Breaking a commitment
One is not ready to solve the problems of others because one went to help one's relatives. taoscopy.com
Critical Mass28
Embrace resilience during times of overwhelming pressure. Acknowledge the burden, make necessary adjustments, and seek support to prevent collapse. Balance is crucial for enduring success.
↓ Line 2
New growth and renewal are possible even in difficult situations. Harmonious unions bring success.
↓ Line 5
Unexpected developments occur, but they are neutral in outcome. Acceptance is key.
↓ Small Powers62
Focus on the details. Embrace humility and small steps to achieve success. Avoid overreaching or taking on too much to prevent failure.
Original Readings
28 Critical Mass
Other titles: Preponderance of the Great, The Symbol of Great Passing, Excess, Great Excess, The Passing of Greatness, Great Surpassing, Great Gains, Experience, Greater than Great, Greatness in Excess, Dominance by the Mighty, The Passing of Greatness, Excess of the Great, Law of Karma
Judgment
Legge:Critical Mass depicts a weak beam. Under such conditions it is advantageous to move in any direction whatever. Success is indicated.
Wilhelm/Baynes:Preponderance of the Great. The ridgepole sags to the breaking point. It furthers one to have somewhere to go. Success.
Blofeld:Excess! The ridgepole sags. It is favorable to have some goal (or destination) in view. Success! [A glance at the hexagram will show that it is too heavy in the middle and too weak at the ends. A number of firm lines is generally auspicious, but there can be too much of a good thing!]
Liu: Great Excess. The ridgepole is crooked. It benefits to go anywhere. Success.
Ritsema/Karcher:Great Exceeding, the ridgepole sagging. Harvesting; possessing directed going. Growing. [This hexagram describes your situation in terms of your connection to a ruling principle. It emphasizes that pushing the guiding idea beyond ordinary limits and accepting the results is the adequate way to handle it...]
Shaughnessy: Great Surpassing: The ridgepole bows upward; beneficial to have someplace to go; receipt.
Cleary (1): When the great is excessive, the ridgepole bends. It is good to go somewhere; that is developmental. [When the ridgepole snaps, the whole house falls down. In the same way, practitioners of the Tao who promote yang too much, who do not know when enough is enough, who can be great but cannot be small, suffer damage to their spiritual house.]
Cleary (2): When greatness passes, the ridgepole bends. It is beneficial to have somewhere to go, for you will succeed.
Wu:Excess of the Great indicates a beam that warps. It will be advantageous to have undertakings. It will be pervasive.
The Image
Legge: The image of trees beneath a marsh forms Critical Mass. The superior man, in accordance with this, fearlessly stands alone, and stays retired from the world without regret.
Wilhelm/Baynes: The lake rises above the trees: the image of Preponderance of the Great. Thus the superior man, when he stands alone, is unconcerned, and if he has to renounce the world, he is undaunted.
Blofeld: This hexagram symbolizes a forest submerged in a great body of water. The Superior Man, though standing alone, is free from fear; he feels no discontent in withdrawing from the world. [This is suggested by the component trigrams. Water is necessary for the nourishment of the trees, but too much of it can cause serious damage.]
Liu: The lake rising over the trees symbolizes Great Excess. The superior man, when isolated, is undisturbed. If he has to retreat from society, he feels no regret.
Ritsema/Karcher: Marsh submerging wood. Great Exceeding. A chun tzu uses solitary establishing not to fear. (A chun tzu uses) retiring-from the age without melancholy.
Cleary (1): Moisture destroys wood in excess. Thus superior people stand alone without fear, and leave society without distress.
Cleary (2): Moisture destroys wood. Developed people, etc. [Only when sustained by the power to stand alone without fear and avoid society without distress can learning be firmly rooted and development have a proper basis; then it is possible to refine and support the mediocre.]
Wu: Marsh covers over wood; This is Excess of the Great. Thus the jun zi stands alone without fear and withdraws from the world without melancholy.
