Wiki I Ching

The Well 48.1.4.6 1 The Creative

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48
The Well
To
1
The Creative

One didn't think that others would be able to accomplish so much progress.
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The Well 48
Seek renewal and sustenance from shared resources and deep wells of knowledge.
Nurture the source to ensure lasting abundance.


Line 1
The well is neglected and not used.
There is no benefit in a resource that is not maintained.


Line 4
Efforts are being made to improve and maintain resources.
This is a positive step and should be continued.


Line 6
The well is fully functional and accessible.
It provides continuous benefit and is a source of great fortune.


The Creative 1
Pure potential.
Creative energy.
Initiate bold actions.



48
The Well


Other titles: Welling, Potentialities Fulfilled, The Source, The Deep Psyche, "A resurrection or transformation. Generations coming and going and the continuance of life and development." -- D.F. Hook

 

Judgment

Legge: Although a town site may be altered, The Well remains the same. Its water level neither disappears nor receives any great increase, and the people can draw from it freely. Misfortune ensues if the rope breaks or the bucket is broken before it reaches the water.

Wilhelm/Baynes:The Well. The town may be changed, but the well cannot be changed. It neither decreases nor increases. They come and go and draw from the well. If one gets down almost to the water and the rope does not go all the way, or the jug breaks, it brings misfortune.

Blofeld: A Well. A city may be moved, but not a well. [The building of a city depends upon ourselves; but wells cannot be moved to places where nature supplies no water. The implication is that our activities are limited by natural conditions.] A well suffers from no decrease and no increase; but often, when the people come to draw water there, the rope is too short or the pitcher gets broken before reaching the water -- misfortune! [What we desire is there for the taking, but we may not succeed in getting it.]

Liu: The Well. The city might be moved; but not the well. It neither overflows nor runs dry. People come and go, drawing from the well. The rope nearly reaches the water, but not quite; the jug breaks -- misfortune.

Ritsema/Karcher: The Well: amending the capital, not amending the Well. Without losing, without acquiring. Going, coming: Welling, Welling. Muddy culmination: truly not-yet the well- rope Well. Ruining one's pitcher: Pitfall. [This hexagram describes your situation in terms of the life water coming from the depths that everyone may draw on. It emphasizes that maintaining access to this central source is the adequate way to handle it. To be in accord with the time, you are told to go to the well!]

Shaughnessy: The Well: Changing the city but not changing the well; there is no loss, there is no gain. Going and coming so orderly; when the drying up arrives one also has not yet drawn from the well; burdening its formed earthenware jug; inauspicious.

Cleary (1):The Well: Changing the village, not changing the well; no loss, no gain. Those who come and go use the well as a well. If the rope does not reach all the way into the well, of if the bucket breaks, that is unfortunate.

Cleary (2): … People come and go, but the well remains a well. Lowering the bucket to the water, if you overturn the bucket before drawing it up from the well, this is unlucky.

Wu:The Well indicates that the planning of a district may be changed, but the location of the well may not. The water level of a well will neither increase nor decrease from use. There are wells here and there. When one is drawing water from a well, if he tangles the rope and damages the bucket just before it clears the well, it will be foreboding.

 

The Image

Legge: The image of water over wood forms The Well. The superior man comforts the people and stimulates their mutual cooperation.

Wilhelm/Baynes: Water over wood: the image of The Well. Thus the superior man encourages the people at their work and exhorts them to help one another.

Blofeld: This hexagram symbolizes water over wood. The Superior Man encourages the people with advice and assistance.

Liu: Water on wood symbolizes The Well. The superior man inspires people to work diligently, and advises them to help each other.

Ritsema/Karcher: Above wood possessing stream. The Well. A chun tzu uses toiling commoners to encourage mutualizing.

Cleary (1): There is water above wood – A Well. Thus do superior people comfort the people and encourage reciprocity.

Wu: There is water above wood; this is The Well. Thus, the jun zi encourages people to work for the good of the public and to help one another for a better life.

 

COMMENTARY

Confucius/Legge: Wood penetrates the water and raises it, giving the image ofThe Wellwhich gives nourishment yet is not exhausted. The dynamic central lines in the second and fifth places indicate that the town site may change, but the well does not. If the rope does not reach the water the well does not serve its purpose. A broken bucket brings about evil.

Legge: The upper trigram represents Water, and the lower symbolizes Wood, giving the image of a wooden bucket in the water of a well. What is said on this hexagram might be styled: "Lessons to be learned from a well for the proper government of a country." A well is to its users what a government is to its subjects, and if rulers would only apply the ancient precepts of government to the present circumstances, they and their people would benefit greatly.

