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Abundance55
Abundance and prosperity surround you, but be mindful not to let them lead to arrogance or distraction. Stay focused and genuine in the present moment to make the most of your opportunities.
↓ Line 1
Meeting the right person or opportunity brings success. There is no error in pursuing this path.
↓ Line 2
Obstacles obscure clarity. Perseverance and sincerity can overcome mistrust and lead to good fortune.
↓ Line 3
Overabundance can obscure vision. Sacrifices may be necessary, but they do not bring blame.
↓ Line 4
Despite obstacles, meeting someone of like mind brings good fortune and clarity.
↓ Line 5
Opportunities and recognition are approaching. This brings good fortune.
↓ Danger29
Face repeated challenges with courage and determination. Embrace setbacks as opportunities to build resilience. Stay true to your principles to navigate through difficulties.
55 Abundance
Other titles: Abundance, Fullness, The Symbol of Prosperity, Greatness, Abounding, Richness, Prolific, Fruitful, Luxuriant, Zenith, Affluence, Correct Action, Lucid Behavior, "Generally means that one will have enough for one's needs with a little over. Does not mean large wealth as a rule." -- D.F. Hook
Judgment
Legge: Expansion of Awareness means progress and development. When the king is enlightened there is no need to fear a change. Let him be as the sun at noon.
Wilhelm/Baynes:Abundance has success. The king attains abundance. Be not sad. Be like the sun at midday.
Blofeld:Abundance -- success! The King inspires them. Do not be sad; it is fitting to be like the sun at its zenith. [Abundance in itself is often good; but it is generally followed by the waning of what was abundant; moreover, as we shall see, there can be abundance of darkness, or anything else unpleasant. (The Judgment itself) may be taken as an auspicious omen.]
Liu: Greatness. Success. The king attains greatness, without sadness; he should be like the sun at midday.
Ritsema/Karcher:Abounding, Growing. The king imagining it. No grief. Properly sun centering. [This hexagram describes your situation in terms of profusion and abundance reaching culmination. It emphasizes that exuberantly increasing things to their fullest is the adequate way to handle it...]
Shaughnessy: Abundance: Receipt; the king approaches it; do not be sad. It is proper for the middle of the day.
Cleary (1): Richness is developmental. Freedom from worry when the king is great is suited to midday.
Cleary (2):Richness is success; a king attains this. Do not worry. Take advantage of the sun at noon.
Wu: A sage king will attain abundance. There is no need to worry, for he knows the expedience of observing the midday sun.
The Image
Legge: The superior man, in accordance with this, decides cases of litigation, and apportions punishments with exactness.
Wilhelm/Baynes: Both thunder and lightning come: the image of Abundance. Thus the superior man decides lawsuits and carries out punishments.
Blofeld: This hexagram symbolizes thunder and lightning occurring simultaneously. The Superior Man decides law suits and inflicts the necessary penalties.
Liu: Thunder and lightning coming together symbolize Greatness. The superior man judges lawsuits and imposes punishments.
Ritsema/Karcher: Thunder, lightning, altogether culminating. Abounding. A chun tzu uses severing litigating to involve punishing.
Cleary (1): Thunder and lightning both arrive, abundant. Thus do superior people pass judgment and execute punishment.
Cleary (2): Thunder and lightning both come in richness. Thus do leaders pass judgments and execute punishments.
Wu: Thunder and lightning come together; this is Abundance. Thus the jun zi decides the verdicts and exacts the punishments.
COMMENTARY
Confucius/Legge: The greatness of Expansion of Awareness is due to Movement directed by Clarity. Although the king has attained this state, he must still make it greater. But there is no need for anxiety -- let him be as the sun at noon: let his clarity shine on all under the sky. As soon as sun and moon reach zenith their light begins to wane. The intercourse of heaven and earth alternates between abundance and scarcity. It waxes and wanes according to the seasons. How much more so with men or spiritual forces! [Ritsema/Karcher translate "spiritual forces" [Kuei Shen] as: "The whole range of imaginal beings both inside and outside the individual; spiritual powers, gods, demons, ghosts, powers, fetishes." -- Ed.]
