One rejects the distinctions that come from hard work in the service of a common cause. taoscopy.com
Breakthrough 43
Break through obstacles with determination and clarity. Confront negativity openly while maintaining integrity and wisdom. The truth must be revealed, yet patience is required.
↓ Line 1
Be cautious in taking the first step. Overconfidence can lead to mistakes.
↓ Line 2
Stay vigilant and prepared, but do not let fear control you.
↓ Line 3
Standing firm in one's beliefs may lead to isolation and criticism, but it is necessary.
↓ Line 4
Struggles and difficulties are present, but following guidance can alleviate remorse.
↓ Line 6
Ignoring warnings and failing to act can lead to misfortune.
↓ Contemplation 20
Pause and observe the world around you. Gain clarity by distancing yourself from immediate involvement, allowing for a broader perspective. Insight comes from seeing both the big picture and the subtle details.
Original Readings
43 Breakthrough
Other titles: Break-through, The Symbol of Decision, Resolution, Determination, Parting, Removing Corruption, Eradication
Judgment
Legge: Recognizing the risks involved in criminal prosecution, justice demands a resolute proof of the culprit's guilt in the royal court. One informs one's own city that armed force is not necessary. In this way progress is assured.
Wilhelm/Baynes:Break-through. One must resolutely make the matter known at the court of the king. It must be announced truthfully. Danger. It is necessary to notify one's own city. It does not further to resort to arms. It furthers one to undertake something.
Blofeld: Resolution. When a proclamation is made at the court of the King, frankness in revealing the true state of affairs is dangerous. [In vital matters, frankness may prove dangerous.] In making announcements to the people of his own city, it is not fitting for the ruler to carry arms. [It is better to repose trust in our own people.] It is favorable to have some goal (or destination).
Liu: Determination. Someone is proud in the king's court, and the king trusts him. If one exposes the truth, danger. It must be told to one's own people. Using force does not benefit. It does benefit to do something else. [You must decide how to deal with a situation before it reaches a dangerous point, or things will take their own course and overwhelm you.]
Ritsema/Karcher:Parting, displaying tending-towards kingly chambers. Conforming, crying-out, possessing adversity. Notifying originates from the capital. Not Harvesting: approaching arms. Harvesting: possessing directed going. [This hexagram describes your situation in terms of separation and diverging directions. It emphasizes that resolutely dividing your energies is the adequate way to handle it...]
Shaughnessy:Resolution: Raised up at the royal court, returning crying out; there is danger. Announcing from the sky; not beneficial to regulate the belligerents; beneficial to have someplace to go.
Cleary (1): Parting is lauded in the royal court. The call of truth involves danger. Addressing one’s own domain, it is not beneficial to go right to war, but it is beneficial to go somewhere. [The royal court is the abode of the mind-ruler, where true and false are distinguished.]
Cleary (2): Decision is brought up in the royal court. A sincere statement involves danger, etc.
Wu:Eradication indicates a conceited pronouncement in the royal court on the one hand, and a concerted call for vigilance on the other. It is essential to make the danger known to the people, but not to resort to force now. It is advantageous to have undertakings.
The Image
Legge: The image of the waters of a marsh mounting over heaven forms Resoluteness. The superior man, in accordance with this, does not hoard his wealth, but shares it with his subordinates.
Wilhelm/Baynes: The lake has risen up to heaven: the image of Break-through. Thus the superior man dispenses riches downward and refrains from resting on his virtue.
Blofeld: This hexagram symbolizes a marshy lake being drawn (sucked) towards the sky. The Superior Man distributes his emoluments to those below; dwelling in virtue, he renounces them.
Liu: The lake ascends to heaven, symbolizing Determination. The superior man distributes wealth below him, without displaying his favors.
Ritsema/Karcher: Above marsh with-respect-to heaven. Parting. A chun tzu uses spreading-out benefits to extend to the below. A chun tzu uses residing-in actualizing tao, by- consequence keeping-aloof. [Actualize-tao: Ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being what it is meant to be.]
