One commits themself alone because others don't want to get involved without proofs. So, one pretends to be disappointed so that they understand that they are no longer welcome. taoscopy.com
Difficulty3
Embrace challenges and uncertainty; growth is difficult but necessary. Encouragement and persistence lead to success.
↓ Line 6
Severe separation causes deep sorrow and distress. The situation is painful and requires careful handling.
↓ Increase42
Growth and progress: Favorable conditions and efforts lead to increase and success. Be generous, share your gains, and stay humble.
3 Difficulty
Other titles: Difficulty at the Beginning, The Symbol of Bursting, Sprouting, Hoarding, Distress, Organizational Growth Pains, Difficult Beginnings, Growing Pains, Initial Obstacles, Initial Hardship
Judgment
Legge: Difficulty indicates progress and success through firm correctness. Action should not be undertaken lightly, and it is wise to seek help.
Wilhelm/Baynes:Difficulty at the Beginning works supreme success, furthering through perseverance. Nothing should be undertaken. It furthers one to appoint helpers.
Blofeld: Difficulty followed by sublime success! Persistence in a righteous course brings reward; but do not seek some new goal (or destination); it is highly advantageous to consolidate the present position. [The fundamental idea of this hexagram is that of birth and growth amidst difficulty, as with a sprouting seed becoming a young plant and forcing its way through the earth. Our affairs, being still in their early stages, are vulnerable; we must not wander forth, but attend to them until they ripen; then, with proper care, the seed will bring forth a splendid tree. The upper trigram, a pit, suggests a need for caution; but, if we heed these omens, our success is assured.]
Liu: Difficulty in the Beginning : great success. It is of benefit to continue without planning to go someplace. One should find helpers.
Ritsema/Karcher: Sprouting . Spring Growing Harvesting Trial. No availing-of possessing directed going. Harvesting: installing feudatories. [This hexagram describes your situation in terms of beginning growth. It emphasizes that collecting potential in preparation for arduous labor is the adequate way to handle it...]
Shaughnessy: Hoarding : Prime receipt; beneficial to determine. Do not herewith have someplace to go; beneficial to establish a lord.
Cleary(1): In difficulty, creativity and development are effective if correct. Do not use. There is a place to go. It is beneficial to set up a ruler.
Cleary(2):Creativity is successful. It is beneficial to be correct. Do not make use of going somewhere. It is beneficial to set up lords.
Wu:Distress is primordial, pervasive, prosperous, and persevering. The subject should proceed with caution. It will be advantageous to establish marquisates.
The Image
Legge: The image of clouds and thunder formsDifficulty. The superior man, in accordance with this, adjusts his measures of government as in sorting the threads of the warp and woof.
Wilhelm/Baynes: Clouds and thunder: the image of Difficulty at the Beginning. Thus the superior man brings order out of confusion.
Blofeld: This hexagram symbolizes lightning spewed forth by the clouds -- difficulty prevails! The Superior Man busies himself setting things in order.
Liu: Clouds and thunder symbolize Difficulty at the Beginning. The superior man makes order out of disorder.
Ritsema/Karcher: Clouds, Thunder, Sprouting. A chun tzu uses the canons to coordinate. [Canons: standards, laws; regular, regulate; the Five Classics. The ideogram: warp-threads in a loom.]
Cleary(1): Thunder in the clouds is held back; the superior person orders and arranges.
Cleary(2): Clouds and thunder – Difficulty. Thereby leaders organize.
Wu: Clouds and thunder form hexagram Distress. Thus the jun zi plans and organizes.
COMMENTARY
Confucius/Legge:Difficultyis experienced as Heaven and Earth begin their intercourse, but correct action succeeds in the face of danger. By the action of thunder and rain, which are the attributes of the lower and upper trigrams, all between Heaven and Earth is filled up. But the conditions of the time are irregular and obscure. Authority should be delegated, but the feeling that rest and peace have been secured should not be indulged in even then.
Legge: The written character for Difficultyis pictorial, and shows a plant struggling with difficulty as it rises above the surface of the earth. This initial difficulty is a metaphor for how struggle is the condition of a state which is emerging from disorder after a revolution. The author saw his social and political world in great disorder and difficult to reform, yet he had faith in himself and the destiny of his House. Let there be prudence and caution, with unswerving adherence to the right. Let the government of the different states be entrusted to good and able men -- then all will be well.