CONFUCIAN COMMENTARY
Confucius/Legge: Excess is weakly supported at either end, with weakness in both the lowest and topmost lines. The dynamic lines are in excess, but two of them are in the central positions. The trigrams of Flexibility and Satisfaction indicate that there will be advantage in moving in any direction whatever -- there will be success. Great indeed is the work to be done during this extraordinary time.
Legge: Extraordinary times require extraordinary skill in their management. The figure shows two magnetic lines at top and bottom, with four dynamic lines between them -- giving the image of a great beam unable to sustain its own weight. Lines two and five are both dynamic and central however, and from this and the attributes of the component trigrams a good auspice is obtained.
NOTES AND PARAPHRASES
Judgment: A stressful situation is best managed with a comprehensive strategy. (Or: in the chess game of life, one succeeds by planning several moves in advance.)
The Superior Man serves The Work by going his own way, regardless of public opinion.
Wilhelm titles this hexagram Preponderance of the Great. I prefer R.L. Wing's paraphrase of Critical Massas more evocative of the figure's meaning in modern terminology.
In Critical Mass four dynamic lines lurk inside of the hexagram, weakly contained at top and bottom by two magnetic lines. This energetic concentration could explode in an unpredictable release of force, and hence the Judgment tells us to move now (remember: non-action is also action) to avoid unwanted consequences. (Often the outcome is predictable – be prepared to just walk away if and when that is your best move.)
Legge’s translation of the Judgment is:
"...It is advantageous to move in any direction whatever. "
This is a different message than Wilhelm's:
"...It furthers one to have somewhere to go."
Legge’s version implies an almost hysterical flight from danger while Wilhelm's rendition suggests prior intention and planning. The latter interpretation is definitely what is meant here, as confirmed by Cleary’s Buddhist commentary:
When the transformative path is flourishing, contaminations easily arise; it is best to set up guidelines and regulations. When meditation work is advanced, ignorance is about to dissolve; it is best to exercise the mind skillfully.
Coupled with Cleary’s translation of the Image as: “Developed people stand alone without fear, avoid society without distress,” the idea is that one should follow one's best intuition and ignore popular illusions, political correctness or inner fears. (Psychologically: conventional thinking, socially conditioned reflexes, knee-jerk responses, etc.). During a time of Critical Mass, pay close attention to direction from the Self to preserve the Work. This is not the time to follow the crowd. Sometimes this can mean that you are obliged to go it alone – one of the Work’s frequent tests (Cf. line 6):
The Gulf is something that has to be leaped, and leaped alone, stripped of all hindering burdens, in faith ... It is thus one of the crisis points of spiritual progress because of the great temptation to turn back from the unknown to the apparent safety of known things, and to succumb to this temptation is to lose all the fruits of past endeavor. G. Knight -- A Practical Guide to Kabbalistic Symbolism
SUGGESTIONS FOR MEDITATION
Compare the Judgment and Image of this hexagram with those of hexagram number 32, Consistency.
Anthony: We must regain modesty through the effort to rid ourself of strong elements that cause us to press forward. The strong elements may exist in someone else, causing them to assault us with their fear, mistrust or doubt. Strong refers to impetuous movement to resolve what is ambiguous … We can meet the challenge by remaining detached and letting things go through their changes … To be truly rich is to remain modest; to be truly powerful is to remain reticent.
Line 2
Legge: The second line, dynamic, shows a decayed willow producing shoots, or an old husband in possession of his young wife; there will be advantage in every way.
Wilhelm/Baynes: A dry poplar sprouts at the root. An older man takes a young wife. Everything furthers.
Blofeld: The withered willow tree puts forth new shoots -- an old man takes to wife a young girl. Everything is favorable.
Liu: The withered poplar tree sprouts new shoots. The old man marries a young wife. Everything is favorable.
Ritsema/Karcher: A withered willow giving birth-to a sprig. A venerable husband acquiring his woman consort. Without not Harvesting.
