One demands more attention when the others no longer follow. taoscopy.com
Abundance55
Abundance and prosperity surround you, but be mindful not to let them lead to arrogance or distraction. Stay focused and genuine in the present moment to make the most of your opportunities.
↓ Line 1
Meeting the right person or opportunity brings success. There is no error in pursuing this path.
↓ Line 3
Overabundance can obscure vision. Sacrifices may be necessary, but they do not bring blame.
↓ Line 4
Despite obstacles, meeting someone of like mind brings good fortune and clarity.
↓ Line 6
Isolation and excessive focus on personal abundance lead to misfortune and loss of connection.
↓ Splitting Apart23
Unraveling structures; necessary endings. Prepare for new beginnings. Embrace the change, allowing the old to fall away.
55 Abundance
Other titles: Abundance, Fullness, The Symbol of Prosperity, Greatness, Abounding, Richness, Prolific, Fruitful, Luxuriant, Zenith, Affluence, Correct Action, Lucid Behavior, "Generally means that one will have enough for one's needs with a little over. Does not mean large wealth as a rule." -- D.F. Hook
Judgment
Legge: Expansion of Awareness means progress and development. When the king is enlightened there is no need to fear a change. Let him be as the sun at noon.
Wilhelm/Baynes:Abundance has success. The king attains abundance. Be not sad. Be like the sun at midday.
Blofeld:Abundance -- success! The King inspires them. Do not be sad; it is fitting to be like the sun at its zenith. [Abundance in itself is often good; but it is generally followed by the waning of what was abundant; moreover, as we shall see, there can be abundance of darkness, or anything else unpleasant. (The Judgment itself) may be taken as an auspicious omen.]
Liu: Greatness. Success. The king attains greatness, without sadness; he should be like the sun at midday.
Ritsema/Karcher:Abounding, Growing. The king imagining it. No grief. Properly sun centering. [This hexagram describes your situation in terms of profusion and abundance reaching culmination. It emphasizes that exuberantly increasing things to their fullest is the adequate way to handle it...]
Shaughnessy: Abundance: Receipt; the king approaches it; do not be sad. It is proper for the middle of the day.
Cleary (1): Richness is developmental. Freedom from worry when the king is great is suited to midday.
Cleary (2):Richness is success; a king attains this. Do not worry. Take advantage of the sun at noon.
Wu: A sage king will attain abundance. There is no need to worry, for he knows the expedience of observing the midday sun.
The Image
Legge: The superior man, in accordance with this, decides cases of litigation, and apportions punishments with exactness.
Wilhelm/Baynes: Both thunder and lightning come: the image of Abundance. Thus the superior man decides lawsuits and carries out punishments.
Blofeld: This hexagram symbolizes thunder and lightning occurring simultaneously. The Superior Man decides law suits and inflicts the necessary penalties.
Liu: Thunder and lightning coming together symbolize Greatness. The superior man judges lawsuits and imposes punishments.
Ritsema/Karcher: Thunder, lightning, altogether culminating. Abounding. A chun tzu uses severing litigating to involve punishing.
Cleary (1): Thunder and lightning both arrive, abundant. Thus do superior people pass judgment and execute punishment.
Cleary (2): Thunder and lightning both come in richness. Thus do leaders pass judgments and execute punishments.
Wu: Thunder and lightning come together; this is Abundance. Thus the jun zi decides the verdicts and exacts the punishments.
COMMENTARY
Confucius/Legge: The greatness of Expansion of Awareness is due to Movement directed by Clarity. Although the king has attained this state, he must still make it greater. But there is no need for anxiety -- let him be as the sun at noon: let his clarity shine on all under the sky. As soon as sun and moon reach zenith their light begins to wane. The intercourse of heaven and earth alternates between abundance and scarcity. It waxes and wanes according to the seasons. How much more so with men or spiritual forces! [Ritsema/Karcher translate "spiritual forces" [Kuei Shen] as: "The whole range of imaginal beings both inside and outside the individual; spiritual powers, gods, demons, ghosts, powers, fetishes." -- Ed.]