In the Judgment we see the well remaining substantially the same through many changes of society -- a dependable source of refreshment to its users. As the fashion of the well remains changeless, so do the principles of human nature and good government. The value of the well depends upon the water being drawn up and used -- and so must the principles of good government be implemented.

Anthony: This hexagram usually indicates that we have a hidden doubt or fear. We may secretly disbelieve our path.

 

NOTES AND PARAPHRASES

Judgment: Amid the changes of life the only constant is the psyche itself -- to be alive is to draw upon its energy. The ego’s challenge lies in the correct comprehension of its images.

The Superior Man promotes the harmonious interplay of his thoughts and feelings. (Works on the integration of his complexes.)

A well is a universal symbol of a source of inner truth, and is often associated with a place that is sacred to the gods:

There he built an altar and invoked the name of Yahweh. There he pitched his tent, and there Isaac's servants sank a well.
Genesis 26: 25

From the first well, which is of animal nature and deep, the father drinks, together with his children and cattle; from the second, which is yet deeper and on the very margin of nature, there drink only the children of men, namely those whose reason has awakened and whom we call philosophers; from the third, the deepest of all drink the sons of the All-Highest, whom we call gods and true theologians.
Cardinal Nicholas of Cusa

Psychologically interpreted, a well symbolizes the continuously flowing unconscious psyche, the fountain of all awareness. In this hexagram each line represents a level within the well -- by extension suggesting a hierarchy of value in the unconscious. It is important to remember that not all of our inner images, intuitions or impulses come from the Self. Note that lines one through four all show the water of the well not being utilized for one reason or another -- only in lines three, five and six is it actually available for use.

In some sensitive individuals there is an awakening of para-psychological perceptions. They have visions, which they believe to be of exalted beings; they may hear voices, or begin to write automatically, accepting the messages at their face value and obeying them unreservedly. The quality of such messages is very varied. Sometimes they contain fine teachings, but they should always be examined with much discrimination and sound judgment, and without being influenced by their uncommon origin or by any claim by their alleged transmitter. No validity should be attributed to messages containing definite orders and commanding blind obedience, and to those tending to exalt the personality of the recipient.
Roberto Assagioli --Psychosynthesis

The ego's point of view in relation to The Well is from the outside looking in – the insights emerge from beneath the surface of awareness and can be held in the light of consciousness only if one’s comprehension is able to contain them. If "the bucket breaks," our understanding is unequal to our observation and the insights are lost. (One might plausibly find the image for a cancer cure within one's psyche, but without a conscious frame of reference to acknowledge it, it would be unrecognized and lost.) Those who closely monitor their dreams know that there is an endless outpouring of strange images within the psyche which might be of inestimable value if only we knew what they referred to.

Wilhelm emphasizes the idea of "nourishing the people," which psychologically means that the role of the ego is to facilitate the cooperation of intra-psychic forces.

The solution lies, rather, along the lines of a harmonious integration of all drives into the total personality, first through the proper subordination and coordination, and then through the transformation and sublimation of the excessive or unused quota of energy.
Roberto Assagioli --Psychosynthesis


Line 1

Legge: The first line, magnetic, shows a well so muddy that men will not drink of it; or an old well to which neither birds nor other creatures resort.

Wilhelm/Baynes: One does not drink the mud of the well. No animals come to an old well.

Blofeld: The muddy water at the well bottom is undrinkable; an old well attracts no animals.

Liu: No one drinks from a muddy well. Even animals do not come to an old well. [A time of obstacles.]

Ritsema/Karcher:The Well: a bog, not taking-in. The ancient well without wildfowl. [Wildfowl, CH’N: all wild and game birds; untamed.]

Shaughnessy: If the well is muddy do not drink; the old well does not have game.

Cleary (1): Mud in a well is not to be consumed. There are no animals at an abandoned well.

Wu: The muddy water is not drinkable. The old well has nothing to offer.

 

COMMENTARY

Confucius/Legge: It has been forsaken in the course of time. Wilhelm/Baynes: Time forsakes it. Blofeld: The first clause signifies that our affairs take a downward trend; the second, that it is time to give up. Ritsema/Karcher: The below indeed. The season stowed-away indeed. Cleary (2): It is below. Because its time is gone. Wu: It has been abandoned.

