One urges one's friends to make more efforts to be admitted. taoscopy.com
Development53
Steady progress through gradual development.
↓ Line 1
Initial steps may be uncertain and bring challenges, but they are necessary for progress. Stay cautious and avoid blame.
↓ Line 5
Persistence through challenges leads to eventual success. Patience and perseverance bring good fortune.
↓ Grace22
Refinement and grace enhance your presence. Focus on beauty and elegance in actions, but do not let appearance overshadow substance. Simplicity often holds the truest value.
53 Development
Other titles: Development, The Symbol of Progressive Advance, Gradual Development, Infiltrating, Advancing, Growth, Developing, Gradualness, Dialectical Progression, Step by Step, "The slower the stronger." -- D.F. Hook
Judgment
Legge:Gradual Progressshows the good fortune attending the marriage of a young lady. Firm correctness brings advantage.
Wilhelm/Baynes: Development. The maiden is given in marriage. Good fortune. Perseverance furthers.
Blofeld: Gradual Progress. The marriage of a maiden brings good fortune. Persistence in a righteous course brings reward.
Liu: Gradual Development. The marriage of a girl -- Good Fortune. It benefits to continue.
Ritsema/Karcher:Infiltrating, womanhood converting significant. Harvesting Trial. [This hexagram describes your situation in terms of gradually achieving a goal. It emphasizes that advancing through diffuse but steady penetration is the adequate way to handle it. To be in accord with the time, you are told to: infiltrate!]
Shaughnessy:Advancing: For the maiden to return is auspicious; beneficial to determine.
Cleary (2):Gradual Progress in a woman’s marriage is auspicious. It is beneficial to be chaste.
Wu: Gradualness indicates that it is auspicious for a woman to get married and it is advantageous for her to be persevering.
The Image
Legge: A tree on the mountain -- the image of Gradual Progress. The superior man attains and nourishes his extraordinary virtue to improve the manners of the people.
Wilhelm/Baynes: On the mountain, a tree: the image of Development. Thus the superior man abides in dignity and virtue, in order to improve the mores.
Blofeld: This hexagram symbolizes a tree upon a mountain. The Superior Man, abiding in holiness and virtue, inclines the people towards goodness.
Liu: A tree on the mountain symbolizes Gradual Development. The superior man, in maintaining his virtue, improves society's customs.
Ritsema/Karcher: Above mountain possessing wood. Infiltrating. A chun tzu uses residing-in eminent actualizing-tao to improve the vulgar. [Actualize-tao: Ability to follow the course traced by the ongoing process of the cosmos ... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]
Cleary (1): There are trees on the mountain, growing gradually. Thus do superior people abide in sagacity and improve customs.
Cleary (2): …Developed people improve customs by living wisely and virtuously.
Wu: There are trees on the mountain; this is Gradualness. The jun zi chooses to live in the neighborhood known for its high moral standards and exemplary custom.
COMMENTARY
Confucius/Legge: The ascent of Gradual Progress resembles the fortunate marriage of a young lady. The lines ascend to their proper places, indicating achievement. Because the ascent is made correctly the subject of the hexagram is empowered to rectify his country. He is shown as the dynamic ruler in line five, central and correct. The alternation of Keeping Still and Flexible Penetration ensure that the advance is continuous.
Legge: The written character for Gradual Progress is ordinarily used in the sense of gradually, but there is connected with it also the idea of advance. The whole of it denotes a gradual advance like the soaking in of water. The other two hexagrams that contain the idea of advance are number thirty-five, Advance of Consciousness and number forty-six,Pushing Upward-- each expresses its own nuance of meaning, and here the nuance is the gradual manner in which the advance takes place.
The theme of the hexagram is the advance of men to offices in the state -- how it should take place gradually and by successive steps. Lines 2, 3, 4 and 5 are all in their proper places as dynamic or magnetic, and we ascend them as by regular steps to the top of the hexagram.
The marriage of a young lady illustrates an important event which takes place according to various preliminary steps which must be correctly done in an orderly sequence. So must it be with the advance of a man in the service of the state.