Legge: The written Chinese character denoting Expansion of Awarenessis the symbol of being large and abundant -- a condition of prosperity. In human affairs, prosperity often gives place to its opposite. The lesson of the hexagram is to show how the ruler may preserve the prosperity of his state and people. The component trigrams show Motive Force under the direction of Intelligence. A ruler with these attributes will not fail to maintain the progress and development of his kingdom. He is told not to be anxious, but to study how he may always be like the sun at its zenith, cheering and enlightening all.
It must be noted that a change has been introduced in this hexagram in explaining the symbolism of the lines. Normally, for two lines to have a correct relationship one must be female (magnetic) and the other male (dynamic). Here two dynamic male lines make a proper correlation in the first and fourth places.
In the Image, lightning appears as the natural phenomenon of which Clarity is the symbol in the lower trigram. The virtues of Clarity and Movement are required of the superior man in judging litigation.
NOTES AND PARAPHRASES
Judgment: Don't grieve when the truth hurts: a loss of illusion is a gain in awareness. Once truly attained, enlightenment cannot be lost, it can only be increased.
The Superior Man acts with clarity by accurately evaluating cause and effect. [Or: The objective assessment of any contradiction is the road to comprehending it.]
The fifty-fifth hexagram is very intriguing in that it appears to have a misleading title in the original Chinese, which is usually translated as Abundance,Fullness, Prosperity, etc. All of the internal clues, plus empirical experience with the figure have convinced me that the title Expansion of Awareness is a more accurate description of the forces operating in this hexagram. Here is my reasoning:
First, the component trigrams of Clarity and Movement portray action directed by clear comprehension, as well as awareness itself in motion or expansion. The title of Abundance seems misleading because it suggests a relatively static condition, whereas the combined trigrams in the figure symbolize Clear Movement. These trigrams appear in reverse sequence in hexagram number twenty-one, Discernment, which symbolizes the act of comprehending -- a dynamic function of consciousness described in the Image here as a quest for justice: "Thus the superior man decides lawsuits and carries out punishments." (Wilhelm) Notice also that the message for the superior man in this Image is almost identical with that in Discernment:"Thus the kings of former times made firm the laws through clearly defined penalties." (Wilhelm) The ancient kings can always be taken as symbolic of archetypal forces (the "gods"), so their laws are those of nature, not of humankind. Interpreted broadly, both messages counsel us to: "Comprehend the law of Tao, or suffer the penalties of ignorance." Which is to say: "expand your awareness."
Second, note the message in the Judgment. Most of the translators render this by comparing the king at the peak of his power with the sun at the peak of its illumination at noon. The sun is the symbol of clarity and enlightenment, and the sun at its zenith therefore symbolizes a high point of awareness.
Third, notice that lines two, three and four depict an eclipse of the sun through its waxing, full and waning phases. This suggests ignorance gradually evolving toward comprehension, which is finally attained in line five. The progression in the hexagram is from ignorance to clarity, and then in line six, ignorance within clarity -- i.e., an image of one who remains obtuse while surrounded by the light of illumination.
Fourth, the combined trigrams of shock and light (thunder and lightning) suggest a sudden and numinous illumination: the sort of en-light-enment (expansion of awareness) described by Yogis:
Suddenly, with a roar like that of a waterfall, I felt a stream of liquid light entering my brain through the spinal cord ... The illumination grew brighter and brighter, the roaring louder, I experienced a rocking sensation and then felt myself slipping out of my body, entirely enveloped in a halo of light ... I was no longer myself, or to be more accurate, no longer as I knew myself to be, a small point of awareness confined in a body, but instead was a vast circle of consciousness in which the body was but a point, bathed in light and in a state of exaltation and happiness impossible to describe. Gopi Krishna --Kundalini, the Evolutionary Energy in Man
It is possible that the written character translated into English as Abundance has these associations in Chinese. Unfortunately, the title of Abundance itself does not immediately suggest in the English language the ideas that are integral in the symbolism of the hexagram.