Legge: Line one is magnetic and at the bottom of the figure - suggesting the mud at the bottom of a well. Many men in authority are like such a well: corrupt, useless, unregarded. It is said of line one: "Those who have a mind to do something in the world, when they look at this line and its symbolism will learn how they ought to exert themselves."

 

NOTES AND PARAPHRASES

Siu: At the outset, the man's life is immersed in corrupt, useless, and repulsive muck. No one is attracted to him.

Wing: You rely too much upon your own opinions and perceptions and therefore have little to offer others in the way of insight or nourishment. When there is no longer an exchange with others, you are lost and forgotten.

Editor: The Legge and Ritsema/Karcher translations are the only ones which mention "birds" or "wildfowl" here; the other translators use "animals," “game,” or "creatures." I have often found the attribute of the bird to be useful in interpreting the psychological intent of this line. Birds symbolize the realm of intellect, ideas or thought, and often this line has clearly meant that my idea or concept of the matter at hand was stagnant or out-moded. For example, the notion that the world is flat is an idea which was once widely held, but which has since been "forsaken in the course of time." The image also suggests a very primitive level within the psyche which is best shunned by consciousness.

In order to seize hold of the fantasies, I frequently imagined a steep descent. I even made several attempts to get to the very bottom. The first time I reached, as it were, a depth of about a thousand feet; the next time I found myself at the edge of a cosmic abyss ... I had the feeling that I was in the land of the dead.
Jung --Memories, Dreams, Reflections

A. Image of an archaic, stagnant level of awareness or point of view. Obsolete thinking.

B. Avoid primitive or inferior elements within the situation.

Line 4

Legge: The fourth line, magnetic, shows a well, the lining of which is well laid. There will be no error.

Wilhelm/Baynes: The well is being lined. No blame.

Blofeld: The well is being tiled -- no error!

Liu: The well is being rebuilt. No blame.

Ritsema/Karcher: The Well: lining, without fault.

Shaughnessy: The well is walled; there is no trouble.

Cleary (1): The well is tiled, without fault.

Cleary (2): When the well is tiled, there is no fault.

Wu: There is no error in repairing the well.

 

COMMENTARY

Confucius/Legge: The well has been put in good repair. Wilhelm/Baynes: The well is being put in working order. Blofeld: For it is under repair. [We are likely to suffer a necessary delay, but the situation is hopeful.]Ritsema/Karcher: Adjusting the well indeed. Cleary (2): This means fixing the well. Wu: Because it is functioning.

Legge: Line four is magnetic, but in its proper place. She is neither to be condemned nor praised. She takes care of herself, but does nothing for others. The cultivation of one's self, which is represented here, is fundamental to the government of others.

Wilhelm/Baynes: …In life also there are times when a man must put himself in order. During such a time he can do nothing for others, but his work is nonetheless valuable, because by enhancing his powers and abilities through inner development, he can accomplish all the more later on.

 

NOTES AND PARAPHRASES

Siu: The man begins to organize his life and develop his capacities. He is too occupied in this task to help others at the moment. For this he deserves no blame, since he will be able to contribute more later on.

Wing: The time has come to pull back and reorganize your life or re-evaluate your goals. This means that you will not be taking an active part in the affairs of others. By putting your life in order, however, you will be able to contribute more fully later on.

Editor: Wilhelm, Blofeld and Liu all translate this line in terms of an incomplete process: the well is undergoing reconstruction. It isn't "well laid" it is "being well laid." That is, the well is undergoing repairs now and cannot be used until the repairs are completed. Psychologically, an inner transformation is taking place.

While the hidden life forces are performing their mysterious work of transformation, the rational and willed attitude of the conscious ego can only interfere. It can neither assist nor guide. The libido is withdrawn from it, and it is left high and dry. When this happens one can do nothing but await the re- emergence of the psychic energy, alert to profit by the creative work in which it has been taking part.
M.E. Harding -- Psychic Energy

A. While inner forces are being transformed they are unavailable for conscious use.

B. The image suggests the idea of "putting one's house in order." Something is being transformed.

Line 6

Legge: The sixth line, magnetic, shows the water from the well brought to the top, which is not allowed to be covered. This suggests the idea of sincerity. There will be great good fortune.

Wilhelm/Baynes: One draws from the well without hindrance. It is dependable. Supreme good fortune.

Blofeld: The well-rope lies unconcealed -- confidence and supreme good fortune!

Liu: The well is clean, without a cover. There is confidence that water can be drawn. Great good fortune.

Ritsema/Karcher: The Well: collecting, no cover. Possessing conformity, Spring significant.

