Finding an explanation
One puts into context an event that others cannot understand. taoscopy.com
Danger29
Face repeated challenges with courage and determination. Embrace setbacks as opportunities to build resilience. Stay true to your principles to navigate through difficulties.
↓ Line 1
This line warns of the danger of falling into a cycle of misfortune. It suggests caution and awareness to avoid repeated mistakes.
↓ Line 2
This line advises focusing on small, manageable goals to navigate through difficult situations safely.
↓ Line 3
This line suggests that when surrounded by danger, it is wise to pause and assess the situation before proceeding.
↓ Line 5
This line suggests maintaining balance and not overreaching in times of danger, which leads to stability and avoids blame.
↓ Line 6
This line warns of being trapped in a situation with no apparent escape, leading to prolonged misfortune. It advises seeking a new perspective or approach.
↓ Grace22
Refinement and grace enhance your presence. Focus on beauty and elegance in actions, but do not let appearance overshadow substance. Simplicity often holds the truest value.
29 Danger
Other titles: The Abysmal, The Symbol of Sinking, Water, The Abyss, Gorge, Repeating Gorge, Repeated Entrapment, Double Pitfall, Multiple Danger, Double Water, The Deep, Dark Forces, The Perilous Pit, "May not be as bad as it sounds, but whatever happens, remain true to yourself." -- D.F. Hook
Judgment
Legge: The trigram of Danger, here repeated, shows the possession of sincerity, through which the mind is penetrating. Action in accordance with this will be of high value.
Wilhelm/Baynes:The Abysmal repeated. If you are sincere, you have success in your heart, and whatever you do succeeds.
Blofeld: Abyss upon abyss -- grave danger! All will be well if confidence is maintained and a sharp hold kept upon the mind; activities so conducted will win esteem.
Liu: Water doubled. Danger. Sincerity leads to success (peacefulness) in your heart and mind. You will succeed in your actions. [This hexagram means danger, misfortune, or entanglement in a difficult situation... You should be both careful and patient; do not struggle with all of the difficulties around you.]
Ritsema/Karcher: Repeating Gorge. Possessing conformity. Holding-fast the heart Growing. Movement possesses honor. [This hexagram describes your situation in terms of a dangerous situation you cannot avoid. It emphasizes that taking the risk without reserve, the action of Gorge, is the adequate way to handle it. To be in accord with the time, you are told to: venture and fall!]
Shaughnessy: Repeated Entrapment: There is a return; the appended heart; receipt; in motion there will be elevation.
Cleary (1): In mastering pitfalls there is truthfulness; thus the mind develops. There is excellence in practice.
Cleary (2): In multiple danger, if there is sincerity, the mind gets through and action has value.
Wu:Entrapment indicates there is confidence. The heart of the matter is that it is pervasive. Actions taken in its accord will be commendable.
The Image
Legge: The image of water flowing on continuously forms the repeated trigram of Danger. The superior man, in accordance with this, maintains constantly the virtue of his heart and the sincerity of his conduct, and practices the business of instruction.
Wilhelm/Baynes: Water flows on uninterruptedly and reaches its goal. The image of the Abysmal repeated. Thus the superior man walks in lasting virtue and carries on the business of teaching.
Blofeld: This hexagram symbolizes water flowing on and on and abyss upon abyss. [The trigram K'an is usually inauspicious; here it occurs in duplicate as the upper and the lower trigram; thus the implication is that we are beset by grave dangers from which, if we can escape them at all, the utmost skill and confidence will be required to extricate ourselves.] The Superior Man acts in accordance with the immutable virtues and spends much of his time instructing others in the conduct of affairs.
Liu: Water flows unceasingly into the depths symbolizing Water doubled. The superior man constantly preserves his virtue and practices his task of education.
Ritsema/Karcher: Streams reiterating culminating. Repeating Gorge. A chun tzu uses rules actualizing-tao to move. [A chun tzu uses] repeating to teach affairs. [Actualize-tao, TE: realize tao in action; power, virtue; ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]
Cleary (1): Water travels, double water. Thus do superior people consistently practice virtue and learn how to teach.
