Wiki I Ching

Temptation 44.3.4.6 29 Danger

From
44
Temptation
To
29
Danger

One works effortlessly not to let others think that one is doing nothing.
taoscopy.com


Temptation 44
A fleeting encounter with a powerful influence.
Be mindful and cautious.
Keep your integrity intact.


Line 3
Awareness of difficulties and potential dangers is crucial.
Caution can prevent serious errors.


Line 4
Opportunities are missed or lost.
Lack of resources or support leads to negative outcomes.


Line 6
Aggressive or forceful approaches lead to embarrassment, but the situation is not beyond repair.
Humility and reflection are needed.


Danger 29
Face repeated challenges with courage and determination.
Embrace setbacks as opportunities to build resilience.
Stay true to your principles to navigate through difficulties.



44
Temptation


Other titles: Coming to Meet, The Symbol of Meeting, Contact, Sexual Intercourse, Encountering, Coupling, Infiltration by Inferior Men, Adultery "Contains a definite warning about a person or situation which may appear harmless but will prove dangerous." -- D.F. Hook

 

Judgment

Legge: Temptation shows a female who is bold and strong. It will not be good to marry such a female.

Wilhelm/Baynes: Coming to Meet. The maiden is powerful. One should not marry such a maiden.

Blofeld: Contact. Women wield the power. Do not marry. [At this time marriage would be unfortunate; the husband would almost surely be henpecked.]

Liu: Encountering. The female is forceful. One should not marry her.

Ritsema/Karcher:Coupling, womanhood invigorating. No availing-of grasping womanhood. [This hexagram describes your situation in terms of the encounter of primal energies. It emphasizes that seeing-through your personal situation as the connection of objective forces is the adequate way to handle it...]

Couple , KOU: intense, driven encounter, at once transitory and enduring, that is the reflection of primal yin and yang; meet, encounter, copulate; mating animals; magnetism, gravity; to be gripped by impersonal forces. Primal forces couple in the inner world, seeding enduring new forms.

Shaughnessy: The maiden matures ; do not herewith take a maiden.

Cleary (1):Meeting, the woman is strong. Don’t get married.

Cleary (2): In meeting, the woman is strong. Do not marry the woman.

Wu:Rendezvous indicates that the woman is strong. It is not advisable to marry that woman.


The Image

Legge: The image of wind with the sky above it forms Temptation. The sovereign, in accordance with this, delivers his charges, and promulgates his announcements throughout the four quarters of the kingdom.

Wilhelm/Baynes: Under heaven, wind: the image of Coming to Meet. Thus does the prince act when disseminating his commands and proclaiming them to the four quarters of heaven.

Blofeld: This hexagram symbolizes wind blowing across the face of the earth. When the ruler issues commands, he has them proclaimed in every corner of the world.

Liu: The wind under the sky symbolizes Encountering. The ruler issues his directives, announcing them to the four corners (throughout his country).

Ritsema/Karcher: Below heaven possessing wind. Coupling. The crown-prince uses spreading-out fate to command the four sides.

[Fate, MING: individual destiny; birth and death as limits of life; issue orders with authority; consult the gods. The ideogram: mouth and order, words with heavenly authority.]

Cleary (1): There is wind under heaven, meeting. Thus do rulers announce their directives to the four quarters.

Wu: There is wind under heaven; this is Rendezvous. Thus, the sovereign announces the royal mandate to the whole nation.

 

COMMENTARY

Confucius/Legge:Temptationhas the significance of unexpectedly coming on. We see in it the magnetic line coming unexpectedly on the dynamic ones. Marriage is improper, because one so symbolized should not be long associated with. When heaven and earth meet together as here represented, all the variety of natural things becomes displayed. When a dynamic line finds itself in the central and correct position, good government will nourish all under the sky. Great indeed is the significance of what has to be done at the time indicated byTemptation.

Legge: A single, magnetic line enters at the bottom of the hexagram. This is the figure used to represent the time of year when light and heat begin to wane. In the divided line we see the symbol of the inferior man, beginning to insinuate himself into the government of the country. His influence, if unchecked, would go on to grow and fill the vacant seats with others like himself. The objective of the Judgment is to arouse resistance to this evil influence.