The K'ang-hsi editors say: "A tree springing up on the ground is a tree as it begins to grow. A tree on a hill is high and large. Every tree when it begins to grow shows its branches and twigs gradually becoming long. Every morning and every evening show some difference; and when the tree is high and great, whether it be of an ordinary or extraordinary size, it has taken years to reach its dimensions."
Added Commentary: Blofeld appends the following footnote to each line in this hexagram: it is easier to read it here as his general commentary. [The additional Chinese commentaries explain that the wild goose is a bird which moves toward the sun. Now, a commonly used Chinese term for the sun is YANG, namely the male principle. So the bird obviously (sic) betokens a maiden seeking a husband. Its movement from river bank to rock, dry land, a tree, a hillock and the mainland (which is said in one commentary to mean peninsula) signifies gradual movement in an unchanging direction. From the point of view of divination, this is the best course for us, even if marriage is not our objective. Regarding marriage: the first line betokens gossip, although the marriage is not unsuitable; the second, a materially successful marriage; the third, an unfortunate marriage; the fourth, marriage to someone exceedingly kind and thoughtful; the fifth, a blissful marriage; the sixth, marriage to a public figure who has some responsibility for good order within the realm and who succeeds in his task.]
NOTES AND PARAPHRASES
Judgment: The proper union of forces within the psyche is a matter of slow maturation.
The Superior Man maintains his will and transforms the psyche. "Example is the school of mankind, and they will learn at no other." -- Burke
This is one of the most hierarchical of the hexagrams -- each line represents a clear advance from the position of the preceding line, thus giving an image of Gradual Progress. The vehicle of this progression is the wild goose, which also appears in every line. A goose is a bird -- primarily a creature of the air, or realm of thought; but because it also thrives on either water or land, the goose symbolizes thought which permeates the lower two categories of consciousness -- emotion (water), and sensation (earth).
Another traditional interpretation of the goose motif is that of the universal aspect of the soul. The wild goose is able to move about everywhere, on firm land, in water and in the air. It is the bird of Hermes, who is the leader of souls. E.C. Whitmont -- The Symbolic Quest
The progress of the goose is a gradual one, from the shore, or threshold of awareness in line one, to the mountain heights, or realm of the Spirit in line six. The fact that this progress is linked with the idea of marriage in the Judgment is a clear hint that we are dealing here with the idea of the union of opposites within the psyche. (See commentary on hexagram number eleven.) The message is unambiguous: the process of psycho-spiritual growth is one of slow maturation. There are no short-cuts to enlightenment.
Evils and falsities must be removed, to the intent that a new life which is the life of heaven may be implanted. This can in nowise be done hastily; for every evil enrooted with its falsities has connection with all evils and their falsities; and such evils and falsities are innumerable, and their connection is so manifold that it cannot be comprehended ... From this it is plain that the life of hell in man cannot be suddenly destroyed, for if it were suddenly done he would straightway expire; and that the life of heaven cannot be suddenly implanted, for if this were done suddenly he would also expire. Swedenborg -- Arcana Coelestia
Line 1
Legge: The first line, magnetic, shows the wild geese gradually approaching the shore. A young officer in similar circumstances will be in a position of danger, and be spoken against; but there will be no error.
Wilhelm/Baynes: The wild goose gradually draws near the shore. The young son is in danger. There is talk. No blame.
Blofeld: The wild goose moves gradually towards the river bank. The younger son is in trouble. There is talk, but no error.
Liu: The wild goose gradually approaches the shore. The boy is in danger. There is gossip. No blame. [This line indicates difficulty, but you will ultimately be able to achieve your undertaking.]
Ritsema/Karcher: The wild-swan Infiltrating tending-towards the barrier. The small son, adversity possessing words. Lacking fault.
Shaughnessy: The wild goose advances to the depths; for the little son dangerous; there are words; there is no trouble.
Cleary (1): Geese gradually proceed on the shoreline. The small ones are in danger; there is criticism, no fault.
Cleary (2): Geese gradually proceed to the shoreline. If humble people are diligent and speak up, there is no blame.