Cleary (2): Water comes repeatedly – multiple danger. Developed people practice teaching by constant virtuous action. [This is in perfect accord with the Tiantai Buddhist teaching of knowing how to get through an impasse, the method of making an impasse itself into a way through; this is also the method of skillfully using natural ills.]
Wu: Water comes time and again; this is Entrapment. Thus the jun zi practices virtuous conduct and reviews didactics.
COMMENTARY
Confucius/Legge: Danger repeated shows us one defile succeeding another. This is the nature of water -- it flows on, without accumulating its volume so as to overflow; it pursues its way through a dangerous defile, without losing its true nature. That the mind is penetrating is indicated by the dynamic line in the center. Advance in accordance with this will be followed by achievement. The dangerous height of heaven cannot be ascended; the difficult places of the earth are mountains, rivers, hills and mounds. Kings and princes arrange, by means of such strengths, to maintain their territories. Great indeed is the use of what is here taught about seasons of peril.
Legge: The trigram of Danger which is doubled to form this hexagram is the symbol of water, and means a pit, a perilous cavity or defile with water flowing through it. The trigrams consist of a dynamic central line between two magnetic lines. Together they symbolize danger -- how it should be encountered, its effects on the mind, and how to escape from it.
Liang Yin says: "Water stops at the proper time, and moves at the proper time. Is not this an emblem of the course of the superior man in dealing with danger?”
The K'ang-hsi editors say that to exercise one's self in meeting difficulty and peril is the way to establish and strengthen the character, and the use of such experience is seen in all measures for self-defense.
NOTES AND PARAPHRASES
Judgment: Commitment to the Work engenders a keen discernment of threatening situations and the factors which create them. With the ability to recognize the dangerous elements in a situation, success is assured.
The Superior Man maintains his connection with the Self and learns from the trials thus provided.
This is one of the first hexagrams that one learns to recognize by name and number, and it is usually received with trepidation. Like the Death card in Tarot, it is often interpreted as an evil omen, although a deeper understanding reveals opportunity rather than defeat in such images.
There is danger and suffering in the Work, but probably far less of it (in the long run) than in an ordinary unexamined life. Anguish in the service of purpose is ultimately tolerable -- it is the incredible suffering of ignorance that is truly tragic: all that pain and sorrow expended on worldly illusions!
The Confucian commentary provides some valuable insights concerning the defensive use of danger by kings and princes to protect their realms. To master a dangerous challenge before one can progress to a higher level of awareness is a classical theme of initiation: without it, the candidate would be destroyed by forces he wasn't ready to confront. (This is the purpose and meaning behind of the "Guardian of the Threshold" archetype.) Danger is evil or unfortunate only if one is intimidated by it -- correct behavior in accordance with the principles of the Work will always take you to your destination. The Self will seldom, if ever, give you a test that you cannot pass if you fully apply yourself. When it seems otherwise, bear in mind that failure often renders better lessons than success, or the illusion thereof.
A neurosis is by no means merely a negative thing, it is also something positive. Only a soulless rationalism reinforced by a narrow materialistic outlook could possibly have overlooked this fact. In reality the neurosis contains the patient's psyche, or at least an essential part of it; and if, as the rationalist pretends, the neurosis could be plucked from him like a bad tooth, he would have gained nothing but would have lost something very essential to him. That is to say, he would have lost as much as the thinker deprived of his doubt, or the moralist deprived of his temptation, or the brave man deprived of his fear. To lose a neurosis is to find oneself without an object; life loses its point and hence its meaning. This would not be a cure, it would be a regular amputation. Jung -- Civilization in Transition
Line 1
Legge: The first line, magnetic, shows its subject in the double defile, and yet entering a cavern within it. There will be evil.
Wilhelm/Baynes: Repetition of the Abysmal. In the abyss one falls into a pit. Misfortune.
Blofeld: Abyss upon abyss! In one of them, he tumbles into a cranny -- misfortune!
Liu: Water flows repeatedly. One falls into the pit of water. Misfortune.