Temptation is defined here as a sudden and casual meeting with something inferior -- the divided line is seen as appearing all at once in the figure. The first line, magnetic in a dynamic place, becomes the symbol of a bold woman of more than questionable virtue who appears unexpectedly on the scene with the object of seducing all five of the dynamic (male) lines to herself. No one would contract a marriage with such a female, and every good servant of his country will repel the entrance into government of every officer who can be so symbolized.

On the first two sentences of the Confucian commentary, the K'ang-hsi editors say: "The magnetic line meets with (or comes unexpectedly on) the dynamic ones. The magnetic line, that is, plays the principal part. The case is like that of the minister who assumes the power of decision in place of the ruler, or of a hen crowing at sunrise -- is not the name of shameless boldness rightly applied to it?"

 

NOTES AND PARAPHRASES

Judgment: Do not unite with an inferior element in your situation. ("Lead us not into temptation.")

The Superior Man formulates his code of conduct and abides by it.

Wilhelm translates the forty-fourth hexagram as Coming to Meet, and Blofeld gives it the rather startling subtitle of Sexual Intercourse. There is no doubt at all that the figure has an aura of illicit excitement associated with it which I feel is best conveyed by R. L. Wing's title of Temptation, though Adultery might also be suitable. One sometimes receives this hexagram under dramatic circumstances, and it serves to dump cold water on a potentially volatile series of choices and their equally volatile consequences.

When we consider the importance of the proper correlation of male and female lines in the I Ching, we see that the Judgment in this hexagram can psychologically depict the temptation to an adulterous union of thought and feeling. Adultery is a very useful metaphor for understanding the principles of the Work -- it means union with anything which, inI Ching terms, is not a "proper correlate.” To adulterate something is to degrade a pure substance by the addition of an inferior ingredient. The image of a temptation to adulterate the Work in this hexagram is therefore a warning in the strongest possible terms that you are vulnerable to some inferior choices.

Consequently by marriages not only the earths but also the heavens are filled with inhabitants ... The earth indeed may be filled with inhabitants by fornications and adulteries as well as by marriages; but not heaven. The reason is that hell is from adulteries, and heaven from marriages ... When the procreations of the human race are effected through marriages in which the holy love of good and truth from the Lord reigns, then it is done on earth as in the heavens, and the kingdom of the Lord on earth corresponds to the kingdom of the Lord in the heavens.
Swedenborg -- Apocalypse Explained

The concept of the hieros gamos, or holy marriage, is a ubiquitous archetype found in every tradition rooted in the Perennial Philosophy. If this "marriage” symbolizes a proper union or reunion of previously separated elements, then it follows that the opposite situation: a union of mismatched entities would be symbolized by adultery. To recreate a primordial gestalt of perfection out of an exploded multiverse of mixed forces demands that all of the original pairs of opposites become properly matched correlates. Although any two opposite genders might feel a mutual attraction, there is really only one opposite which is an appropriate spouse. In the realm of human relationships this is evoked in the concept of the Soul Mate. Esoterically speaking, every polarized force in the multiverse has its proper correlate; it follows that the Work (in its largest conception) cannot be completed until each is reunited with each.

Indeed every act of sexual intercourse which has occurred between those unlike one another is adultery... Members of a race usually have associated with those of like race. So spirit mingles with spirit, and thought consorts with thought and light shares with light. If you are born a human being, it is the human being who will love you. If you become a spirit, it is the spirit which will be joined to you. If you become thought, it is thought which will mingle with you. If you become light, it is the light which will share with you.
The Gnostic Gospel of Philip

The point is important enough to bear repeating: psycho-spiritually interpreted, sexual intercourse and marriage symbolize the possibility of a unification of forces. Conversely, union with an improper correlate means adulteration of the Work. This is the esoteric meaning underlying the Hindu caste system:

When (unrighteousness) overwhelms the family, O Krishna The women of the family become corrupt; and when, O Krishna, the women are corrupt, there arises a mixing of castes.
Bhagavad-Gita 1: 41

The "mixing of castes” is, in the symbolism of theI Ching, the union of improper correlate forces. ("Women,” as we have seen, usually symbolize the emotional and feeling aspects of the psyche.) We readily recognize that the above quotation from the Bhagavad-Gita accurately reflects the symbolism of the forty-fourth hexagram, reiterating the great truth that when emotions make the choices, the unity of the psyche is compromised.

