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Breakthrough 43
Break through obstacles with determination and clarity. Confront negativity openly while maintaining integrity and wisdom. The truth must be revealed, yet patience is required.
↓ Line 1
Be cautious in taking the first step. Overconfidence can lead to mistakes.
↓ Line 2
Stay vigilant and prepared, but do not let fear control you.
↓ Line 3
Standing firm in one's beliefs may lead to isolation and criticism, but it is necessary.
↓ Line 5
Address problems with determination and maintain balance to avoid blame.
↓ Enthusiasm16
Inspiration fuels energy; align enthusiasm with purpose to move forward effectively.
Original Readings
43 Breakthrough
Other titles: Break-through, The Symbol of Decision, Resolution, Determination, Parting, Removing Corruption, Eradication
Judgment
Legge: Recognizing the risks involved in criminal prosecution, justice demands a resolute proof of the culprit's guilt in the royal court. One informs one's own city that armed force is not necessary. In this way progress is assured.
Wilhelm/Baynes:Break-through. One must resolutely make the matter known at the court of the king. It must be announced truthfully. Danger. It is necessary to notify one's own city. It does not further to resort to arms. It furthers one to undertake something.
Blofeld: Resolution. When a proclamation is made at the court of the King, frankness in revealing the true state of affairs is dangerous. [In vital matters, frankness may prove dangerous.] In making announcements to the people of his own city, it is not fitting for the ruler to carry arms. [It is better to repose trust in our own people.] It is favorable to have some goal (or destination).
Liu: Determination. Someone is proud in the king's court, and the king trusts him. If one exposes the truth, danger. It must be told to one's own people. Using force does not benefit. It does benefit to do something else. [You must decide how to deal with a situation before it reaches a dangerous point, or things will take their own course and overwhelm you.]
Ritsema/Karcher:Parting, displaying tending-towards kingly chambers. Conforming, crying-out, possessing adversity. Notifying originates from the capital. Not Harvesting: approaching arms. Harvesting: possessing directed going. [This hexagram describes your situation in terms of separation and diverging directions. It emphasizes that resolutely dividing your energies is the adequate way to handle it...]
Shaughnessy:Resolution: Raised up at the royal court, returning crying out; there is danger. Announcing from the sky; not beneficial to regulate the belligerents; beneficial to have someplace to go.
Cleary (1): Parting is lauded in the royal court. The call of truth involves danger. Addressing one’s own domain, it is not beneficial to go right to war, but it is beneficial to go somewhere. [The royal court is the abode of the mind-ruler, where true and false are distinguished.]
Cleary (2): Decision is brought up in the royal court. A sincere statement involves danger, etc.
Wu:Eradication indicates a conceited pronouncement in the royal court on the one hand, and a concerted call for vigilance on the other. It is essential to make the danger known to the people, but not to resort to force now. It is advantageous to have undertakings.
The Image
Legge: The image of the waters of a marsh mounting over heaven forms Resoluteness. The superior man, in accordance with this, does not hoard his wealth, but shares it with his subordinates.
Wilhelm/Baynes: The lake has risen up to heaven: the image of Break-through. Thus the superior man dispenses riches downward and refrains from resting on his virtue.
Blofeld: This hexagram symbolizes a marshy lake being drawn (sucked) towards the sky. The Superior Man distributes his emoluments to those below; dwelling in virtue, he renounces them.
Liu: The lake ascends to heaven, symbolizing Determination. The superior man distributes wealth below him, without displaying his favors.
Ritsema/Karcher: Above marsh with-respect-to heaven. Parting. A chun tzu uses spreading-out benefits to extend to the below. A chun tzu uses residing-in actualizing tao, by- consequence keeping-aloof. [Actualize-tao: Ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being what it is meant to be.]