Shaughnessy: If the well is arrested, do not cover it; there is a return; prime auspiciousness.

Cleary (1): The well is being drawn from; don’t cover it. Great fortune.

Cleary (2): Do not cover the well enclosure. There is nurturance, which is very fortunate.

Wu: The water is being drawn and the well is left uncovered. With confidence in its inexhaustible supply, people will have great fortune.

 

COMMENTARY

Confucius/Legge: This indicates the grand accomplishment of the idea of the hexagram. Wilhelm/Baynes: In the top place, this means great perfection. Blofeld: The supreme good fortune presaged here is in the nature of a great achievement. Ritsema/Karcher: Spring significant located-in the above. The great accomplishing indeed. Cleary (2): Great fortune at the top is great fulfillment. Wu: Great accomplishments.

Legge: The sixth line is in its proper place, but magnetic. If the general idea of the figure was different, a bad auspice might be drawn from it. But the water is drawn up and the well is left uncovered so that it may be used by everyone. "Sincerity" suggests that the supply is inexhaustible.

 

NOTES AND PARAPHRASES

Siu: The man's inexhaustible and dependable inspiration is drawn upon by all with whom he comes in contact.

Wing: You can now share with others good, dependable advice and exceptional fulfillment. There will be supreme good fortune in your life.

Editor: The difference in meaning between lines five and six is a maddeningly subtle one. While five suggests that our conscious attitude reflects an inner state, line six suggests that inner and outer have become one -- the difference is between the reflection of an object and the object itself. Compare lines five and six in hexagram number twenty, Contemplation, for a similar subtlety of difference. In general the import is that everything you need to comprehend the matter at hand is available for your use.

In so far as every individual has the law of his life inborn in him it is theoretically possible for any man to follow this law and so become a personality, that is, to achieve wholeness.
Jung -- The Development of Personality

A. Truth flows freely.

B. All the data are in -- now it's up to you to take advantage of it.

1
The Creative


Other titles: The Creative, The Symbol of Heaven, The Creative Principle, Force, The Key, Creativity, The Originating, Creative Power, Primal Power, Yang, The Life Force, Kundalini, God the Father

 

Judgment

Legge:The Dynamic represents what is great and originating, penetrating, advantageous, correct and firm.

Wilhelm/Baynes:The Creative works sublime success, furthering through perseverance.

Blofeld: The Creative Principle . Sublime Success! Persistence in a righteous course brings reward.

Liu:The Creative brings great success, benefiting all through perseverance.

Ritsema/Karcher:Force: Spring Growing Harvesting Trial. [This hexagram describes your situation in terms of the primal spirit power that both creates and destroys. It emphasizes that dynamic, unwearied persisting, the action of Force, is the adequate way to handle it. To be in accord with the time, you are told to: persist!]

Shaughnessy:The Key: Primary reception; beneficial to determine.

Cleary(1):Heavencreates, develops, brings about fruition and consummation.

Cleary(1): The creative is successful; this is beneficial if correct.

Wu:The Originator is primordial, pervasive, prosperous and persevering.

 

The Image

Legge: Heaven, in its motion, gives the idea of strength. The superior man, in accordance with this, nerves himself to ceaseless activity.

Wilhelm/Baynes: The movement of heaven is full of power. Thus the superior man makes himself strong and untiring.

Blofeld: This hexagram symbolizes the power of the celestial forces in motion, wherewith the Superior Man labors unceasingly to strengthen his own character.

Liu: Heaven moves powerfully; the superior man strengthens himself unceasingly.

Ritsema/Karcher: Heaven moves persistingly. A Chun tzu uses originating strength not to pause.

Cleary(1): The activity of heaven is powerful; superior people thereby strengthen themselves ceaselessly.

Wu: Heaven moves in full strength. Thus the jun zi strives ceaselessly to be self-reliant.

 

COMMENTARY

Confucius/Legge: All things owe their inception to the vast and originating power of The Dynamic. It contains all the meaning of the word: Heaven. Clouds move, rain falls, and the myriad things appear in their created forms. The sages comprehend the link between the end and the beginning. They understand how the changes of the six lines of the hexagram are accomplished, each in its season, and with this knowledge they ascend toward Heaven as though mounted on six dragons. The intent of The Dynamic is to transform everything so that it reflects its correct nature as originally conceived by the mind of Heaven. Thereafter, this great harmony is preserved in union and firm correctness. The sage appears aloft, high above all things, and the myriad states are harmoniously united.

