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The Cauldron50
Transformation and nourishment lead to inner and outer change. Embrace renewal by discarding the old and refining the new.
↓ Line 2
You have something valuable to offer. Others may be envious, but they cannot affect your success.
↓ Line 3
There may be obstacles or changes that disrupt your plans, but perseverance will lead to eventual success.
↓ Progress35
Progress and clarity emerge. With effort and clarity, advancement is possible. Keep honesty and integrity at the forefront.
50 The Cauldron
Other titles: The Cauldron, The Vessel, Rejuvenation, Cosmic Order, The Alchemical Vessel, "A complete transformation of a person or circumstance." -- D.F. Hook
Judgment
Legge: The Sacrificial Vessel means great progress and success.
Wilhelm/Baynes:The Cauldron. Supreme good fortune. Success.
Blofeld: A Sacrificial Vessel -- supreme success!
Liu:The Cauldron. Great good fortune. Success.
Ritsema/Karcher:The Vessel, Spring significant. Growing. [This hexagram describes your situation in terms of the imaginative capacity of a sacred vessel. It emphasizes that securing and imaginatively transforming the material at hand is the adequate way to handle it. To be in accord with the time, you are told to: hold and transform things in the vessel!]
Shaughnessy:The Cauldron: Prime auspiciousness; receipt.
Cleary (1): The cauldron is basically good; it is developmental.
Cleary (2): The Cauldron is very auspiciously developmental.
Wu: The Cauldron indicates great auspiciousness and pervasiveness.
The Image
Legge: Wood under a fire -- the image of a Sacrificial Vessel. The superior man maintains his correctness in every situation to secure the appointment of heaven.
Wilhelm/Baynes: Fire over wood: the image of The Cauldron. Thus the superior man consolidates his fate by making his position correct.
Blofeld: This hexagram symbolizes fire upon wood. The Superior Man, taking his stance as righteousness requires, adheres firmly to heaven's decrees.
Liu: Fire above wood symbolizes the Caldron. The superior man makes his destiny firm with a correct position.
Ritsema/Karcher: Above wood possessing fire. The Vessel. A chun tzu uses correcting the situation to solidify fate.
Cleary (1): There is fire on top of wood; a cauldron. Thus do superior people stabilize life in the proper position.
Cleary (2): Fire over wood -- The Cauldron . Leaders stabilize their mandate by correcting their position.
Wu: There is fire on wood; this is The Cauldron . Thus the jun zi rectifies his position and consecrates the mandate.
COMMENTARY
Confucius/Legge: The image of the Sacrificial Vessel shows us wood entering a fire, which suggests the idea of cooking. The sages cooked their sacrifices to God and nourished their able ministers with feasts. We have the trigrams of Flexible Obedience and Quick Intelligence, with the magnetic line advanced to the ruler's place and responded to by her dynamic correlate below. All these things give the auspice of successful progress.
Legge: The written Chinese character for Sacrificial Vessel represents a cauldron with three feet and two "ears" used for cooking and preparing food for both the table and the altar. The hexagram pictures this vessel -- the divided first line represents the feet, the three undivided lines above represent the body, the divided fifth line shows the ears (or carrying rings), and the top line is the handle by which the container is carried or suspended from a hook.
The lesson of the hexagram is that the nourishing of men of talent and virtue intimates great progress and success. The K'ang-hsi editors point out that the distinction between hexagram number forty-eight, The Well, and this one is the difference between the nourishment of the people in general and the specific nourishing of worthy men. They add that the reality of sacrifice is nourishing in this regard.
NOTES AND PARAPHRASES
Judgment: You are the Sacrificial Vessel.
The Superior Man holds to the principles of the Work to attain transcendence.
The usual name for this hexagram is The Cauldron -- specifically, a type of food-containing vessel which was used in ancient China for religious sacrifices. I prefer Blofeld’s title of the Sacrificial Vessel as more evocative of the ideas presented in the figure.