Cleary (1): Moisture ascends to heaven, which parts with it. Thus do superior people distribute blessings to reach those below, while avoiding presumption of virtue. [After people get mixed up in temporal conditioning, the discriminatory consciousness takes charge of affairs; wine and sex distract them from reality, the lure of wealth deranges their nature, emotions and desires well forth at once, thoughts and ruminations arise in a tangle, and the mind-ruler is lost in confusion. Because habituation becomes second nature over a long period of time, it cannot be abruptly removed. It is necessary to work on the matter in a serene and equanimous way, according to the time: Eventually discrimination will cease, and the original spirit will return; the human mind will sublimate and the mind of Tao will be complete – again you will see the original self.]
Cleary (2): … If they presumed on their virtue, they would be resented.
Wu: The marsh rises to heaven; this is Eradication. Thus the jun zi distributes his emolument to those below and is loath to monopolize virtues.
COMMENTARY
Confucius/Legge: Resoluteness is the symbol of displacing or removing. We see the dynamic lines displacing the magnetic line. The figure displays the attributes of Strength and Cheerfulness. There is displacement, but harmony continues. The exhibition of the criminal's guilt in the royal court is shown by the magnetic line mounted on five dynamic lines. The awareness of danger and appeal for justice makes the matter clear. If he has recourse to arms, what he prefers will soon be exhausted. When the advance of the dynamic lines is complete, there will be an end to displacement.
Legge:Resoluteness represents the third month when the last vestige of winter, represented by the sixth line, is about to disappear before the advance of summer. The single yin line at the top symbolizes an inferior man, a feudal prince or high minister who is corrupting the government. The five yang lines below are the representatives of good order. The lesson of the hexagram is how to remove corruption from the kingdom. He who would do this must do so by the force of his character more than the force of arms. Never forgetting the dangerous nature of his undertaking, he must openly denounce the criminal in the court and awaken general sympathy to his cause. Among his own adherents ("In his own city") he must prevent any tendency to resort to armed conflict. As a worthy statesman he is not motivated by private feelings.
Hu Ping-wen says: "If but a single inferior man is left, he is sufficient to make the superior man anxious; if but a single inordinate desire be left in the mind, that is sufficient to disturb the harmony of the heavenly principles. The eradication in both cases must be complete, before the labor is ended."
NOTES AND PARAPHRASES
Judgment:Resoluteness involves astute discernment of what is wrong and a discreet re-establishment of order without polarizing the situation. Be clear in your own strategy, but let common sense be your guide about how much you need to disclose to others. Avoid aggression at all costs.
The Superior Man maintains equilibrium by distributing his energy equitably -- he smoothes things out.
The forty-third hexagram is an image of the eradication of an inferior force from the situation at hand: five yang lines resolutely advance on the single yin line, which is about to be pushed out of the hexagram at the top. This is a negative image of the twenty-third hexagram, Disintegration, which shows the opposite situation of five lower yin lines undermining one upper yang line. It is instructive to compare the nearly identical message for the superior man in the Images of each of these figures. The idea is one of fostering an equitable distribution of energy within the situation -- Disintegration and the Resoluteness required to rectify it are extreme situations requiring extreme measures. Such extremes must always be neutralized through a justly distributed balance of forces.
It's not the concern of law that any one class in the city fare exceptionally well, but it contrives to bring this about for the whole city, harmonizing the citizens by persuasion and compulsion, making them share with one another the benefit that each class is able to bring to the commonwealth. And it produces such men in the city not in order to let them turn whichever way each wants, but in order that it may use them in binding the city together. Plato --The Republic
Compare the nuances of meaning in each translation of the Judgment. Wilhelm's is most radical, advising a direct (albeit dangerous), expose of what is wrong. Most of the others imply room for discretion about what needs to be revealed. Diplomacy is the art of knowing when full- disclosure only prevents resolution of the problem. Ritsema/Karcher allude to the proper mind-set required to manage such situations: "[A chun tzu uses] residing-in actualizing tao, by-consequence keeping-aloof." To "reside in actualizing tao," is to live directly from one's essence, and when this is associated with "keeping-aloof" we get an image of quietly rectifying a situation without revealing our purpose or strategy.
