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The Marrying Maiden54
Proceed cautiously, recognizing limitations and external influences. Adapt to circumstances with humility and patience, but remain aware of your own path and intentions.
↓ Line 5
True worth is not in outward appearances. Inner value and timing bring good fortune.
↓ Line 6
Efforts are in vain when the essential elements are missing. Actions may not lead to desired outcomes.
↓ Treading 10
Careful progress ensures safety; walk with awareness and integrity.
Original Readings
54 The Marrying Maiden
Other titles: The Marrying Maiden, The Symbol of the Marriage of the Younger Sister, Marriageable Maiden, The Marrying Girl, Subordinate, The Second Wife, Converting Maidenhood, Returning maiden, Making a young girl marry, Marrying a young girl, Marrying a Maiden, Unilateral Action, Impropriety, Improper Advances, "Deals with life and death, sex and birth. It contains a warning about a person or situation. It deals essentially with discrimination. The first step on the Path without which we are useless." -- D.F. Hook
Judgment
Legge:Propriety indicates that action will be evil, and in no wise advantageous.
Wilhelm/Baynes: The Marrying Maiden. Undertakings bring misfortune. Nothing that would further.
Blofeld:The Marriageable Maiden. Advance brings misfortune. No goal (or destination) is now favorable.
Liu: The Marrying Girl. Undertaking leads to misfortune. Nothing benefits.
Ritsema/Karcher: Converting Maidenhood, chastising: pitfall. Without direction: Harvesting. [Without direction: Harvesting: ... In order to take advantage of the situation, do not impose a direction on events.] [This hexagram describes your situation in terms of the changing status of someone who cannot control their circumstances. It emphasizes that finding a real field of activity through accepting this imposition is the adequate way to handle it...]
Shaughnessy:Returning maiden: To be upright is inauspicious; there is no place beneficial.
Cleary (1): Making a young girl marry: To go on will lead to misfortune; no profit is gained.
Cleary (2):Marrying a young girl. To go on an expedition leads to misfortune, with nothing gained.
Wu: Marrying a Maiden indicates that it will be foreboding to make moves. There is nothing to be gained.
The Image
Legge: The waters of a Marsh with Thunder over it form the hexagram of Propriety. The superior man, in accordance with this, having regard to the far-distant end, knows the mischief that may be done at the beginning.
Wilhelm/Baynes: Thunder over the lake: the image of The Marrying Maiden. Thus the superior man understands the transitory in the light of the eternity of the end.
Blofeld: This hexagram symbolizes thunder over a pool. The Superior Man knows that, to achieve an enduring end, he must be aware of his mistakes at the beginning.
Liu: Thunder over the lake symbolizes the Marrying Girl. The superior man knows the cause of error, and persists in his virtue to the end.
Ritsema/Karcher: Above marsh possessing thunder. Converting Maidenhood. A chun tzu uses perpetually completing to know the cracked.
Cleary (1): There is thunder above a lake, making a young girl marry. Thus superior people persist to the end and know what is wrong.
Cleary (2): Thunder over a lake – Marrying a young girl. Developed people consider lasting results and know what is wrong. [The way developed people handle things is that before they take the time to ask how to start something, they first consider lasting results. If they think of lasting results, they know what is wrong with acting prematurely, like marrying an immature girl. If you understand the meaning of this, you can apply it to government and to contemplating mind as well.]
Wu: There is thunder above the marsh; this is Marrying a Maiden. Thus, the jun zi in the pursuit of lasting excellence realizes the flaws and corrects them.
COMMENTARY
Confucius/Legge: In the marriage of a young bride the proper relationship between heaven and earth is seen. Nothing could grow or flourish if heaven and earth did not unite. The marriage of a young bride is therefore both the commencement and goal of humanity. But here the desire of pleasure employs movement to attain union. This action will be evil because the lines are in inappropriate places, and the magnetic three and five are mounted on dynamic lines.
Legge: The Chinese phrase for this hexagram might be equivalent to the English "giving in marriage,” but there are some special meanings in this case which must be understood. The Judgment gives a bad auspice because the trigram of the Youngest Daughter is beneath the trigram of the Eldest Son. Since the action of the hexagram begins with the lowest trigram, we have two violations of propriety. First, the marriage is initiated by the woman and her friends. She goes unilaterally to her future home instead of the bridegroom coming to fetch her. Second, the parties are unequally matched -- there is too great a disparity in their ages. In addition, all the lines in the hexagram except the top and the bottom are in places inappropriate for them. Some commentators insist that the symbol of the contracting of a marriage in this hexagram sets forth some principles which should obtain in the relation between a ruler and his ministers.
