Pleasing, despite everything
One must act even if it may go wrong. taoscopy.com
Clouded Perception36
Stay resilient amidst adversity. When in challenging circumstances, maintain inner clarity and integrity while concealing your light from those who may not understand or appreciate it. Patience and perseverance are key.
↓ Line 1
In times of adversity, one must be cautious and avoid drawing attention. Perseverance is needed despite hardships.
↓ Line 5
Even in difficult times, maintaining integrity and perseverance will lead to eventual recognition and success.
↓ Line 6
One may experience extreme highs and lows. It is important to remain grounded and not be swayed by external circumstances.
↓ Development53
Steady progress through gradual development.
Original Readings
36 Clouded Perception
Other titles: Darkening of the Light, The Symbol of the Appearance of Clear Intelligence Wounded, Injury, Wounding of the Bright, Brightness Hiding, Calling Pheasant, The Darkened Light, Concealment of Illumination, Injury of Illumination, Light Obliterated, Intelligence Unappreciated, Censorship, Hiding One's Light, The Dark Night of the Soul, Ignorance "Not necessarily as bad as it sounds, may just mean being restricted or restricting yourself." -- D.F. Hook
Judgment
Legge: Under the conditions of Clouded Perceptionbe aware of the difficulty of your position and maintain firm correctness.
Wilhelm/Baynes: Darkening of the Light. In adversity it furthers one to be persevering.
Blofeld:Darkening of the Light. Righteous persistence in the face of difficulty brings reward.
Liu:Darkening of the Light. It benefits one to carry on through hard times.
Ritsema/Karcher: Brightness Hiding, Harvesting: drudgery, Trial. [This hexagram describes your situation in terms of intelligence hidden or harmed. It emphasizes that deliberately concealing your light by entering what is beneath you is the adequate way to handle it. To be in accord with the time, you are told to: hide your brightness!]
Shaughnessy: Calling pheasant: Beneficial to determine about difficulty.
Cleary (1): In concealment of illumination, it is beneficial to be upright in difficulty.
Cleary (2): When illumination is damaged, it is beneficial to be upright in difficulty.
Wu:Light Obliterated indicates that it is advantageous to be persevering in time of danger.
The Image
Legge: The sun enters the earth -- the image ofClouded Perception.The superior man manages his subordinates and shows his intelligence by keeping it hidden.
Wilhelm/Baynes: The light has sunk into the earth: the image of Darkening of the Light. Thus does the superior man live with the great mass: He veils his light, yet still shines.
Blofeld: This hexagram symbolizes light hidden within the earth. In governing the people, the Superior Man, though taking care to conceal his light, nevertheless shines.
Liu: The sun sinking under the earth symbolizes the Darkening of the Light. In approaching the people the superior man veils his brightness, yet still has glory.
Ritsema/Karcher: Brightness entering earth center. Brightness Hiding. A chun tzu uses supervising the crowds to avail-of darkening and-also Brightening.
Cleary (1): Light enters into the earth, illumination is concealed.Thus do Superior people deal with the masses, acting unobtrusively while in fact illuminated. [When practitioners of the Tao are among the masses, if they use their illumination too much, they will startle the ignorant and amaze the worldly, easily bringing on abuse and slander.]
Cleary (2): Illumination goes underground, in concealment of illumination. In dealing with the masses, true leaders act unobtrusively while in fact being illuminated. [What sages learn is to become daily more illumined unbeknownst to others.]
Wu: The light enters the earth; this is Light Obliterated. Thus the jun zi uses the spirit of dimness in place of brightness to administer affairs of the populace. [By “dimming” his internal strength, he would make people feel that he is one of them.]
COMMENTARY
Confucius/Legge: The image of Brightness entering into the midst of the earth suggests clarity that has been wounded or obscured. The lower trigram shows Clarity, the upper Docility. King Wen had both of these qualities, yet he was involved in great difficulties. The individual concerned should obscure his brightness. Thus was Count Chi able to correctly maintain his mind and intent amidst the difficulties of his situation.
