One unintentionally complicates the problem by adopting a casual attitude. taoscopy.com
Temptation44
A fleeting encounter with a powerful influence. Be mindful and cautious. Keep your integrity intact.
↓ Line 1
The situation must be controlled from the beginning. Firmness and caution are necessary to prevent potential problems from escalating.
↓ Line 2
There is a potential opportunity, but it is not yet time to act. Patience and restraint are advised.
↓ Line 3
Awareness of difficulties and potential dangers is crucial. Caution can prevent serious errors.
↓ Line 4
Opportunities are missed or lost. Lack of resources or support leads to negative outcomes.
↓ Line 5
Unexpected help or fortune may arrive. Hidden potential or resources become available.
↓ Line 6
Aggressive or forceful approaches lead to embarrassment, but the situation is not beyond repair. Humility and reflection are needed.
↓ Return24
Pause, reflect, and start anew. Embrace change and renewal.
Original Readings
44 Temptation
Other titles: Coming to Meet, The Symbol of Meeting, Contact, Sexual Intercourse, Encountering, Coupling, Infiltration by Inferior Men, Adultery "Contains a definite warning about a person or situation which may appear harmless but will prove dangerous." -- D.F. Hook
Judgment
Legge: Temptation shows a female who is bold and strong. It will not be good to marry such a female.
Wilhelm/Baynes: Coming to Meet. The maiden is powerful. One should not marry such a maiden.
Blofeld: Contact. Women wield the power. Do not marry. [At this time marriage would be unfortunate; the husband would almost surely be henpecked.]
Liu: Encountering. The female is forceful. One should not marry her.
Ritsema/Karcher:Coupling, womanhood invigorating. No availing-of grasping womanhood. [This hexagram describes your situation in terms of the encounter of primal energies. It emphasizes that seeing-through your personal situation as the connection of objective forces is the adequate way to handle it...]
Couple , KOU: intense, driven encounter, at once transitory and enduring, that is the reflection of primal yin and yang; meet, encounter, copulate; mating animals; magnetism, gravity; to be gripped by impersonal forces. Primal forces couple in the inner world, seeding enduring new forms.
Shaughnessy: The maiden matures ; do not herewith take a maiden.
Cleary (1):Meeting, the woman is strong. Don’t get married.
Cleary (2): In meeting, the woman is strong. Do not marry the woman.
Wu:Rendezvous indicates that the woman is strong. It is not advisable to marry that woman.
The Image
Legge: The image of wind with the sky above it forms Temptation. The sovereign, in accordance with this, delivers his charges, and promulgates his announcements throughout the four quarters of the kingdom.
Wilhelm/Baynes: Under heaven, wind: the image of Coming to Meet. Thus does the prince act when disseminating his commands and proclaiming them to the four quarters of heaven.
Blofeld: This hexagram symbolizes wind blowing across the face of the earth. When the ruler issues commands, he has them proclaimed in every corner of the world.
Liu: The wind under the sky symbolizes Encountering. The ruler issues his directives, announcing them to the four corners (throughout his country).
Ritsema/Karcher: Below heaven possessing wind. Coupling. The crown-prince uses spreading-out fate to command the four sides.
[Fate, MING: individual destiny; birth and death as limits of life; issue orders with authority; consult the gods. The ideogram: mouth and order, words with heavenly authority.]
Cleary (1): There is wind under heaven, meeting. Thus do rulers announce their directives to the four quarters.
Wu: There is wind under heaven; this is Rendezvous. Thus, the sovereign announces the royal mandate to the whole nation.
COMMENTARY
Confucius/Legge:Temptationhas the significance of unexpectedly coming on. We see in it the magnetic line coming unexpectedly on the dynamic ones. Marriage is improper, because one so symbolized should not be long associated with. When heaven and earth meet together as here represented, all the variety of natural things becomes displayed. When a dynamic line finds itself in the central and correct position, good government will nourish all under the sky. Great indeed is the significance of what has to be done at the time indicated byTemptation.
Legge: A single, magnetic line enters at the bottom of the hexagram. This is the figure used to represent the time of year when light and heat begin to wane. In the divided line we see the symbol of the inferior man, beginning to insinuate himself into the government of the country. His influence, if unchecked, would go on to grow and fill the vacant seats with others like himself. The objective of the Judgment is to arouse resistance to this evil influence.
Temptation is defined here as a sudden and casual meeting with something inferior -- the divided line is seen as appearing all at once in the figure. The first line, magnetic in a dynamic place, becomes the symbol of a bold woman of more than questionable virtue who appears unexpectedly on the scene with the object of seducing all five of the dynamic (male) lines to herself. No one would contract a marriage with such a female, and every good servant of his country will repel the entrance into government of every officer who can be so symbolized.
