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Clarity30
Clarity and adaptability. Embrace the light to illuminate your path. Recognize patterns in life, align with them, and nurture personal growth.
↓ Line 1
At the beginning, there is confusion and uncertainty. However, if one remains focused and determined, there will be no blame.
↓ Line 2
This line represents clarity and brightness in one's path. It signifies supreme good fortune and success.
↓ Line 3
This line warns of the dangers of complacency and the fear of decline. It suggests that one should not dwell on past glories or future fears.
↓ Line 5
This line suggests that through emotional release and expression, one can find good fortune and relief.
↓ Conflict6
Conflict arises. Approach disputes with clarity and fairness. Seek resolution over victory. Compromise is key.
Original Readings
30 Clarity
Other titles: The Clinging, The Symbol of Brightness and of Separateness, Flaming Beauty, Radiance, Fire, The Net, Allegiance, The Cosmic Mean, Synergy, Sunlight, Perception, Pertaining to Comprehension, The Light, Consciousness, Lucidity
Judgment
Legge: The free course and success of Clarity comes from firm correctness. The nourishment of bovine docility creates good fortune.
Wilhelm/Baynes: The Clinging. Perseverance furthers. It brings success. Care of the cow brings good fortune.
Blofeld:Flaming beauty. Righteous persistence brings reward. Success! Rearing cows -- good fortune! [Cows are gentle creatures which require looking after; hence this sentence means that good fortune can be gained by looking after those in need of help.]
Liu: Fire. It is of benefit to continue. Success. To take care of the cow leads to good fortune.
Ritsema/Karcher: Radiance, Harvesting Trial. Growing. Accumulating female cattle. Significant. [This hexagram describes your situation in terms of expanding light, warmth and awareness. It emphasizes that joining with and depending on what spreads this light, the action of Radiance, is the adequate way to handle it...]
Shaughnessy:The Net: Beneficial to determine; receipt; raising a cow is auspicious.
Cleary(1):Fire is beneficial for correctness and development. Raising a cow brings good fortune.
Cleary (2): Fire is beneficial if correct; then there is success, etc. [In Buddhism, when demons cause disturbance, it is necessary to cleave to true teaching to get rid of aberrations.]
Wu: Allegiance indicates that it will be advantageous to be persevering and pervasion will follow. It will be auspicious to raise the cow.
The Image
Legge: The image of brightness repeated forms Clarity. The great man, in accordance with this, cultivates more and more his brilliant virtue, and diffuses its brightness over the four quarters of the land.
Wilhelm/Baynes: That which is bright rises twice: the image of Fire. Thus the great man, by perpetuating this brightness, illuminates the four quarters of the world.
Blofeld: This hexagram symbolizes fire rising in two tongues of brilliant flame. The Superior Man, by perpetuating the brilliance of the ancients, illuminates every quarter of the earth. [In other words, we should make ourselves as completely dependent on the principle of righteousness as natural objects are dependent upon nature; in this way, we are sure to be successful.]
Liu: Doubled brightness symbolizes Fire. A great man perpetuates the light and illuminates the four corners of the universe.
Ritsema/Karcher: Brightness doubled arousing Radiance. Great People use consecutive brightening to illuminate tending- towards the four sides.
Cleary (1):Light has dual function. Thus do great people illumine the four quarters with continuing light. [The sun goes in at night and comes out in the daytime; this pattern represents inner illumination and outer illumination, one light having dual function…Outer illumination has to be based on inner illumination… Illumination must reach inside and outside, so that both are illumined and both are correct.]
Cleary (2): Illumination doubled makes fire. Great people illumine the four quarters with continuing illumination.
Wu: Brightness doubled makes Allegiance. Thus the great man carries on the brightness to shine the four corners of the earth.
COMMENTARY
Confucius/Legge:Clarity means clinging attachment. The sun and moon have their roots in heaven, and all the growing things have their roots in the earth. The double brightness of the two trigrams is rooted in correctness, and all under heaven are thereby transformed. The magnetic second line is central and correct, indicating a free and successful course. Nourishing a passive docility will lead to good fortune.