Legge: This hexagram shows an able officer going forth in the service of his country, notwithstanding the occupancy of the throne by a weak and unsympathetic ruler. Hence the name Clouded Perception or Intelligence Wounded -- that is, injured and oppressed. The lesson of the figure is to show how such an officer will conduct himself and maintain his purpose.
King Wen was not of the line of Shang. Though opposed and persecuted by its sovereign, he could pursue his own course, till his line came in the end to supersede the other. It could not be so with the Count of Chi, who was a member of the House of Shang. He could do nothing that would help on its downfall.
NOTES AND PARAPHRASES
Judgment: Recognize a difficult situation and use your willpower to cope with its restrictions.
The Superior Man manages the situation by subduing his need to speculate, meddle, or call attention to himself. (Alternate: When in the presence of arrogance, the wise man plays the fool.)
The thirty-fifth hexagram shows the trigram of Clarity progressing over the earth -- an image of advancing awareness. The thirty-sixth hexagram is the inverse of this -- it shows the trigram of Clarity swallowed up by the earth. If the image of Advance of Consciousness symbolizes noon, when the sun is at the midheaven, then Clouded Perception symbolizes midnight, when the sun is at the Imum Coeli, or undersky. It is a time of maximum darkness, maximum ignorance; a time when the dark forces of the unconscious are at their strongest. We are reminded of the Dark Night of the Soul, an inescapable and inevitable phase of the Work:
When, at length, they have practiced themselves for some time in the journey of virtue, persevering in meditation and prayer, wherein, with the suavity and relish they have found, they have become detached from worldly things, and acquired some spiritual strength in God, so as to be able to curb the creature appetites and in some small degree suffer for God some slight load and dryness, without turning back at the crucial moment; when, to their thinking, they are proceeding in these spiritual exercises to their entire satisfaction and delight; and when the Sun of Divine favors seems to them to shine most radiantly upon them, God darkens all this light, and shuts the door and fountain of the sweet spiritual water, which they were wont to drink in God as often and as long as they chose ... and thus, he leaves them in darkness so profound that they know not whither to direct the sense of the imagination and speculations of the mind. St. John of the Cross
The Dark Night of the Soul is the universal experience of everyone who follows the way beyond the tried and true paths of the spiritual dilettante. It is an archetypal filter for determining the survival of the fittest in psychic evolution. For those who have entered this phase of the Work, it is good to remember that no one is given a test that they can't pass if they sincerely want to.
The situation in line five of this hexagram means little to one who is unacquainted with Chinese history. In its essence, the story of Count Chi concerns a superior man who was imprisoned by an evil emperor. The only way that he could survive this dark time was to feign insanity. Thus the message in the Image counsels us to show our intelligence by concealing it. There is a wide range of applications for this rule, and perhaps Lao Tse gives us the best paraphrase of the idea in his famous aphorism: He who knows does not speak; He who speaks does not know.
In terms of the Work this can mean that one must firmly understand that there are some things which cannot be shared with just anyone. Inner work is very fragile until it has had time to crystallize, and to expose its truths to the harsh light of unsophisticated intellect is to risk severe damage to the process of individuation.
One must not tell people of things they cannot grasp. There are mysteries that cannot be shared with everybody ... Some things can be told to no one and a secret told to a wrong person is destructive and even irresponsible. M.L. Von Franz -- The Feminine in Fairytales
This hexagram can symbolize many situations, but sometimes it is a suggestion that you are ignorant or "in the dark" about the true state of affairs now prevailing.
Line 1
Legge: The first line, dynamic, shows its subject with clouded perception, flying, but with drooping wings. When the superior man is about his business he may go for three days without eating. Wherever he goes, the people there may speak derisively of him.
Wilhelm/Baynes: Darkening of the light during flight. He lowers his wings. The superior man does not eat for three days on his wanderings. But he has somewhere to go. The host has occasion to gossip about him.
Blofeld: Failure of the light during his progress through the sky caused him to lower his wings. When busy with affairs, the Superior Man may go without food for three days on end, so intent is he on reaching his goal; but his lord will have something to say about this.