On the first two sentences of the Confucian commentary, the K'ang-hsi editors say: "The magnetic line meets with (or comes unexpectedly on) the dynamic ones. The magnetic line, that is, plays the principal part. The case is like that of the minister who assumes the power of decision in place of the ruler, or of a hen crowing at sunrise -- is not the name of shameless boldness rightly applied to it?"
NOTES AND PARAPHRASES
Judgment: Do not unite with an inferior element in your situation. ("Lead us not into temptation.")
The Superior Man formulates his code of conduct and abides by it.
Wilhelm translates the forty-fourth hexagram as Coming to Meet, and Blofeld gives it the rather startling subtitle of Sexual Intercourse. There is no doubt at all that the figure has an aura of illicit excitement associated with it which I feel is best conveyed by R. L. Wing's title of Temptation, though Adultery might also be suitable. One sometimes receives this hexagram under dramatic circumstances, and it serves to dump cold water on a potentially volatile series of choices and their equally volatile consequences.
When we consider the importance of the proper correlation of male and female lines in the I Ching, we see that the Judgment in this hexagram can psychologically depict the temptation to an adulterous union of thought and feeling. Adultery is a very useful metaphor for understanding the principles of the Work -- it means union with anything which, inI Ching terms, is not a "proper correlate.” To adulterate something is to degrade a pure substance by the addition of an inferior ingredient. The image of a temptation to adulterate the Work in this hexagram is therefore a warning in the strongest possible terms that you are vulnerable to some inferior choices.
Consequently by marriages not only the earths but also the heavens are filled with inhabitants ... The earth indeed may be filled with inhabitants by fornications and adulteries as well as by marriages; but not heaven. The reason is that hell is from adulteries, and heaven from marriages ... When the procreations of the human race are effected through marriages in which the holy love of good and truth from the Lord reigns, then it is done on earth as in the heavens, and the kingdom of the Lord on earth corresponds to the kingdom of the Lord in the heavens. Swedenborg -- Apocalypse Explained
The concept of the hieros gamos, or holy marriage, is a ubiquitous archetype found in every tradition rooted in the Perennial Philosophy. If this "marriage” symbolizes a proper union or reunion of previously separated elements, then it follows that the opposite situation: a union of mismatched entities would be symbolized by adultery. To recreate a primordial gestalt of perfection out of an exploded multiverse of mixed forces demands that all of the original pairs of opposites become properly matched correlates. Although any two opposite genders might feel a mutual attraction, there is really only one opposite which is an appropriate spouse. In the realm of human relationships this is evoked in the concept of the Soul Mate. Esoterically speaking, every polarized force in the multiverse has its proper correlate; it follows that the Work (in its largest conception) cannot be completed until each is reunited with each.
Indeed every act of sexual intercourse which has occurred between those unlike one another is adultery... Members of a race usually have associated with those of like race. So spirit mingles with spirit, and thought consorts with thought and light shares with light. If you are born a human being, it is the human being who will love you. If you become a spirit, it is the spirit which will be joined to you. If you become thought, it is thought which will mingle with you. If you become light, it is the light which will share with you. The Gnostic Gospel of Philip
The point is important enough to bear repeating: psycho-spiritually interpreted, sexual intercourse and marriage symbolize the possibility of a unification of forces. Conversely, union with an improper correlate means adulteration of the Work. This is the esoteric meaning underlying the Hindu caste system:
When (unrighteousness) overwhelms the family, O Krishna The women of the family become corrupt; and when, O Krishna, the women are corrupt, there arises a mixing of castes. Bhagavad-Gita 1: 41
The "mixing of castes” is, in the symbolism of theI Ching, the union of improper correlate forces. ("Women,” as we have seen, usually symbolize the emotional and feeling aspects of the psyche.) We readily recognize that the above quotation from the Bhagavad-Gita accurately reflects the symbolism of the forty-fourth hexagram, reiterating the great truth that when emotions make the choices, the unity of the psyche is compromised.
Added notes, 9/7/10: Sometimes this hexagram is received in answer to queries related more to a fated (karmic) situation than anything normally regarded as “temptation.” In these cases Ritsema/Karcher’s expanded notes on the ideograms are useful guides: “… gripped by impersonal forces. Primal forces couple in the inner world, seeding enduring new forms… This hexagram describes your situation in terms of the encounter of primal energies. It emphasizes that seeing-through your personal situation as the connection of objective forces is the adequate way to handle it...”
Line 1
Legge: The first line, magnetic, shows how its subject should be kept like a carriage tied and fastened to a metal drag, in which case with firm correctness there will be good fortune. But if she move in any direction, evil will appear. She will be like a lean pig, which is sure to keep jumping about.