Line 1
Legge: The first line, dynamic, shows its subject meeting with his mate. Though they are both of the same character, there will be no error. Advance will call forth approval.
Wilhelm/Baynes: When a man meets his destined ruler, they can be together ten days, and it is not a mistake. Going meets with recognition.
Blofeld: On meeting a prince of equal rank, though he accepts his hospitality for ten days, he is not at fault -- progress is made in winning respect!
Liu: When a man meets a deputy ruler, there will be harmony between them for ten days. No blame. Setting forth will lead to progress.
Ritsema/Karcher: Meeting one's equal lord. Although a decade, without fault. Going possesses honor.
Shaughnessy: Meeting his consort's ruler; it is only the ten-day week; there is no trouble; in going there will be elevation.
Cleary (1): Meeting your director, even as equals there is no blame. If you go on, there will be exaltation.
Cleary (2): Meeting your partner, etc.
Wu: He meets with his matched partner. Although they are of the same kind, there will be no error. The meeting is favorable.
COMMENTARY
Confucius/Legge: If the subject of this line seeks to overpass that similarity, there will be calamity. Wilhelm/Baynes: More than ten days is harmful. Blofeld: Were he to exceed that time, he would invite calamity upon himself. [It is all very well to accept the hospitality of our equals, but accepting too much of it will ultimately lead to trouble.] Ritsema/Karcher: Exceeding a decade, calamity indeed. Cleary (2): If you carry the equality too far, there will be disaster. Wu: It will be perilous if he tries to outshine his partner.
Legge: Line one is dynamic in a dynamic place. His correlate is the dynamic fourth line, which would normally be deemed unfortunate. But here the text calls line four the mate of line one, and makes their belonging to the same category of no account. The lesson taught is that mutual helpfulness is the great instrument for the maintenance of prosperity, and the subject of this line is encouraged to go forward.
NOTES AND PARAPHRASES
Siu: At the outset, the man meets his destined ruler and goes forth with his approval. Mutual helpfulness is required for continued prosperity.
Wing: Associating with someone whose goals are similar to your own will now bring you clarity and energy. It is not a mistake to continue in this close relationship until the project is complete.
Editor: For two yang lines to be in proper correlation seems to contradict the logic upon which theI Ching is founded, yet in this specific instance it is deemed correct. The image suggests the affinity of similar principles or categories. The Confucian commentary may be interpreted to mean that they remain united only to the extent that they are in accord. To make more or less out of the situation than the analogy warrants is to break the connection and lose the truth. Psychologically interpreted, the line can suggest a close connection between ego and Self.
Maturity and development demand a confrontation of the ego and the Self. The necessary adaptation of the ego is challenged by the Self's urge for the ego’s transformation. E.C. Whitmont -- The Symbolic Quest
A. Make a logical connection -- perhaps a highly "intellectual" conceptualization is in order. Focus on the principles of the Work to determine correct action.
B. When correspondences are legitimate, take advantage of them; however, don't make more out of such associations than the reality of the situation warrants.
C. For the moment at least, you are on the right track – this could change later.
D. Tentative or preliminary approval of the query at hand.
Line 3
Legge: The third line, dynamic, shows its subject with an additional screen of a large and thick banner, through which at midday he can see the small Mei star. In the darkness he breaks his right arm; but there will be no error.
Wilhelm/Baynes: The underbrush is of such abundance that the small stars can be seen at noon. He breaks his right arm. No blame.
Blofeld: So copious is the rain that, even at midday, there is obscurity. He breaks his right forearm -- no error!
Liu: Heavy clouds -- a fine drizzle can be seen. He hurts his right arm. No blame.
Ritsema/Karcher: Abounding: one's profusion. Sun centering: visualizing froth. Severing one's right arm. Without fault.
Shaughnessy: Making abundant his screen; in the middle of the day one sees small stars; breaking his right bow, there is no trouble.
Cleary (1): Increasing shade, seeing glimmering stardust at midday. One breaks one’s right arm. No one is to blame.