Legge:Clarity is the trigram of fire and light, and the sun is the source of both of these. Its attribute is brightness, and by a natural metaphor: intelligence. But this trigram also means inhering or in adhering to -- being attached to. In the hexagram we have a double brightness -- a phrase which denotes the ruler. If we take the two central lines as emblematic of the situation, we have the magnetic dwelling with the dynamic above and below -- a condition requiring a docile humility and strict adherence to what is correct. Ch'eng-tzu says: "The nature of the ox is docile, and that of the cow is much more so. The subject of the hexagram adhering closely to what is correct must be able to act in obedience to it, as docile as a cow, and then there will be good fortune."
NOTES AND PARAPHRASES
Judgment: Willed persistence gets results. Be receptive to your inner light, and reflect it in your life.
The Superior Man cultivates his capacity to manifest his comprehension of the Work in his everyday choices.
Light is a symbol of both normal consciousness and super- consciousness. Probably every religion in the world uses it in the latter sense -- from the "Let there be light" in the first chapter of Genesis, to The Lord of Light (Ahura Mazda), the supreme being of Zoroastrianism. The TibetanBook of the Dead speaks of the "clear white light" which is the first thing encountered after bodily death -- a phenomenon reported as the experiential perception of those who have had near-death experiences. Light means Truth, it means Reality, and the "double brightness" of this hexagram tells us that Clarity is manifested both above and below.
Meditation on light is one of the most important exercises in the various schools of Tibetan Yoga. The more these psychic and spiritual powers can be achieved during life, the stronger is the ability to penetrate and overcome the bardo. D. I. Lauf, Secret Doctrines Of The Tibetan Book Of The Dead
The Confucian commentary gives the examples of the sun and moon in the heavens, and of growing things on the earth as emblems of Clarity. Sun and moon are certainly luminous, but growing things are not, and when we meditate on the reason for this strange juxtaposition we are led to the idea of the Self and the ego. The Self is the sun, the source of illumination which causes the ego to grow. Sun is to growing things as Self is to ego. This idea is repeated in the relationship between the sun and the moon -- the moon is not self-luminous, it can only reflect the light of the sun. Therefore, sun is to moon as Self is to ego.
The idea is that despite our illusions to the contrary, all of our power originates somewhere else. When we allow the power to work through us without interference, we become "docile" like the cow in the judgment. Clarity, therefore, is attained through docility -- the ability to subdue and restrain the autonomous components of the psyche, which left to their own devices would prefer to go around pontificating their brilliant illusions rather than quietly reflecting the truth. It is not easy to reflect the truth, and the superior man is counseled to constantly perfect his capacity to do so. It is only when Self and ego come together in a fusion reaction that the energy released attains the true "double brightness" imaged in the hexagram. The identical idea is found in the Kabbalah:
Said Rabbi Simeon: "When the Holy One arrays himself, it is in the ornaments from both the celestial and terrestrial worlds; from the former with that heavenly light on high that no human being can approach unto; from the latter with the souls of the righteous who the more they approximate themselves to this divine light the more receptive and filled with it do they become, so that through them it expands in all directions and the world like a cistern or ocean is filled with it." The Zohar
Wilhelm mentions that the hexagram "divided within and closed without, is an image of the meshes of a net in which animals remain snared." This gives us the image of Clarity as Comprehension -- a net which captures and encloses insights. To receive the figure without changing lines is often a confirmation of an idea or action -- it is saying: "You have comprehended," or "Your proposed action is lucid, intelligent, etc."
Line 1
Legge: The first line, dynamic, shows one ready to move with confused steps. But he treads at the same time reverently, and there will be no mistake.
Wilhelm/Baynes: The footprints run crisscross. If one is seriously intent, no blame. [It is precisely at the beginning that serious concentration is important, because the beginning holds the seed of all that is to follow.]
Blofeld: Approaching with reverent steps, he pays them his respects -- no error! [This suggests a rather delicate situation in which we should avoid any appearance of lacking respect for others.]
Liu: The footsteps are confused. If one is cautious, no blame. [Everyone should watch his steps so that he doesn’t injure his feet.]
Ritsema/Karcher: Treading, polishing therefore. Respecting it. Without fault.
Shaughnessy: Treading counter-wise; respect it; there is no trouble.
Cleary (1): The steps are awry. If you are heedful of this, there will be no fault.
Wu: The subject is treading cautiously. With due respect, he will be blameless.