Wilhelm/Baynes: It must be checked with a brake of bronze. Perseverance brings good fortune. If one lets it take its course, one experiences misfortune. Even a lean pig has it in him to rage around.
Blofeld: The chariot wheel is held with a metal brake. Persistence in a righteous course brings good fortune. Those with a goal or destination in view will witness misfortune. However, even a lean pig is able to wiggle its trotters.
Liu: The cart is held in check by a metal brake. To continue this is good fortune. If one goes somewhere, one meets misfortune. The lean pig that wriggles does not go any farther.
Ritsema/Karcher: Attaching tending-towards a metallic chock. Trial: significant. Possessing directed going. Visualizing: pitfall. Ruining the pig, conforming: hoof dragging.
Shaughnessy: Tied to a metal ladder; determination is auspicious. If you have someplace to go, you will see inauspiciousness; the emaciated piglet returns helter-skelter.
Cleary (1): A metal brake is applied. It is good to be correct. If you go anywhere, you will see misfortune. An emaciated pig leaps in earnest.
Cleary (2): Arrested by a metal brake, etc.
Wu: Staying with a silk spinning machine will be auspicious if consistent. Going elsewhere will be foreboding. It is like a sow hopping around boars.
COMMENTARY
Confucius/Legge: The metal drag describes the arrest of the magnetic line in its advancement. Wilhelm/Baynes: It is the way of the weak to be led. Blofeld: The weak have to be dragged. Ritsema/Karcher: Supple tao hauling-along indeed. Cleary (2): The reining of the course of flexibility. Wu: To restrain the yin’s way.
Legge: Line one represents the Bete Noir of the figure. If it can be halted, firm government and order will prevail. If she can't be restrained, she will become disgusting and dangerous. It isn't enough for the carriage to be halted by the metal drag -- it must also be chained fast to some steadfast object. Internal and external restraints must stop the evil influence from advancing.
NOTES AND PARAPHRASES
Siu: At the outset, the inferior man has wormed his way into the organization. He must be held in check energetically; otherwise he will grow disgusting and dangerous.
Wing: You have the opportunity to put limits upon an inferior element and prevent the growth of its influence. Do not be tempted to allow things to develop naturally. If you ignore it, it will not go away but will, instead, become a sizable problem. Act now.
Editor: Chetwynd, in his Dictionary of Symbols, says that a pig symbolizes the "dark side of the mother: (she) may be a monster or wild pig, with whom the Hero has to do battle at the appropriate time, in order to avoid being castrated or devoured by her." The pig in this line is symbolically identical with the fish in lines two and four: both represent a kind of untamed extravagance now unfolding -- primal forces challenging our will and intent to protect and advance the Work. The situation demands all of our control to prevent deterioration or loss.
This necessary ego function called willing is also the ability to say "no" to our drives, to ourselves and to others. E.C. Whitmont --The Symbolic Quest
A. Cease and desist -- bring this notion to a screeching halt right now!
B. “Yield not unto temptation.”
Line 2
Legge: The second line, dynamic, shows its subject with a wallet of fish. There will be no error. But it will not be good to let the subject of the first line go forward to the guests.
Wilhelm/Baynes: There is a fish in the tank. No blame. Does not further guests.
Blofeld: There is a fish in the bag -- no error! But it is of no advantage to the guests.
Liu: There is a fish in the kitchen. No blame, but there is no benefit to the guest.
Ritsema/Karcher:Enwrapping possessing fish. Without fault. Not Harvesting: guesting.
Shaughnessy: The wrapper has fish; there is no trouble; not beneficial to have audience.
Cleary (1): When the fish is in the bag, there’s no fault. It is not advantageous to the visitor.
Cleary (2): There is a fish in the bag, etc.
Wu: There is a fish in the wrapping. This is blameless, but disadvantageous to friends.
COMMENTARY
Confucius/Legge: It is right for him not to allow the first line to get to the guests. Wilhelm/Baynes: It is a duty not to let it reach the guests. Blofeld: This implies that we are not dutiful to our guests. Ritsema/Karcher: Righteously not extending-to guesting indeed. Cleary (2): Duty does not extend to visitors. Wu: There is no reason to share it with friends.
Legge: The wallet of fish symbolizes line one, which has come into the possession of line two. With his strength he must repress her advance, and he therefore assumes the rulership of the hexagram. All of the other dynamic lines are merely guests. He is the first line of defense, and it is important that he should prevent line one from contaminating them. The commentaries say that the lesson of line two is that he should make the repression of the first line his exclusive work, and not allow it to pass on to any of the other lines.
NOTES AND PARAPHRASES
Siu: The inferior element is contained not by force but by gentle means. No error will issue from such a course. However, contact of the inferior with those farther away must be prevented. Otherwise, the evil will spread.