Psychologically interpreted,Resoluteness, like Disintegration, depicts an extreme situation which must first be rectified, then prevented from re-occurring through the maintenance of a just balance of power which is administered by the ego under the will of the Self.
Line 1
Legge: The first line, dynamic, shows its subject in the pride of strength, advancing with his toes. He goes forward, but will not succeed. There will be ground for blame.
Wilhelm/Baynes : Mighty in the forward-striding toes. When one goes and is not equal to the task, one makes a mistake.
Blofeld: To set out with a great show of strength, advance, but win no success is shameful. [That is, we should not voluntarily and somewhat boastfully take on a difficult task, unless we are sure of success.]
Liu: Power in toes moving forward. If one goes and lacks ability, he makes a mistake.
Ritsema/Karcher: Invigorating tending-towards the preceding foot. Going not mastering, activating faulty.
Shaughnessy: Mature in the front foot; to go will not be victorious, but will be trouble.
Cleary (1): Vigor in the advancing feet, going but not prevailing, this is faulty.
Wu: He has strong toes. If he acts in a rash way and is not able to get his job done, he will be blamed.
COMMENTARY
Confucius/Legge: Without being able to succeed he goes forward -- this is an error. Wilhelm/Baynes: When one goes without being equal to the task, it is a mistake. Blofeld: This illustrates the shame involved in taking on something and then failing. Ritsema/Karcher: Not mastering and also going. Fault indeed. Cleary (2): To go without prevailing is faulty. Wu: Acting in a rash way with no ability to get his job done is a mistake.
Legge: Line one, the first line in the lower trigram of Strength, is in the lowest place in the hexagram. The stage of the enterprise is too early and the preparation too small to make victory certain. He had better not take the field.
NOTES AND PARAPHRASES
Siu: At the outset, the man presses forward prematurely without sufficient preparation and strength. Initial setbacks due to blind miscalculations are grounds for blame.
Wing: Despite strong resolve, beginnings are the most difficult and dangerous of times. Be certain that you are equal to the task you have in mind. A mistake now could become an insurmountable setback. Better rethink this one.
Editor: Compare this line with the first line in hexagram number thirty-four, Great Power,in which an almost identical idea is presented.
"Work-addiction," the "manager disease," the compulsive need of always having to do something in order to appear busy, also indicates the inability of modern man to find a meaning in life. E.C. Whitmont -- The Symbolic Quest
A. Don't force the issue. You aren't equal to the consequences of your impulses.
B. "Don't bite off more than you can chew."
Line 2
Legge: The second line, dynamic, shows its subject full of apprehension and appealing for sympathy and help. Late at night hostile measures may be taken against him, but he need not be anxious about them.
Wilhelm/Baynes: A cry of alarm. Arms at evening and at night. Fear nothing.
Blofeld: Though disturbed by cries in the night, he who is armed knows no fear. [It is well to be forearmed.]
Liu: A cry of warning. One arms at night against the unexpected without fear.
Ritsema/Karcher: Awe, an outcry. Absolutely-no night-time, possessing arms. No cares.
Shaughnessy: Softly crying out; at dusk and at night there are belligerents; do not pity them.
Cleary (1): If one is cautious and alert, though there be armed troublemakers in the night, one need not worry.
Cleary (2): When there is a cry of alert, even if there are attackers in the night, there is no worry.
Wu: There is a warning of violence at night, but nothing to worry.
COMMENTARY
Confucius/Legge: He pursues the course of the due mean. Wilhelm/ Baynes: Despite weapons, no fear -- because one has found the middle way. Blofeld: Being armed and fearless is indicated by the central position of this line. Ritsema/Karcher: Acquiring centering tao indeed. Cleary (2): Because one has attained balance. Wu: Having the central position.
Legge: Line two is dynamic and central -- possessed with determination to do his part in the work of removal. But his eagerness is tempered by being in a magnetic place, and he is cautious. However artful they may be, no attempts to harm him will take effect.