When the forty-ninth hexagram of Transformation is turned upside down, it becomes the fiftieth hexagram of the Sacrificial Vessel, thus giving us some valuable insights into the nuances of meaning in each of the figures. The combined ideas of transformation and a cauldron used for sacrifices remind us of the alchemical vessel or retort which "cooked" its contents and transformed them into a higher state of matter -- turned lead into gold in the popular conception. Of course, the true esoteric purpose of the alchemist was psychological, not physical.
The vessel of the alchemists, like the circle of the psyche and the mandala, must be closed if the transformation process is to proceed satisfactorily. For the alchemists, the process took place in the material substances collected in the retort. For us, this is a symbol representing a similar process taking place within the psyche. Thus it is said that a wall must be securely built about the psyche before the reconciliation of the opposites can take place within it, and before the new center of the individual can be created. ... For if anything is lost the process is nullified and the final product will be incomplete, imperfect. So long, for instance, as the individual continues to project his deficiencies, or his values, upon circumstances or upon another, he does not have an impervious vessel ... Thus the contents essentially involved in the transformation are seen to be the irrational, instinctual, not yet human factors of the psyche, the nonego. The human and civilized factors, those subject to the will, make up the wall of the vessel. M.E. Harding -- Psychic Energy
Now an ancient Chinese cauldron used to contain food intended for religious sacrifices is not the same thing as a hermetically sealed alchemical retort made to withstand extreme pressures, but symbolically they are identical images. The ego sacrifices its autonomy for the good of the Work in the same way that the alchemist devotes his entire life to the transformation of base metal into gold -- i.e., to transform his psyche by following the extreme discipline of the Work. Thomas Cleary’s Taoist I-Ching explicitly tells us that this is the meaning intended here:
The work of refinement is the means by which to sublimate earthly energy and stabilize celestial energy, causing the raw to ripen and the old to be renewed, whereby it is possible to illumine the mind and to solidify life. Therefore the cauldron is basically good and it has a developmental path. The basis is the potential of everlasting life of goodness; the cooking of the great medicine in the cauldron is the firing of this living potential to make it incorruptible and permanent. But in this path there is process and procedure; even the slightest deviation and the gold elixir will not form. Therefore people must first thoroughly investigate the true principle. Liu I-ming
SUGGESTIONS FOR MEDITATION
In his commentary Legge mentions that the Chinese see an analogy between this figure and hexagram number forty-eight, The Well. Compare the two figures, noting the similarities between the first, third, fifth and sixth lines. The component trigrams of the Sacrificial Vessel appear in reverse sequence in hexagram number thirty-seven, Family. What other similarities are there in the two figures? How is the idea of a family analogous to the idea of a sacrificial vessel?
Line 2
Legge: The second line, dynamic, shows the cauldron with the things to be cooked in it. If he can say, "My enemy dislikes me, but he cannot approach me," there will be good fortune.
Wilhelm/Baynes: There is food in the cauldron. My comrades are envious, but they cannot harm me. Good fortune.
Blofeld: The Ting possesses solidity. My enemies are in difficulty and there is nothing they can do to me -- good fortune!
Liu: The cauldron is filled with food. My associates are jealous, but they cannot harm me. Good fortune. [Even though a person profits from his business or performs his work carefully and well, he should still beware lest others harm or disturb him.]
Ritsema/Karcher: The Vessel possesses substance. My companion possesses affliction. Not me able to approach. Significant.
Shaughnessy: The cauldron has substance: my enemy has an illness; it is not able to approach me; auspicious.
Cleary (1): The cauldron is filled. One’s enemy is jealous, but cannot get at one; this is lucky.
Cleary (2): The cauldron has content. My enemy is afflicted, but luckily cannot get to me.
Wu: The cauldron is full. My associates have ill feelings about me, but they cannot do anything to me. This is auspicious.
COMMENTARY
Confucius/Legge: Let the subject of the line be careful where he goes. My enemy dislikes me, but there will in the end be no fault to which he can point. Wilhelm/
Baynes: Be cautious about where you go. This brings no blame in the end. Blofeld: The first sentence indicates a need for caution. "My enemies are in trouble" indicates that I shall remain blameless to the end. Ritsema/Karcher: Considering places it indeed. Completing without surpassing indeed. Cleary (2): Being careful about where one goes. After all there is no resentment. Wu: Be mindful of where to go. There will be no resentment in the end.