Wing: Keep the lid on the situation. Gently control the weak spots and do not allow them to show. If they become obvious to others, things may get out of hand.
Editor: Fish are aquatic animals. If water symbolizes the realm of the emotions and the unconscious psyche in general, then any denizen of this world represents an autonomous psychic force dwelling below the level of consciousness. A contemporary alternative for "wallet of fish" might be: "can of worms." Line two has to deal with the can of worms, chaotic mess, or sticky problem of line one. The situation is favorable because the fish are contained in a wallet, tank or wrapper -- not swimming free. Line two is a threshold guardian who must protect the forces above him from contamination by lower elements. (Compare the VII of Wands in the Tarot deck.) In some situations, the line can suggest comprehension of something (a theory, perhaps) that has some substance to it, but is not accurate enough to be acted upon in its present state.
Without taboos there is no means for training the will or achieving discipline. The child's experience of being surrounded by taboos cannot be set down to an arbitrary high-handedness of parents or culture but is an indispensable necessity arising from a need of the psyche to develop adequate ego functioning. E.C. Whitmont -- The Symbolic Quest
A. Protect the Work from contamination by inferior elements.
B. "Hold that line! Block that kick!"
Line 3
Legge: The third line, dynamic, shows one from whose buttocks the skin has been stripped so that he walks with difficulty. The position is perilous, but there will be no great error.
Wilhelm/Baynes: There is no skin on his thighs, and walking comes hard. If one is mindful of the danger, no great mistake is made.
Blofeld: His haunches have been flayed and he walks totteringly -- trouble, but no great error!
Liu: He loses skin on his thighs and walks with difficulty. Danger. No great mistake.
Ritsema/Karcher: The sacrum without flesh. One moves the resting-place moreover. Adversity. Without the great: fault.
Shaughnessy: The buttocks has (Sic) no skin; his movements are hither and thither; danger; there is no great trouble.
Cleary (1): No flesh on the buttocks, having trouble walking. If one is diligent in danger, there’s no great fault.
Cleary (2): With no flesh on the buttocks, the walk is halting. There is danger, but no great fault.
Wu: His buttocks have no skin. He hobbles along. He is in a precarious situation, but makes no big error.
COMMENTARY
Confucius/Legge: He walks with difficulty, but his steps have not yet been drawn into the course of the first line. Wilhelm/Baynes: He still walks without being led. Blofeld: Being able to walk without being dragged. [Despite rather severe trouble, for which we are not much to blame, we shall manage to get along somehow.] Ritsema/Karcher: Moving, not-yet hauling-along indeed. Cleary (2): The walk is halting because it is unconnected. Wu: He does not lead the sheep away.
Legge: Compare this line with line four of the preceding hexagram. Line three is dynamic, but has gone beyond the central place and has no correlate above. He is cut off from the first line by the intervening second line, and therefore cannot do much against her. But since his aim is to repress her, there will be no great error.
NOTES AND PARAPHRASES
Liu: The man is tempted to join with the inferior element. Circumstances prevent this, leaving him with a painful decision. The position is perilous, but a clear insight will prevent great errors.
Wing: Although you are tempted to fall into an inferior situation, you are held back in spite of yourself. You must now resolve this indecisive conflict. Give it a great deal of thought, gain some insight, and you can avoid mistakes.
Editor: Line four of hexagram number forty-three also describes "One from whom whose buttocks the skin has been stripped.” Since hexagram forty-four and hexagram forty-three are upside down images of each other, it is interesting to note that lines three and four swap places with very similar images. Note the difference between them however -- in the present instance no blame is attached to the position. It is a good rendering of the stresses of temptation, of the discipline required to resist any compulsion. Sometimes the line suggests that you may only be able to affect the situation in a limited way. At its most neutral, it's an image of walking a tough path.
But it is to be known that no one is regenerated without temptation; and that many temptations succeed, one after another. The reason is that regeneration is effected for an end; in order that the life of the old man may die, and the new life which is heavenly be insinuated. It is evident therefore that there must certainly be a conflict; for the life of the old man resists and determines not to be extinguished; and the life of the new man can only enter where the life of the old is extinct. Swedenborg -- Arcana Coelestia
A. A difficult position. Cope with care and sensitivity. Don't surrender to circumstances.
B. You have not yet yielded to temptation and can still escape its consequences.
Line 4
Legge: The fourth line, dynamic, shows its subject with his wallet, but no fish in it. This will give rise to evil.
Wilhelm/Baynes: No fish in the tank. This leads to misfortune.
Blofeld: No fish in the bag -- this gives rise to misfortune.
Liu: No fish in the kitchen -- that brings misfortune.
