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Deliverance40
Release from tension and obstacles. Break free, adapt, and embrace change. Find relief in newfound clarity.
↓ Line 3
Carrying unnecessary burdens while seeking progress invites trouble. It is wise to let go of what is not needed.
↓ Line 6
Taking decisive action against a high target leads to success. Boldness and precision are rewarded.
↓ The Cauldron50
Transformation and nourishment lead to inner and outer change. Embrace renewal by discarding the old and refining the new.
Original Readings
40 Deliverance
Other titles: Deliverance, The Symbol of Loosening, Release, Eliminating Obstacles, Taking-apart, Untangled, Solution, Dissolution, Relief, Unloose, Release of Tension
Judgment
Legge:Liberation finds advantage in the southwest. When the operation is completed, a return to stability brings good fortune. If operations are incomplete, it is best to finish them quickly.
Wilhelm/Baynes:Deliverance. The southwest furthers. If there is no longer anything (Sic) where one has to go, return brings good fortune. If there is still something (Sic) where one has to go, hastening brings good fortune.
Blofeld: Release. The west and south are favorable. Those with nothing to gain from going forward will find good fortune by turning back; those who do have much to gain from going forward must hasten to be sure of doing well. [This is not a time to stay where we are. If we have no good reason to advance, it is best to retreat.]
Liu: Liberation. The southwest benefits. If there is nothing for one where one has to go, then returning brings good fortune. If there is something in a place where one can go, then going quickly leads to good fortune.
Ritsema/Karcher: Taking-apart. Harvesting: Western South. Without a place to go: one's coming return significant. Possessing directed going: Daybreak significant. [This hexagram describes your situation in terms of reflection and release from tension. It emphasizes that analyzing and understanding things in order to be delivered from compulsion is the adequate way to handle it...]
Shaughnessy: Untangled: Beneficial to the southwest; there is nowhere to go; his coming in return is auspicious; there is someplace to go to spend the night; auspicious.
Cleary (1): For liberation, the southwest is beneficial. When going nowhere, the return brings good fortune; when going somewhere, promptness brings good fortune.
Cleary (2): For solution, the southwest is beneficial. Going nowhere, coming back is fortunate, etc.
Wu: Relief indicates advantage in the southwest. If he undertakes to do something without a cause, it will be auspicious for him to return to his former station. If he undertakes to do something with a cause, it will be auspicious for him to do it early.
The Image
Legge: Liberation shows a thunderstorm clearing the atmosphere. The superior man, in accordance with this, forgives errors and deals gently with crimes.
Wilhelm/Baynes: Thunder and rain set in: the image of Deliverance. Thus the superior man pardons mistakes and forgives misdeeds.
Blofeld: This hexagram symbolizes thunder and rain bringing release. The Superior Man tends to forgive wrongs and deals leniently with crimes. [The component trigrams suggest that a certain amount of forceful action is required.]
Liu: Thunder and rain come, symbolizing Liberation. The superior man forgives errors and pardons criminals.
Ritsema/Karcher: Thunder, rain, arousing. Taking-apart. A chun tzu uses forgiving excess to pardon offenses.
Cleary (1): Thunder and rain act, dissolving. Thus do superior people forgive faults and pardon crimes.
Cleary (2): Thunder and rain – solution. Etc.
Wu: There come thunder and rain; this is Relief. Thus the jun zi pardons inadvertent transgressors and extenuates (Sic) criminal offenders.
COMMENTARY
Confucius/Legge: Liberation shows the trigram of Movement above the trigram of Danger -- through movement there is an escape from peril. An early movement to the southwest wins the allegiance of the masses and returns the state to normalcy and equilibrium. When heaven and earth are freed from the grasp of winter, we have thunder and rain. When these come, the buds of the fruit-producing vegetation begin to open. Great indeed are the phenomena in the time ofLiberation.