Ritsema/Karcher: Repeating Gorge. Entering tending-towards the Gorge, the recess. Pitfall.
Shaughnessy: Repeated entrapment; entering the trap pit; inauspicious.
Cleary (1): Repeating pitfalls, one goes into a hole in a pit: bad results.
Cleary (2): Multiple danger, going into a hole in a pit, leads to misfortune.
Wu: Entrapment enters into the depths of a pit. There will be foreboding.
COMMENTARY
Confucius/Legge: She has missed her proper way, and there will be evil. Wilhelm/Baynes: One falls into the abyss because one has lost the way; this brings misfortune. Blofeld: Namely the misfortune of getting lost upon the way. Ritsema/Karcher: Letting-go tao: pitfall indeed. Cleary (2): The misfortune of losing the way. Wu: The misfortune of losing the way.
Legge: Line one is magnetic at the bottom of the figure, and has no correlate to help her. This renders her situation as hopeless. By her own efforts she will only make matters worse.
NOTES AND PARAPHRASES
Siu: At the outset, the man is hopelessly in danger. As a consequence of allowing himself to grow accustomed to evil, he has lost the right way. His efforts will only embroil him more deeply.
Wing: You have become accustomed to evil influences and no longer fight them. This could be the result of a weakness in your character. In any event, you've lost your way. The more action you take, the farther afield you'll stray. Begin again at another time.
Editor: There is no ambiguity here: To enter a cavern within a labyrinth, or "double defile" is to make things hopelessly worse.
Having once strayed into the labyrinth of evils, the wretched Soul finds no way out. Naassene Psalm
A. You have lost your way and are surrounded by negative forces.
B. An image of confusion compounded -- you are making a bad situation worse.
Line 2
Legge: The second line, dynamic, shows its subject in all the peril of the defile. He will, however, get a little of the deliverance that he seeks.
Wilhelm/Baynes: The abyss is dangerous. One should strive to attain small things only.
Blofeld: Danger lurks within the abyss; only in small matters can he obtain what he desires.
Liu: There is danger in the abyss. One should work for small gains only.
Ritsema/Karcher: Gorge possessing venturing. Seeking, the small acquiring.
Shaughnessy: The trap has depth; in seeking there is a little gain.
Cleary (1): There is danger in a pitfall. One finds a small gain. [Dwelling in the middle of two yins, daily in the company of petty people and not knowing to approach people imbued with Tao, one will ultimately fall and become a fool, just as there is danger in a pitfall.]
Cleary (2): … One seeks a small gain.
Wu: There is danger in Entrapment. It is all right to seek small gains.
COMMENTARY
Confucius/Legge: He will not yet escape from his environed position. Wilhelm/Baynes: "One should strive to attain small things only." For the middle has not yet been passed. Blofeld: Though he obtain these trifles, he remains within the abyss. [Whatever small successes we may win will not have any effect in lessening the danger that threatens.] Ritsema/ Karcher: Not-yet issuing-forth-from the center indeed. Cleary (2): Not yet gotten out of the middle. Wu: He has not stepped out of the center of danger.
Legge: Line two is dynamic and in the center. Although unable to escape the danger completely, at least he doesn't involve himself more deeply in it like the first line does, and therefore he obtains a measure of relief.
NOTES AND PARAPHRASES
Siu: A person in danger should not try to escape at one stroke. He should first calmly hold his own, then be satisfied with small gains, which will come by creative adaptations.
Wing: The danger is great and cannot be surmounted with one single action. Small, consistent efforts to stay afloat in a sea of difficulties are all that are possible at this time.
Editor: The image portrays a tight spot -- calm awareness of the realities of the situation enables one to prevail without panic. Go with the flow until an exit presents itself. In psychological terms, it is possible that inner forces are being stressed for integration -- the ego can only destroy the Work by giving them an outlet.