The growth of things in nature from the interaction of heaven and earth is analogous to the increase of mankind through the interaction between male and female in marriage. The K'ang-hsi editors reconcile this good auspice with the unfavorable Judgment by saying: "The interaction of the yin and yang cannot be dispensed with, but we ought to be careful about it in the beginning in order to prevent mischief in the end.” The error here is that the desire for the marriage originated with the lady, and that she is heedless of the disparity in their ages.
NOTES AND PARAPHRASES
Judgment: Propriety means that unilateral action is inappropriate.
The Superior Man understands that the Work is guided from within, and that choices which ignore this truth can only retard its progress. (Present actions originate future consequences: pay heed to your choices.)
The traditional name for this hexagram is The Marrying Maiden -- a title which does not convey to modern western readers the subtlety of its symbolism. Blofeld says: "This hexagram is, on the whole, a most unfortunate omen ... We must not suppose that it deals only with marriage. What is said about the maiden symbolizes in some way or other what we may expect for ourselves within the context of our enquiry." The figure is certainly difficult, but "unfortunate" only if its import is resisted or denied: any portrayal of our situation which eliminates illusion (however painful the realization), must be regarded as a positive lesson.
Although the Confucian commentary describes this hexagram in terms of self-seeking aspiration, the wretched protagonist of the figure is not invariably culpable, and neither Judgment nor Image imply this. In addition to being at the very bottom of the social pecking order, the maiden is portrayed as half-blind, crippled and a "slave." Although condemned by the commentators for importuning a marriage that would raise her status, a close reading of the lines reveals that only the sixth place suggests possible impropriety -- the others all contain advice about how one of extremely low status should cope with restricted circumstances. The hexagram therefore can deal with either of two possible conditions: those involving Proprietyand those involving Making-do as an adaptation to adversity.
In the first instance, it is useful to compare the symbolism here with that of the preceding hexagram of Gradual Progress. There we see the organic progression of the Work allegorized as the proper marriage of a young woman. In this case, Gradual Progress has been turned upside down and the symbolism reversed: this young woman improperly pursues a marriage on her own initiative. Psychologically interpreted, it can be regarded as an image of the ego pushing its own agenda or desire for union.
The ego may move in directions and toward actions that are at variance with the intentions and standards of the Self ... The mature adult needs to recognize eventually his or her relative limitedness vis-à-vis the "Self- field" and the cosmic organism of which s/he is but a cell. We are subject to the ordering and growth intents of the entelechy of the whole. E. C. Whitmont -- The Alchemy of Healing
To recognize our `relative limitedness “vis-à-vis the Self-field” is to renounce our claim to unilateral action. Though the ego ardently desires a marriage with the Self, only the Self can initiate such a union. Chou Tun I, an early Neo-Confucian, makes an observation which illuminates Legge's Image:
"The superior man, in accordance with this, having regard to the far-distant end, knows the mischief that may be done at the beginning. The most important things in the world are tendencies. Tendencies may be strong or weak. If a tendency is extremely strong, it cannot be controlled. But it is possible to control it quickly if one realizes that it is strong. To control it requires effort. If one does not realize early enough, it will not be easy to apply effort.”
To receive this hexagram without changing lines can be an admonition to examine your motives and actions in the matter at hand. Where are you out of line? If no obvious impropriety is involved, it could also portray an essentially impotent predicament. At such times Ritsema/Karcher's synopsis bears repetition: "This hexagram describes your situation in terms of the changing status of someone who cannot control their circumstances. It emphasizes that finding a real field of activity through accepting this imposition is the adequate way to handle it.”
SUGGESTIONS FOR MEDITATION
Compare Propriety with hexagram number fifty-three, Gradual Progress, then compare them both with hexagram number thirty-one,Initiative. What are the similarities in their ideas? Now look at hexagrams number eleven, seventeen and twenty-two and observe the over-all philosophy which begins to emerge.
Line 5
Legge: The fifth line, magnetic, reminds us of the marrying of the younger sister of King Ti-yi, when the sleeves of the princess were not equal to those of the still younger sister who accompanied her in an inferior capacity. The case suggests the thought of the moon almost full. There will be good fortune.
Wilhelm/Baynes: The sovereign I gave his daughter in marriage. The embroidered garments of the princess were not as gorgeous as those of the serving maid. The moon that is nearly full brings good fortune.
Blofeld: The Emperor's second marriageable daughter wore regal garments less splendid that those of her bridesmaid. [The implication is that the princess showed better taste than her maid in not dressing too grandly. We must be on our guard against ostentation.] Close upon the full moon comes good fortune!