Added notes, 9/7/10: Sometimes this hexagram is received in answer to queries related more to a fated (karmic) situation than anything normally regarded as “temptation.” In these cases Ritsema/Karcher’s expanded notes on the ideograms are useful guides: “… gripped by impersonal forces. Primal forces couple in the inner world, seeding enduring new forms… This hexagram describes your situation in terms of the encounter of primal energies. It emphasizes that seeing-through your personal situation as the connection of objective forces is the adequate way to handle it...”


Line 3

Legge: The third line, dynamic, shows one from whose buttocks the skin has been stripped so that he walks with difficulty. The position is perilous, but there will be no great error.

Wilhelm/Baynes: There is no skin on his thighs, and walking comes hard. If one is mindful of the danger, no great mistake is made.

Blofeld: His haunches have been flayed and he walks totteringly -- trouble, but no great error!

Liu: He loses skin on his thighs and walks with difficulty. Danger. No great mistake.

Ritsema/Karcher: The sacrum without flesh. One moves the resting-place moreover. Adversity. Without the great: fault.

Shaughnessy: The buttocks has (Sic) no skin; his movements are hither and thither; danger; there is no great trouble.

Cleary (1): No flesh on the buttocks, having trouble walking. If one is diligent in danger, there’s no great fault.

Cleary (2): With no flesh on the buttocks, the walk is halting. There is danger, but no great fault.

Wu: His buttocks have no skin. He hobbles along. He is in a precarious situation, but makes no big error.

 

COMMENTARY

Confucius/Legge: He walks with difficulty, but his steps have not yet been drawn into the course of the first line. Wilhelm/Baynes: He still walks without being led. Blofeld: Being able to walk without being dragged. [Despite rather severe trouble, for which we are not much to blame, we shall manage to get along somehow.] Ritsema/Karcher: Moving, not-yet hauling-along indeed. Cleary (2): The walk is halting because it is unconnected. Wu: He does not lead the sheep away.

Legge: Compare this line with line four of the preceding hexagram. Line three is dynamic, but has gone beyond the central place and has no correlate above. He is cut off from the first line by the intervening second line, and therefore cannot do much against her. But since his aim is to repress her, there will be no great error.

 

NOTES AND PARAPHRASES

Liu: The man is tempted to join with the inferior element. Circumstances prevent this, leaving him with a painful decision. The position is perilous, but a clear insight will prevent great errors.

Wing: Although you are tempted to fall into an inferior situation, you are held back in spite of yourself. You must now resolve this indecisive conflict. Give it a great deal of thought, gain some insight, and you can avoid mistakes.

Editor: Line four of hexagram number forty-three also describes "One from whom whose buttocks the skin has been stripped.” Since hexagram forty-four and hexagram forty-three are upside down images of each other, it is interesting to note that lines three and four swap places with very similar images. Note the difference between them however -- in the present instance no blame is attached to the position. It is a good rendering of the stresses of temptation, of the discipline required to resist any compulsion. Sometimes the line suggests that you may only be able to affect the situation in a limited way. At its most neutral, it's an image of walking a tough path.

But it is to be known that no one is regenerated without temptation; and that many temptations succeed, one after another. The reason is that regeneration is effected for an end; in order that the life of the old man may die, and the new life which is heavenly be insinuated. It is evident therefore that there must certainly be a conflict; for the life of the old man resists and determines not to be extinguished; and the life of the new man can only enter where the life of the old is extinct.
Swedenborg -- Arcana Coelestia

A. A difficult position. Cope with care and sensitivity. Don't surrender to circumstances.

B. You have not yet yielded to temptation and can still escape its consequences.

Line 4

Legge: The fourth line, dynamic, shows its subject with his wallet, but no fish in it. This will give rise to evil.

Wilhelm/Baynes: No fish in the tank. This leads to misfortune.

Blofeld: No fish in the bag -- this gives rise to misfortune.

Liu: No fish in the kitchen -- that brings misfortune.

Ritsema/Karcher: Enwrapping without fish. Rising-up: pitfall.

Shaughnessy: The wrapper has no fish; to be upright is inauspicious.

Cleary (1): No fish in the bag causes trouble.

Wu: There is no fish in the wrapping. If he raises an issue here, it will be foreboding.