Knowledge of good is sharpened by experience of evil in those incapable of any sure knowledge of evil unless they have experienced it. Plotinus -- The Enneads
A. Don't fight dark forces -- adapt to your situation until you can escape.
B. A dangerous though stable position -- remain calm and don't rock the boat.
Line 3
Legge: The third line, magnetic, shows its subject, whether she comes or goes, descends or ascends, confronted by a defile. All is peril to her and unrest. Her endeavors will lead her into the cavern of the pit. There should be no action in such a case.
Wilhelm/Baynes: Forward and backward, abyss on abyss. In danger like this, pause at first and wait, otherwise you will fall into a pit in the abyss. Do not act in this way.
Blofeld: Abyss upon abyss rears up and the danger is acute. He falls into a cranny and there is nothing he can do to help himself.
Liu: Water flows on and on. One is in the pit of the abyss. Danger. Do not act.
Ritsema/Karcher: Coming's Gorge, the Gorge. Venturing moreover reclining. Entering tending-towards the Gorge, the recess. No availing-of.
Shaughnessy: Bringing it so entrappedly, both steep and deep; entering the trap pit; do not use it.
Cleary (1): Coming and going, pitfall upon pitfall, dangerous and obstructed, going into a hole: Don’t act this way.
Wu: There is danger in coming and there is danger in going. The subject is in danger and is stopped from exiting. He enters into the depths of a pit and nothing useful will come out of it.
COMMENTARY
Confucius/Legge: She will never in such circumstances achieve any success. Wilhelm/Baynes: Here any effort ends up as impossible. Blofeld: This presages our ultimate failure to accomplish anything at all. Ritsema/ Karcher: Completing without achieving indeed. Cleary (2): In the end there is no accomplishment. Wu: In the end nothing will be accomplished.
Legge: Line three is magnetic and occupies the place of a dynamic line. She is in an evil case. She goes and comes, moves up and down, backwards and forwards, making no advance. This can be of no use in extracting her from the danger.
Anthony: Every step leads to danger. Our attitude has brought out elements in others which further expose us to difficulty. We should take refuge in neutrality and disengagement until a way out shows itself.
NOTES AND PARAPHRASES
Siu: The man becomes entangled in danger at every turn. He should refrain from action, which only worsens the situation, and wait until the solution reveals itself.
Wing: You are surrounded by danger and you do not understand it. Any action will only make matters worse. Maintain your principles and wait for the solution to reveal itself.
Editor: Here is an image of raw panic -- the fear of a trapped animal: a bird in a house mindlessly battering itself against a plate-glass window. Hysteria is a grossly futile and incompetent response to stress: a demeaning lack of self- control. Get a grip on yourself!
Disquietude is always vanity, because it serves no good. Yes, even if the whole world were thrown into confusion and all things in it, disquietude on that account would be vanity. Saint John of the Cross
A. Stop right now! Calm down and wait it out.
Line 5
Legge: The fifth line, dynamic, shows the water of the defile not yet full, so that it might flow away; but order will soon be brought about. There will be no error.
Wilhelm/Baynes: The abyss is not filled to overflowing. It is filled only to the rim. No blame.
Blofeld: The abyss is not filled to the brim; the flowing water maintains its level -- no error!
Liu: The water does not overflow its bounds. The waves are calm. No blame. [People will achieve their goals smoothly and without endangering themselves.]
Ritsema/Karcher: Gorge not overfilled. Merely already evened. Without fault.
Shaughnessy: The trap is not filled, but the sandbar has been flattened; there is no trouble.
Cleary (1): The pit is not full, it has only reached level; there is no blame.
Cleary (2): The pit is not filled, only leveled. No blame.
Wu: Entrapment is not full. It is level and uneventful. There will be no blame.
COMMENTARY
Confucius/Legge: The virtue indicated by the central situation is not yet sufficiently great. Wilhelm/Baynes: The central line is not yet great. Blofeld: This is because the line, being central to the upper trigram, indicates a level that is not too high. [The danger threatening whoever receives a moving line for the fifth place is relatively less serious than for many of the others whose enquiries are answered by this unfortunate hexagram.]Ritsema/Karcher: Centering, not-yet great indeed. Cleary (2): The center is not yet great. Wu: The center has not manifested its greatness.