Liu: The darkened light flies and droops its wings. The superior man fasts for three days during his wanderings. His host speaks of him with derision. He leaves to go someplace.
Ritsema/Karcher: Brightness Hiding tending-towards flying. Drooping one's wings. A chun tzu tending-towards moving: three days not taking in. Possessing directed going. A lord: people possessing words.
Shaughnessy: The calling pheasant in flight, drops its left wing: the gentleman on the move, for three days does not eat; there is someplace to go; the ruler has words.
Cleary (1): Concealing illumination in flight, letting the wings hang down; a superior man on a journey not eating for three days has a place to go. The master is criticized.
Cleary (2): Illumination concealed in flight, etc … The ruler has something to say.
Wu: It is like a bird in flight with its wings drooping. If the jun zi takes a journey, he may go without food for three days andhis host will have words about his undertakings.
COMMENTARY
Confucius/Legge: In such a case he feels it right not to eat. Wilhelm/ Baynes: It is the obligation of the superior man to refrain from eating during his wanderings. Blofeld: It is the duty of the Superior Man to go without food for three days if his activities require this of him. Ritsema/Karcher: A chun tzu tending-towards moving: righteously not taking-in indeed. Cleary (2): It is right that they do not eat. [This is like a just person fleeing a vicious tyrant … such is the speed of travel that they do not have the leisure to eat for three days.]Wu: For righteousness sake, he refuses to eat.]
Legge: Line one is dynamic, and in its right place. He should be going forward, but the general signification of the hexagram supposes him to be wounded. The wound, received at the commencement of the action, is but slight. It suggests a bird hurt so that it must droop its wings. The subject then appears directly as the superior man. He understands that he must desist from the struggle for a time, and is so rapt in the thought that he can fast for three days and not think of it. When he does withdraw, opposition may follow him, but he holds to his own purpose. The commentary says that he does not purposely fast, but when he has nothing to eat he doesn't complain. He thinks it right that it should be so in this case.
NOTES AND PARAPHRASES
Siu: At the outset, the man encounters hostility and derision in his attempt to soar above all obstacles. He does not compromise but perseveres in his thinking and remains true to his principles. People do not understand him.
Wing: An attempt to rise above the obstacles in your environment will be met with hostility. If you decide to serve your personal drives and compromise the needs of society, you will be misunderstood and censured. Such is the difficulty of the position.
Editor: Flying: Air is the realm of thought. To fly is to move in the realm of ideas: to think, speculate, reason. Drooping wings: Wounded in the realm of thought: impaired thinking, inferior conceptualization, crippled by faulty ideas or incomplete information, “clipped wings.” He does not eat: he doesn't jump to conclusions, but reasons it out to the end. Three days: A period of completion. ("The Chinese say that numbers begin at one and are made perfect at three." -- Gaskell, Dictionary of Scriptures and Myths.) People speak derisively: Subordinate elements within the psyche (emotions, etc.) clamor for resolution, easy answers, etc. Psychologically, this combination of symbols points to a confused situation which demands careful differentiation. Though answers may not be forthcoming immediately, be patient and you will get what you seek. The line can also refer to painfully following one's path regardless of consequences. (Compare with symbolism of fourth line correlate.)
In a word: the first work of the hero is to retreat from the world scene of secondary effects to those causal zones of the psyche where the difficulties really reside, and there to clarify the difficulties, eradicate them in his own case (i.e., give battle to the nursery demons of his local culture) and break through to the undistorted direct experience and assimilation of what C.G. Jung has called "the archetypal images." This is the process known to Hindu and Buddhist philosophy as viveka, "discrimination." Joseph Campbell --The Hero with a Thousand Faces
A. Your thinking is confused and requires a new point of view. Don't jump to easy conclusions. Even though you are anxious to resolve the issue, you are obliged to reason it through to the end.
Line 5
Legge: The fifth line, magnetic, shows how the Count of Chi fulfilled the condition indicated by clouded perception. It will be advantageous to be firm and correct.
Wilhelm/Baynes: Darkening of the light as with Prince Chi. Perseverance furthers.