Legge: The written Chinese character denoting Expansion of Awarenessis the symbol of being large and abundant -- a condition of prosperity. In human affairs, prosperity often gives place to its opposite. The lesson of the hexagram is to show how the ruler may preserve the prosperity of his state and people. The component trigrams show Motive Force under the direction of Intelligence. A ruler with these attributes will not fail to maintain the progress and development of his kingdom. He is told not to be anxious, but to study how he may always be like the sun at its zenith, cheering and enlightening all.
It must be noted that a change has been introduced in this hexagram in explaining the symbolism of the lines. Normally, for two lines to have a correct relationship one must be female (magnetic) and the other male (dynamic). Here two dynamic male lines make a proper correlation in the first and fourth places.
In the Image, lightning appears as the natural phenomenon of which Clarity is the symbol in the lower trigram. The virtues of Clarity and Movement are required of the superior man in judging litigation.
NOTES AND PARAPHRASES
Judgment: Don't grieve when the truth hurts: a loss of illusion is a gain in awareness. Once truly attained, enlightenment cannot be lost, it can only be increased.
The Superior Man acts with clarity by accurately evaluating cause and effect. [Or: The objective assessment of any contradiction is the road to comprehending it.]
The fifty-fifth hexagram is very intriguing in that it appears to have a misleading title in the original Chinese, which is usually translated as Abundance,Fullness, Prosperity, etc. All of the internal clues, plus empirical experience with the figure have convinced me that the title Expansion of Awareness is a more accurate description of the forces operating in this hexagram. Here is my reasoning:
First, the component trigrams of Clarity and Movement portray action directed by clear comprehension, as well as awareness itself in motion or expansion. The title of Abundance seems misleading because it suggests a relatively static condition, whereas the combined trigrams in the figure symbolize Clear Movement. These trigrams appear in reverse sequence in hexagram number twenty-one, Discernment, which symbolizes the act of comprehending -- a dynamic function of consciousness described in the Image here as a quest for justice: "Thus the superior man decides lawsuits and carries out punishments." (Wilhelm) Notice also that the message for the superior man in this Image is almost identical with that in Discernment:"Thus the kings of former times made firm the laws through clearly defined penalties." (Wilhelm) The ancient kings can always be taken as symbolic of archetypal forces (the "gods"), so their laws are those of nature, not of humankind. Interpreted broadly, both messages counsel us to: "Comprehend the law of Tao, or suffer the penalties of ignorance." Which is to say: "expand your awareness."
Second, note the message in the Judgment. Most of the translators render this by comparing the king at the peak of his power with the sun at the peak of its illumination at noon. The sun is the symbol of clarity and enlightenment, and the sun at its zenith therefore symbolizes a high point of awareness.
Third, notice that lines two, three and four depict an eclipse of the sun through its waxing, full and waning phases. This suggests ignorance gradually evolving toward comprehension, which is finally attained in line five. The progression in the hexagram is from ignorance to clarity, and then in line six, ignorance within clarity -- i.e., an image of one who remains obtuse while surrounded by the light of illumination.
Fourth, the combined trigrams of shock and light (thunder and lightning) suggest a sudden and numinous illumination: the sort of en-light-enment (expansion of awareness) described by Yogis:
Suddenly, with a roar like that of a waterfall, I felt a stream of liquid light entering my brain through the spinal cord ... The illumination grew brighter and brighter, the roaring louder, I experienced a rocking sensation and then felt myself slipping out of my body, entirely enveloped in a halo of light ... I was no longer myself, or to be more accurate, no longer as I knew myself to be, a small point of awareness confined in a body, but instead was a vast circle of consciousness in which the body was but a point, bathed in light and in a state of exaltation and happiness impossible to describe. Gopi Krishna --Kundalini, the Evolutionary Energy in Man
It is possible that the written character translated into English as Abundance has these associations in Chinese. Unfortunately, the title of Abundance itself does not immediately suggest in the English language the ideas that are integral in the symbolism of the hexagram.
