One avoids making special efforts even though this is a recognized personality. taoscopy.com
Keeping Still52
Stay still and composed. Focus inward, find tranquility amidst chaos. Embrace calmness to understand your inner self.
↓ Line 2
There is a struggle to maintain stillness. One may feel trapped or unable to help others.
↓ Line 4
Achieving a state of inner stillness and peace. This is a positive and stable position.
↓ The Cauldron50
Transformation and nourishment lead to inner and outer change. Embrace renewal by discarding the old and refining the new.
Original Readings
52 Keeping Still
Other titles: Mountain, Keeping Still, The Symbol of Checking and Stopping, Desisting, Stilling, Stillness, Stoppage, Bound, Reposing, Resting, Meditation, Non-action, Stopping, Arresting Movement, "Refers to meditation and yoga." -- D.F. Hook
Judgment
Legge: When his repose is like the back, and he loses all consciousness of self; when he walks in his courtyard and does not see the people, there will be no error.
Wilhelm/Baynes: Keeping Still. Keeping his back still so that he no longer feels his body. He goes into his courtyard and does not see his people. No blame.
Blofeld: Keeping the back so still as to seem virtually bodiless, or walking in the courtyard without noticing the people there involves no error!
Liu: Stillness. Keeping the back still -- one feels that the body no longer exists. Even when one walks in the courtyard, one sees no people. No blame.
Ritsema/Karcher: Bound: one's back. Not catching one's individuality. Moving one's chambers. Not visualizing one's people. Without fault. [This hexagram describes your situation in terms of confronting a boundary or obstacle. It emphasizes that stopping and acknowledging the limit, the action of Bound, is the adequate way to handle it. To be in accord with the time, you are told to stop!]
Shaughnessy: Stilling his back , but not stilling his body: Walking into his courtyard, but not seeing his person; there is no trouble.
Cleary (1):Stopping at the back, one does not have a body; walking in the garden, one does not see a person. No fault.
Cleary (2):Stilling the back, one does not find the body, etc.
Wu:Stoppage indicates that, resting on his back, he does not find his body and walking in his courtyard, he does not see any person. Faultless.
The Image
Legge: The image of one mountain atop another formsKeeping Still. The superior man, in accordance with this, does not allow his thoughts to go beyond the duties of his immediate circumstances.
Wilhelm/Baynes: Mountains standing close together: the image of Keeping Still.. Thus the superior man does not permit his thoughts to go beyond his situation.
Blofeld: This hexagram symbolizes two mountains conjoined. The Superior Man takes thought in order to avoid having to move from his position.
Liu: Mountain next to mountain symbolizes stillness. The superior man's thoughts do not go beyond his position.
Ritsema/Karcher: Joined mountains. Bound. A chun tzu uses pondering not to issue-forth-from one's situation.
Cleary (1):Joining mountains. Thus do superior people think without leaving their place.
Cleary (2):The mountains are still. Thus the thoughts of developed people are not out of place.
Wu: One mountain overlapping another makes Stoppage. Thus the jun zi does not contemplate things beyond his position. [Confucius said: “If you do not hold an office, do not give counsels on its administration.” What he meant is: not to volunteer counsels freely. On the other hand, if you are requested, then give the best you can.]
COMMENTARY
Confucius/Legge:Keeping Stillmeans stopping: One rests when it is time to rest, and acts when it is time to act. When action and rest occur at the proper times, one's behavior is enlightened. Keeping his back still, he rests in his proper place. The upper and lower lines of the hexagram all mirror each other, but are without any interaction: Hence it is said that he has no consciousness of [ego]. He does not see the persons in his courtyard, and there will be no error.
Legge: Two trigrams symbolizing Mountain make up the hexagram ofKeeping Still. Mountains rise up grandly from the surface of the earth, their huge masses resting on it in quiet and solemn majesty. They are barriers to the onward progress of the traveler. The attributes of this hexagram are both resting and arresting. It denotes the characteristic of resting in what is right in principle, right on the widest possible scale -- in the absolute conception of the mind and in every possible position in which a man can be placed. As in hexagram number thirty-one, Initiative, the symbolism is taken from the different parts of the human body.