Liu: Emperor I gives his daughter in marriage. The embroidered dress of the princess is not as splendid as that of the concubine. The moon is nearly full. Good fortune.
Ritsema/Karcher: The supreme burgeoning Converting Maidenhood. One's chief's sleeves: One's junior-sister's sleeves not thus fine. The moon almost facing, significant.
Shaughnessy: Di Yi marries off the maiden: the primary wife's sleeves are not as fine as her younger sister's sleeves; the day's moon is past full; auspicious.
Cleary (1): The emperor marries off his younger sister; the attire of the empress is not as good as the attire of the young wife. The moon is nearly full. Good fortune.
Cleary (2): ... The attire of the lady is not as good as that of the junior wives. The moon is almost full. This is auspicious.
Wu: Di Yi married off his younger sister. Her dress was not so elaborate as her younger sister’s. The moon was almost full. Auspicious. [ This was considered proper, for what was proper was the virtuous union, not the wedding dress.]
COMMENTARY
Confucius/Legge: That her sleeves were not equal to her inferior's shows her noble character, indicated by the central position of the line. Wilhelm/Baynes: The place is in the middle, hence action has value. Blofeld: The first sentence means that, though we may be of only middle rank, we should behave with true nobility. Ritsema/Karcher: One's situation located-in the center. Using valuing movement indeed. Cleary (2): The position is one of balance, behaving in a noble manner. Wu: Her position was central and royal. She had no need for ornamentations.
Legge: The King's sister is here honorably married, suggesting that the adornment she preferred was the "ornament of the hidden man of the heart.” Ch'eng-tzu says: "The moon is not full, but only nearly full. A wife ought not to eclipse her husband.” She is in the place of honor, with a proper correlate in line two.
NOTES AND PARAPHRASES
Siu: The man is reminded that the sister of King I placed herself graciously below her outranked husband and remained free of vanity. The moon that is full does not face the sun.
Wing: When you can overlook your social position and stature and place yourself in the service of another, you will realize good fortune. To accomplish this you must overcome vanity, pride, and any ostentatious behavior. To Subordinate yourself to others, regardless of their position, is now a good thing.
Editor: It is instructive to compare this line with the fifth line of hexagram number eleven,Harmony, which also refers to King Ti-yi's younger sister. A clue to the symbolism comes from the Neo-Confucian classic, The Doctrine of the Mean:
The Book of Odes says, "Over her brocaded robe, she wore a plain and simple dress,” for she disliked the loudness of its color and patterns. Thus the way of the superior man is hidden but becomes more prominent every day, whereas the way of the inferior man is conspicuous but gradually disappears. It is characteristic of the superior man to be plain, and yet people do not get tired of him. He is simple and yet rich in cultural adornment. He is amiable and yet systematically methodical. He knows what is distant begins with what is near. He knows where the winds (moral influence) come from. And he knows the subtle will be manifested. Such a man can enter into virtue.
We see here a princess-bride who is less attractively arrayed than her bridesmaid, and a waxing moon which has yet to reach full illumination. The context of the line is a royal marriage -- the hieros gamos or holy marriage of the alchemists which is also described in hexagram number eleven. Psychologically, the image can suggest that during a time when forces are coming together for synthesis, less important elements in the situation may seem more attractive than the true essence. Since the moon isn't full yet, we haven't seen all of the light -- full comprehension has yet to dawn. Sometimes the line simply boils down to the idea that "things are not what they seem.”
It should also be pointed out that the reaching up into the realm of the super-conscious and its exploration, while approaching the consciousness of the Self, may sometimes even constitute an obstacle to full Self- realization, to the reaching of the summit where the personal-I awareness blends into awareness of the spiritual Self. One can become so fascinated by the wonders of the super-conscious realm, so absorbed in it, so identified with some of its special aspects or manifestations as to lose or paralyze the urge to reach the summit of Self-realization. Roberto Assagioli -- Psychosynthesis
A. "You can't see the forest for the trees." The truth is hidden by distracting elements, but in the fullness of time it will be revealed. Seek simplicity.
B. The true goal may seem less attractive than lesser, more seductive elements.
C. The simple solution is the best.
Line 6
Legge: The sixth line, magnetic, shows the young lady bearing the basket, but without anything in it, and the gentleman slaughtering the sheep, but without any blood flowing from it. There will be no advantage in any way.
Wilhelm/Baynes: The woman holds the basket, but there are no fruits in it. The man stabs the sheep, but no blood flows. Nothing that acts to further.
Blofeld: A woman holds a basket with nothing inside; a man stabs a sheep without drawing blood. No goal (or destination) is favorable now.