Line 1
Legge: The first line, dynamic, shows its subject meeting with his mate. Though they are both of the same character, there will be no error. Advance will call forth approval.
Wilhelm/Baynes: When a man meets his destined ruler, they can be together ten days, and it is not a mistake. Going meets with recognition.
Blofeld: On meeting a prince of equal rank, though he accepts his hospitality for ten days, he is not at fault -- progress is made in winning respect!
Liu: When a man meets a deputy ruler, there will be harmony between them for ten days. No blame. Setting forth will lead to progress.
Ritsema/Karcher: Meeting one's equal lord. Although a decade, without fault. Going possesses honor.
Shaughnessy: Meeting his consort's ruler; it is only the ten-day week; there is no trouble; in going there will be elevation.
Cleary (1): Meeting your director, even as equals there is no blame. If you go on, there will be exaltation.
Cleary (2): Meeting your partner, etc.
Wu: He meets with his matched partner. Although they are of the same kind, there will be no error. The meeting is favorable.
COMMENTARY
Confucius/Legge: If the subject of this line seeks to overpass that similarity, there will be calamity. Wilhelm/Baynes: More than ten days is harmful. Blofeld: Were he to exceed that time, he would invite calamity upon himself. [It is all very well to accept the hospitality of our equals, but accepting too much of it will ultimately lead to trouble.] Ritsema/Karcher: Exceeding a decade, calamity indeed. Cleary (2): If you carry the equality too far, there will be disaster. Wu: It will be perilous if he tries to outshine his partner.
Legge: Line one is dynamic in a dynamic place. His correlate is the dynamic fourth line, which would normally be deemed unfortunate. But here the text calls line four the mate of line one, and makes their belonging to the same category of no account. The lesson taught is that mutual helpfulness is the great instrument for the maintenance of prosperity, and the subject of this line is encouraged to go forward.
NOTES AND PARAPHRASES
Siu: At the outset, the man meets his destined ruler and goes forth with his approval. Mutual helpfulness is required for continued prosperity.
Wing: Associating with someone whose goals are similar to your own will now bring you clarity and energy. It is not a mistake to continue in this close relationship until the project is complete.
Editor: For two yang lines to be in proper correlation seems to contradict the logic upon which theI Ching is founded, yet in this specific instance it is deemed correct. The image suggests the affinity of similar principles or categories. The Confucian commentary may be interpreted to mean that they remain united only to the extent that they are in accord. To make more or less out of the situation than the analogy warrants is to break the connection and lose the truth. Psychologically interpreted, the line can suggest a close connection between ego and Self.
Maturity and development demand a confrontation of the ego and the Self. The necessary adaptation of the ego is challenged by the Self's urge for the ego’s transformation. E.C. Whitmont -- The Symbolic Quest
A. Make a logical connection -- perhaps a highly "intellectual" conceptualization is in order. Focus on the principles of the Work to determine correct action.
B. When correspondences are legitimate, take advantage of them; however, don't make more out of such associations than the reality of the situation warrants.
C. For the moment at least, you are on the right track – this could change later.
D. Tentative or preliminary approval of the query at hand.
Line 2
Legge: The second line, magnetic, shows its subject surrounded by screens so large and thick that at midday she can see from them the constellation of the Bushel. If she goes and tries to enlighten her ruler who is thus emblemed, she will make herself to be viewed with suspicion and dislike. Let her cherish her feeling of sincere devotion that she may thereby move her ruler's mind, and there will be good fortune.
Wilhelm/Baynes: The curtain is of such fullness that the polestars can be seen at noon. Through going one meets with mistrust and hate. If one rouses him through truth, good fortune comes.
Blofeld: So great is the obstruction that the midday sun appears to him as a tiny star. To advance now would be to invite mistrust and various ills. However, confidence seems to be on the increase -- good fortune!