According to the K'ang-hsi editors, the second sentence in the Image should be translated: "The superior man, in consequence with this, thinks anxiously how he shall not go beyond the duties of his position."
NOTES AND PARAPHRASES
Judgment:"Wipe out imagination: check desire: extinguish appetite: keep the ruling faculty in its own power.” -- Marcus Aurelius
The Superior Man eliminates all distraction and concentrates on the matter at hand.
A large portion of the Work consists of nothing more than the will to keep still. Anyone who has ever tried it can attest that Keeping Still, or doing “nothing,” is probably the most difficult thing that a human can be asked to do. We are an ever-flowing fountain of restless desire -- the senses are mindlessly programmed to encounter their objects, and when we prevent them from doing this, a great commotion occurs in the psyche. We are so accustomed to feeling our desires, drives, instincts and appetites as integral to our awareness, that we are seldom conscious of the fact that they are actually autonomous forces -- as separate from the ego, or choice-making complex, as we are from other people, creatures or objects in the physical world. Try controlling an ingrained habit, such as smoking, and observe how difficult it is to impose your will upon it. Who controls whom?
The power of sight does not come from the eye, the power to hear does not come from the ear, nor the power to feel from the nerves; but it is the spirit of man that sees through the eye, and hears with the ear, and feels by means of the nerves. Wisdom and reason and thought are not contained in the brain, but they belong to the invisible and universal spirit which feels through the heart and thinks by means of the brain. All these powers are contained in the invisible universe, and become manifest through material organs, and the material organs are their representatives, and modify their mode of manifestation according to their material construction, because a perfect manifestation of power can only take place in a perfectly constructed organ, and if the organ is faulty, the manifestation will be imperfect, but not the original power defective. Paracelsus -- De Viribus Membrorum
The ego has only one legitimate function -- to make choices: it is the switchboard in the psyche which directs where the energy of the instinctual powers shall go. If these autonomous forces are stronger than the will of the ego, they soon learn to get their way as often as possible. The main difference between an inferior and a superior man is that the latter has learned to control and direct his energies for a higher purpose. One of the best ways to acquire this ability is to learn the lessons inherent within Keeping Still.
Psychoanalysis has demonstrated that the power of these images and complexes lies chiefly in the fact that we are unconscious of them, that we do not recognize them as such. When they are unmasked, understood, and resolved into their elements, they often cease to obsess us; in any case we are then much better able to defend ourselves against them. Roberto Assagioli -- Psychosynthesis
The lines of the upper and lower trigrams are mirror images of each other, yet not one of them has a proper correlate: they don't connect with each other. This suggests the separation of the senses from their objects. For example, eyeballs are sensory-receptors designed for the perception of light and form -- close your eyes, and they are prevented from contacting the phenomena they were created to perceive. That the psychic entities attached to this desire to perceive phenomena might resist restriction is a foregone conclusion, but the ego has control over the eyelids -- or should have. “Not seeing the people in one's own courtyard” means that one ignores one's autonomous impulses.
Regulation of the psyche’s autonomous manifestations in accordance with the will of the Self is for the purpose of gaining a controlling influence over one’s karma. As stated herein many times, you, as ego, are nothing more than a tool created by the Self for the direction of its own destiny.
Both karma theory and quantum mechanics refuse to accept that observers can exist independent of the systems they observe. Spiritual science goes so far as to take the observer’s own internal universe and its states as its experimental field. For it is within that field that karma is produced and stored …The “matter” from which we and our obstructions are created includes both the dense physical material from which our bodies are built and the thoughts, attitudes and emotions that make up our minds. Tantric practice is karmic engineering within this field of name and form, orchestration of substance and action into result. First you direct new causes against previous effects to nullify adverse influences on your awareness, then you unleash yet further actions to negate the influence of the nullifying actions. Robert Svoboda –Aghora III, The Law of Karma
How any ego could tackle such responsibilities with any hope of progress is impossible to imagine without the direction of the Self. Keeping Still certainly has its own karmic consequences, but when the “not choosing” implied in this hexagram is done in accordance with the Self’s will and intent, the results slowly lead to ever higher levels of awareness – eventually into realms beyond the physical. That is what the Work is all about: any other choice is to lock ourselves into a continuous round of birth and death in physical manifestation.