Legge: The written Chinese character for Liberation is the symbol of unloosing -- untying a knot or unraveling a complication. This hexagram denotes a condition in which the obstruction and difficulty of the preceding figure have been removed. The lesson is how this new and better state of the kingdom should be dealt with. If no tasks remain to be completed, the sooner things resume their normal course the better. If further operations are necessary, let them be accomplished without delay. The K'ang-hsi editors say that moving to the south and west is the same as returning to normality.
Thunder and rain clear the atmosphere, and a feeling of oppression is relieved. The images of springtime in the Confucian commentary refer to the gentle policy of a conquering ruler who forgives the opposition of those who cease to offer resistance.
NOTES AND PARAPHRASES
Judgment: Do what obviously needs to be done and return to stability as soon as possible.
The Superior Man forgives, forgets, and bears no grudges. (i.e., Stability is more important than fixing blame or haggling over who is right.)
If the thirty-ninth hexagram of Impasse is turned upside down it becomes the fortieth hexagram of Liberation or Deliverance. The two figures represent opposite situations: if Impasse creates tension, then Liberation releases it. The upper trigram of Movement ascends to escape from the lower trigram of Danger, giving us an unambiguous image of freedom and relief.
Apart from all personification, the whole of space in which life finds itself has a malevolently spiritual character, and the "demons" themselves are as much spatial realms as they are persons. To overcome them is the same thing as to pass through them, and in breaking through their boundaries this passage at the same time breaks their power and achieves the liberation from the magic of their sphere. H. Jonas --The Gnostic Religion
Legge's commentary in the preceding hexagram explains that the "southwest" is the direction of "earth," the fertile lowland where life is natural and uncontrived. Confucius tells us here that an early move in this direction will win the "allegiance of the masses." Psychologically interpreted, this refers to the inner kingdom of the psyche, where “the masses” are the drives, emotions and archetypal complexes which make up our being. The symbolism suggests a conscious freeing up of inner tension.
These forces, therefore, must not be left to run wild, but should be disposed of in harmless ways or, better still, used for constructive purposes: creative activities of various kinds; the rebuilding of our personality, contributing to our Psychosynthesis. Roberto Assagioli -- Psychosynthesis
Line 3
Legge: The third line, magnetic, shows a porter with his burden, yet riding in a carriage. He will only tempt robbers to attack him. However firm and correct he may try to be, there will be cause for regret.
Wilhelm/Baynes: If a man carries a burden on his back and nonetheless rides in a carriage, he thereby encourages robbers to draw near. Perseverance leads to humiliation.
Blofeld: Traveling with both luggage-bearers and a carriage, he attracted the attention of robbers. To persist would bring misfortune. [This could mean that someone bearing luggage on his back rides in a carriage. In any case, the Chinese additional commentaries explain that the passage refers to those who usurp privileges to which they are not entitled by rank or merit.]
Liu: A man carries goods on his back and rides in a carriage – thus invites robbers to come. To continue brings humiliation.
Shaughnessy: Carrying on the back and riding in a cart brings robbers to arrive; determination is distressful.
Cleary (1): Riding bearing a burden causes enemies to arrive. Even being righteous one is humiliated.
Cleary (2): Carrying and riding brings on enemies. It is right to be humiliated.
Wu: A man bearing a load rides in a carriage. What he swaggers is conducive to robbery. Even though he does nothing wrong, he will be humiliated.
COMMENTARY
Confucius/Legge: For a porter with his burden to be riding in a carriage is a thing to be ashamed of. It is he himself that tempts the robbers to come. On whom besides can we lay the blame? Wilhelm/Baynes: He should really be ashamed of himself. When I myself thus attract robbers, on whom shall I lay the blame? Blofeld: Moreover, his using both of them was shameful. If I were to act thus and bring robbers down on me, who but myself would be to blame? Ritsema/Karcher: Truly permitting the demoniac indeed. Originating-from my involving arms. Furthermore whose fault indeed. Cleary (2): Carrying and riding are both disgraceful. One brings attack by oneself – who else is to blame? Wu: It is a shame for a bearer to ride in a carriage. He exposes himself to robbery. Who else is to be blamed?