Liu: The shield is so great that you can see the polestar at noon. Undertakings will lead to suspicion and harm. Only truth can win the confidence of the ruler. Good fortune.
Ritsema/Karcher: Abounding: one's screen. Sun centering: visualizing a bin. Going acquiring doubt, affliction. Possessing conformity, like shooting-forth. Significant.
Shaughnessy: Making abundant his curtain; in the middle of the day one sees the Dipper; in going one gets a suspicious illness; there is a return leaking-like.
Cleary (1): Increasing the shade, seeing stars at midday. If you go on this way you will have doubt and affliction. But if there is sincerity and it is acted on, it will bring good fortune.
Cleary (2): With abundant shade, you see stars at midday. If you go, you will be afflicted by doubt. If sincerity is expressed, there will be good fortune.
Wu: He makes abundance of curtains. His house is so dimmed as if he could see the Dipper with the sun at noon. If he goes to meet with his correlate, he may be suspected. But if he lets his sincerity prevail, it will be auspicious.
COMMENTARY
Confucius/Legge: It is by sincerity that the mind is affected. Wilhelm/Baynes: One must rouse his will through trustworthiness. Blofeld: Presently people's trust will help us to accomplish our will. Ritsema/Karcher: Trustworthiness using shooting-forth purpose indeed. Cleary (2): Expressing sincerity means expressing intention truthfully. Wu: Sincerity can change the impressions of others.
Legge: The magnetic second line is in her correct place in the center of the lower trigram of Clarity. Her ruler is the magnetic and incorrect fifth line whose ignorance doesn't recognize line two's intelligence. If two tries to advance she won't be acceptable to the ruler, and will not be employed. The only way to be useful under such circumstances is to sincerely develop her inner light until it is recognized.
NOTES AND PARAPHRASES
Siu: Intrigues have put a barrier between the chief executive desiring great works and the man capable of bringing them about. The courtiers have usurped the ruler's power. The man should not take energetic action, which will only lead to suspicion and dislike. He must depend upon his sincere devotion to move the ruler's mind in a less obvious way.
Wing: You lack influence in regard to the object of your interest. Obstacles not of your own making stand in the way of your progress. If you attempt to push ahead, you will invite envy and suspicion. There is a possibility of a fortunate outcome only if you are continuously sincere and truthful. Then your influence may reach.
Editor: The image of screens so thick that the stars can be seen at noon is psychologically an eclipse of consciousness by ignorance. The answer or solution is available, but you or someone involved in the matter at hand doesn't see it. Sometimes the line can hint at an estrangement between ego and Self beyond our ability to understand at the moment.
Never in any circumstances should one indulge in the unscientific illusion that one's own subjective prejudice is a universal and fundamental psychological truth. No true science can spring from this, only a faith whose shadow is intolerance and fanaticism. Contradictory views are necessary for the evolution of any science, only they must not be set up in rigid opposition to each other but should strive for the earliest possible synthesis. Jung -- The Symbolic Life
A. Clarity is obscured by ignorance and mistrust. Intelligence unrecognized is intelligence unused. Allow the situation to develop until the way becomes clear.
B. It is not always possible to understand what is taking place below the threshold of awareness -- hold to the precepts of the Work when you are uncertain of your role.
Line 3
Legge: The third line, dynamic, shows its subject with an additional screen of a large and thick banner, through which at midday he can see the small Mei star. In the darkness he breaks his right arm; but there will be no error.
Wilhelm/Baynes: The underbrush is of such abundance that the small stars can be seen at noon. He breaks his right arm. No blame.
Blofeld: So copious is the rain that, even at midday, there is obscurity. He breaks his right forearm -- no error!
Liu: Heavy clouds -- a fine drizzle can be seen. He hurts his right arm. No blame.
Ritsema/Karcher: Abounding: one's profusion. Sun centering: visualizing froth. Severing one's right arm. Without fault.