Blofeld: Prince Chi suffered injury, but his persistence along a righteous course was rewarded.
Liu: The darkened light of Prince Chi. Continuance benefits.
Ritsema/Karcher: The winnowing son's Brightness Hiding. Harvesting Trial.
Shaughnessy: Jizi's calling pheasant; beneficial to determine.
Cleary (1): Concealment of illumination in a basket is beneficial if correct.
Cleary (2): The concealment of illumination on the part of a just scion of an evil ruling house is beneficial and upright.
Wu: The way the Viscount of Qi handled the situation of Light Obliterated is advantageous only through perseverance.
COMMENTARY
Confucius/Legge: His brightness could not be quite extinguished. Wilhelm/ Baynes: The perseverance of Prince Chi shows that the light cannot be extinguished. Blofeld: His was a light which can never be extinguished. Ritsema/Karcher: Brightness not permitted to pause indeed. Cleary (2): His understanding cannot be suppressed. [This represents being outwardly flexible while inwardly strong, remaining balanced in the middle, appearing to be ignorant while actually being illuminated.] Wu: The perseverance of the Viscount of Qi made it impossible to obliterate the light.
Legge: Line five should be the place of the ruler, but in this hexagram line six takes that position. The officer here, in the center of the upper trigram, just below the sovereign, is modeled on the Count of Chi, an historical personage.
NOTES AND PARAPHRASES
Siu: The man recalls the manner in which Prince Chi preserved his convictions by feigning insanity when trapped in the court of the tyrant Chou Hsin. In coping with danger during times of darkness, he exhibits an invincibility of spirit, coupled with unusual caution.
Wing: You are in an obvious and important role in this situation, yet you are not in accord with it. You are not in a position to struggle against elements that run contrary to your principles. Conceal your ideals and acquiesce outwardly to the powers that be. You will ultimately be rewarded.
Editor: Count Chi "hid his light" by feigning insanity to deceive the tyrant holding him captive. Basically, the idea is that you are "imprisoned" by the situation at hand and powerless to do anything but adapt to it. If you don't surrender your integrity you can persevere through a dark and difficult time. As so often in fifth lines, the image is an echo of the ideas in the Judgment and/or Image of the hexagram as a whole. This particular predicament reminds us of the Biblical story of David:
David ... became very frightened of Achish the king of Gath. When their eyes were on him he played the madman and, when they held him, feigned lunacy. He would drum on the doors of the gate and let his spittle run down his beard. Achish said to his servants, "You can see this man is mad. Why bring him to me? Have I not enough madmen without your bringing me this one to weary me with his antics?" I Samuel 21: 13--15:
A. In the presence of arrogance, the wise man plays the fool. (Now is the time to hide your light.)
B. The Dark Night of the Soul.
C. Clarity in the matter at hand is concealed for now.
Line 6
Legge: The sixth line, magnetic, shows the case where there is no light, but only obscurity. Its subject had at first ascended to the top of the sky; her future shall be to go into the earth.
Wilhelm/Baynes: Not light but darkness. First he climbed up to heaven, then he plunged into the depths of the earth.
Blofeld: Nothing to lighten the darkness! Having once climbed to heaven, he later descended into the earth.
Liu: Not light, but shadows. First he ascended to the sky, and later plunged into the earth.
Shaughnessy: Not bright or dark: initially it rises into the heavens, afterwards it enters into the ground.
Cleary (1): The darkness of non-understanding; first ascending to heaven, then descending into the earth.
Cleary (2): In the darkness of ignorance, first ascending to heaven, later going underground.
Wu: Knowing not how to use the spirit of dimness, he first ascends to heaven and then falls into the depths of the earth.
COMMENTARY
Confucius/Legge: She might have enlightened the four quarters of the kingdom. She has failed to fulfill the model of a ruler. Wilhelm/Baynes:
Thus he might have been able to illuminate the lands of all the four quarters of the earth. Because he had lost the rule. Blofeld: He illumined the four quarters of the empire; his descent into the earth means that he transgressed divine law. Ritsema/Karcher: Illuminating the four cities indeed. Letting-go by consequence indeed. Cleary (2): First ascending to heaven is lighting up the nations; later going underground is losing guidance. Wu:“He first ascends to heaven” when his brightness shines at the four corners of the kingdom, “and then falls into the depths of the earth” when he violates the code of conduct.