Liu: The woman's basket is empty. The man stabs the sheep, but no blood comes. Nothing beneficial.
Ritsema/Karcher: A woman receiving a basket without substance. A notable disemboweling a goat without blood. Without direction: Harvesting.[ Without direction: Harvesting, WU YU LI: no plan or direction is advantageous; in order to take advantage of the situation, do not impose a direction on events.]
Shaughnessy: The woman holds up the basket, there is no fruit, the man stabs the sheep, there is no blood; there is no place beneficial.
Cleary (1): The woman receives a chest, but there is nothing in it. The man sacrifices a goat, but there is no blood. No benefit is gained.
Wu: The woman carries a basket that is bottomless; the man sacrifices a sheep that has no blood. There is nothing to be gained.
COMMENTARY
Confucius/Legge: The basket is empty. Wilhelm/Baynes: The reason that the top line has no fruits is because it holds an empty basket. Blofeld: This top line implies absence of solid worth, hence the symbol of holding an empty basket. Ritsema/ Karcher: Six above, without substance. Receiving an empty basket indeed.
Cleary (2): The top (line) has no fulfillment. This is receiving an empty chest. Wu: The top line does not have anything substantial to offer, because she carries a bottomless basket.
Legge: The sixth line is magnetic at the top of the hexagram, and without a proper correlate, hence the unfortunate auspice. The marriage contract is broken, and union does not take place. The parties concerned offer sacrifices in the temple, but the woman's basket is empty and the man's effort is fruitless.
Cleary (2): When one does not accumulate virtue in life, then one has no spirit after death and cannot cause one’s descendants to flourish. Developed people, knowing what is wrong by thinking of the lasting results, see this at the outset.
NOTES AND PARAPHRASES
Siu: The man goes through superficial actions, such as offering an empty basket and a pre-slaughtered sheep to the gods, solely to preserve the form. This disregard for content bodes no good for lasting associations.
Wing: Are you just going through the motions? Is there content to the refined manner you present? If you are acting out of adherence to form, don't bother. Nothing will come of it.
Editor: Like everything else in the Book of Changes, this line can symbolize an enormous range of situations. At its most basic level, a union of opposites does not take place. Whether or not blame is involved depends upon the circumstances. Note that blame is not mentioned in the line itself.
Sacrifices, charities and penances performed without faith in the Supreme are nonpermanent. O son of Prtha, they are useless both in this life and in the next. Bhagavad-Gita 17: 28
A. An empty sacrifice, a fruitless offering, wasted effort.
B. A missed connection or fruitless union -- any further striving would be a waste of energy.
C. "Don't cast your pearls before swine."
D. An image of hypocrisy of some sort.
10 Treading
Other titles: Treading, Conduct, The Symbol of Stepping Carefully, Proper Conduct, Cautious Treading, Proceeding Cautiously, Watch Your Step, Proceed at Your Own Risk, Advancing With Care "Illustrates the difference between courage and foolhardiness." -- D.F. Hook
Judgment
Legge: Cautious Advance suggests the idea of one treading on the tail of a tiger, which does not bite him. There will be progress and success.
Wilhelm/Baynes: Treading . Treading upon the tail of the tiger. It does not bite the man. Success. [For the weak to take a stand against the strong is not dangerous here, because it happens in good humor and without presumption, so that the strong man is not irritated but takes it all in good part. Such simplicity and unpretentiousness is faith derived from reality -- neither from love of happiness nor fear of unhappiness, but free of fear and hope. The concern here is with the art of action by means of proper conduct, and presupposes being childlike in its highest sense.]
Blofeld: Though he treads upon the tiger's tail, it does not bite him. Success! [The general idea of this hexagram is that success can be won, but that the situation is dangerous enough to require extreme caution. The `tiger' MAY not bite, but on the other hand, as lines three and five demonstrate, we cannot be certain of this. To consort with rulers and people in high places may be most beneficial; but, should we fail to please, they may make us regret our temerity.]
Liu: Treading: Stepping on the tail of a tiger, but it does not bite one. Success. [You should act only after you have planned carefully, and then with resolution.]
Ritsema/Karcher: Treading a tiger tail. Not snapping-at people. Growing.
[This hexagram describes your situation in terms of finding and making your way. It emphasizes that doing this step by step is the adequate way to handle it.]
Shaughnessy: Treading on a tiger's tail; not a real man; receipt.
Cleary (1): Even when they tread on a tiger’s tail, it doesn’t bite people. This is developmental.
Cleary (2): Someone treads on a tiger’s tail without being bitten, thus getting through.
Wu:Treading after a tiger without being bitten indicates pervasion.