Shaughnessy: Making abundant his screen; in the middle of the day one sees small stars; breaking his right bow, there is no trouble.
Cleary (1): Increasing shade, seeing glimmering stardust at midday. One breaks one’s right arm. No one is to blame.
Cleary (2): With abundant rain, you see the drops in the sunlight. You break your right arm but are not to blame.
Wu: He makes abundance of heavy curtains. His house is so dimmed as if he could see small stars with the sun at noon. He breaks his right forearm. No error.
COMMENTARY
Confucius/Legge: Great things should not be attempted in such circumstances. His broken arm means that in the end he will not be fit to be employed. Wilhelm/Baynes: One can carry out no great transactions. In the end, one must not try to do anything. Blofeld: There is nothing great we can accomplish now. His breaking his right forearm indicates uselessness up to the very end. [It is not clear whether the omen refers to our own uselessness for the task we have set ourselves or to that of someone on whom we have been depending. We must interpret the line in the context of our enquiry.] Ritsema/Karcher: Not permitting Great Affairs indeed. Completing, not permitting availing-of indeed. Cleary (2): When the rain is abundant, you cannot do great works. When you break your right arm, it cannot be used. Wu: He will not have big achievements. (His arm) will no longer be used again.
Legge: Line three is dynamic in its proper place in the trigram of Clarity. This seems to favor his action, but his correlate is the magnetic sixth line at the extremity of the trigram of Movement. Since the sixth line is powerless, line three has no one to cooperate with him. His situation is worse than that of line two, but his own proper goodness and capacity will save him from error. Mei is a small star in or near the constellation of the Bushel. The light in line three is hidden, and this blindness unfits him for employment.
NOTES AND PARAPHRASES
Siu: The prince is so eclipsed that even insignificant personalities push themselves onto the stage. Although the man is in a key position, he is powerless to achieve anything. But he remains free of error.
Wing: Incompetence is at its Zenith. Be patient.
Editor: Midday is noon -- normally the zenith of illumination, and hence symbolic of awareness or truth. Here however, a condition equivalent to a full solar eclipse is portrayed. (The exact opposite of the position of the king in the Judgment.) The "small Mei star" is a distant sun, a lesser light: symbolically, a feeble comprehension. Darkness is ignorance, and the right arm represents one's power or ability to act. Blofeld, Liu, Ritsema/Karcher and Cleary (2) state that rain or "froth" is screening the light -- a hint that emotion may be clouding clear perception. (Water symbolizes the emotional realm.) These somewhat confused images nevertheless all agree that clear choice is eclipsed by ignorance: you are essentially powerless, and should refrain from significant action.
I am an empiricist, not a philosopher; I cannot let myself presuppose that my peculiar temperament, my own attitude to intellectual problems, is universally valid. Apparently this is an assumption in which only the philosopher may indulge, who always takes it for granted that his own disposition and attitude are universal, and will not recognize the fact, if he can avoid it, that his "personal equation" conditions his philosophy. Jung -- The Archetypes and the Collective Unconscious
A. You are hampered by incomplete data: "There is more to the subject than meets the eye.” Useful action is impeded: Don’t act when you don’t know.
Line 4
Legge: The fourth line, dynamic, shows its subject in a tent so large and thick that at midday he can see from it the constellation of the Bushel. But he meets with the subject of the first line, undivided like himself. There will be good fortune.
Wilhelm/Baynes: The curtain is of such fullness that the polestars can be seen at noon. He meets his ruler, who is of like kind. Good fortune.
Blofeld: So great is the obstruction that the midday sun appears to him as a tiny star. Meeting a prince of equal rank -- good fortune!
Liu: The shield is so great that you can see the polestar at noon. One meets an ignorant ruler. Good fortune.
Ritsema/Karcher: Abounding: one's screen. Sun centering: visualizing a bin. Meeting one's hiding lord. Significant.
Shaughnessy: Making abundant his curtain; in the middle of the day one sees the Dipper; meeting his placid ruler; auspicious.