The Master said:The makers of the I Ching may be said to have known the philosophy of robbery. The I Ching says, "He is a burden-bearer, and yet rides in a carriage, thereby exciting robbers to attack him." Burden- bearing is the business of an inferior man. A carriage is the vehicle of a gentleman. When an inferior man rides in the vehicle of a gentleman, robbers will think of taking it from him. When one is insolent to those above him, and oppressive to those below, robbers will wish to attack him. Careless laying up of things excites to robbery, as a woman's adorning of herself excites to lust. What the I Ching says about the burden-bearer's riding in a carriage, and exciting robbers to attack him shows how robbery is called out.
Legge: The third line is magnetic where it should be dynamic. In the top place of the lower trigram it suggests the idea of a porter riding in a carriage. People will say: "How did he get there? The things cannot be his own." Therefore robbers will attack and plunder him since he can't protect himself or accomplish anything good.
NOTES AND PARAPHRASES
Siu: The man has obtained material goods and comfort and seeks a life of ease which does not suit his nature. Like a woman's self-adornment which excites to lust, this way of life merely invites robbers and leads to humiliation.
Wing: You have been able to assume a somewhat powerful position, which you do not know how to control. You pretend to be something that you are not. This invites envy. If you continue in this way you will suffer humiliation at the hands of others who would usurp your position.
Editor: Receiving this line can be a reprimand for an unworthy attitude. It shows one who aspires beyond his station, or who incorrectly seeks an easy solution to his problems. If this is the only changing line, the hexagram becomes number thirty-two,Consistency, the corresponding line of which begins: "Shows one who does not constantly maintain his virtue..." The idea is that a desire to move ahead quickly tempts one into an improper response to the situation at hand. Sometimes the context of the question can suggest that the "vehicle" (carriage) is the oracle itself -- you want it to answer a question you can figure out for yourself. The porter's burden is an obvious responsibility or duty. The robbers are anything that would harm the Work.
The acceptance of the need to relate to a power or powers beyond our personal control and rational comprehension does not necessitate, indeed does not even permit, abandonment of our personal responsibility but rather requires of us that in the domain of the personal life assigned to us our own responsibility must be exerted to the limits. E.C. Whitmont -- The Symbolic Quest
A. "There's no such thing as a free lunch." Get your head out of the clouds and assume your responsibilities.
B. Did you expect a spiritual helicopter to take you to the top of the mountain?
Line 6
Legge: In the sixth line, magnetic, we see a feudal prince with his bow shooting at a falcon on the top of a high wall, and hitting it. The effect of this action will be in every way advantageous.
Wilhelm/Baynes: The prince shoots at a hawk on a high wall. He kills it. Everything serves to further.
Blofeld: The prince shot an arrow and killed a hawk perching on a high wall. Everything is favorable!
Liu: A duke shoots a hawk on the high wall and catches it. Everything is beneficial.
Ritsema/Karcher: A prince avails-of shooting a hawk, tending- towards the high rampart's above. Without not Harvesting: catching it.
Shaughnessy: The duke herewith shoots a hawk on the top of a high wall, bagging it; there is nothing not beneficial.
Cleary (1): The prince shoots at a hawk on a high wall and gets it, to the benefit of all.
Wu: The duke aims his arrow at a hawk perching on a high city wall. He bags the predator. Nothing is disadvantageous.
COMMENTARY
Confucius/Legge: Thus he removes the promoters of rebellion. Wilhelm/ Baynes: Thereby he delivers himself from those who resist. Blofeld: This means that he was able to liberate himself from perverse men. Ritsema/ Karcher: Using Taking- apart rebelling indeed. Cleary (2): The lord shoots the hawk to solve the conflict. Wu: To relieve the threat of sedition.
The Master said: "The falcon is a bird of prey; the bow and arrow is a weapon of war; the shooter is a man. The superior man keeps his weapon concealed about his person, and waits for the proper time to move; doing this, how should his movement be other than successful? There is nothing to fetter or embarrass movement, and hence when he comes forth, he succeeds in his object. The language speaks of movement when the instrument necessary to it is ready and perfect."