Legge: The enemy is the first line which solicits. Line two is able to resist the solicitation, and the auspice is favorable.
NOTES AND PARAPHRASES
Siu: The man achieves great success, thereby incurring the envy of others. No harm will come to him, since he is not distracted from his purpose.
Wing: You may feel a need to stand apart from your fellow man to achieve a significant aim. Such a stance will invite envy, but this will not create a problem for you. Good fortune is indicated.
Editor: If the Sacrificial Vessel is seen as an analogue of the psyche, it is easy to see this line as a commentary on not allowing inner forces (appetites, passions, emotions, etc.) to overcome the ego's control of the Work. Note that the Wilhelm, Blofeld and Liu translations are not conditional like Legge's: "If he can say..." Liu's note is derived from the Confucian commentary, which seems unduly grave: note that the original line is not overtly cautionary. Generally, you are protected despite any perceived threats.
The Oracles urge men to devote themselves to things divine, and not to give way to the promptings of the irrational soul, for, to such as fail herein, it is significantly said, "Thy vessel the beasts of the earth shall inhabit." W.W. Westcott -- The Chaldean Oracles of Zoroaster
A. The situation is favorable, but you must be on guard to maintain it.
B. Divisive forces covet that which is under your control, but cannot harm you if you are careful.
C. Your idea has merit. (A cauldron with food in it.) Develop it carefully and don't get carried away. (Protect it from the enemies of doubt, over-enthusiasm, etc.)
Line 3
Legge: The third line, dynamic, shows the cauldron with the places of its ears changed. The progress of its subject is thus stopped. The fat flesh of the pheasant which is in the cauldron will not be eaten. But the genial rain will come, and the grounds for repentance will disappear. There will be good fortune in the end.
Wilhelm/Baynes: The handle of the cauldron is altered. One is impeded in his way of life. The fat of the pheasant is not eaten. Once rain falls, remorse is spent. Good fortune comes in the end.
Blofeld: The handles of the Ting have been detached, so it is difficult to move it. [A delay due to some remissness on our part.] The fat of the pheasant is not eaten. [Because of our remissness an opportunity goes to waste.] Suddenly rain [An omen of good fortune, of heaven’s nourishing powers] comes, regret wanes and, ultimately, there is good fortune.
Liu: The handles of the cauldron are changed. Its activity will be obstructed. The fat of the pheasant is not eaten. Once the rain comes, regret vanishes. Good fortune in the end.
Ritsema/Karcher: The Vessel: the ears skinned. Its movement clogged. Pheasant juice not taken-in. On-all-sides rain lessens repenting. Completing significant.
Shaughnessy: The cauldron's ears are bridled: his motion is blocked; the pheasant fat is not edible; the countryside rain diminishes; regret, in the end auspicious.
Cleary (1): The lifting hooks of the cauldron are removed; the activity is impeded. Rich meat is not eaten. When it rains, lack is regretted. It turns out well.
Cleary (2): The knobs of the cauldron are removed, so its use is impeded. Pheasant fat is not eaten. When it rains, regret is removed and all is well in the end.
Wu: The cauldron’s earrings malfunction. It cannot be carried. The delicious pheasant dish is not enjoyed. Timely rain washes regret away. There will be auspiciousness in the end.
COMMENTARY
Confucius/Legge: There is the cauldron with the places for its ears changed -- he has failed in what was required of him in his situation. Wilhelm/Baynes: He has missed the idea. Blofeld: What is said about the handles of the Ting implies our failure in carrying out our duty. Ritsema/Karcher: Letting-go its righteousness indeed. Cleary (2): When the knobs of the cauldron are removed, it loses its meaning. Wu: It loses its usefulness.
Legge: Line three is dynamic in his proper place -- if his correlate were the magnetic line five, the auspice would be entirely good. But instead of five, his correlate is the dynamic six. What is required is that he and line five, instead of six, should be correlates. The place of the ears at five has been changed and the advance of line three is thereby stopped; the good meat in the cauldron will not be eaten. But if he keeps firm line five will eventually seek his company, the yin and the yang will mingle, and their union will be followed by the genial rain. The issue will be good.