Cleary (2): With abundant rain, you see the drops in the sunlight. You break your right arm but are not to blame.
Wu: He makes abundance of heavy curtains. His house is so dimmed as if he could see small stars with the sun at noon. He breaks his right forearm. No error.
COMMENTARY
Confucius/Legge: Great things should not be attempted in such circumstances. His broken arm means that in the end he will not be fit to be employed. Wilhelm/Baynes: One can carry out no great transactions. In the end, one must not try to do anything. Blofeld: There is nothing great we can accomplish now. His breaking his right forearm indicates uselessness up to the very end. [It is not clear whether the omen refers to our own uselessness for the task we have set ourselves or to that of someone on whom we have been depending. We must interpret the line in the context of our enquiry.] Ritsema/Karcher: Not permitting Great Affairs indeed. Completing, not permitting availing-of indeed. Cleary (2): When the rain is abundant, you cannot do great works. When you break your right arm, it cannot be used. Wu: He will not have big achievements. (His arm) will no longer be used again.
Legge: Line three is dynamic in its proper place in the trigram of Clarity. This seems to favor his action, but his correlate is the magnetic sixth line at the extremity of the trigram of Movement. Since the sixth line is powerless, line three has no one to cooperate with him. His situation is worse than that of line two, but his own proper goodness and capacity will save him from error. Mei is a small star in or near the constellation of the Bushel. The light in line three is hidden, and this blindness unfits him for employment.
NOTES AND PARAPHRASES
Siu: The prince is so eclipsed that even insignificant personalities push themselves onto the stage. Although the man is in a key position, he is powerless to achieve anything. But he remains free of error.
Wing: Incompetence is at its Zenith. Be patient.
Editor: Midday is noon -- normally the zenith of illumination, and hence symbolic of awareness or truth. Here however, a condition equivalent to a full solar eclipse is portrayed. (The exact opposite of the position of the king in the Judgment.) The "small Mei star" is a distant sun, a lesser light: symbolically, a feeble comprehension. Darkness is ignorance, and the right arm represents one's power or ability to act. Blofeld, Liu, Ritsema/Karcher and Cleary (2) state that rain or "froth" is screening the light -- a hint that emotion may be clouding clear perception. (Water symbolizes the emotional realm.) These somewhat confused images nevertheless all agree that clear choice is eclipsed by ignorance: you are essentially powerless, and should refrain from significant action.
I am an empiricist, not a philosopher; I cannot let myself presuppose that my peculiar temperament, my own attitude to intellectual problems, is universally valid. Apparently this is an assumption in which only the philosopher may indulge, who always takes it for granted that his own disposition and attitude are universal, and will not recognize the fact, if he can avoid it, that his "personal equation" conditions his philosophy. Jung -- The Archetypes and the Collective Unconscious
A. You are hampered by incomplete data: "There is more to the subject than meets the eye.” Useful action is impeded: Don’t act when you don’t know.
Line 4
Legge: The fourth line, dynamic, shows its subject in a tent so large and thick that at midday he can see from it the constellation of the Bushel. But he meets with the subject of the first line, undivided like himself. There will be good fortune.
Wilhelm/Baynes: The curtain is of such fullness that the polestars can be seen at noon. He meets his ruler, who is of like kind. Good fortune.
Blofeld: So great is the obstruction that the midday sun appears to him as a tiny star. Meeting a prince of equal rank -- good fortune!
Liu: The shield is so great that you can see the polestar at noon. One meets an ignorant ruler. Good fortune.
Ritsema/Karcher: Abounding: one's screen. Sun centering: visualizing a bin. Meeting one's hiding lord. Significant.
Shaughnessy: Making abundant his curtain; in the middle of the day one sees the Dipper; meeting his placid ruler; auspicious.
Cleary (1): Increasing shade, seeing stars at midday. Meeting the hidden master is auspicious.
Wu: He makes abundance of curtains. His house is so dimmed as if he could see the Dipper with the sun at noon. He meets with his equal partner. Auspicious.