Legge: Line six is the highest line in the figure, but not the place of the ruler. Hence he appears as a feudal duke, who carries out the idea of the figure against inferior men.
NOTES AND PARAPHRASES
Siu: Using hitherto concealed, ready, and perfect instruments, the man removes the powerful promoter of obstruction and rebellion.
Wing: Prepare yourself to forcefully dispense with a great adversary. This is done with careful planning and clever timing. This is a formidable enemy so you must be constantly alert. When you have removed this obstacle to your progress, everything that you attempt will succeed.
Editor: The line does not lend itself to the usual gender symbolism. Prince: Minor official -- the ego. Bow: The tension and release of aimed power -- conceptualization. Arrow: Perception, realization, that which pierces the heart of the matter. Hawk/Falcon: A predator bird. Swedenborg says: "Birds signify such things as relate to the understanding, and thence to thought and deliberation." The hawk, then, is aggressive, dangerous thinking. Confucius calls him a "promoter of rebellion," hence: undisciplined thinking, the source of an illusion. Wall: From the outside, it defines a space, outlines a perimeter; from the inside, it is protection from what lies outside: a division between one state or condition and another. A "high" wall suggests the realm of thought, ideas. The wall is the threshold, and the falcon is the guardian of the threshold.
Now the mind flies forth like an arrow from a cross-bow, to be the arbiter of right and wrong. Now it stays behind as if sworn to an oath, to hold on to what it has secured. Chuangtse
In this quote from Chuangtse, the first sentence describes the action of the prince, and the second sentence describes the function of the threshold guardian -- in this case the hawk. The line suggests the elimination of an illusion which thereby liberates one to explore a whole new realm of thought or experience.
A. Attain liberation by identifying and eliminating a dangerous entrenched thought, idea, attitude, concept or limiting belief which has been preventing a resolution of the matter at hand.
50 The Cauldron
Other titles: The Cauldron, The Vessel, Rejuvenation, Cosmic Order, The Alchemical Vessel, "A complete transformation of a person or circumstance." -- D.F. Hook
Judgment
Legge: The Sacrificial Vessel means great progress and success.
Wilhelm/Baynes:The Cauldron. Supreme good fortune. Success.
Blofeld: A Sacrificial Vessel -- supreme success!
Liu:The Cauldron. Great good fortune. Success.
Ritsema/Karcher:The Vessel, Spring significant. Growing. [This hexagram describes your situation in terms of the imaginative capacity of a sacred vessel. It emphasizes that securing and imaginatively transforming the material at hand is the adequate way to handle it. To be in accord with the time, you are told to: hold and transform things in the vessel!]
Shaughnessy:The Cauldron: Prime auspiciousness; receipt.
Cleary (1): The cauldron is basically good; it is developmental.
Cleary (2): The Cauldron is very auspiciously developmental.
Wu: The Cauldron indicates great auspiciousness and pervasiveness.
The Image
Legge: Wood under a fire -- the image of a Sacrificial Vessel. The superior man maintains his correctness in every situation to secure the appointment of heaven.
Wilhelm/Baynes: Fire over wood: the image of The Cauldron. Thus the superior man consolidates his fate by making his position correct.
Blofeld: This hexagram symbolizes fire upon wood. The Superior Man, taking his stance as righteousness requires, adheres firmly to heaven's decrees.
Liu: Fire above wood symbolizes the Caldron. The superior man makes his destiny firm with a correct position.
Ritsema/Karcher: Above wood possessing fire. The Vessel. A chun tzu uses correcting the situation to solidify fate.
Cleary (1): There is fire on top of wood; a cauldron. Thus do superior people stabilize life in the proper position.
Cleary (2): Fire over wood -- The Cauldron . Leaders stabilize their mandate by correcting their position.
Wu: There is fire on wood; this is The Cauldron . Thus the jun zi rectifies his position and consecrates the mandate.