Cleary (1): Moisture ascends to heaven, which parts with it. Thus do superior people distribute blessings to reach those below, while avoiding presumption of virtue. [After people get mixed up in temporal conditioning, the discriminatory consciousness takes charge of affairs; wine and sex distract them from reality, the lure of wealth deranges their nature, emotions and desires well forth at once, thoughts and ruminations arise in a tangle, and the mind-ruler is lost in confusion. Because habituation becomes second nature over a long period of time, it cannot be abruptly removed. It is necessary to work on the matter in a serene and equanimous way, according to the time: Eventually discrimination will cease, and the original spirit will return; the human mind will sublimate and the mind of Tao will be complete – again you will see the original self.]
Cleary (2): … If they presumed on their virtue, they would be resented.
Wu: The marsh rises to heaven; this is Eradication. Thus the jun zi distributes his emolument to those below and is loath to monopolize virtues.
COMMENTARY
Confucius/Legge: Resoluteness is the symbol of displacing or removing. We see the dynamic lines displacing the magnetic line. The figure displays the attributes of Strength and Cheerfulness. There is displacement, but harmony continues. The exhibition of the criminal's guilt in the royal court is shown by the magnetic line mounted on five dynamic lines. The awareness of danger and appeal for justice makes the matter clear. If he has recourse to arms, what he prefers will soon be exhausted. When the advance of the dynamic lines is complete, there will be an end to displacement.
Legge:Resoluteness represents the third month when the last vestige of winter, represented by the sixth line, is about to disappear before the advance of summer. The single yin line at the top symbolizes an inferior man, a feudal prince or high minister who is corrupting the government. The five yang lines below are the representatives of good order. The lesson of the hexagram is how to remove corruption from the kingdom. He who would do this must do so by the force of his character more than the force of arms. Never forgetting the dangerous nature of his undertaking, he must openly denounce the criminal in the court and awaken general sympathy to his cause. Among his own adherents ("In his own city") he must prevent any tendency to resort to armed conflict. As a worthy statesman he is not motivated by private feelings.
Hu Ping-wen says: "If but a single inferior man is left, he is sufficient to make the superior man anxious; if but a single inordinate desire be left in the mind, that is sufficient to disturb the harmony of the heavenly principles. The eradication in both cases must be complete, before the labor is ended."
NOTES AND PARAPHRASES
Judgment:Resoluteness involves astute discernment of what is wrong and a discreet re-establishment of order without polarizing the situation. Be clear in your own strategy, but let common sense be your guide about how much you need to disclose to others. Avoid aggression at all costs.
The Superior Man maintains equilibrium by distributing his energy equitably -- he smoothes things out.
The forty-third hexagram is an image of the eradication of an inferior force from the situation at hand: five yang lines resolutely advance on the single yin line, which is about to be pushed out of the hexagram at the top. This is a negative image of the twenty-third hexagram, Disintegration, which shows the opposite situation of five lower yin lines undermining one upper yang line. It is instructive to compare the nearly identical message for the superior man in the Images of each of these figures. The idea is one of fostering an equitable distribution of energy within the situation -- Disintegration and the Resoluteness required to rectify it are extreme situations requiring extreme measures. Such extremes must always be neutralized through a justly distributed balance of forces.
It's not the concern of law that any one class in the city fare exceptionally well, but it contrives to bring this about for the whole city, harmonizing the citizens by persuasion and compulsion, making them share with one another the benefit that each class is able to bring to the commonwealth. And it produces such men in the city not in order to let them turn whichever way each wants, but in order that it may use them in binding the city together. Plato --The Republic
Compare the nuances of meaning in each translation of the Judgment. Wilhelm's is most radical, advising a direct (albeit dangerous), expose of what is wrong. Most of the others imply room for discretion about what needs to be revealed. Diplomacy is the art of knowing when full- disclosure only prevents resolution of the problem. Ritsema/Karcher allude to the proper mind-set required to manage such situations: "[A chun tzu uses] residing-in actualizing tao, by-consequence keeping-aloof." To "reside in actualizing tao," is to live directly from one's essence, and when this is associated with "keeping-aloof" we get an image of quietly rectifying a situation without revealing our purpose or strategy.
Psychologically interpreted,Resoluteness, like Disintegration, depicts an extreme situation which must first be rectified, then prevented from re-occurring through the maintenance of a just balance of power which is administered by the ego under the will of the Self.