COMMENTARY
Confucius/Legge: The position of the line is inappropriate. There is darkness and no light. The good fortune of meeting the first line means that action may be taken. Wilhelm/Baynes: The place is not the appropriate one. He is dark and not light-giving. This means action. Blofeld: The extent of the obstruction is indicated by the unsuitable position of this line. His seeing only a tiny star at midday implies nothing wherewith to lighten the darkness surrounding us. His good fortune in meeting a prince of equal rank indicates that action can now be taken. [We are obstructed by ignorance or stupidity and should not act until someone ready to help us appears.]Ritsema/Karcher: Situation not appropriate indeed. Shade, not brightening indeed. Significant movement indeed. Cleary (2): With abundant shade, the position is not appropriate. Seeing the stars at midday means it is dark and dim. Meeting the hidden master is auspicious in terms of action. Wu: Because his house is darkened, etc.
Legge: The first sentence of line four is the same as line two, until we come to the strange correlation of the two dynamic lines in four and one, and the issue is good. An alternative translation is: "He meets with the subject of the parallel line."
NOTES AND PARAPHRASES
Siu: The eclipse is decreasing. The man gets together with elements with which he has a natural affinity.
Wing: Although your position as been less than ideal, you will finally meet with the right elements to help you achieve your aim. Enthusiasm coupled with wise decisions lead to good fortune.
Editor: The essential image is one of ignorance (darkness) which is dispelled by an alliance or connection. Ordinarily one would not expect to take action when in the dark about the situation in question, but here action is advised in order to dispel the darkness. Because of the unusual correct correlation between two dynamic lines, the image suggests that a highly abstract, "intellectual" association may be called for here.
Nowhere is the basic requirement so indispensable as in psychology that the observer should be adequate to his object, in the sense of being able to see not only subjectively but also objectively. The demand that he should see only objectively is quite out of the question, for it is impossible. We must be satisfied if he does not see too subjectively. Jung -- Psychological Types
A. When you're in the dark, seek help: Take steps to clarify the situation.
Line 6
Legge: The sixth line, magnetic, shows its subject with her house made large, but only serving as a screen to her household. When she looks at her door, it is still, and there is nobody about it. For three years no one is to be seen. There will be evil.
Wilhelm/Baynes: His house is in a state of abundance. He screens off his family. He peers through the gate and no longer perceives anyone. For three years he sees nothing. Misfortune.
Blofeld: There is abundance in his dwelling and a wall around his house; yet, peering through the gate, he sees no one. For three years, he sees nobody -- misfortune!
Liu: One's house is big and luxurious; later it will be overgrown. Someone looks in at the gate and does not see anyone. For three years he sees nothing. Misfortune.
Ritsema/Karcher: Abounding: one's roof. Screening one's dwelling. Peeping-through one's door. Living-alone, one without people. Three year's-time not encountering. Pitfall.
Shaughnessy: Making abundant his room, screening his house, and arching his window; he is alarmed at his having no people; for three years he does not follow; inauspicious.
Cleary (1): Embellishing the room, shading the house; peeking in the door, it is quiet, with no one there, unseen for three years. Inauspicious.
Cleary (2): Making the house rich, shading the home. A peek in the door finds quiet, etc.
Wu: He has his house richly decorated. He uses curtains to shield his home. Peeping through its door, one sees not a single soul. For three years, nobody has been seen therein. Foreboding.
COMMENTARY
Confucius/Legge: She has made her house large -- she soars in her pride to the heavens. She looks at her door, which is still, with no one about it -- she only keeps herself withdrawn from all others. Wilhelm/Baynes: He flutters about at the border of heaven. He screens himself off. Blofeld: He seems to be hovering on the border of the skies. He has deliberately hidden himself. [The whole of this refers to someone who had done very well for himself but who, out of snobbery or for a similar reason, refuses to share his good fortune and therefore remains alone and miserable amidst his splendid possessions.] Ritsema/Karcher: The heavenly border, hovering indeed. Originating-from concealing indeed. Cleary (2): Making the house rich is pride. For one has hidden oneself. Wu: He has made himself feel like flying high in the sky. For he has hidden himself from the rest of the world.