The Kabbalists teach that everything we do stirs up a corresponding energy in other realms of reality. Actions, words, or thoughts set up reverberations in the universe. The universe unfolds from moment to moment as a function of all the variables leading up to that moment. When we remain cognizant of this mystical system, we are careful about what we do, say, or even think, for we know that everything is interdependent; we know that a seemingly insignificant gesture could have weighty consequences. Rabbi David Cooper – God is a Verb
SUGGESTIONS FOR MEDITATION
Notice that every line of this hexagram except the last deals with an inherent challenge involved in the discipline required to keep still. Compare the lines in Keeping Still with similar lines in hexagram 31, Initiative.
Line 2
Legge: The second line, magnetic, shows its subject keeping the calves of her legs at rest. She cannot help the subject of the line above whom she follows, and is dissatisfied in her mind.
Wilhelm/Baynes: Keeping his calves still. He cannot rescue him whom he follows. His heart is not glad.
Blofeld: Stilling the calves. His heart is sad because he is unable to save his followers. [Perhaps the implication is that the mind's injunction to be still reached the calves but was delayed there, so that the feet continued moving until it was too late. In other words, we are too late in deciding to stay where we are, although circumstances make this most desirable.]
Liu: Keeping the calves still. But he cannot restrain the movements that follow, and he is uneasy in his mind. [A person cannot achieve his goal now.]
Ritsema/Karcher: Bound: one's calves. Not rescuing one's following. One's heart not keen.
Shaughnessy: Stilling his calves: not raising aloft his rent flesh, his heart is not glad.
Cleary (1): Stopping at the calves doesn’t help out the following. The heart is unhappy.
Cleary (2): Stopping the calves, they don’t rise to follow. The mind is not happy.
Wu: He rests the calves of his legs. He cannot help the one he follows and feels unhappy.
COMMENTARY
Confucius/Legge: He whom she follows will not retreat to listen to her. Wilhelm/Baynes: Because this one does not turn toward him to listen to him. Blofeld: He cannot save them because he failed to retire and wait. Ritsema/ Karcher: Not-yet withdrawing-from hearkening indeed. Cleary (2): Not rising to follow means not retreating to listen. Wu: Because that person is unwilling to step back and listen to him.
Legge: Above the toes are the calves, represented by the second line which is magnetic but in its proper place. Above this again, are the loins, represented by the third line -- dynamic and in danger of being violent. The second line follows the third and would like to help him, but is unable to do so because there is no correlation between them. The third line will persist in his course without heeding the warnings of line two.
Anthony: Keeping his calves still . When we allow ourself to be lured by a wrong motive, it means we doubt that the correct way will work. When doubt pervades, we should not act. “He cannot rescue him whom he follows.” If our inner eye is fastened on what another person does, we follow their path rather than our own. We can only rescue them if we follow our own path. When they see that they are truly alone, with no one to rescue them, they will try to save themselves.
NOTES AND PARAPHRASES
Siu: The man is unable to stop his stronger master even when the latter is bent on the direction of wrongdoing. He is unhappy about being swept along by such a movement.
Wing: You are swept along by your goals and the events you've set into motion. Even though you may wish to stop and reconsider, you cannot halt the flow of action. This condition brings unhappiness.
Editor: The image depicts one bound to a force or situation which one either can't or won't control. Ritsema/Karcher translate "hearkening” in the Confucian commentary as: “T'ING: ...The ideogram ear and actualizing-tao, hear and obey.” Perhaps you have disregarded your intuition or inner voice: the Self. In some contexts, the image suggests one disempowered by circumstances not of one’s own making. Little or nothing can be done to influence the situation.
If you have given way to anger, be sure that over and above the evil involved therein, you have strengthened the habit, and added fuel to the fire. If overcome by a temptation of the flesh, do not reckon it a single defeat, but that you have also strengthened your dissolute habits. Habits and faculties are necessarily affected by the corresponding acts. Those that were not there before, spring up: the rest gain in strength and extent. Epictetus
A. Depicts a powerless relationship with a controlling inferior force.
B. Fight hard against your "need" to act.
Line 4
Legge: The fourth line, magnetic, shows its subject keeping her trunk at rest. There will be no error.