Line 1
Legge: The first line, dynamic, shows its subject in the pride of strength, advancing with his toes. He goes forward, but will not succeed. There will be ground for blame.
Wilhelm/Baynes : Mighty in the forward-striding toes. When one goes and is not equal to the task, one makes a mistake.
Blofeld: To set out with a great show of strength, advance, but win no success is shameful. [That is, we should not voluntarily and somewhat boastfully take on a difficult task, unless we are sure of success.]
Liu: Power in toes moving forward. If one goes and lacks ability, he makes a mistake.
Ritsema/Karcher: Invigorating tending-towards the preceding foot. Going not mastering, activating faulty.
Shaughnessy: Mature in the front foot; to go will not be victorious, but will be trouble.
Cleary (1): Vigor in the advancing feet, going but not prevailing, this is faulty.
Wu: He has strong toes. If he acts in a rash way and is not able to get his job done, he will be blamed.
COMMENTARY
Confucius/Legge: Without being able to succeed he goes forward -- this is an error. Wilhelm/Baynes: When one goes without being equal to the task, it is a mistake. Blofeld: This illustrates the shame involved in taking on something and then failing. Ritsema/Karcher: Not mastering and also going. Fault indeed. Cleary (2): To go without prevailing is faulty. Wu: Acting in a rash way with no ability to get his job done is a mistake.
Legge: Line one, the first line in the lower trigram of Strength, is in the lowest place in the hexagram. The stage of the enterprise is too early and the preparation too small to make victory certain. He had better not take the field.
NOTES AND PARAPHRASES
Siu: At the outset, the man presses forward prematurely without sufficient preparation and strength. Initial setbacks due to blind miscalculations are grounds for blame.
Wing: Despite strong resolve, beginnings are the most difficult and dangerous of times. Be certain that you are equal to the task you have in mind. A mistake now could become an insurmountable setback. Better rethink this one.
Editor: Compare this line with the first line in hexagram number thirty-four, Great Power,in which an almost identical idea is presented.
"Work-addiction," the "manager disease," the compulsive need of always having to do something in order to appear busy, also indicates the inability of modern man to find a meaning in life. E.C. Whitmont -- The Symbolic Quest
A. Don't force the issue. You aren't equal to the consequences of your impulses.
B. "Don't bite off more than you can chew."
Line 2
Legge: The second line, dynamic, shows its subject full of apprehension and appealing for sympathy and help. Late at night hostile measures may be taken against him, but he need not be anxious about them.
Wilhelm/Baynes: A cry of alarm. Arms at evening and at night. Fear nothing.
Blofeld: Though disturbed by cries in the night, he who is armed knows no fear. [It is well to be forearmed.]
Liu: A cry of warning. One arms at night against the unexpected without fear.
Ritsema/Karcher: Awe, an outcry. Absolutely-no night-time, possessing arms. No cares.
Shaughnessy: Softly crying out; at dusk and at night there are belligerents; do not pity them.
Cleary (1): If one is cautious and alert, though there be armed troublemakers in the night, one need not worry.
Cleary (2): When there is a cry of alert, even if there are attackers in the night, there is no worry.
Wu: There is a warning of violence at night, but nothing to worry.
COMMENTARY
Confucius/Legge: He pursues the course of the due mean. Wilhelm/ Baynes: Despite weapons, no fear -- because one has found the middle way. Blofeld: Being armed and fearless is indicated by the central position of this line. Ritsema/Karcher: Acquiring centering tao indeed. Cleary (2): Because one has attained balance. Wu: Having the central position.
Legge: Line two is dynamic and central -- possessed with determination to do his part in the work of removal. But his eagerness is tempered by being in a magnetic place, and he is cautious. However artful they may be, no attempts to harm him will take effect.
NOTES AND PARAPHRASES
Siu: The man remains alert to unseen dangers at all times. Hostile measures against him will fail even at night because of his guarded alertness.
Wing: It is best now to develop a continuous caution and inner strength. Behave as though you are constantly in danger. Through intense awareness you gain in security and need not fear difficulties.
Editor: Psychologically, "late at night" is when consciousness is asleep and vulnerable and when autonomous forces within the psyche are most powerful. However, this line displays a strength that is balanced and conscientious: despite anxiety he is able to take care of himself. The line can be a warning to prepare yourself against approaching stress.