COMMENTARY
Confucius/Legge: The reverent attention directed to his confused steps is the way by which error is avoided. Wilhelm/Baynes: Seriousness when footprints run crisscross serves in avoiding blame. Blofeld: He walks reverently expressly to avoid blame. Ritsema/Karcher: Using casting-out fault indeed. Cleary (2): Be heedful when the steps are awry, to avoid fault. Wu: Having due respect in cautious treading is to avoid being blamed.
Legge: Line one is dynamic at the bottom of the trigram of fire, the nature of which is to ascend. He therefore will move upwards, but is in danger of doing so coarsely and vehemently. However, since the lowest line has hardly entered into the action of the hexagram, this makes him reverently careful of his movements and there is no error.
NOTES AND PARAPHRASES
Siu: At the outset, the man is initially confused amid the bustle of life. He will avoid error by careful attention to the central issue at stake.
Wing: When you first begin on your new path, you are bombarded by impressions. Keep your goal in mind constantly and you can avoid confusion. Furthermore, do not forget your position as a beginner, somewhat outside the situation.
Editor: Wilhelm's commentary says that line one is analogous to the dawn, line two to noon, and line three to sunset. Here at the beginning of the day, full clarity has yet to manifest, but serious intent will compensate for your relative ignorance of the facts at hand.
When one follows the path of individuation, when one lives one's own life, one must take mistakes into the bargain; life would not be complete without them. There is no guarantee -- not for a single moment -- that we will not fall into error or stumble into deadly peril. Jung -- Memories, Dreams, Reflections
A. When in the dark, keep the faith: trust the Work and pick your way very carefully.
Line 2
Legge: The second line, magnetic, shows its subject in her place in yellow. There will be great good fortune.
Wilhelm/Baynes: Yellow light. Supreme good fortune.
Blofeld: Yellow sunlight -- sublime good fortune.
Liu: The yellow light of the sun indicates great good fortune.
Ritsema/Karcher: Yellow radiance. Spring significant.
Shaughnessy: Yellow net; prime auspiciousness.
Cleary(1): Yellow fire is very auspicious.
Wu: The yellow fire will bring great fortune.
COMMENTARY
Confucius/Legge: Good fortune because she holds the course of the due mean. Wilhelm/Baynes: One has found the middle way. Blofeld: The good fortune of being able to keep to a middle path. [This is suggested by the position of the line, which is central to the lower trigram. The middle path, the golden mean, is praised by Taoists, Confucians and Buddhists alike. It has always been regarded by traditionally minded Chinese as the principle upon which conduct should be based. Extremes of any kind have no place in Chinese philosophy, which is thus more humanistic than many of the philosophies of India and the Middle East.]Ritsema/Karcher: Acquiring centering tao indeed. Cleary (2): Attaining the middle way. Wu: Because it is centrally situated.
Legge: Line two is magnetic and occupies the center. Yellow is one of the five correct colors, and here symbolizes the correct course to which she adheres.
NOTES AND PARAPHRASES
Siu: The man occupies the central position of reasonableness, which results in enduring good fortune.
Wing: A reasonable and moderate attitude will bring you the best possible luck. Remember, indulge in no excess, no extremes of thought or action.
Editor: Yellow is a nearly universal symbol of light and clarity. Both the sun and gold are yellow, and because it is in the middle of the trigram this line images the concept of the golden mean. Wilhelm's commentary places this line at midday when the sun is directly overhead, hence: full illumination. If this is the only changing line, the new hexagram becomes number fourteen, Wealth (Possession in Great Measure), suggesting the richness of clear insight.
I, wisdom, am mistress of discretion, the inventor of lucidity of thought. Good advice and sound judgment belong to me, Perception to me, strength to me. Proverbs 8: 12
A. The image suggests a position of balance and lucidity. Full comprehension is implied.
Line 3
Legge: The third line, dynamic, shows its subject in a position like that of the declining sun. Instead of playing on his instrument of earthenware, and singing to it, he utters the groans of an old man of eighty. There will be evil.
Wilhelm/Baynes: In the light of the setting sun, men either beat the pot and sing or loudly bewail the approach of old age. Misfortune.
Blofeld: In the light of the setting sun, young men do not beat upon their cooking pots or sing; the old sigh piteously -- misfortune!
Liu: Under the light of the setting sun, one sings without beating the pot, bemoaning one's old age. Misfortune.
Ritsema/Karcher: Sun going-down's radiance. Not drumbeating a jar and-also singing. By-consequence great old-age's lamenting. Pitfall.