Legge: Line six shows the fate of the ruler, who opposes the officer who would do her good and intelligent service. Instead of becoming as the sun, enlightening all from the height of the sky, she is as the sun hidden below the earth.
NOTES AND PARAPHRASES
Siu: There is only darkness. The ruler opposes officers capable of good and intelligent service. He does not shower blessings upon his people but ignores his duties and responsibilities for increasing the common good.
Wing: The current trend is coming to an end. The bad times are consuming themselves and will become but a memory. Those who once struggled to control the situation will fall back into obscurity.
Editor: This line is the Lord of Darkness oppressing the entire hexagram. Psychologically interpreted, the ego has not seen the light. Because this line changes the hexagram to number twenty-two, Persona, there is a hint that some sort of egocentric vanity may be involved.
Hence it is that they shun the light of heaven, and cast themselves down into their own light; a light which is like the light from glowing coals, and in some places like that from burning sulphur. But even this light is turned into thick darkness, when any particle of light from heaven flows in there. Swedenborg -- Heaven and Hell
A. You had clarity, then you lost it.
B. An image of the source of darkness, ignorance or negativity in the situation at hand.
C. A negative element about to be eliminated.
53 Development
Other titles: Development, The Symbol of Progressive Advance, Gradual Development, Infiltrating, Advancing, Growth, Developing, Gradualness, Dialectical Progression, Step by Step, "The slower the stronger." -- D.F. Hook
Judgment
Legge:Gradual Progressshows the good fortune attending the marriage of a young lady. Firm correctness brings advantage.
Wilhelm/Baynes: Development. The maiden is given in marriage. Good fortune. Perseverance furthers.
Blofeld: Gradual Progress. The marriage of a maiden brings good fortune. Persistence in a righteous course brings reward.
Liu: Gradual Development. The marriage of a girl -- Good Fortune. It benefits to continue.
Ritsema/Karcher:Infiltrating, womanhood converting significant. Harvesting Trial. [This hexagram describes your situation in terms of gradually achieving a goal. It emphasizes that advancing through diffuse but steady penetration is the adequate way to handle it. To be in accord with the time, you are told to: infiltrate!]
Shaughnessy:Advancing: For the maiden to return is auspicious; beneficial to determine.
Cleary (2):Gradual Progress in a woman’s marriage is auspicious. It is beneficial to be chaste.
Wu: Gradualness indicates that it is auspicious for a woman to get married and it is advantageous for her to be persevering.
The Image
Legge: A tree on the mountain -- the image of Gradual Progress. The superior man attains and nourishes his extraordinary virtue to improve the manners of the people.
Wilhelm/Baynes: On the mountain, a tree: the image of Development. Thus the superior man abides in dignity and virtue, in order to improve the mores.
Blofeld: This hexagram symbolizes a tree upon a mountain. The Superior Man, abiding in holiness and virtue, inclines the people towards goodness.
Liu: A tree on the mountain symbolizes Gradual Development. The superior man, in maintaining his virtue, improves society's customs.
Ritsema/Karcher: Above mountain possessing wood. Infiltrating. A chun tzu uses residing-in eminent actualizing-tao to improve the vulgar. [Actualize-tao: Ability to follow the course traced by the ongoing process of the cosmos ... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]
Cleary (1): There are trees on the mountain, growing gradually. Thus do superior people abide in sagacity and improve customs.
Cleary (2): …Developed people improve customs by living wisely and virtuously.
Wu: There are trees on the mountain; this is Gradualness. The jun zi chooses to live in the neighborhood known for its high moral standards and exemplary custom.