Legge: All the conditions of line six are unfavorable, and she is left to herself without any helpers. Her long isolation undoes her -- the issue is only evil. No one but herself has any confidence in her. She holds herself aloof from others, and they leave her to herself.
Anthony: If, after being helped, as in the fifth line, we seek only to have our own way, or to be master of the situation, we lose all the benefits of acting correctly. If we are to make progress, we must keep our motives pure.
NOTES AND PARAPHRASES
Siu: The man is overwhelmed by his pride as he seeks personal splendor, alienating even members of his own household. He becomes isolated and is undone.
Wing: Your quest for abundance has made you proud. Your desire to maintain it has isolated you. You are out of harmony with the times and out of touch with those close to you. Therefore you have already lost your greatest possessions.
Editor: A "house made large" symbolizes an expanded psyche, or a situation of abundant choice. That this is "a screen to her household” tells us that important aspects of the situation are unrecognized: She "can't see the trees for the forest.” Legge's "still” door is a portal closed to awareness. In short, because of self-chosen isolation, she doesn't take advantage of an abundance of unperceived opportunities. A hermit’s life of renunciation may bring about an expansion of awareness, but it is wasted if one does not take appropriate action in the world. Ironically, the hexagram created when this is the only changing line is number 30, Clarity, offering a clear image of what she is missing in life.
Communication must be radiation and receiving and exchange. Whenever irritation is involved, then we are not able to see properly and fully and clearly the spacious quality of that which is coming toward us, that which is presenting itself as communication. The external world is immediately rejected by our irritation which says, “No, no, this irritates me, go away.” Such an attitude is the complete opposite of transcendental generosity. So the bodhisattva must experience the complete communication of generosity, transcending irritation and self-defensiveness. Otherwise, when thorns threaten to prick us, we feel that we are being attacked, that we must defend ourselves. We run away from the tremendous opportunity for communication that has been given to us, and we have not been brave enough even to look to the other shore of the river. We are looking back and trying to run away. Chogyam Trungpa
A. You are out of touch with reality -- blind to the light which surrounds you, too myopic to see your options.
23 Splitting Apart
Other titles: Splitting Apart, The symbol of Falling or Flaying, Peeling Off, Decay, Flaying, Stripping Away, Intrigue, Deterioration, Collapse, Fracturing, Tearing, Disintegration, Ruin, Unraveling, "Can refer to a physical parting. Making a secure foundation." -- D.F. Hook
Judgment
Legge:Disintegration means that it is not advantageous to make a movement in any direction whatever.
Wilhelm/Baynes:Splitting Apart. It does not further one to go anywhere.
Blofeld: Peeling off. At present, there is no goal (or destination) which can be sought with advantage. [Peeling off in the sense of getting rid of hindrances (or hinderers) one after another. The first four lines of this hexagram symbolize a process of ridding ourselves progressively of all those upon whom we are accustomed to rely, for the powers of darkness are in the ascendant and no one can be trusted. However, in the long run, virtue triumphs, as indicated by line five, and ultimately we are all the more esteemed for our steadfastness, as can be seen from line six.]
Liu: Decay. It is unfavorable to undertake anything.
Ritsema/Karcher:Stripping not Harvesting: possessing directed going. [This hexagram describes your situation in terms of something outmoded or worn out. It emphasizes that eliminating what has become unusable is the adequate way to handle it...]
Shaughnessy: Flaying: Not beneficial to have someplace to go.
Cleary (1):Stripping away does not make it beneficial to go anywhere.
Cleary (2): … It is not beneficial, etc.
Wu: Tearing indicates that it is not advantageous to have any undertaking.
The Image
Legge: The image of a mountain adhering to the earth forms Disintegration. Superiors therefore strengthen their inferiors to secure the peace and stability of their own position.
Wilhelm/Baynes: The mountain rests on the earth: the image of Splitting Apart. Thus those above can ensure their position only by giving generously to those below.