Ritsema/Karcher: Enwrapping without fish. Rising-up: pitfall.
Shaughnessy: The wrapper has no fish; to be upright is inauspicious.
Cleary (1): No fish in the bag causes trouble.
Wu: There is no fish in the wrapping. If he raises an issue here, it will be foreboding.
COMMENTARY
Confucius/Legge: This is because he keeps himself aloof from the people. Wilhelm/Baynes: The misfortune comes from his having kept aloof from the people. Blofeld: Misfortune in the sense of being remote from the people. Ritsema/Karcher: Distancing the commoners indeed. Cleary (2): The misfortune of having no fish is that of alienating people. Wu: He is far from it.
Legge: The fourth line is the proper correlate of line one, but she has already locked horns with line two, leaving four to stand alone. It is implied that this isolation is owing to his impatience. If he could exercise forbearance, he would find a proper opportunity to check the first line's advance.
Wilhelm: Insignificant people must be tolerated in order to keep them well disposed. Then we can make use of them if we should need them. If we become alienated from them and do not meet them halfway, they turn their backs on us and are not at our disposal when we need them. But this is our own fault. The fourth place is that of the minister. The six at the beginning stands here for the inferior, lowly people. There is a relationship of correspondence between the two lines. Furthermore, it would be the duty of the official to keep in touch with the people. But this has been neglected. The line belongs to the trigram Ch’ien, hence strives upward, away from the people below. By doing this it attracts misfortune to itself.
Anthony: No fish in the tank. Being brusque with others when their inferiors approach comes from our inferiors. In learning from the I Ching, our inferiors, which have been disciplined, become intolerant of undisciplined inferiors in others. This harshness, however, is not a good servant, although there is no great blame. It is best, however, to avoid alienating others by correcting the envious or superior attitude of our inferiors. If we have already alienated others, it is best to bear their dislike with composure.
NOTES AND PARAPHRASES
Siu: The man keeps himself aloof from the common people. He will lose their help when needed.
Wing: Do not become so aloof that you lose contact with people of lesser importance. You may need their help and support sometime in the future. If you do not communicate with them now, they will not be able to help you later. Misfortune then follows.
Editor: Psychologically interpreted, a fish symbolizes an entity dwelling in the watery unconscious: a drive, affect, complex or insight, perhaps. In line two, these creatures are confined in a wallet, tank or wrapping, but here they have escaped confinement (comprehension). Wilhelm/Baynes’ image of a “fish tank” (aquarium) suggests a container (form) without content: if the container (hypothesis) “doesn’t hold water,” no fish (viable truth) can live therein. Some kind of avoidance is indicated because the Confucian commentary tells us that this line, in the minister's place, is neglecting his duties to "the people," symbolized by line one. One way to be "aloof from the people" (either as inner complexes or persons in the outer world) is to avoid dealing with them -- we flee difficult situations because we refuse to cope with the stresses they evoke. Sometimes this is wise policy, here perhaps it is cowardice: we have yielded to the Temptation of denial: the Work is not furthered when we avoid its challenges. The line can sometimes suggest that you have misunderstood a previous oracle: you are "out of touch."
It is not always realized that a large majority of those living in the physical universe are not really in contact with it at all but are wandering most of the time in a subjective dream world of their own. Gareth Knight -- Qabalistic Symbolism
A. Something substantive is missing from your capacity to resolve the problem at hand. What are you avoiding?
B. "Out of touch" -- a lack of insight or imagination. Whatever “the people” may symbolize in your query, they are being neglected.
C. Form without content: Your hypothesis doesn’t hold water.
Line 5
Legge: The fifth line, dynamic, shows its subject as a medlar tree overspreading the gourd beneath it. If he keeps his brilliant qualities concealed, a good issue will descend from heaven.
Wilhelm/Baynes: A melon covered with willow leaves. Hidden lines. Then it drops down to one from heaven.
Blofeld: The medlar leaves wrapping the melon hide its beauty. Something falls from heaven. [This is more or less equivalent to hiding our light under a bushel.]
Liu: The melon lies under the medlar tree. The glory is hidden. Something (blessing) comes down from heaven.
Shaughnessy: With jealousy wrap the gourd; it contains a pattern; something drops from the heavens.
Cleary (1): Wrapping a melon in river willow. Hiding embellishments, being detached, one realizes the celestial self.
Cleary (2): Wrapping a melon in river willows, containing brilliance, there is a descent from heaven.
Wu: He uses willow branches to wrap a melon to protect its beautiful patterns, as if a mandate had come from heaven.