NOTES AND PARAPHRASES
Siu: The man remains alert to unseen dangers at all times. Hostile measures against him will fail even at night because of his guarded alertness.
Wing: It is best now to develop a continuous caution and inner strength. Behave as though you are constantly in danger. Through intense awareness you gain in security and need not fear difficulties.
Editor: Psychologically, "late at night" is when consciousness is asleep and vulnerable and when autonomous forces within the psyche are most powerful. However, this line displays a strength that is balanced and conscientious: despite anxiety he is able to take care of himself. The line can be a warning to prepare yourself against approaching stress.
If by setting one's heart right every morning and evening, [a samurai] is able to live as though his body were already dead, he gains freedom in the Way. His whole life will be without blame, and he will succeed in his calling. Yamamoto Tsunetomo -- The Book of the Samurai
A. Vulnerable, yet protected: "Forewarned is forearmed."
B. Balanced perception protects the Work from the excesses of unconscious forces.
Line 3
Legge: The third line, dynamic, shows its subject about to advance with strong and determined looks. There will be evil. But the superior man, bent on cutting off the criminal, will walk alone and encounter the rain, till he be hated by his proper associates as if he were contaminated by the others. In the end there will be no blame against him.
Wilhelm/Baynes: To be powerful in the cheekbones brings misfortune. The superior man is firmly resolved. He walks alone and is caught in the rain. He is bespattered, and people murmur against him. No blame.
Blofeld: Strength in the cheekbones -- misfortune! [Making a parade of our strength.] The Superior Man is firmly determined; but if, while walking alone in the rain, he is irked by the mud, he is not to be blamed for that. [Nothing must deflect us, but a little grumbling at unpleasantness is in order.]
Liu: To display too much strength in the face -- misfortune. The superior man is determined. He walks alone through the rain. He gets wet. He is unhappy. No blame.
Ritsema/Karcher: Invigorating tending-towards the cheek- bones: Possessing a pitfall. A chun tzu: Parting, Parting. Solitary going, meeting rain. Like soaking, possessing indignation. Without fault.
Shaughnessy: Mature in the cheekbones; there is inauspiciousness. The gentleman so broken-up moves alone, meeting rain that is like moistening; there are hot springs; there is no trouble.
Cleary (1): Vigor in the face has bad luck. A superior person leaves what is to be left; going alone, encountering rain and so getting wet, there is irritation, but no fault.
Cleary (2): Vigor in the face involves misfortune. Developed people part decisively and travel alone. Encountering rain, if they get wet there is irritation but no fault.
Wu: He has strong cheekbones. Foreboding. The jun zi is determined to eradicate the little man. Walking alone, he encounters rain and gets wet. He is angry, but not to be blamed.
COMMENTARY
Confucius/Legge: The superior man looks bent on cutting off the culprit – there will in the end be no error. Wilhelm/Baynes: Ultimately this is not a mistake. Blofeld: The resolutely determined Superior Man is blameless to the end. Ritsema/Karcher: Completing without fault indeed. Cleary (2): Developed people part decisively and are faultless in the end. Wu: (He) will not be blamed in the end.
Legge: Line three is dynamic, and displays his purpose too eagerly. Being beyond the central position gives an indication of evil. Lines three and six are also proper correlates, and as elsewhere in theI Ching, the meeting of yin and yang lines is associated with falling rain. Line three, therefore, communicates with line six in a way that annoys his associates. Nevertheless, he commits no error, and in the end incurs no blame.
NOTES AND PARAPHRASES
Siu: The man displays his purposes too openly. The superior man does not show outward hostility when bent on cutting off the criminal, since the time is not ripe and the inferior man will endanger the situation through countermeasures. He resolves the difficulty by maintaining outward politeness, avoiding recriminations, and awaiting the propitious opportunity. Although he is misunderstood and maligned by the multitude, there will be no blame in the end.