Blofeld: This hexagram symbolizes a mountain resting upon the earth. The truly great shower generosity upon those under them to enable them to live in peace and comfort. [The upper and lower trigrams, mountain and Earth, symbolize the Superior Man and the people in his care.]
Liu: The mountain stands on the earth, symbolizing Decay. Those above should act with benevolence toward those below. Then there will be peace and security.
Ritsema/Karcher: Mountain adjoining with-respect-to earth. Stripping. Using munificence above to quiet the position below.
Cleary (1): Mountains are joined to the earth. Those above secure their homes by kindness to those below.
Wu: The mountain is subordinated to the earth; this is Tearing .Thus those above treat those below with liberal rewards to secure their own positions.
COMMENTARY
Confucius/Legge:Disintegration means overthrowing or being overthrown: the magnetic lines attack the dynamic line at the top in order to change it into one of themselves. It is unwise to move in any direction because inferior elements are now increasing in power. The superior man, observing this, stops all forward movement. He defers to the exigency of the time, realizing that increase and decrease, ripeness and decay are cyclic rhythms.
Legge:Disintegrationis the symbol of falling or causing to fall, and refers to the process of decay or overthrow in both the natural and political worlds. The figure consists of five yin lines below and one yang line on top. Decay has begun at the bottom and crept upward. The hexagram symbolizes the ninth month when summer has passed and the year is about to fall into the sterile arms of winter. In the political world, inferior men have gradually displaced good men until only one remains. The lesson for him is to wait because the power operating against him is too strong. Eventually a change for the better will appear. The specific image is that of a bed and its occupant, and the symbolism describes the attempts made to overthrow him. The lower trigram of Docility and the upper trigram of Keeping Still suggest to the superior man of line six how he can best deal with the prevailing circumstances. The situation is not hopeless -- winter is followed by spring, night by day, and the waning moon soon grows full again. So will it be in the course of human affairs.
The idea behind the Image is that a mountain has the earth for its foundation. If the earth is thick, the mountain preserves its height. So it is with the sovereign and people.
NOTES AND PARAPHRASES
Judgment:Disintegration means do not act.
The Superior Man stabilizes his responses and seeks tranquility.
The twenty-third hexagram is the inverse ofReturn, the hexagram immediately following it. Each figure depicts an opposite pole in a cyclic progression. Here the old cycle has disintegrated to the point of dissolution. The following hexagram depicts theReturnto the beginning of a new cycle.
The first four lines of Disintegration show the gradual erosion of a position or frame of reference, symbolized by a bed or couch. The inferior forces creep up from below like termites to undermine a solid foundation. The fifth line shows a gathering of forces for a potentially positive transformation, and the top line suggests the first stages of this transformation. The implication is that times of disintegration needn't always be regarded as negative, or a foregone conclusion. We still have the choice to alter conditions in our favor.
That the superior man "strengthens his inferiors" to insure the stability of his position, means that one stabilizes one's psychological situation by defusing the causes of rebellion -- safeguard the foundation where it is weak. Hexagram number forty-three, Resoluteness, is a negative picture of this figure, and the message in the Image is very similar: "The superior man does not hoard his wealth, but shares it with his subordinates." The idea is subtle -- it doesn't mean to indulge your weaknesses, but to monitor them encouragingly so that they may become transformed into positive forces.
Whenever we go deep enough toward the core of a sub- personality, we find that the core -- which is some basic urge, or need -- is good. For practical purposes, this can be considered an absolute. No matter how many layers of distortion may surround it, the basic need, the basic motivation, is a good one -- and if it becomes twisted, it was because of not being able to express itself directly. The real core -- not what the sub- personality wants, but what it needs -- is good. A basic purpose of the coordination phase is to discover this central urge or need, to make it conscious, and to find acceptable ways in which it can be satisfied and fulfilled. And, provided we have sufficient understanding and skill, it can be satisfied -- if not fully, at least enough to maintain the process of growth. James Vargiu -- Subpersonalities