COMMENTARY
Confucius/Legge: His qualities are kept concealed because of his central and correct position. His aim does not neglect the ordinances of heaven. Wilhelm/ Baynes: It is in the middle and correct. Because the will does not give up what has been ordained. Blofeld: What is willed is consonant with heaven's decrees. Ritsema/Karcher: Centering correctness indeed. Purpose, not stowing-away fate indeed. Cleary (2): Balanced correctly. Aspiration not disregarding destiny. Wu: He is central and correct. He does not intend to compromise his prerogatives.
Legge: Line five is dynamic and in the ruler's place. His relationship to the first line is like that of a forest tree to a gourd growing beneath it. Force must not be used to repress or destroy the growth of line one. He must restrain himself and keep his excellence concealed. Then heaven will set a seal to his virtue. While mindful of his task of repressing the growth of the first line, he keeps his wise plans concealed until the time for carrying them into execution. Then comes the successful stroke of his policy as if it were directly from heaven.
NOTES AND PARAPHRASES
Siu: The man is well disposed toward his subordinates, tolerates their weaknesses, and protects their welfare. He is modest about his talents and does not resort to outward show or tireless admonition.
Wing: The superior person now relies upon the correctness of his principles and the force of his character to achieve an effect. He works quietly from within. His will is consonant with the direction of the cosmos, and he attains his aim.
Von Franz: “Hidden lines” means in China a pattern of the Tao which man does not yet know and which, when it becomes suddenly conscious to him after a ripening process in the unconscious, is compared with the falling of a ripe fruit from above. So the oracle evidently means that the melon represents a latent conscious order within the darkness, which suddenly and unexpectedly becomes manifest. [The Dream of Descartes]
Editor: Most of the translators render "gourd” as "melon” --a fruit described as beautiful or glorious. The image is of a fruit ripening unseen beneath sheltering leaves. (Every gardener has experienced the surprise of finding a large fruit or vegetable which grew hidden in such a fashion.) Ritsema/Karcher say the ideogram contains the meanings of: "enfold and self, a fetus in the womb.” Wilhelm says: "We entrust the fruit in our care entirely to its own natural development. Then it ripens of its own accord.” The line usually suggests the promise of future reward or sometimes can be a warning not to interfere with a natural process.
A fruit plucked before maturity rots and gets spoiled. A wound bleeds if you remove the scab before time, but when the wound is healed it drops off of itself. Sri Ramakrishna
A. Don't meddle in a growth process -- allow the situation to develop naturally.
Line 6
Legge: The sixth line, dynamic, shows its subject receiving others on his horns. There will be occasion for regret, but there will be no error.
Wilhelm/Baynes: He comes to meet with his horns. Humiliation. No blame.
Blofeld: It rubs against things with its horns -- regret, but no error! [We shall regret our inability to progress, even though we are not at fault.]
Liu: Encountering on the horns. Humiliation, but no mistake.
Shaughnessy: Meeting its horns; distress; there is no trouble.
Cleary (1): Meeting the horn is humiliating. No blame.
Wu: He tries to meet the yin with his horns and is embarrassed. No error.
COMMENTARY
Confucius/Legge: He is exhausted at his greatest height, and there will be cause for regret. Wilhelm/Baynes: At the top it comes to an end, hence humiliation. Blofeld: Regret owing to the complete exhaustion of our powers. Ritsema/Karcher: Exhausting abashment above indeed. Cleary (2): The humiliation of coming to an impasse above. Wu: This is a desperate move from the highest position.
Legge: The K'ang-hsi editors say: "The subject of this line is like an officer who has withdrawn from the world. He can accomplish no service for the time, but his person is removed from the workers of disorder. He does nothing to repress their advance, but keeps himself from evil communication with them."
NOTES AND PARAPHRASES
Siu: After his retirement from the everyday world, the man rebuffs the low and the inferior who come to him. He is blamed and reproached for his noble pride. Since he is no longer active in the world, he is able to bear criticisms with composure and continues to speak forthrightly without error.
Wing: Even if you withdraw from an inferior element and reject it openly, it will still be there. You will be thought proud and aloof. It would be more practical and less humiliating to retreat quietly. Nevertheless, you are not to blame for your actions.
Editor: Line six meets line one on its horns -- not as a direct attack as much as a petulant warning. (One is reminded of how an adult animal might nip or butt an importunate youngster in irritation, but with no real intent to inflict harm.) It's an image of a harsh rebuff which, though impolite, is not necessarily unjustified. Note that although Confucius emphasizes that there will be cause for regret, the original line ends with "no blame." Since the Self seldom shows much consideration for the ego's feelings, we must assume that there are situations when the ego may do likewise with others. At its most neutral, we have an image of exhausted irritability: unpleasant perhaps, but understandable.