Cleary (1): Increasing shade, seeing stars at midday. Meeting the hidden master is auspicious.
Wu: He makes abundance of curtains. His house is so dimmed as if he could see the Dipper with the sun at noon. He meets with his equal partner. Auspicious.
COMMENTARY
Confucius/Legge: The position of the line is inappropriate. There is darkness and no light. The good fortune of meeting the first line means that action may be taken. Wilhelm/Baynes: The place is not the appropriate one. He is dark and not light-giving. This means action. Blofeld: The extent of the obstruction is indicated by the unsuitable position of this line. His seeing only a tiny star at midday implies nothing wherewith to lighten the darkness surrounding us. His good fortune in meeting a prince of equal rank indicates that action can now be taken. [We are obstructed by ignorance or stupidity and should not act until someone ready to help us appears.]Ritsema/Karcher: Situation not appropriate indeed. Shade, not brightening indeed. Significant movement indeed. Cleary (2): With abundant shade, the position is not appropriate. Seeing the stars at midday means it is dark and dim. Meeting the hidden master is auspicious in terms of action. Wu: Because his house is darkened, etc.
Legge: The first sentence of line four is the same as line two, until we come to the strange correlation of the two dynamic lines in four and one, and the issue is good. An alternative translation is: "He meets with the subject of the parallel line."
NOTES AND PARAPHRASES
Siu: The eclipse is decreasing. The man gets together with elements with which he has a natural affinity.
Wing: Although your position as been less than ideal, you will finally meet with the right elements to help you achieve your aim. Enthusiasm coupled with wise decisions lead to good fortune.
Editor: The essential image is one of ignorance (darkness) which is dispelled by an alliance or connection. Ordinarily one would not expect to take action when in the dark about the situation in question, but here action is advised in order to dispel the darkness. Because of the unusual correct correlation between two dynamic lines, the image suggests that a highly abstract, "intellectual" association may be called for here.
Nowhere is the basic requirement so indispensable as in psychology that the observer should be adequate to his object, in the sense of being able to see not only subjectively but also objectively. The demand that he should see only objectively is quite out of the question, for it is impossible. We must be satisfied if he does not see too subjectively. Jung -- Psychological Types
A. When you're in the dark, seek help: Take steps to clarify the situation.
Line 5
Legge: The fifth line, magnetic, shows its subject bringing around her the men of brilliant ability. There will be occasion for congratulation and praise. There will be good fortune.
Wilhelm/Baynes: Lines are coming, blessing and fame draw near. Good fortune.
Blofeld: The variegated beauty of the sky after a storm now appears. Blessings [Unexpected or seemingly unmerited good fortune] and fame are won -- good fortune!
Liu: Glory will come, causing prosperity and recognition. Good fortune.
Shaughnessy: There comes a pattern, celebratory and uplifting; auspicious.
Cleary (1): Bringing beatification, there is glory; this is auspicious.
Cleary (2): Bringing brilliance, there is celebration and praise, etc.
Wu: If he could welcome his notable partner, there would be something to celebrate and praise. Auspicious.
COMMENTARY
Confucius/Legge: The good fortune is the congratulation that is sure to arise. Wilhelm/Baynes: It bestows blessing. Blofeld: Here, good fortune connotes the blessings already mentioned. Ritsema/Karcher: Possessing reward indeed. Cleary (2): There is joyful celebration. Wu: His good fortune depends on that there is something praiseworthy.
Legge: Line five is the ruler's place, magnetic herself, but the ruler of the trigram of Movement. She can do little without assistance, but if she can bring into her service the talents of lines one, three and four, and even of two, her magnetic correlate, the results will be admirable. Nothing consolidates the prosperity of a country so much as the cooperation of the ruler and her able ministers.
NOTES AND PARAPHRASES
Siu: The modest ruler assembles ministers of brilliant ability around him. Especially is he attracted to men who are sound of heart and sure of getting results.