If by setting one's heart right every morning and evening, [a samurai] is able to live as though his body were already dead, he gains freedom in the Way. His whole life will be without blame, and he will succeed in his calling. Yamamoto Tsunetomo -- The Book of the Samurai
A. Vulnerable, yet protected: "Forewarned is forearmed."
B. Balanced perception protects the Work from the excesses of unconscious forces.
Line 3
Legge: The third line, dynamic, shows its subject about to advance with strong and determined looks. There will be evil. But the superior man, bent on cutting off the criminal, will walk alone and encounter the rain, till he be hated by his proper associates as if he were contaminated by the others. In the end there will be no blame against him.
Wilhelm/Baynes: To be powerful in the cheekbones brings misfortune. The superior man is firmly resolved. He walks alone and is caught in the rain. He is bespattered, and people murmur against him. No blame.
Blofeld: Strength in the cheekbones -- misfortune! [Making a parade of our strength.] The Superior Man is firmly determined; but if, while walking alone in the rain, he is irked by the mud, he is not to be blamed for that. [Nothing must deflect us, but a little grumbling at unpleasantness is in order.]
Liu: To display too much strength in the face -- misfortune. The superior man is determined. He walks alone through the rain. He gets wet. He is unhappy. No blame.
Ritsema/Karcher: Invigorating tending-towards the cheek- bones: Possessing a pitfall. A chun tzu: Parting, Parting. Solitary going, meeting rain. Like soaking, possessing indignation. Without fault.
Shaughnessy: Mature in the cheekbones; there is inauspiciousness. The gentleman so broken-up moves alone, meeting rain that is like moistening; there are hot springs; there is no trouble.
Cleary (1): Vigor in the face has bad luck. A superior person leaves what is to be left; going alone, encountering rain and so getting wet, there is irritation, but no fault.
Cleary (2): Vigor in the face involves misfortune. Developed people part decisively and travel alone. Encountering rain, if they get wet there is irritation but no fault.
Wu: He has strong cheekbones. Foreboding. The jun zi is determined to eradicate the little man. Walking alone, he encounters rain and gets wet. He is angry, but not to be blamed.
COMMENTARY
Confucius/Legge: The superior man looks bent on cutting off the culprit – there will in the end be no error. Wilhelm/Baynes: Ultimately this is not a mistake. Blofeld: The resolutely determined Superior Man is blameless to the end. Ritsema/Karcher: Completing without fault indeed. Cleary (2): Developed people part decisively and are faultless in the end. Wu: (He) will not be blamed in the end.
Legge: Line three is dynamic, and displays his purpose too eagerly. Being beyond the central position gives an indication of evil. Lines three and six are also proper correlates, and as elsewhere in theI Ching, the meeting of yin and yang lines is associated with falling rain. Line three, therefore, communicates with line six in a way that annoys his associates. Nevertheless, he commits no error, and in the end incurs no blame.
NOTES AND PARAPHRASES
Siu: The man displays his purposes too openly. The superior man does not show outward hostility when bent on cutting off the criminal, since the time is not ripe and the inferior man will endanger the situation through countermeasures. He resolves the difficulty by maintaining outward politeness, avoiding recriminations, and awaiting the propitious opportunity. Although he is misunderstood and maligned by the multitude, there will be no blame in the end.
Wing: Your struggle against an adversary is one you must approach alone. Although your entire milieu may be against this foe, the battle is still yours. In overcoming this difficulty, you may temporarily align yourself with it. This looks bad and you are misunderstood but you remain without error in the end.
Editor: Rain symbolizes the union of heaven and earth -- male with female, thought with feeling. It means encountering the truth -- making a "fertile connection." Psychologically, this line suggests the travail and turmoil involved in coming to grips with an unpleasant truth or duty. The superior man's "associates" are those complexes in the psyche which prefer not to cope with the situation. The misfortune of being "strong in the cheekbones" suggests that determined action accomplishes more than expressions of righteous indignation.