Wing: Your struggle against an adversary is one you must approach alone. Although your entire milieu may be against this foe, the battle is still yours. In overcoming this difficulty, you may temporarily align yourself with it. This looks bad and you are misunderstood but you remain without error in the end.
Editor: Rain symbolizes the union of heaven and earth -- male with female, thought with feeling. It means encountering the truth -- making a "fertile connection." Psychologically, this line suggests the travail and turmoil involved in coming to grips with an unpleasant truth or duty. The superior man's "associates" are those complexes in the psyche which prefer not to cope with the situation. The misfortune of being "strong in the cheekbones" suggests that determined action accomplishes more than expressions of righteous indignation.
And he who takes his hand from the plough of his immediate Earthly duty, (which is a Cosmic and Spiritual duty also, however much familiarity may tend to breed contempt), will never by that act attain to his heavenly home in the stars. The furrow awaits his tilling – and until it be tilled, and the seed sown, and the harvest garnered and gathered in -- his place remains in Earth, with the added burden of rooting out the weeds and breaking up the clodded sods brought about by his own neglect and spiritual defection. Gareth Knight -- Qabalistic Symbolism
A. Bite the bullet and do what needs to be done without making a big deal out of it.
B. You are stuck with an unpopular but necessary duty.
Line 5
Legge: The fifth line, dynamic, shows the small men like a bed of purslaine, which ought to be uprooted with the utmost determination. The subject of the line having such determination, his action, in harmony with his central position, will lead to no error or blame.
Wilhelm/Baynes: In dealing with weeds, firm resolution is necessary. Walking in the middle remains free of blame.
Blofeld: With the tenacity of spinach clinging to the earth, he blamelessly steers a middle course. [That is, weak but determined.]
Liu: Clinging weeds. Determination is necessary. Taking the middle path. No blame.
Ritsema/Karcher: Reeds, highlands: Parting, Parting. Center moving, without fault.
Shaughnessy: The amaranth burns so broken-up, in the middle of the ranks; there is no trouble.
Cleary (1): Wild burdock root; cut through resolutely. Balanced action is impeccable.
Cleary (2): A hill of amaranth; parting with what is to be parted with, balanced action is faultless. [Here it is appropriate to part with what the other yangs part with [i.e., the top yin line], but still preserve and nurture it; this is the path of balanced action, whereby it is possible to be faultless. However, when parting, after all one does not avoid distinguishing between developed and undeveloped people, though one still does not forget what is universally the same in everyone – therefore“balance is not yet obvious.”]
Wu: Like the lead sheep of a flock, he is determined to lead the charge against the little man. His approach from the center results in no error.
COMMENTARY
Confucius/Legge: His standing in the due mean is not yet clearly displayed. Wilhelm/Baynes: The middle is not yet in the light. Blofeld: Yes, blamelessly but not brilliantly! [In this situation, we can do well enough, but not very well.]Ritsema/Karcher: Center not-yet shining indeed. Cleary (2): Balanced action is faultless, but balance is not yet obvious. Wu: Though central, his action is not enlightening.
Legge: Purslaine grows in shady places, and hence we find it here in close contiguity to the topmost line, which is yin. Line five's proximity to line six is supposed to have a bad effect on him, so that while he does what his central position requires, it is not without an effort. Ch'eng-Tzu says: "If a man cherishes a single illicit desire in his mind, he has left the right way." Since five is the ruler's seat, evil may come to him, and strenuous efforts must be made to prevent such an evil.
NOTES AND PARAPHRASES
Siu: Uprooting corruption from high offices requires the utmost determination.
Wing: When attempting to overthrow adversaries or obstacles in powerful positions, great Resolution and determination are necessary. The roots of this opposition run wide and deep and, unless completely eradicated, it may spring back to power. A calm thoroughness will see you through.