According to the arrangement of the eight trigrams, Heaven and Earth are the parents of the other six, who are their children. The first-born son is the lower trigram of Movement, and the second-born son is the upper trigram of Peril. McClatchie renders here: "The figure of Difficulty represents the hard and the soft beginning to have sexual intercourse, and bringing forth with suffering."
The power to move in the lower trigram is likely to produce great effects; to do this in perilous and difficult circumstances (symbolized by the upper trigram) requires firmness and correctness. Good princes throughout the realm will help to remedy the political and social disorder of the times, but the supreme ruler should not trust his subordinates to the point of relaxing his vigilance.
The lower trigram represents thunder, the upper represents rain clouds. The hexagram therefore places us in the atmosphere of a thunderstorm -- a metaphor for the situation of a political state in difficulty. When the thunder has pealed, and the clouds have discharged their burden of rain, the atmosphere is cleared and there is a feeling of relief.
Anthony: This hexagram means that we have not yet found the correct path.
It also means confusion: too many possibilities. Nothing is clear. This lack of clarity is the “hindrance” referred to in the first line of the hexagram. In the second line, the remedies that come forth are inappropriate. In the first stages of dealing with a problem, we are tempted to grasp at solutions, whereas we should wait until the proper actions become clear.
NOTES AND PARAPHRASES
Judgment: Under the conditions of Difficulty it is best to mark time while seeking assistance.
The superior man uses careful analysis to separate order from confusion.
Wilhelm’s title for this hexagram is Difficulty at the Beginning. I prefer Difficulty, because it is a situation encountered at any phase of the Work, not just the beginning.
Difficulty is experienced because confusion and multiplicity prevail during the initial phase of any creative activity -- thoughts and feelings proliferate and threaten to overwhelm the mind with infinite complexity. The only way to proceed under such circumstances is to carefully sort out the components of the situation and arrange them in categories and in order of importance. To "sort the threads of the warp and woof" is to weave a tangled mess into a tapestry.
The Orderly Sequence of the Hexagrams gives us an image of what takes place under the hexagram of Difficulty:
When there were Heaven and Earth, then afterwards all things were produced. What fills up the space between Heaven and Earth are those individual things. Hence the Dynamic and Magnetic are followed by Difficulty. Difficulty means filling up.
"Filling up," is rendered as "fullness" in some translations. This is the exact meaning of the gnostic term: "Pleroma," or "Fullness" which Jung correlates with the Collective Unconscious or Objective Psyche. These are interior dimensions from which emanate the archetypal energies which we experience as instinctual drives and emotional complexes. This is the "hyperspace" from which the Self, via the oracle, responds to our queries and directs the Work.
Thus we see that the third hexagram, following the creation of the cosmic pair of opposites in the first two figures, represents a dialectical progression. Lao Tse, who wrote the Tao Te Ching some six-hundred years after the I Ching was committed to writing, describes this unfolding process:
Out of Tao, One is born;
Out of One, Two;
Out of Two, Three;
Out of Three, the created universe.
The created universe carries the yin at its back
and the yang in front;
Through the union of their pervading principles
it reaches harmony.
The identical idea is found in many traditions, giving it the status of an archetype within human consciousness. It is not necessary to be familiar with the technical terminology of Kabbalah to recognize that the same idea is being discussed in the following passage:
In Chokmah and Binah we have the archetypal Positive and Negative; the primordial Maleness and Femaleness, established while "countenance beheld not countenance" and manifestation was incipient ... It is between these two polarizing aspects of manifestation -- the Supernal Father and the Supernal Mother -- that the web of life is woven; souls going back and forth between them like a weaver's shuttle. In our individual lives, in our physiological rhythms, and in the history of the rise and fall of nations, we observe the same rhythmic periodicity. D. Fortune --The Mystical Qabalah
This idea has been stated very simply:
All things are a single form which has divided and multiplied in time and space. W.B. Yeats -- A Vision
Is not the sky a father and the earth a mother, and are not all living things with feet or wings or roots their children? -- Black Elk
And also with poetic complexity:
In the beginning God created the heavens and the earth. Now the earth was a formless void, there was darkness over the deep, and God's spirit hovered over the water ... God said, "Let the waters teem with living creatures, and let birds fly above the earth within the vault of heaven." And so it was ... God blessed them, saying, "Be fruitful, multiply, and fill the waters of the seas; and let the birds multiply upon the earth. Genesis
There are some profound ideas in these images about the structure of human consciousness and the contents of the unconscious psyche. The basic idea is that of Emanation -- the creation of physical reality from a supreme principle in ordered hierarchies of increasing complexity. This concept is essential for a full understanding of the Work.