And he who takes his hand from the plough of his immediate Earthly duty, (which is a Cosmic and Spiritual duty also, however much familiarity may tend to breed contempt), will never by that act attain to his heavenly home in the stars. The furrow awaits his tilling – and until it be tilled, and the seed sown, and the harvest garnered and gathered in -- his place remains in Earth, with the added burden of rooting out the weeds and breaking up the clodded sods brought about by his own neglect and spiritual defection. Gareth Knight -- Qabalistic Symbolism
A. Bite the bullet and do what needs to be done without making a big deal out of it.
B. You are stuck with an unpopular but necessary duty.
Line 4
Legge: The fourth line, dynamic, shows one from whose buttocks the skin has been stripped, and who walks slowly and with difficulty. If he could act like a sheep led after its companions, occasion for repentance would disappear. But though he hear these words, he will not believe them.
Wilhelm/Baynes: There is no skin on his thighs, and walking comes hard. If a man were to let himself be led like a sheep, remorse would disappear. But if these words are heard they will not be believed.
Blofeld: His haunches have been flayed and he walks falteringly, though he could put an end to his shame by allowing himself to be dragged along like a sheep. Moreover, he puts no faith in the words of others. [Having recently suffered, we advance with hesitation and are unwilling to accept useful but rather humiliating assistance.]
Liu: He injures his thighs. He walks with difficulty. If he were to follow like a sheep, remorse would vanish. People will not believe his words when they hear them.
Ritsema/Karcher: The sacrum without flesh. One moves the resting-place moreover. Hauling-along the goat, repenting extinguished. Hearing words, not trustworthy.
Shaughnessy: The lips do not have skin; his movement is herky-jerky, pulling sheep; regret is gone; you will hear words that are not trustworthy.
Cleary (1): No flesh on the buttocks, not making progress. Leading a sheep, regret disappears. Hearing the words but not believing.
Cleary (2): With no flesh on the buttocks, one walks haltingly. Leading the sheep, regret disappears. The words heard are not believed.
Wu: His buttocks have no skin. He hobbles along. If he would lead away the sheep, there will be no regret; but he does not trust what he hears.
COMMENTARY
Confucius/Legge: He is not in the place appropriate to him. He hears, but does not understand. Wilhelm/Baynes: There is no clear comprehension. Blofeld: Having no faith in the words of others shows lack of intelligence. Ritsema/ Karcher: Understanding not brightened indeed. Cleary (2): Being out of place. Not hearing clearly. Wu: His position is improper.He does not understand it.
Legge: Line four is not in the center, nor in a place appropriate for a dynamic line. He therefore will not be at rest, nor do anything to accomplish the work of the hexagram. He is symbolized as a culprit who has been whipped. Alone he can do nothing. If he could follow others, like a sheep led along, he might accomplish something, but he will not listen to advice.
NOTES AND PARAPHRASES
Siu: The man is restless and wishes to enforce his will by stubbornly pushing forward. But he meets with insuperable antagonisms. Advice to desist and to follow others is ignored.
Wing: As you continue to push forward, you meet with one obstacle after the next. Your resoluteness has reached a degree where you cannot stop yourself. If you would submit to the difficult times and allow others to lead, your problems would resolve themselves. Such advice is meaningless, however, since you cannot be led.
Editor: The image here is clearly one of willful stubbornness. The harsh indictment is mitigated somewhat by Legge's Confucian commentary -- "He hears, but does not understand.” With all of the goodwill in the world, it is still possible to receive this line, and the commentary takes some of the sting out of it by saying that you simply haven't gotten the message yet. The Self is a terrible archetype -- far more like the wrathful Yahweh than the forgiving Christ, and there are phases of the Work in which no matter what you do, it seems to be wrong. One must learn to live with this fact.
The Lord leads the willing; He drags the unwilling in his wake. A. Rothberg -- The Sword of the Golem
A. You create hardship for yourself through your own stubbornness.
B. You haven't gotten the message yet. You don't understand, yet insist on pushing ahead anyway.
Line 6
Legge: The sixth line, magnetic, shows its subject without any helpers on whom to call. Her end will be evil.
Wilhelm/Baynes: No cry. In the end misfortune comes.
Blofeld: In the end, misfortune will come without warning.
Liu: Without a cry. Misfortune in the end. [If you get this line you will have difficulty in a new undertaking.]
Ritsema/Karcher: Without crying-out. Completing: possessing a pitfall.