Wing: Be receptive to the opinions of others. Invite counsel from the most able helpers you know. Such modesty brings unexpected good fortune and rewarding results for all concerned.
Editor: "Brilliant ability" refers to the lines of the lower trigram of Clarity which rise to assist and reinforce the central line in the trigram of Movement. Wilhelm refers to these lines directly; Blofeld calls them "variegated beauty;" Liu, "Glory;" Ritsema/Karcher translate it as "composition"-- ("a well-composed whole and its structure; beautiful creations.") Shaughnessy dubs it a "pattern," etc. – none of the translators use exactly the same term. Because this is the ruler's place, all versions implicitly refer to the imagery in the Judgment: "The king attains abundance. Be not sad. Be like the sun at midday." Note however, that everyone except Blofeld places this in the future: it seems to be a coming event. If this is the only changing line, the hexagram created is number 49, Metamorphosis,suggesting that an Expansion of Awareness may be in the offing: "Comes the dawn!"
For it is the function of consciousness not only to recognize and assimilate the external world through the gateway of the senses, but to translate into visible reality the world within us. Jung --The Structure and Dynamics of the Psyche
A. You are surrounded by forces of enlightenment and lucid action is possible. "Gather your wits about you" -- clarity approaches.
29 Danger
Other titles: The Abysmal, The Symbol of Sinking, Water, The Abyss, Gorge, Repeating Gorge, Repeated Entrapment, Double Pitfall, Multiple Danger, Double Water, The Deep, Dark Forces, The Perilous Pit, "May not be as bad as it sounds, but whatever happens, remain true to yourself." -- D.F. Hook
Judgment
Legge: The trigram of Danger, here repeated, shows the possession of sincerity, through which the mind is penetrating. Action in accordance with this will be of high value.
Wilhelm/Baynes:The Abysmal repeated. If you are sincere, you have success in your heart, and whatever you do succeeds.
Blofeld: Abyss upon abyss -- grave danger! All will be well if confidence is maintained and a sharp hold kept upon the mind; activities so conducted will win esteem.
Liu: Water doubled. Danger. Sincerity leads to success (peacefulness) in your heart and mind. You will succeed in your actions. [This hexagram means danger, misfortune, or entanglement in a difficult situation... You should be both careful and patient; do not struggle with all of the difficulties around you.]
Ritsema/Karcher: Repeating Gorge. Possessing conformity. Holding-fast the heart Growing. Movement possesses honor. [This hexagram describes your situation in terms of a dangerous situation you cannot avoid. It emphasizes that taking the risk without reserve, the action of Gorge, is the adequate way to handle it. To be in accord with the time, you are told to: venture and fall!]
Shaughnessy: Repeated Entrapment: There is a return; the appended heart; receipt; in motion there will be elevation.
Cleary (1): In mastering pitfalls there is truthfulness; thus the mind develops. There is excellence in practice.
Cleary (2): In multiple danger, if there is sincerity, the mind gets through and action has value.
Wu:Entrapment indicates there is confidence. The heart of the matter is that it is pervasive. Actions taken in its accord will be commendable.
The Image
Legge: The image of water flowing on continuously forms the repeated trigram of Danger. The superior man, in accordance with this, maintains constantly the virtue of his heart and the sincerity of his conduct, and practices the business of instruction.
Wilhelm/Baynes: Water flows on uninterruptedly and reaches its goal. The image of the Abysmal repeated. Thus the superior man walks in lasting virtue and carries on the business of teaching.
Blofeld: This hexagram symbolizes water flowing on and on and abyss upon abyss. [The trigram K'an is usually inauspicious; here it occurs in duplicate as the upper and the lower trigram; thus the implication is that we are beset by grave dangers from which, if we can escape them at all, the utmost skill and confidence will be required to extricate ourselves.] The Superior Man acts in accordance with the immutable virtues and spends much of his time instructing others in the conduct of affairs.
Liu: Water flows unceasingly into the depths symbolizing Water doubled. The superior man constantly preserves his virtue and practices his task of education.