I am a rough man, born in a rough country; I have been brought up in pine-woods, and I may have inherited some knots. That which seems to me polite and amiable may appear unpolished to another, and what seems silk in my eyes may be but homespun to you. Paracelsus
A. Fatigue and petulance prevent resolution of the matter at hand. Withdraw from contention for now. Perhaps you are trying too hard to force (or grasp) the issue.
B. An inferior force repulsed.
C. Could be an "attitude problem." You're tired, cross, impatient, (maybe scared), and being excessively defensive about your position.
D. There's no law that requires you to suffer fools gladly.
E. A plausible (albeit regrettable) response to being “rubbed the wrong way.”
24 Return
Other titles: The Turning Point, The Symbol of Returning, Revival, Recovery, To Repeat, Renewal, Restore, Return to the Way, Cyclic Repetition, "Return to virtue or happier conditions." -- D.F. Hook
Judgment
Legge: Progress and freedom of action are found in Return. Goings and comings are unimpeded, and friends approach without error. Return to repeat the proper course. Seven days returns the cycle to its beginning. There is advantage in choosing one's path.
Wilhelm/Baynes:Return. Success. Going out and coming in without error. Friends come without blame. To and fro goes the way. On the seventh day comes return. It furthers one to have somewhere to go.
Blofeld: Return. Success! All going forth and coming in is free from harm. [For it is only when the whole series is completed that we can understand the reasons for many things (death, winter and so on) which, at the time, seemed unproductive, negative or positively evil.] Friends arrive and no error is involved. They return whence they came, spending seven days in all upon their coming and returning. It is favorable to have in view some goal (or destination).
Liu:Return:success. One goes out and comes back in without harm. Friends arrive without blame. Going to and fro is the way. Returning on the seventh day. It benefits one to go anywhere. [Return or Revival signifies a bad time becoming better... Anyone receiving this hexagram should prepare for a great opportunity...]
Ritsema/Karcher:Returning, Growing. Issuing-forth, entering, without affliction. Partnering coming, without fault. Reversing Returning one's tao. The seventh day coming: Returning. Harvesting: possessing directed going. [This hexagram describes your situation in terms of something that is re-emerging. It emphasizes that going back to the starting point in order to begin anew is the adequate way to handle it. To be in accord with the times you are told to return!]
Shaughnessy:Returning: Receipt; in exiting and entering there is no illness; when the burying comes there is no trouble; turning around and returning to its way, in seven days it comes in return; beneficial to have someplace to go.
Cleary (1): Return is developmental. Exiting and entering, there is no ill. When a companion comes, there is no fault. Reversing the path, returning in seven days, it is beneficial to have a place to go.
Cleary (2):Return is successful, etc. … Returning back on the path, etc.
Wu:Renewal is pervasive. He who comes and goes will have no error. Friends come without harm. The course repeats itself. In seven days, one cycle of reversion completes. There will be advantage to have an undertaking.
The Image
Legge: Thunder in the middle of the earth -- the image of Return. Thus the ancient kings closed the passes on the day of the winter solstice to prevent travelers from pursuing their journeys, and princes from inspecting their states.
Wilhelm/Baynes: Thunder within the earth: the image of The Turning Point. Thus the kings of antiquity closed the passes at the time of the solstice. Merchants and strangers did not go about, and the ruler did not travel through the provinces.
Blofeld: This hexagram symbolizes thunder in the bowels of the earth. [The component trigrams in this position suggest thunder coming from under the earth; but the trigram of thunder also means to sprout or quicken; it is this concept of a quickening within the earth that makes this hexagram generally favorable.] The ancient rulers closed the passes during the solstices [The solstices were times for solemn sacrifice; it has always been the practice in China for people to return to their homes for the celebration of the great yearly festivals. Return in this sense is highly auspicious.] and the merchants were unable to travel. Even the rulers abstained from touring their territories at those times.
Liu: Thunder in the earth symbolizes Return. Thus in ancient times the kings closed the roads during the winter solstice. Merchants and travelers ceased traveling. And rulers would not visit their territories.
Ritsema/Karcher: Thunder located-in earth center. Returning. The Earlier Kings used culminating sun to bar the passages. Bargaining sojourners [used culminating sun] not to move. The crown-prince [used culminating sun] not to inspect on-all- sides.
Cleary (1): Thunder is in the earth; Return. Thus did the kings of yore shut the gates on the winter solstice; caravans did not travel, the ruler did not inspect the regions.
Wu: Thunder is inside the earth; this is Renewal. Thus on the day of the winter solstice, the ancient kings ordered the city gates closed, so that merchants and travelers could take a break of their journeys; the kings refrained from performing official duties.
COMMENTARY
Confucius/Legge:Return shows the coming back of the dynamic principle. His actions show movement directed in accordance with the natural order. Such is the movement of the heavenly cycle. The dynamic lines are growing and increasing. Do we not see inReturn the mind of heaven and earth?