Wu: The wild goose flies in gradually to rest by the riverbank. The little fellow is in jeopardy and he is being talked about, but without fault.
COMMENTARY
Confucius/Legge: The danger is owing to no fault of hers in the matter of what is right. Wilhelm/Baynes: The danger besetting the little son implies no blame. Blofeld: `The younger son is in trouble' is just a way of saying that there is trouble for which we are not to blame. Ritsema/Karcher: Righteous, without fault indeed. Cleary (2): The diligence of humble people is dutiful and blameless. Wu: In principle he is faultless.
Legge: In line one the geese appear for the first time in the season approaching the shore. Then comes the real subject of the line -- she is magnetic in a dynamic place and without a proper correlate above. The difficulty and danger of her situation are seen as the result of circumstances -- the young officer has not brought it on herself.
NOTES AND PARAPHRASES
Siu: At the outset, the young man begins to make his way in the world. He is subjected to criticisms because his inexperienced steps are slow and hesitant. These will help prevent future errors on his part.
Wing: Your position is one of the classic beginner. Criticism is now unavoidable, however -- it can be used to your advantage in refining your skills. You can lay down the early foundations for later successes.
Editor: Air (thought) is more abstract than water (emotion); water is more abstract than earth (sensation). Of the three elements, earth is the most solid and the shore is where they all meet. As a creature at home in air, water or on land, the goose symbolizes a force which grounds an abstraction where it can be seen, grasped and understood. The young officer is inexperienced awareness coping with a new situation. "Danger" and being "spoken against" suggest confusion and conflicting emotions within the psyche as one deals with something new and unfamiliar. Remembering that the symbol of marriage in the Judgment relates to the union of thought and feeling within our physical vehicle, we can see that this first line represents a new synthesis of some sort.
It is the firmness, the effort and the skillfulness of the conscious ego's position that finally decide whether the onrush from the deep will bring about chaos and meaningless suffering or whether the suffering can instead provide the dark background from which the light of a new order may arise. E.C. Whitmont --The Symbolic Quest
A. Expect confusion and difficulty in coping with a developing situation.
B. Inexperience with new concepts necessitates careful differentiation of all the factors involved.
Line 5
Legge: The fifth line, dynamic, shows the geese gradually advanced to the high mound. It suggests the idea of a wife who for three years does not become pregnant: but in the end the natural issue cannot be prevented. There will be good fortune.
Wilhelm/Baynes: The wild goose gradually draws near the summit. For three years the woman has no child. In the end nothing can hinder her. Good fortune.
Blofeld: The wild goose moves gradually towards the hillock. In the end, the results will be incomparable -- good fortune!
Liu: The wild goose gradually approaches the top of the hill. The woman is not pregnant for three years. In the end, nothing can overcome her. Good fortune. [There will be confusion in the beginning, but understanding later; after overcoming obstacles, things will go smoothly in your life.]
Ritsema/Karcher: The wild-swan Infiltrating tending-towards the mound. The wife, three year's-time not pregnant. Completing: absolutely-nothing has mastering. Significant.
Shaughnessy: The wild goose advances to the mound: the wife for three years does not get pregnant; in the end nothing overcomes it; auspicious.
Cleary (1): Geese gradually proceed onto a mountain top. The wife does not conceive for three years, but in the end nothing defeats her. Good fortune.
Cleary (2): … After all, no one could overcome her. This is auspicious.
Wu: The wild goose flies in gradually to rest on a hill. The woman has not been pregnant for three years, but she finally overcomes her disadvantages. Auspicious.
COMMENTARY
Confucius/Legge: The subject of the line will get what she desires. Wilhelm/
Baynes: In the end nothing can hinder good fortune. One attains one's wish. Blofeld: Good fortune in the form of complete fulfillment of our desires. Ritsema/Karcher: Acquiring the place desired indeed. Cleary (2): Getting what was wished for. Wu: She gets what she wishes.
Legge: Line five is a dynamic line in the ruler's seat, and yet appears here as the symbol of a wife. Somehow she has been at variance with, and kept in disgrace by, calumniating enemies such as the plunderers of line three; but things come right in the end. The wife, childless for three years, becomes at last a mother, and there is good fortune. The wife will have a child; minister and ruler will meet happily.