 

COMMENTARY

Confucius/Legge: This is because he keeps himself aloof from the people. Wilhelm/Baynes: The misfortune comes from his having kept aloof from the people. Blofeld: Misfortune in the sense of being remote from the people. Ritsema/Karcher: Distancing the commoners indeed. Cleary (2): The misfortune of having no fish is that of alienating people. Wu: He is far from it.

Legge: The fourth line is the proper correlate of line one, but she has already locked horns with line two, leaving four to stand alone. It is implied that this isolation is owing to his impatience. If he could exercise forbearance, he would find a proper opportunity to check the first line's advance.

Wilhelm: Insignificant people must be tolerated in order to keep them well disposed. Then we can make use of them if we should need them. If we become alienated from them and do not meet them halfway, they turn their backs on us and are not at our disposal when we need them. But this is our own fault. The fourth place is that of the minister. The six at the beginning stands here for the inferior, lowly people. There is a relationship of correspondence between the two lines. Furthermore, it would be the duty of the official to keep in touch with the people. But this has been neglected. The line belongs to the trigram Ch’ien, hence strives upward, away from the people below. By doing this it attracts misfortune to itself.

Anthony: No fish in the tank. Being brusque with others when their inferiors approach comes from our inferiors. In learning from the I Ching, our inferiors, which have been disciplined, become intolerant of undisciplined inferiors in others. This harshness, however, is not a good servant, although there is no great blame. It is best, however, to avoid alienating others by correcting the envious or superior attitude of our inferiors. If we have already alienated others, it is best to bear their dislike with composure.

 

NOTES AND PARAPHRASES

Siu: The man keeps himself aloof from the common people. He will lose their help when needed.

Wing: Do not become so aloof that you lose contact with people of lesser importance. You may need their help and support sometime in the future. If you do not communicate with them now, they will not be able to help you later. Misfortune then follows.

Editor: Psychologically interpreted, a fish symbolizes an entity dwelling in the watery unconscious: a drive, affect, complex or insight, perhaps. In line two, these creatures are confined in a wallet, tank or wrapping, but here they have escaped confinement (comprehension). Wilhelm/Baynes’ image of a “fish tank” (aquarium) suggests a container (form) without content: if the container (hypothesis) “doesn’t hold water,” no fish (viable truth) can live therein. Some kind of avoidance is indicated because the Confucian commentary tells us that this line, in the minister's place, is neglecting his duties to "the people," symbolized by line one. One way to be "aloof from the people" (either as inner complexes or persons in the outer world) is to avoid dealing with them -- we flee difficult situations because we refuse to cope with the stresses they evoke. Sometimes this is wise policy, here perhaps it is cowardice: we have yielded to the Temptation of denial: the Work is not furthered when we avoid its challenges. The line can sometimes suggest that you have misunderstood a previous oracle: you are "out of touch."

It is not always realized that a large majority of those living in the physical universe are not really in contact with it at all but are wandering most of the time in a subjective dream world of their own.
Gareth Knight -- Qabalistic Symbolism

A. Something substantive is missing from your capacity to resolve the problem at hand. What are you avoiding?

B. "Out of touch" -- a lack of insight or imagination. Whatever “the people” may symbolize in your query, they are being neglected.

C. Form without content: Your hypothesis doesn’t hold water.

Line 6

Legge: The sixth line, dynamic, shows its subject receiving others on his horns. There will be occasion for regret, but there will be no error.

Wilhelm/Baynes: He comes to meet with his horns. Humiliation. No blame.

Blofeld: It rubs against things with its horns -- regret, but no error! [We shall regret our inability to progress, even though we are not at fault.]

Liu: Encountering on the horns. Humiliation, but no mistake.

Ritsema/Karcher: Coupling: one's horns. Exhausting abashment above indeed.

Shaughnessy: Meeting its horns; distress; there is no trouble.

Cleary (1): Meeting the horn is humiliating. No blame.

Wu: He tries to meet the yin with his horns and is embarrassed. No error.

 

COMMENTARY

Confucius/Legge: He is exhausted at his greatest height, and there will be cause for regret. Wilhelm/Baynes: At the top it comes to an end, hence humiliation. Blofeld: Regret owing to the complete exhaustion of our powers. Ritsema/Karcher: Exhausting abashment above indeed. Cleary (2): The humiliation of coming to an impasse above. Wu: This is a desperate move from the highest position.