Shaughnessy: The bitter poplar gives life to sprouts: The old fellow gets his maiden consort; there is nothing not beneficial.
Cleary (1): A withered willow produces sprouts; an old man gets a girl for a wife. Altogether beneficial.
Cleary (2): … None do not benefit.
Wu: A withered willow tree grows a young shoot. An old man takes a young wife. Everything is advantageous. [Ancient society gave approval to this kind of matrimony for the desire of having children in the family. Willow trees like water and do well on the bank of marshes. It is not uncommon for a withered old tree to have new shoots.]
CONFUCIAN COMMENTARY
Confucius/Legge: Such association is extraordinary. Wilhelm/Baynes: The extraordinary thing is their coming together. Blofeld: He weds her because they have been overmuch together. [From his point of view, it is in any case a matter for satisfaction, so it is taken here to symbolize favorable circumstances. Some commentaries suggest another implication, namely that the old man is able to take on tasks normally difficult for the elderly.] Ritsema/Karcher: Exceeding uses mutual associating indeed. Cleary (2): (He) has her for a companion in spite of being older. Wu: (They) will make a harmonious couple.
Legge: Line two has no proper correlate above, hence he inclines to the magnetic first line below him. This suggests an old husband with a young wife who will yet have children. The action will turn out favorably.
NOTES AND PARAPHRASES
Siu: An extraordinary reinvigoration occurs. During unusual occasions it may be desirable to join the lowly in order to permit a new outlook and growth.
Wing: Look to those who are modest in attitude, or are beginners themselves, to help you in your endeavors. This way you are in the company of persons who can understand and share the enthusiasm of your goals. Things will move smoothly and the situation will become revitalized.
Editor: The trigram for Wood beneath the trigram for a Lake or Marsh suggests the idea of a tree that grows near water, hence: a willow tree. Whether dry, withered, decayed or bitter, this old tree experiences an unexpected renewal of life. The elderly husband and young wife are a different metaphor for the same idea, and the symbolism can sometimes refer to a union of thought and feeling. Psychologically implicit is the idea of intellect as mentor and guide to emotional responses: an archetypal relationship.
In such dream wanderings one frequently encounters an old man who is accompanied by a young girl, and examples of such couples are to be found in many mythic tales. Jung -- Memories, Dreams, Reflections
A. A fruitful renewal.
B. Old ideas are reinvigorated by fresh insights.
C. A creative balance of knowledge and ability.
Line 5
Legge: The fifth line, dynamic, shows a decayed willow producing flowers, or an old wife in possession of her young husband. There will be occasion neither for blame nor for praise.
Wilhelm/Baynes: A withered poplar puts forth flowers. An older woman takes a husband. No blame. No praise.
Blofeld: The withered willow tree puts forth blossom -- an old woman takes a vigorous young husband; no blame, no praise! [No blame, in that there is no prohibition against such marriages; no praise, in that they are generally considered far more unsuitable than when the husband is much older than the wife.]
Liu: A withered poplar blossoms. An old woman gains a young husband: No blame, no praise.
Ritsema/Karcher: A withered willow giving-birth-to flowers. A venerable wife acquiring her notable husband. Without fault, without praise.
Shaughnessy: The bitter poplar gives life to flowers: the old wife gets her siring husband; there is no trouble, there is no praise.
Cleary (1): A withered willow produces flowers, and old woman gets a young man for a husband: no blame, no praise.
Wu: A withered willow tree grows a flower. An old woman takes a young husband. There will be neither blame nor praise.