NOTES AND PARAPHRASES
Siu: Because of the calumny of deceitful people, the man is misjudged while advancing into a high position. Although reconciliation and progress result eventually, nothing is achieved in the interim.
Wing: As you gain an ever greater position of influence, you become more and more a target for attack. Deceitful people may slander you, or you may even be misjudged by those closest to you. Because you are isolated, nothing meaningful can be accomplished. Eventually communications will be established and good fortune will follow.
Editor: The image is of a peak or goal which is somewhat subordinate to the extreme heights of line six. The rewards of this attainment require more time to become consolidated.
On the biological plane the irreconcilable elements of father and mother, of male and female, are reconciled on a new level in the child, who carries in his own person physical characteristics and psychological components derived from both parents. It is not surprising, therefore, that in the images of the unconscious a child frequently appears as the symbol of reconciliation on the psychological plane within the individual. M.E. Harding -- Psychic Energy
A. A delayed issue comes in due time.
B. Protracted labor brings forth an eventual synthesis.
22 Grace
Other titles: Grace, The Symbol of Decoration, Elegance, Gracefulness, Luxuriance, Adorning, Public Image, Adornment, Beauty, Conceit, Vanity, Veneer, Façade, Manners, Embellishment, Superficiality, Superficial Appearances, Form vs. Function, "Art," Ego-trips, "Often refers to conceit, vanity or beauty. It stresses that the content is more important than the outward appearance." -- D.F. Hook
Judgment
Legge: Persona should be given its due, but there is no advantage in allowing it to advance and take the lead.
Wilhelm/Baynes:Grace has success. In small matters it is favorable to undertake something.
Blofeld: Elegance. Success! Some small advantage can be derived from having a particular goal (or destination). [The implication is that the advantage is not sufficient to make it worth while to seek that goal or destination unless no special difficulty or inconvenience is involved. The arrangement of the lines in this hexagram is very similar to that in the previous one, but it is adjudged much more suitable. The general idea is that, like nature, we should conform to a regular and well ordered pattern of behavior which, since we are human beings and not mere animals, involves a high degree of refinement. From the point of view of divination, it would seem that this is a time to watch carefully so as to learn how those involved in the situation think and behave, the better to influence them for the good when the opportunity arises.]
Liu:Gracefulness, success. Small undertakings benefit.
Ritsema/Karcher: Adorning , Growing. The small, Harvesting: possessing directed going. [This hexagram describes your situation in terms of its outward presentation. It emphasizes that building intrinsic value by embellishing appearance and displaying valor is the adequate way to handle it...]
Shaughnessy: Luxuriance : Receipt; a little beneficial to have someplace to go.
Cleary (1):Adornment is developmental. It is beneficial to go somewhere in a minimal way.
Cleary (2):Adornment is successful. It is beneficial to go somewhere in a small way.
Wu:Adornment is pervasive and shows small advantage of an undertaking. [Adornment does not change the nature of what it adorns, but merely makes what it adorns appear more attractive. In other words, the change is mostly superficial but not substantive…]
The Image
Legge: Fire at the foot of the mountain -- the image of Persona. Thus the superior man adorns his rule with grace, but makes important decisions in conformance with higher laws.
Wilhelm/Baynes: Fire at the foot of the mountain: the image of Grace. Thus does the superior man proceed when clearing up current affairs. But he dare not decide controversial issues in this way.
Blofeld: This hexagram symbolizes fire at the foot of a mountain. The Superior Man, desiring to ensure the enlightened functioning of the various departments of state, dare not make light decisions regarding legal matters. [The component trigrams, fire below mountain, suggest a brilliance which cannot be perceived from afar. The Chinese commentators go on to suggest that this symbolizes a firm and somewhat severe exterior which hides brilliance and the beauty within. For purposes of divination, this should be taken as a pattern for our comportment in the matter at issue.]