The involution of man was his descent from the sphere of the spirit, developing bodies of a mental, emotional and then physical nature until he manifested upon this planet. His evolution is to civilize this planet and to develop mastery of the physical, emotional and mental planes and relink himself in unity with God once more, thus completing the cycle. He came from God as an inexperienced Spark of Divine Fire and returns to Him, with all the experience of manifestation, as a Lord of Humanity. Gareth Knight -- The Work of a Modern Occult Fraternity
In many systems of thought, the proliferation of forces is seen in sexual terms -- the cosmic parents produce entities in male and female pairs (gnostic syzygies), which in turn produce offspring. Hence, Confucius says: "Difficulty is experienced as Heaven and Earth begin their intercourse." That this has an explicit sexual connotation is confirmed by McClatchie: "The figure of Difficulty represents the hard and the soft beginning to have sexual intercourse, and bringing forth with suffering." Thus we see that the correct and incorrect correlation ("intercourse") of dynamic (male) and magnetic (female) lines in anyI Ching hexagram symbolizes the favorable (life-enhancing) or unfavorable (life-negating) combinations of thought and feeling within the psyche.
SUGGESTIONS FOR MEDITATION
The sexual intercourse of Heaven and Earth is also described in hexagram number eleven,Harmony. In terms of these sexual metaphors, what does the term "adultery" imply in regard to the Work? See hexagram number forty-four, Temptation, for further insight on this theme.
Line 6
Legge: The sixth line, magnetic, shows its subject with the horses of her chariot obliged to retreat, and weeping tears of blood in streams.
Wilhelm/Baynes: Horse and wagon part. Bloody tears flow.
Blofeld: He hesitates like a man trotting to and fro or like one shedding blood and tears.
Liu: He goes back and forth on horseback. He sheds tears with blood! [Arrogance leads to misfortune, perhaps extreme misfortune.]
Ritsema/Karcher: Riding a horse, arraying thus. Weeping blood, coursing thus.
Shaughnessy: A team of horses vexatious-like, dipping blood streamingly.
Cleary(1): Mounted on a horse, not going forward, weeping tears of blood.
Wu: The horse carriage falters along. Tears roll down from the rider’s eyes.
COMMENTARY
Confucius/Legge: She weeps tears of blood in streams -- how can the state thus emblemed continue long? Wilhelm/Baynes: How could one tarry long in this! Blofeld: How could a flow of blood and tears endure for long? [In other words, our present troubles will pass away in time.] Ritsema/Karcher: Wherefore permitting long-living indeed? Cleary (2): Weeping tears of blood – what can last? Wu: Only despair remains.
Legge: The sixth line is magnetic, as is her third line correlate. She is at the extremity of Peril -- the game is up. What can remain for her in such a case but terror and abject weeping?
NOTES AND PARAPHRASES
Siu: The man fails to overcome the initial difficulties and despair.
Wing: You have lost your perspective. You can no longer see your initial difficulties realistically, nor can you find your way out. This is disgraceful and will cause you much regret. It is best to begin again.
Anthony: Desire and fear prevail. The child in us rules. Despairing, we give up our path. “One should not persist in this.”
Editor: Lines two, four and six all show horses in retreat: strong images of psychological turmoil and confusion; two and four have proper correlates however, so they present the possibility of at least some kind of reconciliation. Here, the correlate is line three, who is depicted as being "lost in the woods.” At its most neutral, the image is one of severe disunion. Wilhelm and Blofeld state that the situation is not a lasting one, so all need not be lost if you seek a totally new and perhaps currently unrecognized connection.
In our ordinary life we are limited and bound in a thousand ways -- the prey of illusions and phantasms, the slaves of unrecognized complexes, tossed hither and thither by external influences, blinded and hypnotized by deceiving appearances. No wonder then that man, in such a state, is often discontented, insecure and changeable in his moods, thoughts and actions. Feeling intuitively that he is "one," and yet finding that he is "divided unto himself," he is bewildered and fails to understand either himself or others. No wonder that he, not knowing or understanding himself, has no self- control and is continually involved in his own mistakes and weaknesses; that so many lives are failures, or are at least limited and saddened by diseases of mind and body, or tormented by doubt, discouragement and despair. Roberto Assagioli -- Psychosynthesis
A. Severe disunion prevails, but need not be permanent if you seek a totally new connection.
B. You have missed the point entirely.
42 Increase
Other titles: The Symbol of Addition, Gain, Augmenting, Help from Above, Benefit, Advantage, Profit, Expansion
Judgment
Legge: Increase denotes advantage in every movement which shall be undertaken -- it will be advantageous even to cross the great stream.