CONFUCIAN COMMENTARY
Confucius/Legge: A decayed willow produces flowers, but how can this secure its long continuance? An old wife and a young husband is also a thing to be ashamed of. Wilhelm/Baynes: How could this last long? It is nevertheless a disgrace. Blofeld: How can such blossom endure for long? From another point of view, both of them should feel ashamed. [The question of blaming or praising such a marriage is in any case of little importance, since it can scarcely be destined to endure for long. The second sentence of the commentary perhaps reveals that, for once, Confucius was inclined to disagree with his beloved mentor, the Book of Change, and to be taken aback by the words "no blame." From the point of view of divination, lines of this sort do not always indicate marriage; this line could mean that we shall do or have done something rather unusual of which the results will be more or less negative.] Ritsema/Karcher: Wherefore permitting lasting indeed? Truly permitting the demoniac indeed. Cleary (2): How can they last? (It) can also be embarrassing. Wu: How long can it last? (They) make an awkward couple.
Legge: Line five is dynamic and central and should be able to achieve extraordinary merit. But he has no proper correlate below, and as line two is inclined to line one, so is line five inclined to line six. But here the willow only produces flowers, not shoots -- its decay will soon reappear. An old wife will have no children. If the line is not to be condemned like line three, neither does his action deserve praise. The shoots produced in line two will grow into a new and vigorous tree, but here the flowers will soon decay, and the withered trunk continue the same. For what will a young man marry an old woman? There will be no children; it can only be from some mercenary motive.
NOTES AND PARAPHRASES
Siu: Notwithstanding promising potentialities the man gives up his alliances with the people below him and seeks the company only of those of higher rank. An unstable arrangement results. Instead of greater security, there will be less. No renewal occurs after the flower saps the tree's remaining energy.
Wing: In critical or significant times it is exhausting to cling to your ideals and ignore the realities of your environment. These realities are the superstructure that supports your life. If you ignore your foundations in your reach upward, you will become unstable and accomplish nothing at all.
Editor: Notice that the original line says that there will be neither praise nor blame. It is the Confucian commentary, written many hundreds of years later, that attaches the idea of "shame” to this position. Following Confucius, Blofeld's footnote also interprets the results as negative: but this is not really warranted from the line itself. The image is a reasonable portrayal of an inconclusive, fruitless or trivial situation. The condition emblemed is one of marking time: marching in place. Psychologically interpreted, the wife can symbolize an emotional component of the psyche: a desire or feeling; the husband would be a mental component: perhaps discrimination. If this is the only changing line, the new hexagram becomes number thirty-two: Consistency, with a corresponding line that confirms the ineffectual condition.
While man is a soul in essence he may, while incarnate in flesh, forget his real origins and indeed live out his whole existence in an animal [like] or vegetable [like] consciousness. Z.B.S. Halevi -- Adam and the Kabbalistic Tree
A. Marking time, treading water -- a harmless but fruitless diversion.
B. A flare-up of an old condition. Something returns, flowers, and dies to no particular purpose.
Line-6
62 Small Powers
Other titles: Preponderance of the Small, The Symbol of Excess in Small Things, The Small get by, Slight Excess, Small Exceeding, Small Surpassing, Excess of the Small, Small gains, Conscientiousness, Smallness in Excess, Exceeding the Mean, Proliferation of Details, "Like a bird, do not fly too high or attempt too much because this will lead to disaster." -- D.F. Hook
Judgment
Legge:Small Powers indicates that there will be progress and attainment in small affairs, but not in great affairs. It will be advantageous to be firm and correct. It is like the song of a flying bird: It is better to descend than to ascend. In this way there will be good fortune.
Wilhelm/Baynes:Preponderance of the Small. Success. Perseverance furthers. Small things may be done; great things should not be done. The flying bird brings the message: It is not well to strive upward, it is well to remain below. Great good fortune.
Blofeld:The Small Get By -- success! Persistence in a righteous course brings reward. Small things can be accomplished now, but not great ones. When birds fly high, their singing is out of tune. The humble, but not the mighty, are favored now with great good fortune. [To aim high now would be to put ourselves out of accord with the times.]
Liu:Slight Excess. Success. Continuing is of benefit. Undertaking small things, not great things. The song of the flying bird. It is not good to go up; it is good to stay below. Great good fortune. [Slight Excess signifies the slight excess or small mistake that can prevent the achievement of great things.]