Editor: Wilhelm and Liu render the other translators’ wide range of specific plants as "weeds,” which is a much more evocative image of the inferior forces symbolized in this line. Psychologically, the idea is clear enough: unless one uproots (brings under control) every remnant of independent (habitual) affect within the psyche, it will eventually return to harm the Work. Sometimes the majority Confucian commentary does not seem to apply, in which case Cleary’s minority Buddhist interpretation (above) may be more apt.
Now 'tis the spring, and weeds are shallow-rooted;
Suffer them now and they'll o'ergrow the garden.
Shakespeare -- Henry VI
A. Succumbing to neither despair nor overconfidence, one resolutely eliminates every trace of inferior perception and feeling associated with the matter at hand.
B. A balanced viewpoint roots out error.
16 Enthusiasm
Other titles: The Symbol of Harmonious Joy, Repose, Happiness, Providing-for/Provision, Excess, Merriment, Self-confidence, Contentment, Harmonize, Excitement, Intemperance, Self-deception "Repose in the absolute confidence that the action now being taken is right. Also refers to music." -- D.F. Hook
Judgment
Legge: Enthusiasm indicates that feudal princes may be set up and the army advantageously mobilized.
Wilhelm/Baynes:Enthusiasm. It furthers one to install helpers and to set armies marching.
Blofeld:Repose profits those engaged in building up the country and sending forth armies. [This means that perfect certainty as to the rightness of our cause is of great value under the conditions mentioned. The usual meaning of this character is "beforehand" or "happiness." In the English translation of Wilhelm's version, it appears as "enthusiasm." "Repose" was suggested by the Chinese experts who kindly vetted this manuscript. At first I felt hesitant about adopting it, until I realized that, where it is used favorably, it must be understood as the kind of mental repose which follows absolute confidence that the action now being taken is the right one. In lines one, three and six, however, it clearly means failure to act when action is essential; in line five, failure to act owing to incapacity.]
Liu:Happiness. It is of benefit to build up the country (or business), and send the army forth. [Receivers of this hexagram should be wary of exhibiting excessive enthusiasm when beginning a new undertaking. If they are not, there will be misfortune. The hexagram also advises that everything necessary for advancement should be made ready. Then if an opportunity presents itself, it should be seized immediately, without hesitation.]
Ritsema/Karcher: Providing-for , Harvesting: installing feudatories to move legions. [This hexagram describes your situation in terms of what is needed to meet the future. It emphasizes that accumulating strength through foresight and prudence so things can be fully enjoyed is the adequate way to handle it. To be in accord with the time, you are told to: provide-for!]
Shaughnessy: Excess: Beneficial to establish a lord and to move troops.
Cleary (1):Joy. It is advantageous to set up a ruler and mobilize the army.
Wu:Merriment indicates the advantage of establishing principalities and taking military actions.
The Image
Legge: Thunder exploding out of the Earth -- the image of Enthusiasm. The ancient kings, in accordance with this, composed their music and honored virtue, offering it especially to God when they worshipped him at the service of their ancestors.
Wilhelm/Baynes: Thunder comes resounding out of the earth: the image of Enthusiasm. Thus the ancient kings made music in order to honor merit, and offered it with splendor to the Supreme Deity, inviting their ancestors to be present.
Blofeld: This hexagram symbolizes thunder over the earth. The ancient rulers venerated heaven's gifts with solemn music and they sacrificed abundantly to the Supreme Lord of Heaven in order to be worthy of their ancestors.
Liu: Thunder arising from the earth symbolizes Happiness. The ancient kings composed music to honor virtue, offering it to God and the spirits of their ancestors.
Ritsema/Karcher: Thunder issuing-forth-from earth impetuously. Providing-for. The Earlier Kings used arousing delight to extol actualizing-tao. Exalting worship's Supreme Above. Using equalizing the grandfather predecessors. [Actualize-tao:ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]
Cleary (1): When thunder emerges the earth stirs: Thus did the kings of yore make music to honor virtue, offering it in abundance to God, thereby to share it with their ancestors.