Legge: Line five is dynamic in its proper place as ruler, and on the verge of deliverance from danger. The waters of the abyss will soon disappear and the ground be made level and smooth.
NOTES AND PARAPHRASES
Siu: The man is almost extricated, but remains in danger because of excessive ambition. He does not learn from the water's example of rising only to the lowest point of the rim to flow out of a ravine. He should not attempt great and apparently unattainable things but should only try to escape danger by following the path of least resistance.
Wing: Only struggle as much as necessary to extricate yourself from your problems. Overly ambitious persons who attempt more than they should may create further difficulties. It is indicated here that the danger will pass of its own accord.
Editor: This depicts the crest of the flood, or just before the crest. Psychologically, the water is contained, and the unconscious forces do not overwhelm the psyche. Legge's Confucian commentary ("The virtue indicated by the central situation is not yet sufficiently great") is not convincing in the context of what is imaged. Blofeld's rendition suggests a more credible interpretation: the rising waters are not great enough to overflow their banks. This gives an image of the strong fifth line ruler as centered and able to cope with the danger surrounding him. In other words, the cup is full, but not over-full. The situation is dangerous, but not overwhelming. The dark forces have reached their maximum power -- now they can only wane.
Who pent up the sea behind closed doors when it leaped tumultuous out of the womb... when I marked the bounds it was not to cross and made it fast with a bolted gate? Come thus far, I said, and no farther: here your proud waves shall break. Job 38: 8-11
A. Danger peaks and stabilizes. Though perilous, the situation is contained.
Line 6
Legge: The sixth line, magnetic, shows its subject bound with cords of three strands or two strands, and placed in the thicket of thorns. But in three years she does not learn the course for her to pursue. There will be evil.
Wilhelm/Baynes: Bound with cords and ropes, shut in between thorn-hedged prison walls: for three years one does not find the way. Misfortune.
Blofeld: Bound with black ropes and imprisoned amidst thorns, for three years he fails to obtain what he seeks. [This situation is far from cheerful, but not as hopeless as the situation of those who receive moving lines in the second and third places.]
Liu: Tied with thick ropes, one is put in prison among thorn bushes. One cannot find the way for three years. Misfortune. [If you receive this line, avoid all entanglements, both physical and mental. Be cautious, or you will be detained.]
Ritsema/Karcher: Tying availing-of stranded ropes. Dismissing tending-towards dense jujube-trees. Three year's-time, not acquiring. Pitfall.
Shaughnessy: The attachment uses braids and cords: place him in the clumped thorn bushes, for three years not getting him; inauspicious.
Cleary (1): Bound with rope, put in a briar patch, for three years one cannot find the way out; misfortune.
Cleary (2): … Helpless for three years – misfortune.
Wu: He is tied with black ropes and surrounded by thorny vines. He cannot set himself free for three years. Foreboding.
COMMENTARY
Confucius/Legge: She misses her proper course -- there will be evil for three years. Wilhelm/Baynes: This misfortune continues for three years. Blofeld: The line indicates that we lose our way and suffer misfortune for three years. Ritsema/Karcher: Pitfall: three year's-time indeed. Cleary (2): The top yin loses the way, unfortunate for three years. Wu: The sixth yin violates the proper way of doing things and the violation results in the misfortune for three years.
Legge: The case of line six is hopeless. When danger has reached its peak, there she is -- yielding, without a proper correlate. The thicket of thorns is a metaphor for a prison.
Anthony: Misfortune comes because we press on, taking matters into our hands. This line warns of the failure we may expect in maintaining this attitude and notes the obstinacy that has brought us to this impasse. The remedy is to return to the path of perseverance.
NOTES AND PARAPHRASES
Siu: The man is hopelessly enmeshed in his own faults after missing the proper course. No chances of escape are apparent.
Wing: None of your solutions or efforts have been appropriate. The way out of danger is blocked. There will come a long time of disorder. All you may do is wait.