NOTES AND PARAPHRASES
Siu: The man is faced with obstacles. His abilities go unnoticed and talents unused. But this is only a temporary setback, as the tension will be relieved.
Wing: Your unique talents are not being used because they are not recognized. This may be due to erroneous thinking on your part. Maintain a positive attitude about yourself, and things will change for the better.
Editor: The Wilhelm, Blofeld and Liu translations all refer to the "ears" as "handles." We are justified therefore in combining the ideas of both. Ears are the organs by which we hear, and handles are devices by which something is grasped. To hear and to comprehend what is heard are the ideas conveyed. However, the ears have been changed or altered, so the image suggests that a different message or new set of rules and/or circumstances is now operative; the old rules or concepts no longer apply. The situation has evolved, but progress is stopped because one hasn't comprehended the changes yet. "The fat of the pheasant is not eaten" is just another way of saying that one has missed the point, or has not been nourished by the new insight. However, the situation will not remain static -- a coming union of thought and feeling will create the catharsis needed to effect the transformation.
The rain showed that the tension between consciousness and the unconscious was being resolved. Although at the time I was not able to understand the meaning of the dream beyond these few hints, new forces were released in me which helped me to carry the experiment with the unconscious to a conclusion. Jung -- Memories, Dreams, Reflections
A. The dynamics of your situation have changed, but you are still operating on old assumptions and have missed the point or not gotten the message. However, the condition is temporary and will resolve itself naturally.
B. The image suggests a stalemate followed by eventual resolution.
35 Progress
Other titles: Progress, Prospering, The Symbol of Forwardness, To Advance, Advancement, Making Headway, Getting the Idea, “Comes the Dawn”
Judgment
Legge: In Advance of Consciousness we see a prince who secures the tranquility of the people presented on that account with numerous horses by the king, and three times in a day received at interviews.
Wilhelm/Baynes: Progress . The powerful prince is honored with horses in large numbers. In a single day he is granted audience three times.
Blofeld: Progress. The richly endowed prince receives royal favors in the form of numerous steeds and is granted audience three times in a single day. [This passage indicates great merit richly rewarded.]
Liu: The Marquis K'ang (rich, powerful, healthy) is bestowed with many horses by the king, who receives him three times in a single day.
Ritsema/Karcher: Prospering , the calm feudatory avails-of bestowing horses to multiply the multitudes. Day-time sun three-times reflected. [This hexagram describes your situation in terms of thriving in the full light of the sun. It emphasizes that contributing to this increase by helping things to flourish is the adequate way to handle it...]
Shaughnessy: The Lord of Kang is herewith awarded horses in luxuriant number, during daylight thrice connecting.
Cleary (1):Advancing, a securely established lord presents many horses, and grants audience three times a day.
Cleary (2): Advancing , a securely established lord is presented with, etc.
Wu: Advancement indicates that the prince who has secured peace and prosperity of the state is conferred with many fine horses. The king grants him an audience three times in one day.
The Image
Legge: The image of the earth and that of the bright sun coming forth above it form Advance of Consciousness. The superior man, in accordance with this, gives himself to make more brilliant his bright virtue.
Wilhelm/Baynes: The sun rises over the earth: the image of Progress. Thus the superior man himself brightens his bright virtue.
Blofeld: This hexagram symbolizes fire blazing from the earth. The Superior Man reflects in his person the glory of heaven's virtue.
Liu: The sun rising above the earth is the symbol of Progress. Thus the superior man brightens his character.
Ritsema/Karcher: Brightness issuing-forth above earth. Prospering. A chun tzu uses originating enlightening to brighten actualizing-tao. [Actualize-tao: ...ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]
Cleary (1): Light emerges over the earth, advancing. Thus do superior people by themselves illumine the quality of enlightenment.
Cleary (2): Light emerges over the ground, advancing. Developed people illumine the quality of enlightenment by themselves.
Wu: Brightness rises above the earth; this is Advancement. Thus the jun zi keeps his bright virtue shining.