Wilhelm/Baynes: Keeping his trunk still. No blame.
Blofeld: Stilling the body -- no error!
Liu: Keeping the body still. No error.
Ritsema/Karcher: Bound: one's individuality. Without fault.
Shaughnessy: Stilling his torso.
Cleary (1): Stopping at the body, there is no blame.
Cleary (2): Stopping at the torso, there is no fault.
Wu: He rests on his body. No error.
COMMENTARY
Confucius/Legge: She keeps herself free from agitation. Wilhelm/Baynes: He stops within his own body. Blofeld: Stilling the body means stilling the whole self. Ritsema/ Karcher: Stopping connoting the body indeed. Cleary (2): Stopping the torso stills the body. Wu: This means he puts a stop at his own person.
Legge: Each part of the body, such as the mouth, eyes and ears has its own particular appetite which draws it to that which is outside of itself. The back alone has nothing to do with anything beyond itself -- hardly with itself even. All that it has to do is stand straight and strong. So should it be with us, resting in principle, free from the intrusion of selfish thoughts and external objects.
NOTES AND PARAPHRASES
Siu: The man forgets his ego. This leads to the highest state of rest.
Wing: Your frame of mind is conducive to self-mastery. You have only to transcend the impulses of your ego to achieve the ideal of Meditation.
Editor: Siu's paraphrase combined with Legge's commentary, implies that the situation requires total non-action in the physical, emotional and mental realms of the psyche. This of course is the ideal of almost all forms of meditation.
If, in experiencing an emotion -- any emotion -- a person consciously refrains from acting on it while at the same time keeping the event alive within himself, he will discover that the emotion leads him to another dimension of experience. He will discover that the energy of the emotion does not die because of his refusal to give it a space outside of himself. If he holds on to the tail of this tiger as it rebounds inward, he will discover its source. He will then learn why the mediaeval alchemists and Kabbalists insisted that man contains within him a sun, a center of pure energy. It should be stressed that the method I am talking about here is nothing new. The idea is implicit in all Oriental yogas. C. Ponce -- Kabbalah
A. Non-action is correct action. Maintain repose.
B. Meditate.
50 The Cauldron
Other titles: The Cauldron, The Vessel, Rejuvenation, Cosmic Order, The Alchemical Vessel, "A complete transformation of a person or circumstance." -- D.F. Hook
Judgment
Legge: The Sacrificial Vessel means great progress and success.
Wilhelm/Baynes:The Cauldron. Supreme good fortune. Success.
Blofeld: A Sacrificial Vessel -- supreme success!
Liu:The Cauldron. Great good fortune. Success.
Ritsema/Karcher:The Vessel, Spring significant. Growing. [This hexagram describes your situation in terms of the imaginative capacity of a sacred vessel. It emphasizes that securing and imaginatively transforming the material at hand is the adequate way to handle it. To be in accord with the time, you are told to: hold and transform things in the vessel!]
Shaughnessy:The Cauldron: Prime auspiciousness; receipt.
Cleary (1): The cauldron is basically good; it is developmental.
Cleary (2): The Cauldron is very auspiciously developmental.
Wu: The Cauldron indicates great auspiciousness and pervasiveness.
The Image
Legge: Wood under a fire -- the image of a Sacrificial Vessel. The superior man maintains his correctness in every situation to secure the appointment of heaven.
Wilhelm/Baynes: Fire over wood: the image of The Cauldron. Thus the superior man consolidates his fate by making his position correct.
Blofeld: This hexagram symbolizes fire upon wood. The Superior Man, taking his stance as righteousness requires, adheres firmly to heaven's decrees.
Liu: Fire above wood symbolizes the Caldron. The superior man makes his destiny firm with a correct position.
Ritsema/Karcher: Above wood possessing fire. The Vessel. A chun tzu uses correcting the situation to solidify fate.
Cleary (1): There is fire on top of wood; a cauldron. Thus do superior people stabilize life in the proper position.
Cleary (2): Fire over wood -- The Cauldron . Leaders stabilize their mandate by correcting their position.
Wu: There is fire on wood; this is The Cauldron . Thus the jun zi rectifies his position and consecrates the mandate.