Shaughnessy: The net of the sun's decline; not drumming the earthenware jar and yet singing, then the sighing of the great mourning kerchief; inauspicious.
Cleary (1): The afternoon light; unless you drum on a jug and sing, there will be the lament of old age, which is unfortunate.
Cleary (2): In the fire of the afternoon sun, you either drum on a jug and sing, or lament as in old age. This bodes ill. [When you use insight too much without concentration to balance it, sometimes you will be extremely joyful, drumming and singing, and sometimes you will be extremely anxious, lamenting as in old age. Sadness and joy disturb the song of your heart; intellectual insight cannot sustain itself – backsliding and loss are inevitable.]
Wu: The sun is passing the meridian. Ifhe does not playhis earthen instrument and sing, but sighs like an old man of eighty years, there will be foreboding. [The passing of the meridian is like the passing of the prime time in life. If one does not make the best of his life now, it will be gone forever.]
COMMENTARY
Confucius/Legge: A position like that of the setting sun -- how can it continue long? Wilhelm/Baynes: How can one wish to hold for long the light of the setting sun? Blofeld: Sunset beauty -- how can it endure for long? [This passage suggests that our present happiness or success is not destined to endure; we must prepare for a setback.] Ritsema/Karcher: Wherefore permitting lasting indeed? Cleary (2): Afternoon sun cannot last long. Wu: How long will the day last?
Legge: Line three is at the top of the lower trigram, whose light is now exhausted, suggesting a sunset. He should accept his position and resign himself to the ordinary amusements mentioned, but he groans and mourns instead. His restless activity interferes with the lowly contentment he should cherish. The K'ang-hsi editors say that the declining sun is an emblem of "obscuration coming over the virtue of the mind."
Anthony: Fear and worry over the length of time required to attain recognizable progress puts us in the wrong balance. If we can nobleheartedly accept that things will be fulfilled when they will, we secure our fate by making possible that it can be fulfilled. As long as the ego stands by expectantly, measuring and weighing our progress, the dark force of doubt operates and the power of good cannot manifest itself. Obtaining this line reminds us that adversity lasts only for a time; through it we mould our character.
NOTES AND PARAPHRASES
Siu: The man reaches his declining years and recalls the transitoriness of life. Instead of enjoying the ordinary pleasures while they last, he groans in melancholy.
Wing: The best attitude to cultivate at this time in your life is a general acceptance of fate. To totally lose yourself in the happiness of the moment is as bad as to bemoan the passing of time. Such folly of the mind and the emotions leads to a loss of inner freedom. Misfortune.
Editor: There is apparently more than one way to translate this line, best seen in the contrast between Cleary’s Taoist and Buddhist versions. One implies that frivolity is an antidote to depression, the other that both positions are extreme. Emphasized in all translations is the contrast between joy and sorrow, singing and groaning, youth and old age. The setting sun symbolizes the decline of awareness, the "darkening of the light," the advance of illusion. That is: to either mindlessly sing or to bewail one's fate is to be deluded -- one has forgotten one's Source. Frivolity and despair are polarized attitudes, and the line tells us that clarity wanes whenever one takes an extreme position. In another context, the setting sun suggests the inevitability of death. Those who believe that death is final usually respond in either of the two ways shown, and thus miss the mark. There is also a suggestion of the futility of trying to hold onto something that is by nature transitory. Note the similarity between this line and line three of Hexagram #61,Inner Truth: “He finds a comrade. Now he beats the drum, now he stops. Now he sobs, now he sings.” Wing’s paraphrase is probably the best.
No soul, not even our own, enters into the body completely. Soul always remains united by its higher part to the intelligible realm. But if the part that is in the realm of sense dominates, or rather becomes dominated and disturbed, it keeps us unaware of what the higher part of the soul contemplates. Plotinus -- The Enneads
A. An image of gross illusion. Clarity is lost when perception is polarized.
B. Nothing lasts here below, but that's only half the story -- the least interesting half.
C. “Gather your rosebuds while ye may.”
Line 5
Legge: The fifth line, magnetic, shows its subject as one with tears flowing in torrents, and groaning in sorrow. There will be good fortune.
Wilhelm/Baynes: Tears in floods, sighing and lamenting. Good fortune.