COMMENTARY
Confucius/Legge: In Advance of Consciousnesswe have the bright sun appearing above the earth; the symbol of Docile Submission cleaving to that of the Great Brightness; and the magnetic line advanced and moving above: all these things give us the idea of a prince who secures the tranquility of the people.
Legge: The subject of the Judgment is a feudal prince whose services to his country have made him acceptable to his king. The King's favor has been shown to him by gifts and personal attentions. The symbolism of the lines indicates the situations encountered by the prince. The written character for this hexagram means "to advance," a quality it shares with hexagrams number forty-six, Pushing Upward, and number fifty-three, Gradual Progress. In the present case the sun ascending from the earth to the meridian readily suggests the idea of advancing.
Hu Ping-wen (Yuan dynasty) says: "Of the strong things there is none so strong as Heaven, and hence the superior man patterns himself on its strength. Of bright things there is none so bright as the sun, and he patterns himself on its brightness."
Anthony: This hexagram concerns self-development which yields progress in our external life situation. If we are not making progress, we should review our attitude. Some widely accepted ideas may be decadent from the viewpoint of the Sage, hence obstruct progress. [Anthony’s “Sage” is conceptually identical to the “Self. -- Ed.]
NOTES AND PARAPHRASES
Judgment: When the autonomous manifestations of our inner drives are channeled, their energy becomes the ego's own. (Psychologically interpreted: Ego and Self are in accord.)
The Superior Man focuses his awareness on perfecting the Work. (Sometimes this can take the meaning of: "Wise up!")
The trigram of Clarity in progression over that of Docility gives the formula for an Advance of Consciousness. The submission of the ego to the restrictions of the Work, and the consequent tranquil subjugation of one's restless drives, appetites and impulses, eventually results in a focused flow of energy from within. (After years of effort, this is sometimes felt physically as a radiating sensation emanating from the chest, or heart region.) To receive this figure without changing lines does not necessarily mean that one has reached this phase of the Work, but it suggests progress in that direction. The traditional name for this hexagram is, in fact: Progress.
The king presenting horses to the prince in reward for pacifying the kingdom is analogous to the Self rewarding the ego for controlling the autonomous forces within the psyche. This is a quintessentially shamanic discipline: the "horses" symbolize tamed drives and emotions. Such circumstances indicate an Advance of Consciousness or progression toward the goal of "en-light-enment" or psychic integration, symbolized by the sun traversing the earth.
That state of life dynamism in which consciousness realizes itself as a split and separated personality that yearns and strives toward union with its unknown and unknowable partner, the Self, Jung has called the individuation process. It is a conscious striving for becoming what one "is" or rather "is meant to be." E.C. Whitmont -- The Symbolic Quest
The last sentence of the above quotation is exactly analogous to the Ritsema/Karcher translation of the Image of this hexagram, wherein the superior man (chun tzu) "uses originating enlightening to brighten actualizing-tao."
"Actualizing-tao" is the "ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be."
Psychologically interpreted then, this hexagram addresses various themes encountered during the progress of the individuation process, which is nothing if not an Advance of Consciousness.
The key phrase in Legge's Judgment is "tranquility of the people." It is relatively easy to sublimate one's drives, yet still feel resentful about it -- indeed, that is the form that the process normally takes at the beginning of the Work. Our inner forces are like children or animals who must learn to accept the restrictions of discipline. Once they have accepted it and have ceased to resent it (i.e. once they have become "tranquil"), they are ready to be useful to the Self's intentions.
For example: an untrained dog will instinctively chase and kill sheep if it gets the chance to do so; on the other hand, a properly trained dog will herd and control a flock of sheep even in its master's absence. Anyone who has observed a trained sheep dog in action knows what amazing feats they accomplish with great joy in the performance. They are "tranquil" in their role, and will even protect the sheep from untrained dogs that would kill them. When our instincts have learned how to tranquilly accept discipline they are ready to assist us in the higher levels of the Work. Until that time, the Work consists largely of "dog training." The analogy is apt, because just as an untrained dog is never as happy in its willfulness as a well-trained dog is in its purposefulness, so undisciplined permissiveness cannot compare with the joys of controlled power and focused intent.