Wilhelm/Baynes:Increase. It furthers one to undertake something. It furthers one to cross the great water.
Blofeld: Gain. It is favorable to have in view some goal (or destination) and to cross the great water (or sea).
Liu:Increase. It is of benefit to set forth. It is of benefit to cross the great water.
Ritsema/Karcher: Augmenting , Harvesting: possessing directed going. Harvesting: wading the Great River. [This hexagram describes your situation in terms of increase and advance. It emphasizes that expanding the quantity and quality of your involvement is the adequate way to handle it. To be in accord with the time, you are told to augment!]
Shaughnessy:Increase:Beneficial herewith to have someplace to go; beneficial to find the great river.
Cleary (1): For Increase, it is beneficial to go somewhere; it is beneficial to cross great rivers.
Wu: Gain indicates an advantage in having undertakings and in crossing a big river.
The Image
Legge: Wind over thunder -- the image of Increase. When the superior man perceives good, he moves toward it; when he perceives his faults, he eliminates them.
Wilhelm/Baynes: Wind and thunder: the image of Increase. Thus the superior man: if he sees good, he imitates it; if he has faults, he rids himself of them.
Blofeld: This hexagram symbolizes wind and thunder. The Superior Man, seeing what is good, imitates it; seeing what is bad, he corrects it.
Liu: Wind and thunder symbolize Increase. When the superior man discovers good, he follows it. When he has errors, he corrects them.
Ritsema/Karcher: Wind, thunder. Augmenting. A chun tzu uses visualizing improvement, by-consequence shifting. A chun tzu uses possessing excess, by-consequence amending.
Cleary (1): Wind and thunder increase. Thus do superior people take to good when they see it, and correct whatever faults they have.
Wu: Wind and thunder make Gain. Thus, when the jun zi sees a good deed, he improves his own at once; when he realizes he is making a mistake, he corrects it at once.
COMMENTARY
Confucius/Legge: Increase shows the upper trigram brilliantly decreased to augment the lower. What descends from above reaches to all below, and the satisfaction of the people is without limit. Advantage in movement is shown in the blessings dispensed by the second and fifth lines from their correct positions. The action of Wood shows that it is advantageous to cross the great stream. Through the trigrams of Movement and Humility there is unlimited daily advancement -- heaven dispenses and earth produces, and all proceeds according to the requirements of the time.
Legge: Increase has the opposite meaning to hexagram number forty-one, Compensating Sacrifice [Decrease]. What king Wen had in mind was a ruler or a government operating to dispense benefits to the people and increase their resources. The two important lines in the figure are the correlates two and five. The general auspice of the hexagram is one of being successful in one's enterprises and of overcoming the greatest difficulties.
The formation of the trigrams here is the reverse of that in the preceding hexagram. The people are full of pleasure in the labors of the ruler for their good. "The action of Wood" in the Confucian commentary refers to the upper trigram, which is the symbol of Wind and Wood. From wood boats are made on which the great stream may be crossed. In three hexagrams, this, fifty-nine and sixty-one, in which this is the upper trigram, we find mention made of crossing the great stream. In the Image thunder and wind are seen to increase one another, and their combination gives the idea of Increase.
NOTES AND PARAPHRASES
Judgment: Take advantage of your opportunities.
The Superior Man recognizes his duty and rectifies his mistakes. Or: "Accentuate the positive, eliminate the negative."
If the ego's sacrifices for the good of the Work are described in the previous hexagram, here we see the inverse image of that figure in which it is the Self who bestows its blessings upon the psyche. The one implies the other -- in the words of an old Blues lyric: "If you don't put somethin' in, you can't get nothin' out..." The forty-first and forty-second hexagrams are intimately related, and in their interaction portray the active progress of the Work. To paraphrase the last sentence of the Confucian commentary: "The Self dispenses and the ego produces, and all proceeds according to the requirements of the time."
If a man continually weighs his actions and aims at the mean, he is in the highest of human ranks. In that way, he will come close to God and will attain what belongs to Him. This is the most perfect of the ways of worship. Maimonides -- Eight Chapters