Shaughnessy: There is no crying out; in the winter there is inauspiciousness.
Cleary (1): No call; in the end there is misfortune.
Wu: He has no one to call for help. It will be foreboding in the end.
COMMENTARY
Confucius/Legge: There is the misery of having none on whom to call-- the end will be that she cannot continue any longer. Wilhelm/Baynes: The misfortune of not crying out should in the end not be allowed to persist. Blofeld: This unheralded misfortune will be due to our failure to persist to the end. Ritsema/ Karcher: Without crying-out's pitfall. Completing not permitting long-living indeed. [Cry- out/outcry: HAO: call out, proclaim; signal, order, command; mark, label, sign.] Cleary (2): There cannot be growth at the end. [The five lines below epitomize the exhortations and admonitions of sages to the strong who gather together. Here one who is weak is at the top and even though correct is unable to call forth caution for preparedness, so in the end cannot grow.] Wu: The foreboding of having no one to call for help will come before long.
Legge: The subject of the sixth line, standing above, may be easily disposed of.
NOTES AND PARAPHRASES
Siu: Just as victory is at hand, the man finds no helpers to eradicate the remaining evil. The evil conceals itself, only to spring up again at a later time.
Wing: Danger comes from a seed of evil in your own Self, perhaps a self-delusion or conceit that blinds you. Just when you feel you may relax your resolve and continue without helpers, it will cause you to err. Misfortune.
Anthony: We need not harbor anger or hold onto bad memories to remind ourself that the situation is unresolved… We must leave correction or punishment of the evil inferiors to the Sage as this is not our province of action…
Editor: Despite Legge's one-sentence dismissal of this line in his annotation, there is a great deal of ambiguity here. Notice the range of interpretations for the Confucian commentary: none of them say the same thing in English and Wilhelm's is so labored as to be virtually meaningless. These are strong clues that the text may be ambiguous in the original Chinese. Because Blofeld's translation of HAO (out-cry) as "warning" makes plausible sense, at its most neutral the line can depict an unexpected catastrophe. Also note that although blame is implied for line six via the symbolic structure of the hexagram, its actual text contains no value judgment, and as a magnetic line it remains correctly placed at the top. To complicate things even further, the message can be interpreted as either the elimination or the escape of an inferior force and, depending on the context of the question, one can meditate for hours to ascertain what exactly is meant. In a differentiated multiverse, there will always be forces requiring reconciliation and synthesis: nothing is ever "eradicated.” If this is the only changing line, the new hexagram becomes The Dynamic, with a corresponding line depicting the consequences of arrogance.
The shadow cannot be eliminated. It is the ever-present dark brother or sister. Whenever we fail to see where it stands, there is likely to be trouble afoot. For then it is certain to be standing behind us. The adequate question therefore never is: Have I a shadow problem? Have I a negative side? But rather: Where does it happen to be right now? When we cannot see it, it is time to beware! E.C. Whitmont -- The Symbolic Quest
A. The image suggests the disempowerment of an inferior force. [Quarantine without allies results in elimination of authority or influence. A negative, inferior force is terminated due to lack of support.]
B. The image suggests a sudden, unexpected misfortune of some sort.
C. The image suggests a demonically stubborn force which escapes rectification.
D. You are alone without allies in a vulnerable position or questionable endeavor.
20 Contemplation
Other titles: View, The Symbol of Steady Observation, Looking Down, Observation, Viewing, Looking Up, Observing, Admiration, To Examine, Rulers and Their Subjects, Introspection, Perception, Contemplation of the Work
Judgment
Legge: Contemplation shows us a worshipper who has purified himself, but must still present his sacrifice with that dignified sincerity which inspires reverence.
Wilhelm/Baynes: Contemplation . The ablution has been made, but not yet the offering. Full of trust they look up to him.
Blofeld: Lookingdown.[This word often means “contemplation" and I have so translated it when the context so requires.] The ablution has been performed, but not the sacrifice. Sincerity inspires respect. [This is generally understood to mean that the first step has been taken or that one has bound oneself to follow a certain course...but that the main duties are yet to be performed.]
Liu:Observation. The hand-washing ritual is completed, but the sacrifice is still to come. All done and looked upon with sincerity.