COMMENTARY
Confucius/Legge: The ascent of Gradual Progress resembles the fortunate marriage of a young lady. The lines ascend to their proper places, indicating achievement. Because the ascent is made correctly the subject of the hexagram is empowered to rectify his country. He is shown as the dynamic ruler in line five, central and correct. The alternation of Keeping Still and Flexible Penetration ensure that the advance is continuous.
Legge: The written character for Gradual Progress is ordinarily used in the sense of gradually, but there is connected with it also the idea of advance. The whole of it denotes a gradual advance like the soaking in of water. The other two hexagrams that contain the idea of advance are number thirty-five, Advance of Consciousness and number forty-six,Pushing Upward-- each expresses its own nuance of meaning, and here the nuance is the gradual manner in which the advance takes place.
The theme of the hexagram is the advance of men to offices in the state -- how it should take place gradually and by successive steps. Lines 2, 3, 4 and 5 are all in their proper places as dynamic or magnetic, and we ascend them as by regular steps to the top of the hexagram.
The marriage of a young lady illustrates an important event which takes place according to various preliminary steps which must be correctly done in an orderly sequence. So must it be with the advance of a man in the service of the state.
The K'ang-hsi editors say: "A tree springing up on the ground is a tree as it begins to grow. A tree on a hill is high and large. Every tree when it begins to grow shows its branches and twigs gradually becoming long. Every morning and every evening show some difference; and when the tree is high and great, whether it be of an ordinary or extraordinary size, it has taken years to reach its dimensions."
Added Commentary: Blofeld appends the following footnote to each line in this hexagram: it is easier to read it here as his general commentary. [The additional Chinese commentaries explain that the wild goose is a bird which moves toward the sun. Now, a commonly used Chinese term for the sun is YANG, namely the male principle. So the bird obviously (sic) betokens a maiden seeking a husband. Its movement from river bank to rock, dry land, a tree, a hillock and the mainland (which is said in one commentary to mean peninsula) signifies gradual movement in an unchanging direction. From the point of view of divination, this is the best course for us, even if marriage is not our objective. Regarding marriage: the first line betokens gossip, although the marriage is not unsuitable; the second, a materially successful marriage; the third, an unfortunate marriage; the fourth, marriage to someone exceedingly kind and thoughtful; the fifth, a blissful marriage; the sixth, marriage to a public figure who has some responsibility for good order within the realm and who succeeds in his task.]
NOTES AND PARAPHRASES
Judgment: The proper union of forces within the psyche is a matter of slow maturation.
The Superior Man maintains his will and transforms the psyche. "Example is the school of mankind, and they will learn at no other." -- Burke
This is one of the most hierarchical of the hexagrams -- each line represents a clear advance from the position of the preceding line, thus giving an image of Gradual Progress. The vehicle of this progression is the wild goose, which also appears in every line. A goose is a bird -- primarily a creature of the air, or realm of thought; but because it also thrives on either water or land, the goose symbolizes thought which permeates the lower two categories of consciousness -- emotion (water), and sensation (earth).
Another traditional interpretation of the goose motif is that of the universal aspect of the soul. The wild goose is able to move about everywhere, on firm land, in water and in the air. It is the bird of Hermes, who is the leader of souls. E.C. Whitmont -- The Symbolic Quest
The progress of the goose is a gradual one, from the shore, or threshold of awareness in line one, to the mountain heights, or realm of the Spirit in line six. The fact that this progress is linked with the idea of marriage in the Judgment is a clear hint that we are dealing here with the idea of the union of opposites within the psyche. (See commentary on hexagram number eleven.) The message is unambiguous: the process of psycho-spiritual growth is one of slow maturation. There are no short-cuts to enlightenment.
Evils and falsities must be removed, to the intent that a new life which is the life of heaven may be implanted. This can in nowise be done hastily; for every evil enrooted with its falsities has connection with all evils and their falsities; and such evils and falsities are innumerable, and their connection is so manifold that it cannot be comprehended ... From this it is plain that the life of hell in man cannot be suddenly destroyed, for if it were suddenly done he would straightway expire; and that the life of heaven cannot be suddenly implanted, for if this were done suddenly he would also expire. Swedenborg -- Arcana Coelestia