Wu: Thunder breaks out above the earth with a boom; this is Merriment. Thus the ancient kings used music to praise virtuous accomplishments and made grand offerings to the Supreme Being to be accompanied by their ancestors.
COMMENTARY
Confucius/Legge: Enthusiasm shows one dynamic line inspiring responsive obedience in all the others: devoted obedience takes action. Such obedient action conforms to natural law and creates order and discipline in the people. The planets and the seasons follow their natural cycles. The sages similarly obey the laws of their nature and the people acknowledge their regulations and punishments as just.
Legge:Enthusiasm shows harmony and contentment throughout the kingdom -- a time when the people rejoice in their sovereign and readily obey him. At such a time his appointments and any military undertakings would be hailed and supported. Because he is close to the fifth place of dignity, the dynamic fourth line is seen as the chief executive officer of the ruler. The ruler has confidence in him, and all of the magnetic lines yield their obedience. Obedience is the attribute of the lower trigram which here takes the initiative and uses Movement, which is the attribute of the upper trigram.
The symbolism of the Image is more obscure than usual. The use of music at sacrifices is supposed to assist in producing the union between God and his worshippers as well as the present and past generations.
NOTES AND PARAPHRASES
Judgment: Delegate authority and gather your forces.
The Superior Man synchronizes his will with the intent of the Self via the principles of the Work.
Enthusiasm is the reverse of the preceding hexagram of Temperance. In Temperance we saw the calm strength of a mountain concealed within the earth. In Enthusiasm we see thunder exploding out of the ground into the sky: the strength that was formerly tempered and restrained is now released. It is significant to note that while every line of Temperance is more or less "favorable,” every line of Enthusiasm is either negative or cautionary -- even the generally positive fourth line carries a hint of warning about “doubt.”
Negatively, Self-Deception (the passion of True Believers) seems to be what this hexagram is portraying. The figure often suggests a callow or deluded buoyancy -- the kind of outlook associated with romantic idealists. In its most negative aspect, Enthusiasm is Intemperance -- the exact opposite of the moderation and restraint shown in the preceding hexagram. The behavior of an untrained Great Dane puppy suddenly bursting into a formal dinner party could be described as "enthusiasm,” but hardly a desirable form thereof. The lower trigram of Obedient Devotion has suddenly employed the action and energy of the upper trigram of Thunderous Shock to express itself. This is inconsistent with the code of the superior man.
Conversely, in its most positive sense, Enthusiasm suggests the surety of total self-confidence. Blofeld translates this as Repose, explaining that the name was suggested to him by his Chinese advisors. We begin to understand this subtle distinction when we compare the seemingly obscure connection with music in the Image with a passage from Chuang- tse:
He who understands the music of heaven lives in accordance with nature in his life and takes part in the process of change of things in his death. In repose, his character is in harmony with the yin principle; in activity, his movement is in harmony with the yang principle. Therefore he who understands the music of heaven is not blamed by heaven or criticized by men ... It is said, "In action he is like heaven. In repose he is like the earth ... Because his mind has found repose, therefore the creation pays homage to him.”
To understand “the music of heaven” is to attain Repose, which is another way of describing the tranquility that comes with furthering the intent of the Self. The only dynamic line in the hexagram is in the minister's place just below the fifth-line ruler. He has the confidence of his sovereign and his actions therefore accord with heaven. We can turn to the Stoics to find an illustration of this idea:
My will is simply that which comes to pass. For I esteem what God wills better than what I will. To Him will I cleave as His minister and attendant; having the same movements, the same desires, in a word the same will as He. -- Epictetus
Thus we see that the hexagram can describe either one of two opposite conditions -- the intemperate Enthusiasm of ego-confidence (a synonym for Self-Deception), or the calm Repose of true SELF-confidence. The fifteenth and sixteenth hexagrams, each the inverse of the other, represent magnetic and dynamic aspects of the same general idea: Enthusiasm, when it emanates from the Self, is just Temperance in action.