Ritsema/Karcher:Viewing: hand-washing and-also not worshipping. Possessing conformity, like a presence. [This hexagram describes your situation in terms of something seen from a distance, out of immediate reach. It emphasizes that carefully observing and divining the meaning is the adequate way to handle it...]
Shaughnessy: Looking Up. Washing the hands but not making offering; there is a return with head held high.
Cleary (1): Observing, one has washed the hands but not made the offering; there is sincerity, which is reverent.
Wu:Admiration indicates a worshipper washing his hands in preparation for the offerings, but not participating in it. He shows sincerity and awe.
The Image
Legge: The image of earth and wind moving above it form Contemplation. The ancient kings, in accordance with this, examined the different regions of the kingdom to see the ways of the people, and set forth their instructions.
Wilhelm/Baynes: The wind blows over the earth: the image of Contemplation. Thus the kings of old visited the regions of the world, contemplated the people, and gave them instruction.
Blofeld: This hexagram symbolizes wind blowing across the earth. The ancient rulers visited the different regions to keep watch over their people and carefully instruct them.
Liu: The wind blowing over the earth symbolizes Observation. The ancient kings visited their territories, observed the people, and gave instruction.
Ritsema/Karcher: Wind moving above earth. Viewing. The Earlier Kings used inspecting on-all-sides, viewing the commoners to set-up teaching.
Cleary (1): Wind is over the earth, observing. Thus did the kings of yore set up education after examination of the region and observation of the people.
Cleary (2): Wind travels over the earth – observing.Kings of yore examined the regions and observed the people to set up education. [In Buddhist terms, the ancient Buddhas examined the “regions” of possible experience and observed the people in various states of being, then set up various teachings to accommodate them, just as the wind travels over the earth reaching everywhere.]
Wu: The wind pervades above the earth; this is Admiration. Thus the ancient kings inspected various regions of the country, observed the sentiments of the people, and laid down their instructions.
COMMENTARY
Confucius/Legge:Observation from above -- from the trigram of Flexibility surmounting the trigram of Docility. The ruler is in his correct central position, and thus exhibits his lessons to all below. He has purified himself, but not yet sacrificed. All beneath look to him and are transformed. When we contemplate the spirit-like way of heaven, we see how the four seasons proceed without error. The sages, in accordance with this spirit-like way, laid down their instructions, and all under heaven yield submission to them.
Legge: The Chinese character from which this hexagram is named is used in the sense of both seeing and being seen. The theme is the sovereign and his people -- how he shows himself to them, and how they in turn perceive him. The two dynamic lines at the top belong to the ruler, and the four magnetic lines below represent his subjects. In the Judgment the ruler is portrayed as a worshipper at the commencement of a sacrifice. He is the great Manifester in line five.
The lower trigram symbolizes earth, with the attribute of Docility; the upper trigram symbolizes wind, with the attributes of Flexibility and Penetration. Wind moving above the earth has the widest sweep, and nothing escapes its influence. The personal influence of the ruler effects much, but the ancient kings wished to add to that the power of published instructions which were specially adapted to the character and circumstances of the people.
The spirit-like way of heaven is the invisible order underlying the laws of nature. [Ed. Note: Ritsema/Karcher use the phrase: "Viewing Heaven's spirit tao... The all-wise person uses spirit tao to set-up teaching." Spirit(s), SHEN: independent spiritual powers that confer intensity on heart and mind by acting on the soul, KUEI; gods, daimons. Tao: way or path; ongoing process of being and the course it traces for each specific person or thing; keyword. The ideogram: go and head, leading and the path it creates.]
NOTES AND PARAPHRASES
Judgment: Contemplate your motivations and discern the purity of your intent. "Put your money where your mouth is.” or "Walk your talk.”
The Superior Man evaluates and rectifies his attitudes.
The "ancient kings” in the Image symbolize the creators of an original state of perfection -- an archetypal model toward which the superior man aspires. This idea is common to all mystical traditions, many of which depict this state in the image of an ideal or prototypical man. Here is a summary of the Gnostic conception:
Not only the body but also the "soul" is a product of the cosmic powers, which shaped the body in the image of the divine Primal (or Archetypal) Man and animated it with their own psychical forces: these are the appetites and passions of natural man, each of which stems from and corresponds to one of the cosmic spheres [i.e., planets] and all of which together make up the astral soul of man, his "psyche." H. Jonas -- The Gnostic Religion
In the Kabbalah, the template of this archetypal man (named Adam Kadmon) exists in each of the four realms of consciousness corresponding to intuition, intellect, emotion and sensation, and "he" is perceived as androgynous in all of these worlds except the last -- the "sensation” world of our physical spacetime reality.