Editor: On the face of it, there is little ambiguity in this line -- it depicts one who is severely confined because of not knowing the proper course to pursue. If we closely examine the psychological symbols of this restriction however, we see deeper into the possible reasons for it. Chetwynd, in his Dictionary of Symbols identifies cords or ropes with links to the inner psyche -- the umbilical cord being the connection to the Mother, or source of our physical-emotional being. He also points out that thorns are a common symbol of the dark side of the Mother principle. To be bound with cords and imprisoned by thorns then, is to be trapped in a "womb" of primitive emotional darkness, or suffocated by some entity which does not want to evolve into conscious awareness.
The rest of the souls are also longing after the upper world and they all follow, but not being strong enough they are carried round below the surface, plunging, treading on one another, each striving to be first; and there is confusion and perspiration and the extremity of effort; and many of them are lamed or have their wings broken through the ill-driving of the charioteers; and all of them after a fruitless toil, not having attained to the mysteries of true being, go away, and feed upon opinion. Plato -- Phaedrus
A. You have lost your way and are imprisoned by illusions.
B. Your limiting beliefs prevent you from furthering the Work.
22 Grace
Other titles: Grace, The Symbol of Decoration, Elegance, Gracefulness, Luxuriance, Adorning, Public Image, Adornment, Beauty, Conceit, Vanity, Veneer, Façade, Manners, Embellishment, Superficiality, Superficial Appearances, Form vs. Function, "Art," Ego-trips, "Often refers to conceit, vanity or beauty. It stresses that the content is more important than the outward appearance." -- D.F. Hook
Judgment
Legge: Persona should be given its due, but there is no advantage in allowing it to advance and take the lead.
Wilhelm/Baynes:Grace has success. In small matters it is favorable to undertake something.
Blofeld: Elegance. Success! Some small advantage can be derived from having a particular goal (or destination). [The implication is that the advantage is not sufficient to make it worth while to seek that goal or destination unless no special difficulty or inconvenience is involved. The arrangement of the lines in this hexagram is very similar to that in the previous one, but it is adjudged much more suitable. The general idea is that, like nature, we should conform to a regular and well ordered pattern of behavior which, since we are human beings and not mere animals, involves a high degree of refinement. From the point of view of divination, it would seem that this is a time to watch carefully so as to learn how those involved in the situation think and behave, the better to influence them for the good when the opportunity arises.]
Liu:Gracefulness, success. Small undertakings benefit.
Ritsema/Karcher: Adorning , Growing. The small, Harvesting: possessing directed going. [This hexagram describes your situation in terms of its outward presentation. It emphasizes that building intrinsic value by embellishing appearance and displaying valor is the adequate way to handle it...]
Shaughnessy: Luxuriance : Receipt; a little beneficial to have someplace to go.
Cleary (1):Adornment is developmental. It is beneficial to go somewhere in a minimal way.
Cleary (2):Adornment is successful. It is beneficial to go somewhere in a small way.
Wu:Adornment is pervasive and shows small advantage of an undertaking. [Adornment does not change the nature of what it adorns, but merely makes what it adorns appear more attractive. In other words, the change is mostly superficial but not substantive…]
The Image
Legge: Fire at the foot of the mountain -- the image of Persona. Thus the superior man adorns his rule with grace, but makes important decisions in conformance with higher laws.
Wilhelm/Baynes: Fire at the foot of the mountain: the image of Grace. Thus does the superior man proceed when clearing up current affairs. But he dare not decide controversial issues in this way.
Blofeld: This hexagram symbolizes fire at the foot of a mountain. The Superior Man, desiring to ensure the enlightened functioning of the various departments of state, dare not make light decisions regarding legal matters. [The component trigrams, fire below mountain, suggest a brilliance which cannot be perceived from afar. The Chinese commentators go on to suggest that this symbolizes a firm and somewhat severe exterior which hides brilliance and the beauty within. For purposes of divination, this should be taken as a pattern for our comportment in the matter at issue.]
Liu: Fire illuminates the base of the mountain symbolizing Gracefulness. Thus the superior man clarifies ordinary affairs, but does not judge lawsuits.