Legge: Return symbolizes the idea of coming back or over again. The previous hexagram showed the ascendancy of inferior forces, when all that is good in nature or society yields before what is bad. But change is eternal, and here we see the beginnings of recovery from the former situation. Return is associated with the time of the winter solstice when the sun begins its journey back toward summer. In harmony with these cycles in nature are the cycles in human affairs.
The dynamic bottom line is the first line of the trigram of Movement, and the upper trigram is that of Docility. The dynamic returning line will meet with no resistance and all the magnetic lines above it will be transformed into allies. The bright quality will be developed brighter and brighter from day to day and month to month.
"In seven days brings return" refers to the idea of a new cycle commencing when each of the six lines of a hexagram has changed -- the "seventh line," or seventh day begins a new cycle just as Sunday begins a new week.
Thunder in the midst of the earth is thunder shut up and silent, just able to make its presence felt. So it is with the first stirrings of life after the winter solstice and the first returning steps of the wanderer to virtue. As the spring of life has to be nurtured in quietness, so also the purpose of goodness.
Wilhelm: The hexagram of RETURN, applied to character formation, contains various suggestions. The light principle returns; thus the hexagram counsels turning away from the confusion of external things, turning back to one’s inner light. There, in the depths of the soul, one sees the Divine, the One. It is indeed only germinal, no more than a beginning, a potentiality, but as such clearly to be distinguished from all objects. To know this One means to know oneself in relation to the cosmic forces. For this One is the ascending force of life in nature and in man.
NOTES AND PARAPHRASES
Judgment: The Work is recycled, perfected and refined over and over again.
The Superior Man pauses before he begins anew.
The mention of seven days in the Judgment and the winter solstice in the Image tells us that the hexagram of Return deals with cyclic progression.
In the I Ching, the hexagram fu, signifying the Return (one yang line beneath five yin lines) is the symbol of the rebirth of the Yang. At the winter solstice, the Yang seems to have disappeared, whereas the Yin is at its full; but this is the moment when the Yang is reborn and begins its return. Symmetrically, at the summer solstice the Yang is at the apogee of its power while the Yin prepares to return. The alteration of the Yin and the Yang is a going away and a coming back. Max Kaltenmark -- Lao Tzu and Taoism
Seven days is one-quarter of a lunar cycle and the module upon which a week is based. The Sabbath day is the seventh day and a day of rest in the Hebrew tradition, as was also the day of the new moon. The "closing of the passes" in the Image is another expression of the idea of resting at the beginning of a new cycle. To refrain from activity at these times was a sacrifice and a spiritual obligation. The concept behind it is the acknowledgment of one's Source, a review of the past cycle and a meditation upon the new cycle just beginning. Psychologically interpreted, forces in the unconscious psyche demand a pause before their dance can resume.
A special atmosphere of solemn celebration surrounded the Sabbath, which was thoroughly pervaded with Kabbalistic ideas about man's role in the unification of the upper worlds. Gershom Scholem -- Kabbalah
Although the Chinese observed no “Sabbath” that I am aware of, the idea of a rest at the commencement of a cycle is clearly intended in this hexagram. In terms of the Work, one eventually becomes aware of cycles and rest periods, even if one never noticed them previously. When one learns how to synchronize conscious awareness with these inner rhythms, the tempo of the Work begins to accelerate.
"There is advantage in choosing one's path" is rendered by Wilhelm as: "It furthers one to have somewhere to go." The idea is that when you are consciously on a path, the cycles begin to work in your favor. Instead of a monotonous round of inconclusive and random events, one's life takes on structure and purpose and inner progress becomes discernable.
Conforming to the rhythm of the universe is the prerequisite of wisdom in all Chinese thinking. But the Taoist mystic has greater ambitions than his ordinary compatriots: the question for him is not merely of adapting his ritual and hygienic observances to the alternation of the seasons; he intends to escape from the determinism of life and death by transcending it. This is what enables him to attain inner emptiness: he does not merely witness the return of all creatures to their origin, he precedes them to that origin. Max Kaltenmark -- Lao Tzu and Taoism
Every line of this hexagram refers to returning to the proper path, so the hexagram can imply that perhaps you have strayed from the Work to one degree or another. Without changing lines, it can mean to rest at the beginning of a cycle, or to get back on course: re-attune yourself with the current phase of the Work.
You have noticed that everything an Indian does is in a circle, and that is because the Power of the World always works in circles, and everything tries to be round. In the old days when we were a strong and happy people, all our power came to us from the sacred hoop of the nation, and so long as the hoop was unbroken, the people flourished. Black Elk