The Adam of these first three worlds was androgynous. The Adam of the fourth world is the Adam of the expulsion, the Adam of flesh traversing the desert of his exile, and the Adam capable of reproducing himself now that he is no longer androgynous. C. Ponce -- Kabbalah
Considering that androgyny is one of the symbols used in the Western Mystery Tradition to depict the correct union of male and female forces within the psyche, we quickly recognize that the properly matched male and female correlate lines in theI Ching are a Chinese depiction of the identical concept. Note that the messages of the following three quotations are in complete accord with the goal of the Work as outlined in theI Ching:
Somewhere there is an Adam within each of us in need of restoration, in exile from the Garden. The aim of Kabbalism is the restoration of the divine man in the medium of mortal man. We are the laboratory and we are the workers who work in that space. C. Ponce --Kabbalah
Within our six-foot body we must strive for the form which existed before the laying down of heaven and earth. The Secret of the Golden Flower
The destiny of man is to build the Heavenly Jerusalem on Earth. In other words, to civilize a planet. It is the aim of the occultist, in consort with all men of good will, to bring about this heavenly fact into earthly reality. And the only way it will come about is by every man doing the right thing at the right time for twenty-four hours a day. Gareth Knight -- The Work of a Modern Occult Fraternity
The ancient kings in hexagram number-20 base their laws upon their recognition of diversity among the various forces which make up the kingdom of the psyche. Their divine regulations therefore represent the proper ecology existing between heaven and earth, yin and yang, male and female, Logos and Eros. In this regard, theI Ching's version of the Archetypal Man might be seen as hexagram number-63, Completion, in which the polarity of each of the lines is in perfect correlation. (See the editor's commentary on Hexagram number 11 for further insights into this idea.)
The theme of the hexagram is Contemplationof your situation to see if your attitude meets the archetypal standards of the Work. The worshipper in the Judgment has purified himself for sacrifice but has not yet carried it out. Wilhelm uses the word "ablution” in his translation of the Judgment. An ablution is a ritual cleansing associated with a religious rite:
Ablution: In alchemy ... the adept worker achieves [success] only by purifying his soul of all that commonly agitates it. Washing, then, symbolizes the purification not so much of objective and external evil as of subjective and inner evils ... The principle involved in this alchemic process is that implied in the maxim "Deny thyself." J. E. Cirlot --Dictionary of Symbols
It is important to note that the sacrifice has yet to be performed: preparation is meaningless until it is acted upon. Psychologically, this refers to intellectual "gnosis" which still needs to be grounded in behavior.
Wisdom is achieved very slowly. This is because intellectual knowledge, easily acquired, must be transformed into `emotional,' or subconscious, knowledge. Once transformed, the imprint is permanent. Behavioral practice is the necessary catalyst of this reaction. Without action, the concept will wither and fade. Theoretical knowledge without practical application is not enough ... Intellectually the answers have always been there, but this need to actualize by experience, to make the subconscious imprint permanent by `emotionalizing' and practicing the concept, is the key. Brian L. Weiss, MD -- Many Lives, Many Masters
Without changing lines, Contemplation is an oracular invitation for you to consider your situation and especially your motivations in regard to it. One way of doing this is to reduce everything to a brief written statement, including your best conscious conclusions. Then ask for a comment from the oracle -- often it will become apparent that you have been undergoing a kind of examination.
SUGGESTIONS FOR MEDITATION
The ancient kings are mentioned in the Images of both this figure and number twenty-one, Discernment, immediately following. What are the differences between Contemplation and Discernment, as depicted in these images? How does the concept of sacrifice relate to this, as mentioned in the Judgment? Compare the Judgment of this hexagram with hexagrams and lines 17:6, 45:2, 46:2, 46:4, 47:2, 47:5 and 63:5 for further insights on this extremely important tenet of the Work.