Blofeld: His tears streamed forth as though to extinguish his piteous sighs -- good fortune! [Bitter regret serves us in good stead.]
Liu: A flood of tears, sighing, and sadness. Good fortune. [There may be suffering and mourning, but good fortune hides in misfortune.]
Ritsema/Karcher: Issuing-forth tears like gushing. Sadness like lamenting. Significant.
Shaughnessy: Going out with tears as if streaming and grief as if sighing; auspicious.
Cleary (1): Weeping and lamenting. Good fortune. [This is clearly knowing one is not illumined.]
Wu: With tears flowing profusely, he sighs with sorrow. Auspicious.
COMMENTARY
Confucius/Legge: This is due to her occupying the place of the ruler. Wilhelm/Baynes: [She] clings to king and prince. Blofeld: This good fortune stems from the rulers. [For purposes of divination, we may take it that "rulers" means anyone with authority over us.]Ritsema/ Karcher: Radiance: the kingly prince indeed. Cleary (2): The good fortune of the fifth yin is cleaving to rulers. [This represents concentration in balance, which can bring forth genuine insight; therefore progress is certain. “Weeping and lamenting” refers to abstention from complacency and presumption; this is always characteristic of the study of sages.] Wu: The auspiciousness is due to his adherence to the king. [When he is humble enough to pledge allegiance to the higher authority, he will be rewarded with good fortune.]
Legge: Line five is central in the place of honor, but she is magnetic, as is her correlate in line two. Her position between the dynamic four and six fills her with anxiety and apprehension -- shown by her weeping and groaning. But such demonstrations are proof of her inward adherence to humility and correctness, so there will be good fortune.
Anthony: We attain a clear view when, in going through difficulties, we acknowledge that adversity is necessary for growth. This change of heart displaces vain considerations that accompany change, such as dread at growing older, being unattractive, or having to go through embarrassing decreases of ego. We overcome vanity when we realize that the ego, despite its bravado, has nothing to do with our success, and is an obstruction to progress.
NOTES AND PARAPHRASES
Siu: The man reaches the zenith of life. After experiencing certain disappointments, he recognizes the vanity of human behavior. If he modifies his value system and mood, good fortune will eventually be realized.
Wing: A true change of heart is occurring. Such dramatic change is sometimes accompanied by a deep grief. Yet with this grief comes good fortune because the change will bring better times for all concerned.
Editor: If this is the only moving line, the hexagram is changed to number thirteen, Union of Forces, the corresponding line of which reads: "The representative of the Union of Forces first wails and cries out, and then laughs..." The present position thus describes the struggles and pains involved in growth, and the "union of forces" is the product of this growth. Since this hexagram refers to clarity and comprehension, the increase could be the creation of new concepts or ideas. Because this is a magnetic line located between two dynamic lines there is conveyed the idea of mediating between two extremes. This mediation is necessarily a balancing act, as the stress of the position indicates.
Suffering that is not understood is hard to bear, while on the other hand it is often astounding to see how much a person can endure when he understands the why and the wherefore. A philosophical or religious view of the world enables him to do this, and such views prove to be, at the very least, psychic methods of healing if not of salvation. Jung -- The Symbolic Life
A. Growing pains are harbingers of integration.
B. The shattering of illusions is never pleasant, yet the pain is a prelude to something better.
C. Growing pains, but still growing!
6 Conflict
Other titles: Conflict, The Symbol of Contention, Strife, Litigation, Quarreling, Arguing, Lawsuit, "It is important to mind one's step at the very beginning then things will have a chance to work out all right." -- D.F. Hook
Judgment
Legge: Stress indicates that despite sincere motivations, one still meets with opposition and obstruction. Maintain an apprehensive caution. To prosecute the contention to the bitter end will produce evil results. It is advantageous to see the Great Man. It is not advantageous to cross the great stream.
Wilhelm/Baynes: Conflict. You are sincere and are being obstructed. A cautious halt halfway brings good fortune. Going through to the end brings misfortune. It furthers one to see the great man. It does not further one to cross the great water.
Blofeld: Conflict. Confidence accompanied by obstacles! With care, affairs can be made to prosper in their middle course, but the final outcome will be disaster. It is advantageous to visit a great man, but not to cross the great river (or sea). [In general, this hexagram indicates that we have little chance of success in any conflict, dispute or lawsuit in which we are now engaged and that retreat is the best policy -- unless line one or five is a moving line, in which case the position is more hopeful. We can profit from the advice of someone truly wise, but a journey of any kind at this time would be disastrous.]