Legge: The K'ang-hsi editors say: "The subject of this line is like an officer who has withdrawn from the world. He can accomplish no service for the time, but his person is removed from the workers of disorder. He does nothing to repress their advance, but keeps himself from evil communication with them."

 

NOTES AND PARAPHRASES

Siu: After his retirement from the everyday world, the man rebuffs the low and the inferior who come to him. He is blamed and reproached for his noble pride. Since he is no longer active in the world, he is able to bear criticisms with composure and continues to speak forthrightly without error.

Wing: Even if you withdraw from an inferior element and reject it openly, it will still be there. You will be thought proud and aloof. It would be more practical and less humiliating to retreat quietly. Nevertheless, you are not to blame for your actions.

Editor: Line six meets line one on its horns -- not as a direct attack as much as a petulant warning. (One is reminded of how an adult animal might nip or butt an importunate youngster in irritation, but with no real intent to inflict harm.) It's an image of a harsh rebuff which, though impolite, is not necessarily unjustified. Note that although Confucius emphasizes that there will be cause for regret, the original line ends with "no blame." Since the Self seldom shows much consideration for the ego's feelings, we must assume that there are situations when the ego may do likewise with others. At its most neutral, we have an image of exhausted irritability: unpleasant perhaps, but understandable.

I am a rough man, born in a rough country; I have been brought up in pine-woods, and I may have inherited some knots. That which seems to me polite and amiable may appear unpolished to another, and what seems silk in my eyes may be but homespun to you.
Paracelsus

A. Fatigue and petulance prevent resolution of the matter at hand. Withdraw from contention for now. Perhaps you are trying too hard to force (or grasp) the issue.

B. An inferior force repulsed.

C. Could be an "attitude problem." You're tired, cross, impatient, (maybe scared), and being excessively defensive about your position.

D. There's no law that requires you to suffer fools gladly.

E. A plausible (albeit regrettable) response to being “rubbed the wrong way.”

29
Danger


Other titles: The Abysmal, The Symbol of Sinking, Water, The Abyss, Gorge, Repeating Gorge, Repeated Entrapment, Double Pitfall, Multiple Danger, Double Water, The Deep, Dark Forces, The Perilous Pit, "May not be as bad as it sounds, but whatever happens, remain true to yourself." -- D.F. Hook

 

Judgment

Legge: The trigram of Danger, here repeated, shows the possession of sincerity, through which the mind is penetrating. Action in accordance with this will be of high value.

Wilhelm/Baynes:The Abysmal repeated. If you are sincere, you have success in your heart, and whatever you do succeeds.

Blofeld: Abyss upon abyss -- grave danger! All will be well if confidence is maintained and a sharp hold kept upon the mind; activities so conducted will win esteem.

Liu: Water doubled. Danger. Sincerity leads to success (peacefulness) in your heart and mind. You will succeed in your actions. [This hexagram means danger, misfortune, or entanglement in a difficult situation... You should be both careful and patient; do not struggle with all of the difficulties around you.]

Ritsema/Karcher: Repeating Gorge. Possessing conformity. Holding-fast the heart Growing. Movement possesses honor. [This hexagram describes your situation in terms of a dangerous situation you cannot avoid. It emphasizes that taking the risk without reserve, the action of Gorge, is the adequate way to handle it. To be in accord with the time, you are told to: venture and fall!]

Shaughnessy: Repeated Entrapment: There is a return; the appended heart; receipt; in motion there will be elevation.

Cleary (1): In mastering pitfalls there is truthfulness; thus the mind develops. There is excellence in practice.

Cleary (2): In multiple danger, if there is sincerity, the mind gets through and action has value.

Wu:Entrapment indicates there is confidence. The heart of the matter is that it is pervasive. Actions taken in its accord will be commendable.

 

The Image

Legge: The image of water flowing on continuously forms the repeated trigram of Danger. The superior man, in accordance with this, maintains constantly the virtue of his heart and the sincerity of his conduct, and practices the business of instruction.

Wilhelm/Baynes: Water flows on uninterruptedly and reaches its goal. The image of the Abysmal repeated. Thus the superior man walks in lasting virtue and carries on the business of teaching.

