Protect the psyche from harm. Avoid danger.
C. Disperse your anger, righteous indignation, etc.
16 Enthusiasm
Other titles: The Symbol of Harmonious Joy, Repose, Happiness, Providing-for/Provision, Excess, Merriment, Self-confidence, Contentment, Harmonize, Excitement, Intemperance, Self-deception "Repose in the absolute confidence that the action now being taken is right. Also refers to music." -- D.F. Hook
Judgment
Legge: Enthusiasm indicates that feudal princes may be set up and the army advantageously mobilized.
Wilhelm/Baynes:Enthusiasm. It furthers one to install helpers and to set armies marching.
Blofeld:Repose profits those engaged in building up the country and sending forth armies. [This means that perfect certainty as to the rightness of our cause is of great value under the conditions mentioned. The usual meaning of this character is "beforehand" or "happiness." In the English translation of Wilhelm's version, it appears as "enthusiasm." "Repose" was suggested by the Chinese experts who kindly vetted this manuscript. At first I felt hesitant about adopting it, until I realized that, where it is used favorably, it must be understood as the kind of mental repose which follows absolute confidence that the action now being taken is the right one. In lines one, three and six, however, it clearly means failure to act when action is essential; in line five, failure to act owing to incapacity.]
Liu:Happiness. It is of benefit to build up the country (or business), and send the army forth. [Receivers of this hexagram should be wary of exhibiting excessive enthusiasm when beginning a new undertaking. If they are not, there will be misfortune. The hexagram also advises that everything necessary for advancement should be made ready. Then if an opportunity presents itself, it should be seized immediately, without hesitation.]
Ritsema/Karcher: Providing-for , Harvesting: installing feudatories to move legions. [This hexagram describes your situation in terms of what is needed to meet the future. It emphasizes that accumulating strength through foresight and prudence so things can be fully enjoyed is the adequate way to handle it. To be in accord with the time, you are told to: provide-for!]
Shaughnessy: Excess: Beneficial to establish a lord and to move troops.
Cleary (1):Joy. It is advantageous to set up a ruler and mobilize the army.
Wu:Merriment indicates the advantage of establishing principalities and taking military actions.
The Image
Legge: Thunder exploding out of the Earth -- the image of Enthusiasm. The ancient kings, in accordance with this, composed their music and honored virtue, offering it especially to God when they worshipped him at the service of their ancestors.
Wilhelm/Baynes: Thunder comes resounding out of the earth: the image of Enthusiasm. Thus the ancient kings made music in order to honor merit, and offered it with splendor to the Supreme Deity, inviting their ancestors to be present.
Blofeld: This hexagram symbolizes thunder over the earth. The ancient rulers venerated heaven's gifts with solemn music and they sacrificed abundantly to the Supreme Lord of Heaven in order to be worthy of their ancestors.
Liu: Thunder arising from the earth symbolizes Happiness. The ancient kings composed music to honor virtue, offering it to God and the spirits of their ancestors.
Ritsema/Karcher: Thunder issuing-forth-from earth impetuously. Providing-for. The Earlier Kings used arousing delight to extol actualizing-tao. Exalting worship's Supreme Above. Using equalizing the grandfather predecessors. [Actualize-tao:ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]
Cleary (1): When thunder emerges the earth stirs: Thus did the kings of yore make music to honor virtue, offering it in abundance to God, thereby to share it with their ancestors.
Wu: Thunder breaks out above the earth with a boom; this is Merriment. Thus the ancient kings used music to praise virtuous accomplishments and made grand offerings to the Supreme Being to be accompanied by their ancestors.
COMMENTARY
Confucius/Legge: Enthusiasm shows one dynamic line inspiring responsive obedience in all the others: devoted obedience takes action. Such obedient action conforms to natural law and creates order and discipline in the people. The planets and the seasons follow their natural cycles. The sages similarly obey the laws of their nature and the people acknowledge their regulations and punishments as just.
Legge:Enthusiasm shows harmony and contentment throughout the kingdom -- a time when the people rejoice in their sovereign and readily obey him. At such a time his appointments and any military undertakings would be hailed and supported. Because he is close to the fifth place of dignity, the dynamic fourth line is seen as the chief executive officer of the ruler. The ruler has confidence in him, and all of the magnetic lines yield their obedience. Obedience is the attribute of the lower trigram which here takes the initiative and uses Movement, which is the attribute of the upper trigram.
The symbolism of the Image is more obscure than usual. The use of music at sacrifices is supposed to assist in producing the union between God and his worshippers as well as the present and past generations.
NOTES AND PARAPHRASES
Judgment: Delegate authority and gather your forces.
The Superior Man synchronizes his will with the intent of the Self via the principles of the Work.
Enthusiasm is the reverse of the preceding hexagram of Temperance. In Temperance we saw the calm strength of a mountain concealed within the earth. In Enthusiasm we see thunder exploding out of the ground into the sky: the strength that was formerly tempered and restrained is now released. It is significant to note that while every line of Temperance is more or less "favorable,” every line of Enthusiasm is either negative or cautionary -- even the generally positive fourth line carries a hint of warning about “doubt.”
Negatively, Self-Deception (the passion of True Believers) seems to be what this hexagram is portraying. The figure often suggests a callow or deluded buoyancy -- the kind of outlook associated with romantic idealists. In its most negative aspect, Enthusiasm is Intemperance -- the exact opposite of the moderation and restraint shown in the preceding hexagram. The behavior of an untrained Great Dane puppy suddenly bursting into a formal dinner party could be described as "enthusiasm,” but hardly a desirable form thereof. The lower trigram of Obedient Devotion has suddenly employed the action and energy of the upper trigram of Thunderous Shock to express itself. This is inconsistent with the code of the superior man.
Conversely, in its most positive sense, Enthusiasm suggests the surety of total self-confidence. Blofeld translates this as Repose, explaining that the name was suggested to him by his Chinese advisors. We begin to understand this subtle distinction when we compare the seemingly obscure connection with music in the Image with a passage from Chuang- tse:
He who understands the music of heaven lives in accordance with nature in his life and takes part in the process of change of things in his death. In repose, his character is in harmony with the yin principle; in activity, his movement is in harmony with the yang principle. Therefore he who understands the music of heaven is not blamed by heaven or criticized by men ... It is said, "In action he is like heaven. In repose he is like the earth ... Because his mind has found repose, therefore the creation pays homage to him.”
To understand “the music of heaven” is to attain Repose, which is another way of describing the tranquility that comes with furthering the intent of the Self. The only dynamic line in the hexagram is in the minister's place just below the fifth-line ruler. He has the confidence of his sovereign and his actions therefore accord with heaven. We can turn to the Stoics to find an illustration of this idea:
My will is simply that which comes to pass. For I esteem what God wills better than what I will. To Him will I cleave as His minister and attendant; having the same movements, the same desires, in a word the same will as He. -- Epictetus
Thus we see that the hexagram can describe either one of two opposite conditions -- the intemperate Enthusiasm of ego-confidence (a synonym for Self-Deception), or the calm Repose of true SELF-confidence. The fifteenth and sixteenth hexagrams, each the inverse of the other, represent magnetic and dynamic aspects of the same general idea: Enthusiasm, when it emanates from the Self, is just Temperance in action.