Liu: Fire illuminates the base of the mountain symbolizing Gracefulness. Thus the superior man clarifies ordinary affairs, but does not judge lawsuits.
Ritsema/Karcher: Below mountain possessing fire. Adorning. A chun tzu uses brightening the multitudinous standards without daring to sever litigating.
Cleary (1): There is fire below the mountain, adorning it. Thus do superior people clarify governmental affairs, without presumptuous adjudication. [What superior people see in this is that just as the light of a fire below a mountain is not great, when people are lacking in capacity their vision is not far reaching; therefore the superior people administer and clarify the simple matters of governmental affairs, and do not act presumptuously in difficult matters of adjudication… Not judging presumptuously thus has the meaning of respect for life.]
Wu: There is fire at the foot of the mountain; this is Adornment. The jun zi brings openness to administering civil affairs, but refrains from judging cases in criminal litigation.
COMMENTARY
Confucius/Legge: In Persona we see the magnetic central line ornamenting the dynamic lines of the lower trigram, and hence it is said that ornament should have free course. On the other hand, the dynamic top line ornaments the magnetic lines of the upper trigram, and hence it is said that there will be little advantage if ornament is allowed to advance and take the lead. The elegance and intelligence of the lower trigram is regulated by the restraint of the upper trigram. This suggests the observances which adorn human society. We observe the ornamental figures of the sky, and thereby ascertain the changes of the seasons. We observe the ceremonial customs of society, and understand how transformation is accomplished in the world.
Legge: Persona is the symbol of what is ornamental and of the act of adorning. As there is adornment in nature, so should there be in society, but its place is secondary to that which is substantial.
The K'ang-hsi editors say that the magnetic line coming and ornamenting the two dynamic lines in the lower trigram shows how substantiality should have the benefit of ornamentation. The dynamic line ornamenting the two magnetic lines in the upper trigram shows how ornamentation should be restrained by substantiality. Ornament has its use, but it should be kept in check.
The figures of the sky are all the heavenly bodies in their relative positions and various movements, producing day and night, heat and cold, etc. The observances of society are the ceremonies and performances which regulate and beautify the intercourse of men.
"A mountain," says Ch'eng-tzu, "is a place where we find grass, trees, and a hundred other things. A fire burning below it throws up its light, and brings them all out in beauty. This gives the idea of ornament, or being ornamented. The various processes of government are small matters, and elegance and ornament help their course, but great matters of judgment demand the simple, unadorned truth.”
NOTES AND PARAPHRASES
Judgment: There's nothing wrong with showing a little style, but don't become so identified with a role that it makes your decisions for you.
The Superior Man displays wit and charm when that is appropriate, but relies upon shrewd discernment when making serious choices.
Confucius points out the correct attitude for this hexagram in his third sentence -- the elegant intelligence, or "brilliant wit" of the lower trigram is being "sat on" by the mountain of the upper trigram. Brilliant wit is often just an "ornament" to make one look clever in the company of others. Like seasoning on food, a little bit ofPersona or ornamentation is life-enhancing, but too much curry powder overwhelms the meal.
Jung's conception of the Persona points out the fact that it is a major vehicle for the complexes to express themselves under the guise of social interaction:
(The Persona) is only a mask for the collective psyche, a mask that feigns individuality, and tries to make others and oneself believe that one is individual, whereas one is simply playing a part in which the collective psyche speaks. Jung -- The Relations between the Ego and the Unconscious
For an urban shipping clerk to wear cowboy clothes may be a legitimate expression of his personality, or it may be the only outlet available for repressed portions of his psyche. When he begins driving a pickup truck and frequenting Country-Western bars we might suspect that his role is playing him and the real Self is being masked by excessive ornamentation orPersona.
The person cannot be more than an instrument for the manifestation of the self. But people get so attached to their mask that they cannot free themselves from it any more ... They make a king out of the servant and separate themselves from their true being. They force their higher self into exile, into the unconscious. Elisabeth Haich --Initiation
To receive this hexagram without changing lines suggests that perhaps you are more focused on form than meaning, or that superficial appearances are concealing something more substantive in the situation. Look deeper – what’s really going on?