The Image
Legge: The image of the sky above, and below it the waters of a marsh, formCautious Advance. The superior man, in accordance with this, discriminates between high and low, and gives settlement to the aims of the people.
Wilhelm/Baynes: Heaven above, the lake below: the image of Treading. Thus the superior man discriminates between high and low, and thereby fortifies the thinking of the people. (Thus the superior man creates in society the differences in rank that correspond with differences in natural endowment, and in this way fortifies the thinking of the people, who are reassured when these differences accord with nature ... We see a universe moved from within, without external manipulation. Since the universe is also within the human being, internal universal order leads to order without by the force of necessary differentiation.) [Cf. the ideal society in Plato’s Republic.]
Blofeld: This hexagram symbolizes a body of water lying open to the sky. The Superior Man consults both high and low and thereby steadies the people's will.
Liu: The heaven above and the lake below symbolize Treading. The superior man differentiates between high and low, and thus fixes the minds of the people.
Ritsema/Karcher: Heaven above, marsh below. Treading. A chun tzu uses differentiating Above and Below. A chun tzu uses setting-right the commoners, the purpose.
Cleary (1): Above is the sky, below is a lake: Treading. Thus do superior people distinguish above and below, and settle the will of the people.
Cleary (2): … Leaders stabilize the wills of the people by distinguishing positions.
Wu: Heaven above and marshes below, this is Treading. Thus the jun zi discriminates various levels of governmental services and sets the goals of the people.
COMMENTARY
Confucius/Legge: In Cautious Advance we have the symbol of Weakness treading on that of Strength. The lower trigram indicates Pleasure and Satisfaction, and responds to the upper indicating Strength. Hence it is said, "He treads on the tail of a tiger." The fifth line is dynamic, in the center, and in his correct place. He occupies the God-given position, and falls into no distress or failure -- his action will be brilliant.
Legge: Cautious Advance is made up of the lower trigram of Pleased Satisfaction or "Naiveté," and the upper trigram of Heaven, or Primal Power. Being situated below the great symbol of Strength, Naiveté is seen to be stepping on a tiger's tail. To emerge unscathed from such a danger depends entirely upon propriety and a strict observance of all the rules of correct behavior. On these, as so many stepping stones, one may tread safely amid scenes of disorder and peril.
The symbol of weakness, according to Wang Shen-tzu is the third line which is urged on by the two lines below it to encounter the three strong lines above. Other commentators say that the whole lower trigram, partaking of the yin nature, is the symbol of weakness, and the entire upper trigram is symbolic of strength. The Chen-Chung editors say that to get the full meaning, we must hold both views.
Ch'eng-tzu says of the Image: "The sky above and a marsh lying
below it is true in nature and reason, and so should be the rules of propriety
on which men tread."
NOTES AND PARAPHRASES
Judgment: A cautious advance in the face of potentially volatile conditions will lead to safety.
The Superior Man orders his priorities realistically and gets a grip on himself.
Cautious Advance depicts the lower trigram of the joyful Youngest Daughter stepping on the heels of the upper trigram of Heaven -- the stern Pater Familias: Yahweh Saboath, or Zeus with his thunderbolt. In her innocence she doesn't realize the danger of her action. This is "treading on the tail of the tiger," and the hexagram teaches us how to do this without being bitten. The original Judgment suggests that superior powers realize the innocent intent of the action, and may be inclined to be lenient.
You should not resist fate,
nor need you escape it;
if you go to meet it,
it will guide you pleasantly.
Goethe
Wilhelm's notes on The Image illustrate the undemocratic truth that although all men are created equal in the eyes of God, every human being possesses clearly differentiated strengths, weaknesses, talents and incapacities. In Lectures on the I Ching, he says:
The secret of proper conduct is in inequality. Uniformity alone cannot give rise to proper conduct. To be sure, uniformity might produce rule and regulation or law and force. But tedious force and brutal law never led people to convictions that legitimately resulted in proper conduct (the term includes that which produces proper conduct and proper conduct achieved). Instead, as Confucius said: "Force produces only alienation and people transgress secretly that which is public regulation."
Cautious Advance often images a test situation, or it can be a warning that you are walking on the edge of a precipice. The image of The Fool in the tarot deck has similar associations. Without changing lines, this hexagram implies a need for extreme caution, or that your actions are tempting fate.
The passions, instead of having to be painfully exterminated, are yoked like snarling tigers to the adept’s carriage. The dangers of such a course are obvious. As one of my Lama teachers put it: "While you were traveling in that cart, a tumble would have done you little harm. Now I have given you an airplane. Don't crash in flames!" J. Blofeld -- The Tantric Mysticism of Tibet