Ritsema/Karcher: Streams reiterating culminating. Repeating Gorge. A chun tzu uses rules actualizing-tao to move. [A chun tzu uses] repeating to teach affairs. [Actualize-tao, TE: realize tao in action; power, virtue; ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]
Cleary (1): Water travels, double water. Thus do superior people consistently practice virtue and learn how to teach.
Cleary (2): Water comes repeatedly – multiple danger. Developed people practice teaching by constant virtuous action. [This is in perfect accord with the Tiantai Buddhist teaching of knowing how to get through an impasse, the method of making an impasse itself into a way through; this is also the method of skillfully using natural ills.]
Wu: Water comes time and again; this is Entrapment. Thus the jun zi practices virtuous conduct and reviews didactics.
COMMENTARY
Confucius/Legge: Danger repeated shows us one defile succeeding another. This is the nature of water -- it flows on, without accumulating its volume so as to overflow; it pursues its way through a dangerous defile, without losing its true nature. That the mind is penetrating is indicated by the dynamic line in the center. Advance in accordance with this will be followed by achievement. The dangerous height of heaven cannot be ascended; the difficult places of the earth are mountains, rivers, hills and mounds. Kings and princes arrange, by means of such strengths, to maintain their territories. Great indeed is the use of what is here taught about seasons of peril.
Legge: The trigram of Danger which is doubled to form this hexagram is the symbol of water, and means a pit, a perilous cavity or defile with water flowing through it. The trigrams consist of a dynamic central line between two magnetic lines. Together they symbolize danger -- how it should be encountered, its effects on the mind, and how to escape from it.
Liang Yin says: "Water stops at the proper time, and moves at the proper time. Is not this an emblem of the course of the superior man in dealing with danger?”
The K'ang-hsi editors say that to exercise one's self in meeting difficulty and peril is the way to establish and strengthen the character, and the use of such experience is seen in all measures for self-defense.
NOTES AND PARAPHRASES
Judgment: Commitment to the Work engenders a keen discernment of threatening situations and the factors which create them. With the ability to recognize the dangerous elements in a situation, success is assured.
The Superior Man maintains his connection with the Self and learns from the trials thus provided.
This is one of the first hexagrams that one learns to recognize by name and number, and it is usually received with trepidation. Like the Death card in Tarot, it is often interpreted as an evil omen, although a deeper understanding reveals opportunity rather than defeat in such images.
There is danger and suffering in the Work, but probably far less of it (in the long run) than in an ordinary unexamined life. Anguish in the service of purpose is ultimately tolerable -- it is the incredible suffering of ignorance that is truly tragic: all that pain and sorrow expended on worldly illusions!
The Confucian commentary provides some valuable insights concerning the defensive use of danger by kings and princes to protect their realms. To master a dangerous challenge before one can progress to a higher level of awareness is a classical theme of initiation: without it, the candidate would be destroyed by forces he wasn't ready to confront. (This is the purpose and meaning behind of the "Guardian of the Threshold" archetype.) Danger is evil or unfortunate only if one is intimidated by it -- correct behavior in accordance with the principles of the Work will always take you to your destination. The Self will seldom, if ever, give you a test that you cannot pass if you fully apply yourself. When it seems otherwise, bear in mind that failure often renders better lessons than success, or the illusion thereof.
A neurosis is by no means merely a negative thing, it is also something positive. Only a soulless rationalism reinforced by a narrow materialistic outlook could possibly have overlooked this fact. In reality the neurosis contains the patient's psyche, or at least an essential part of it; and if, as the rationalist pretends, the neurosis could be plucked from him like a bad tooth, he would have gained nothing but would have lost something very essential to him. That is to say, he would have lost as much as the thinker deprived of his doubt, or the moralist deprived of his temptation, or the brave man deprived of his fear. To lose a neurosis is to find oneself without an object; life loses its point and hence its meaning. This would not be a cure, it would be a regular amputation. Jung -- Civilization in Transition