Blofeld: This hexagram symbolizes water flowing on and on and abyss upon abyss. [The trigram K'an is usually inauspicious; here it occurs in duplicate as the upper and the lower trigram; thus the implication is that we are beset by grave dangers from which, if we can escape them at all, the utmost skill and confidence will be required to extricate ourselves.] The Superior Man acts in accordance with the immutable virtues and spends much of his time instructing others in the conduct of affairs.

Liu: Water flows unceasingly into the depths symbolizing Water doubled. The superior man constantly preserves his virtue and practices his task of education.

Ritsema/Karcher: Streams reiterating culminating. Repeating Gorge. A chun tzu uses rules actualizing-tao to move. [A chun tzu uses] repeating to teach affairs. [Actualize-tao, TE: realize tao in action; power, virtue; ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]

Cleary (1): Water travels, double water. Thus do superior people consistently practice virtue and learn how to teach.

Cleary (2): Water comes repeatedly – multiple danger. Developed people practice teaching by constant virtuous action. [This is in perfect accord with the Tiantai Buddhist teaching of knowing how to get through an impasse, the method of making an impasse itself into a way through; this is also the method of skillfully using natural ills.]

Wu: Water comes time and again; this is Entrapment. Thus the jun zi practices virtuous conduct and reviews didactics.


COMMENTARY

Confucius/Legge: Danger repeated shows us one defile succeeding another. This is the nature of water -- it flows on, without accumulating its volume so as to overflow; it pursues its way through a dangerous defile, without losing its true nature. That the mind is penetrating is indicated by the dynamic line in the center. Advance in accordance with this will be followed by achievement. The dangerous height of heaven cannot be ascended; the difficult places of the earth are mountains, rivers, hills and mounds. Kings and princes arrange, by means of such strengths, to maintain their territories. Great indeed is the use of what is here taught about seasons of peril.

Legge: The trigram of Danger which is doubled to form this hexagram is the symbol of water, and means a pit, a perilous cavity or defile with water flowing through it. The trigrams consist of a dynamic central line between two magnetic lines. Together they symbolize danger -- how it should be encountered, its effects on the mind, and how to escape from it.

Liang Yin says: "Water stops at the proper time, and moves at the proper time. Is not this an emblem of the course of the superior man in dealing with danger?”

The K'ang-hsi editors say that to exercise one's self in meeting difficulty and peril is the way to establish and strengthen the character, and the use of such experience is seen in all measures for self-defense.

 

NOTES AND PARAPHRASES

Judgment: Commitment to the Work engenders a keen discernment of threatening situations and the factors which create them. With the ability to recognize the dangerous elements in a situation, success is assured.

The Superior Man maintains his connection with the Self and learns from the trials thus provided.

This is one of the first hexagrams that one learns to recognize by name and number, and it is usually received with trepidation. Like the Death card in Tarot, it is often interpreted as an evil omen, although a deeper understanding reveals opportunity rather than defeat in such images.

There is danger and suffering in the Work, but probably far less of it (in the long run) than in an ordinary unexamined life. Anguish in the service of purpose is ultimately tolerable -- it is the incredible suffering of ignorance that is truly tragic: all that pain and sorrow expended on worldly illusions!

The Confucian commentary provides some valuable insights concerning the defensive use of danger by kings and princes to protect their realms. To master a dangerous challenge before one can progress to a higher level of awareness is a classical theme of initiation: without it, the candidate would be destroyed by forces he wasn't ready to confront. (This is the purpose and meaning behind of the "Guardian of the Threshold" archetype.) Danger is evil or unfortunate only if one is intimidated by it -- correct behavior in accordance with the principles of the Work will always take you to your destination. The Self will seldom, if ever, give you a test that you cannot pass if you fully apply yourself. When it seems otherwise, bear in mind that failure often renders better lessons than success, or the illusion thereof.

A neurosis is by no means merely a negative thing, it is also something positive. Only a soulless rationalism reinforced by a narrow materialistic outlook could possibly have overlooked this fact. In reality the neurosis contains the patient's psyche, or at least an essential part of it; and if, as the rationalist pretends, the neurosis could be plucked from him like a bad tooth, he would have gained nothing but would have lost something very essential to him. That is to say, he would have lost as much as the thinker deprived of his doubt, or the moralist deprived of his temptation, or the brave man deprived of his fear. To lose a neurosis is to find oneself without an object; life loses its point and hence its meaning. This would not be a cure, it would be a regular amputation.
Jung -- Civilization in Transition