Legge: For the Chinese, the dragon has been from the earliest times a symbol of dignity, wisdom, sovereignty and sagehood. It is the symbol of the superior man, and especially the "great man," exhibiting all the virtues and attributes of Heaven. Although the dragon's home is in the water, it can disport itself on land, and also fly through the air.

The sage rules in the world of men as Heaven rules nature. He sees the connection between the end and the beginning as the law of cause and effect in the operations of nature and human affairs. The various steps in that course are symbolized by the lines of the hexagram, and the ideal sage, conducting his ideal government, is represented as driving through the sky in a carriage drawn by six dragons.

 

NOTES AND PARAPHRASES

Judgment:The Dynamic is the life force itself.

The Superior Man tirelessly furthers the Great Work of Transformation.

The image of a dragon appears in every line of this hexagram, except the third. Like most symbols, the dragon has both a positive and a negative aspect. In Western myth, it is usually an adversary which the hero must conquer before he can obtain a treasure or often, a captive maiden. The Chinese, on the other hand, regard the dragon positively. Blofeld comments:

In China, the dragon has always been regarded as a highly admirable creature of celestial origin. Dragons provide rain; make rivers run and rule the ocean. The European dragon is clearly of another species.

This seeming anomaly may say more about how east and west perceive the forces of nature, rather than refer to any true differences in the forces perceived.

Wilhelm compares the dragon to the electrical energy within a thunderstorm -- as lightning it can destroy us, but in the form of electricity it can be harnessed to do useful work. A dragon is nothing if not a huge serpent, and this suggests the idea of the "serpent power," or Kundalini energy which when aroused in the human body has been likened to a sudden jolt of electricity running up from the base of the spine to the top of the head. The Kundalini force is equated in turn with sexual energy -- dynamic power which ensures the continuance of all but the most primitive of living organisms. Without the powerful energy of sexuality, life as we know it could not exist.

When the dragon remains unconquered in the cave-like depths of the unconscious, the life force autonomously rules our lives and we become passive vehicles for random desires and appetites. This "electricity" will flow wherever it finds a circuit of least resistance, and under these conditions an individual's life is largely "created" by chance and circumstance. When one begins the Work, the task of Individuation, one assumes the role of the hero or warrior, who does battle with the dragon in order to bring it under his will. This is a great struggle, and success is not guaranteed, but if one is able to control the primordial power of the life force, the treasure (or the maiden, which in the male psyche amounts to the same thing), is obtained. This is tantamount to attaining a higher level of consciousness -- in its highest form it constitutes "enlightenment."

The symbolism of all of the hexagrams works on many different levels, and this is especially true of the first two, which must be studied together for a full comprehension of each. (Kabbalists, for example, will recognize in these two figures the same forces found in Chokmah and Binah on the Tree of Life.) For the purposes of this comparison it must be noted that the first hexagram symbolizes Heaven, and the second symbolizes Earth: Force and Form. (As consciousness is to the body it inhabits, so Force is to Form and Heaven to Earth.) Form is magnetic, or "negative" in polarity, and Force is dynamic, or "positive."

In esoteric symbolism "Heaven" does not mean the universe above us -- it means the consciousness within us. This polarity is also reflected in the relationship between the ego and the Self -- in a properly regulated psyche, the ego is always magnetic to the dynamic Self.

There is an invisible universe within the visible one, a world of causes within the world of effects. There is force within matter, and the two are one, and are dependent for their existence on a third, which is the mysterious cause of their existence. There is a world of soul within a world of matter, and the two are one, and caused by the world of spirit.
F. Hartmann -- Paracelsus: Life and Prophecies

 

SUGGESTIONS FOR MEDITATION

To get a fuller grasp of the numinously beautiful structure of the I Ching and the transcendent reality which it reflects, one should meditate on each of the hexagrams as often as possible -- one can never exhaust their meaning. The first two hexagrams (because they are the "cosmic parents" of all the others), are especially rich in their associations. Here are a few suggestions for meditation:

1. Compare and contrast the general ideas in the first three hexagrams, noting how the third is a logical progression of the first two.

2. The Confucian commentary on The Dynamic is particularly rich in meaning. Read it over and over again -- it contains the principles of the Work as outlined in more detail in the other hexagrams. Compare the sixth sentence with the ideas in hexagram number twenty, Contemplation.

3. Compare the first two hexagrams with hexagram number eleven, Harmony, and number twelve, Divorcement, noting the implications of the symbolism in terms of the proper management of the Work.