COMMENTARY
Confucius/Legge: The image of the Sacrificial Vessel shows us wood entering a fire, which suggests the idea of cooking. The sages cooked their sacrifices to God and nourished their able ministers with feasts. We have the trigrams of Flexible Obedience and Quick Intelligence, with the magnetic line advanced to the ruler's place and responded to by her dynamic correlate below. All these things give the auspice of successful progress.
Legge: The written Chinese character for Sacrificial Vessel represents a cauldron with three feet and two "ears" used for cooking and preparing food for both the table and the altar. The hexagram pictures this vessel -- the divided first line represents the feet, the three undivided lines above represent the body, the divided fifth line shows the ears (or carrying rings), and the top line is the handle by which the container is carried or suspended from a hook.
The lesson of the hexagram is that the nourishing of men of talent and virtue intimates great progress and success. The K'ang-hsi editors point out that the distinction between hexagram number forty-eight, The Well, and this one is the difference between the nourishment of the people in general and the specific nourishing of worthy men. They add that the reality of sacrifice is nourishing in this regard.
NOTES AND PARAPHRASES
Judgment: You are the Sacrificial Vessel.
The Superior Man holds to the principles of the Work to attain transcendence.
The usual name for this hexagram is The Cauldron -- specifically, a type of food-containing vessel which was used in ancient China for religious sacrifices. I prefer Blofeld’s title of the Sacrificial Vessel as more evocative of the ideas presented in the figure.
When the forty-ninth hexagram of Transformation is turned upside down, it becomes the fiftieth hexagram of the Sacrificial Vessel, thus giving us some valuable insights into the nuances of meaning in each of the figures. The combined ideas of transformation and a cauldron used for sacrifices remind us of the alchemical vessel or retort which "cooked" its contents and transformed them into a higher state of matter -- turned lead into gold in the popular conception. Of course, the true esoteric purpose of the alchemist was psychological, not physical.
The vessel of the alchemists, like the circle of the psyche and the mandala, must be closed if the transformation process is to proceed satisfactorily. For the alchemists, the process took place in the material substances collected in the retort. For us, this is a symbol representing a similar process taking place within the psyche. Thus it is said that a wall must be securely built about the psyche before the reconciliation of the opposites can take place within it, and before the new center of the individual can be created. ... For if anything is lost the process is nullified and the final product will be incomplete, imperfect. So long, for instance, as the individual continues to project his deficiencies, or his values, upon circumstances or upon another, he does not have an impervious vessel ... Thus the contents essentially involved in the transformation are seen to be the irrational, instinctual, not yet human factors of the psyche, the nonego. The human and civilized factors, those subject to the will, make up the wall of the vessel. M.E. Harding -- Psychic Energy
Now an ancient Chinese cauldron used to contain food intended for religious sacrifices is not the same thing as a hermetically sealed alchemical retort made to withstand extreme pressures, but symbolically they are identical images. The ego sacrifices its autonomy for the good of the Work in the same way that the alchemist devotes his entire life to the transformation of base metal into gold -- i.e., to transform his psyche by following the extreme discipline of the Work. Thomas Cleary’s Taoist I-Ching explicitly tells us that this is the meaning intended here:
The work of refinement is the means by which to sublimate earthly energy and stabilize celestial energy, causing the raw to ripen and the old to be renewed, whereby it is possible to illumine the mind and to solidify life. Therefore the cauldron is basically good and it has a developmental path. The basis is the potential of everlasting life of goodness; the cooking of the great medicine in the cauldron is the firing of this living potential to make it incorruptible and permanent. But in this path there is process and procedure; even the slightest deviation and the gold elixir will not form. Therefore people must first thoroughly investigate the true principle. Liu I-ming
SUGGESTIONS FOR MEDITATION
In his commentary Legge mentions that the Chinese see an analogy between this figure and hexagram number forty-eight, The Well. Compare the two figures, noting the similarities between the first, third, fifth and sixth lines. The component trigrams of the Sacrificial Vessel appear in reverse sequence in hexagram number thirty-seven, Family. What other similarities are there in the two figures? How is the idea of a family analogous to the idea of a sacrificial vessel?