Ritsema/Karcher: Below mountain possessing fire. Adorning. A chun tzu uses brightening the multitudinous standards without daring to sever litigating.
Cleary (1): There is fire below the mountain, adorning it. Thus do superior people clarify governmental affairs, without presumptuous adjudication. [What superior people see in this is that just as the light of a fire below a mountain is not great, when people are lacking in capacity their vision is not far reaching; therefore the superior people administer and clarify the simple matters of governmental affairs, and do not act presumptuously in difficult matters of adjudication… Not judging presumptuously thus has the meaning of respect for life.]
Wu: There is fire at the foot of the mountain; this is Adornment. The jun zi brings openness to administering civil affairs, but refrains from judging cases in criminal litigation.
COMMENTARY
Confucius/Legge: In Persona we see the magnetic central line ornamenting the dynamic lines of the lower trigram, and hence it is said that ornament should have free course. On the other hand, the dynamic top line ornaments the magnetic lines of the upper trigram, and hence it is said that there will be little advantage if ornament is allowed to advance and take the lead. The elegance and intelligence of the lower trigram is regulated by the restraint of the upper trigram. This suggests the observances which adorn human society. We observe the ornamental figures of the sky, and thereby ascertain the changes of the seasons. We observe the ceremonial customs of society, and understand how transformation is accomplished in the world.
Legge: Persona is the symbol of what is ornamental and of the act of adorning. As there is adornment in nature, so should there be in society, but its place is secondary to that which is substantial.
The K'ang-hsi editors say that the magnetic line coming and ornamenting the two dynamic lines in the lower trigram shows how substantiality should have the benefit of ornamentation. The dynamic line ornamenting the two magnetic lines in the upper trigram shows how ornamentation should be restrained by substantiality. Ornament has its use, but it should be kept in check.
The figures of the sky are all the heavenly bodies in their relative positions and various movements, producing day and night, heat and cold, etc. The observances of society are the ceremonies and performances which regulate and beautify the intercourse of men.
"A mountain," says Ch'eng-tzu, "is a place where we find grass, trees, and a hundred other things. A fire burning below it throws up its light, and brings them all out in beauty. This gives the idea of ornament, or being ornamented. The various processes of government are small matters, and elegance and ornament help their course, but great matters of judgment demand the simple, unadorned truth.”
NOTES AND PARAPHRASES
Judgment: There's nothing wrong with showing a little style, but don't become so identified with a role that it makes your decisions for you.
The Superior Man displays wit and charm when that is appropriate, but relies upon shrewd discernment when making serious choices.
Confucius points out the correct attitude for this hexagram in his third sentence -- the elegant intelligence, or "brilliant wit" of the lower trigram is being "sat on" by the mountain of the upper trigram. Brilliant wit is often just an "ornament" to make one look clever in the company of others. Like seasoning on food, a little bit ofPersona or ornamentation is life-enhancing, but too much curry powder overwhelms the meal.
Jung's conception of the Persona points out the fact that it is a major vehicle for the complexes to express themselves under the guise of social interaction:
(The Persona) is only a mask for the collective psyche, a mask that feigns individuality, and tries to make others and oneself believe that one is individual, whereas one is simply playing a part in which the collective psyche speaks. Jung -- The Relations between the Ego and the Unconscious
For an urban shipping clerk to wear cowboy clothes may be a legitimate expression of his personality, or it may be the only outlet available for repressed portions of his psyche. When he begins driving a pickup truck and frequenting Country-Western bars we might suspect that his role is playing him and the real Self is being masked by excessive ornamentation orPersona.
The person cannot be more than an instrument for the manifestation of the self. But people get so attached to their mask that they cannot free themselves from it any more ... They make a king out of the servant and separate themselves from their true being. They force their higher self into exile, into the unconscious. Elisabeth Haich --Initiation
To receive this hexagram without changing lines suggests that perhaps you are more focused on form than meaning, or that superficial appearances are concealing something more substantive in the situation. Look deeper – what’s really going on?