Liu: Conflict; you have sincerity even though obstructed, stop halfway -- good fortune; follow to the end -- misfortune. It is of benefit to see a great man, but not to cross the great water.
Centering significant. Completing: pitfall. Harvesting: visualizing Great People. Not Harvesting: wading the Great River. [This hexagram describes your situation in terms of a dispute. It emphasizes that actively expressing your claims and objections is the adequate way to handle it. To be in accord with the time, you are told to argue!] (Sic)
Shaughnessy: Lawsuit : There is a return; pitying and tranquil, it succeeds to be auspicious, but in the end is inauspicious; beneficial herewith to see the great man; not beneficial to ford the great river.
Cleary (1): Contention; there is blockage of truth. Caution and moderation lead to good results, finality leads to bad results. It is beneficial to see a great person, not beneficial to cross a great river.
Cleary (2): …Wariness within leads to good results, but ending up that way is unfortunate … etc.
Wu:Litigation indicates an obstruction of trust. If the subject is vigilant, he will have good fortune. If he is libelous to the end, he will face foreboding. It will be advantageous to see the great man. It will not be advantageous to cross the big river.
The Image
Legge: The image of water moving away from heaven forms Stress. The superior man, in accordance with this, takes good counsel about the beginning of any enterprise.
Wilhelm/Baynes: Heaven and water go their opposite ways: the image of Conflict. Thus in all his transactions the superior man carefully considers the beginning.
Blofeld: This hexagram symbolizes sky and water in opposition. The Superior Man does not embark upon any affair until he has carefully planned the start.
Liu: Heaven and water go in different directions, symbolizing Conflict. The superior man contemplates the beginning before undertaking an enterprise.
Ritsema/Karcher: Heaven associating-with stream, contradicting movements. Arguing, a chun tzu uses arousing affairs to plan beginning.
Cleary (1): When heaven and water go in different directions, there is contention. Superior people plan in the beginning when they do things.
Cleary (2): … When leaders do things, they plan to begin with.
Wu: Heaven and water go in opposite directions; this is Litigation. Thus the jun zi plans well before taking actions.
COMMENTARY
Confucius/Legge: The coming together of Strength and Peril gives the idea of Stress. A dynamic line in the central place in the lower trigram shows how there will be good fortune if one maintains apprehensive caution; but because contention should not be taken to extremes, there will be evil if one prosecutes his contention to the bitter end. The great man sets a value on the due mean. If one attempts to cross the great stream, he finds himself in an abyss.
Legge: The upper trigram of Strength here controls the lower trigram of Peril which is trying to attack it. Or it may also be seen as someone in a perilous situation contending with strong outside forces. The image is of contention and strife. The sincere yang line in the middle of the trigram of Peril gives a character to the whole figure -- an individual so represented will be very cautious and have good fortune. But since contention is bad, even a sincere individual must fail if he pursues it to the bitter end. The fifth line represents the great man, whose agency is sure to be good. His decision in any matter of contention will be correct. The sixth line is also dynamic, but his action is likely to be too rash for a great enterprise, hence the warning about not attempting to cross the great stream.
NOTES AND PARAPHRASES
Judgment: Be careful, don't attempt much, and don't allow the situation to get out of hand.
The Superior Man is judicious about his choices of action to ensure that the situation remains stable.
The hexagram portrays a high level of tension. Wilhelm points out that the only "favorable" line is the ruler in the fifth place, and that all of the other lines symbolize people quarreling. It should also be noted that lines one through four counsel either retreat from contention or remaining passively in place. Only line five suggests that an active struggle can have a favorable outcome, and line six portrays the sorry fate of those who insist on "demanding their rights." If we turn the hexagram upside down we have Waiting, which suggests some subtle truths about the proper way to handle stress.
He who has a taste for dispute has a taste for blows, the man of haughty speech courts destruction. Proverbs 17: 19
At deciding lawsuits I am no better than anyone else; but what is necessary is to bring about a state of affairs in which there will be no lawsuits. Confucius
Note that Ritsema/Karcher's summation of the Judgment stands in stark disagreement with the general tenor of the figure: I have never received this hexagram when that interpretation has applied.