COMMENTARY
Confucius/Legge: The image of the Sacrificial Vessel shows us wood entering a fire, which suggests the idea of cooking. The sages cooked their sacrifices to God and nourished their able ministers with feasts. We have the trigrams of Flexible Obedience and Quick Intelligence, with the magnetic line advanced to the ruler's place and responded to by her dynamic correlate below. All these things give the auspice of successful progress.
Legge: The written Chinese character for Sacrificial Vessel represents a cauldron with three feet and two "ears" used for cooking and preparing food for both the table and the altar. The hexagram pictures this vessel -- the divided first line represents the feet, the three undivided lines above represent the body, the divided fifth line shows the ears (or carrying rings), and the top line is the handle by which the container is carried or suspended from a hook.
The lesson of the hexagram is that the nourishing of men of talent and virtue intimates great progress and success. The K'ang-hsi editors point out that the distinction between hexagram number forty-eight, The Well, and this one is the difference between the nourishment of the people in general and the specific nourishing of worthy men. They add that the reality of sacrifice is nourishing in this regard.
NOTES AND PARAPHRASES
Judgment: You are the Sacrificial Vessel.
The Superior Man holds to the principles of the Work to attain transcendence.
The usual name for this hexagram is The Cauldron -- specifically, a type of food-containing vessel which was used in ancient China for religious sacrifices. I prefer Blofeld’s title of the Sacrificial Vessel as more evocative of the ideas presented in the figure.
When the forty-ninth hexagram of Transformation is turned upside down, it becomes the fiftieth hexagram of the Sacrificial Vessel, thus giving us some valuable insights into the nuances of meaning in each of the figures. The combined ideas of transformation and a cauldron used for sacrifices remind us of the alchemical vessel or retort which "cooked" its contents and transformed them into a higher state of matter -- turned lead into gold in the popular conception. Of course, the true esoteric purpose of the alchemist was psychological, not physical.
The vessel of the alchemists, like the circle of the psyche and the mandala, must be closed if the transformation process is to proceed satisfactorily. For the alchemists, the process took place in the material substances collected in the retort. For us, this is a symbol representing a similar process taking place within the psyche. Thus it is said that a wall must be securely built about the psyche before the reconciliation of the opposites can take place within it, and before the new center of the individual can be created. ... For if anything is lost the process is nullified and the final product will be incomplete, imperfect. So long, for instance, as the individual continues to project his deficiencies, or his values, upon circumstances or upon another, he does not have an impervious vessel ... Thus the contents essentially involved in the transformation are seen to be the irrational, instinctual, not yet human factors of the psyche, the nonego. The human and civilized factors, those subject to the will, make up the wall of the vessel. M.E. Harding -- Psychic Energy
Now an ancient Chinese cauldron used to contain food intended for religious sacrifices is not the same thing as a hermetically sealed alchemical retort made to withstand extreme pressures, but symbolically they are identical images. The ego sacrifices its autonomy for the good of the Work in the same way that the alchemist devotes his entire life to the transformation of base metal into gold -- i.e., to transform his psyche by following the extreme discipline of the Work. Thomas Cleary’s Taoist I-Ching explicitly tells us that this is the meaning intended here:
The work of refinement is the means by which to sublimate earthly energy and stabilize celestial energy, causing the raw to ripen and the old to be renewed, whereby it is possible to illumine the mind and to solidify life. Therefore the cauldron is basically good and it has a developmental path. The basis is the potential of everlasting life of goodness; the cooking of the great medicine in the cauldron is the firing of this living potential to make it incorruptible and permanent. But in this path there is process and procedure; even the slightest deviation and the gold elixir will not form. Therefore people must first thoroughly investigate the true principle. Liu I-ming
SUGGESTIONS FOR MEDITATION
In his commentary Legge mentions that the Chinese see an analogy between this figure and hexagram number forty-eight, The Well. Compare the two figures, noting the similarities between the first, third, fifth and sixth lines. The component trigrams of the Sacrificial Vessel appear in reverse sequence in hexagram number thirty-seven, Family. What other similarities are there in the two figures? How is the idea of a family analogous to the idea of a sacrificial vessel?