Ritsema/Karcher:Small Exceeding, Growing. Harvesting Trial. Permitting Small
Affairs. Not permitting Great Affairs. Flying bird: abandoning's sound. Above not proper, below proper. The great significant. [This hexagram describes your situation in terms of an overwhelming variety of encounters and details. It emphasizes that an excessive concern with adapting yourself to these inner and outer events is the adequate way to handle it...]
Shaughnessy: Small Surpassing : Receipt; beneficial to determine; possible for little service, but not possible for great service. The sound left by the flying bird is not proper for ascent but is proper for descent; greatly auspicious.
Cleary (1):Predominance of the small is developmental, beneficial if correct. It is suitable for a small affair but not for a great one. The call left by a flying bird should not rise but descend. This is very auspicious.
Cleary (2):Small excess turns out all right. It is beneficial to be correct. It is all right for small matters, not for great matters. A flying bird leaves its cry; it should not ascend but descend – then there will be great good fortune.
Wu: Excess of the Small indicates pervasiveness and the advantage of being persevering. One may succeed in doing small business, but not big one. Like the lingering sound of a bird flying by, it is not suitable to go upward, but suitable to go downward. Great fortune.
The Image
Legge: The image of thunder above a hill forms Small Powers. The superior man, in accordance with this, in his conduct exceeds in humility, in mourning exceeds in sorrow, and in his expenditure exceeds in economy.
Wilhelm/Baynes: Thunder on the mountain: the image of Preponderance of the Small. Thus in his conduct the superior man gives preponderance to reverence. In bereavement he gives preponderance to grief. In his expenditures he gives preponderance to thrift. [The superior man derives an imperative from this image: he must always fix his eyes more closely and more directly on duty than does the ordinary man, even though this might make his behavior seem petty to the outside world. He is exceptionally conscientious in his actions.]
Blofeld: This hexagram symbolizes thunder over the mountains. The Superior Man now acts with too much reverence, experiences too much sorrow from bereavement and is overly thrifty in satisfying his needs.
Liu: Thunder over the mountain symbolizes Slight Excess. The superior man's conduct is overly humble; In mourning he laments exceedingly, and he is stingy in his spending.
Ritsema/Karcher: Above mountain possessing thunder. Small Exceeding. A chun tzu uses moving Exceeding to reach-to courtesy. A chun tzu uses losing Exceeding to reach-to mourning. A chun tzu uses availing of Exceeding to reach-to parsimony.
Cleary (1): There is thunder over a mountain, exessively small. Thus superior people are excessively deferential in conduct, excessively sad in mourning, excessively frugal in consumption.
Cleary (2): Thunder over a mountain – small excess. Genteel people are exceedingly deferential in conduct, exceedingly sad in mourning, and exceedingly abstemious in consumption.
Wu: Thunder rolls over the mountain; this is Excess of the Small. Thus the jun zi conducts himself with a little excess in respect to others, a little excess in sorrow at mourning, and a little excess in frugality in expenditure.
COMMENTARY
Confucius/Legge: In Small Powers we see the magnetic lines exceeding the others, and giving the intimation of progress and attainment. To be advantageous, such excesses must be associated with firm correctness, and must always be in harmony with the requirements of the time. The magnetic lines are in the central places, and hence it is said that small excesses may be done in small affairs with good effect. Of the dynamic lines, one is not in its proper place, and the other is not central; thus it is said that small excesses should not be done in great affairs. In the hexagram we have the symbol of the flying bird, whose song reminds us that it is better to descend than ascend. To ascend is contrary to what is reasonable in the case, while to descend is natural and right.
Legge: The meaning of this hexagram in which an excess of yin lines prevails, may be grasped by contrasting its image with that of hexagram number twenty-eight, Critical Mass, in which an excess of yang lines prevails. Here the idea is the prevalence of small or inferior powers, and the lesson to be learned is how to distinguish essentials from non-essentials. Is it ever good to deviate from the established course of procedure? The answer is that it is permissible only in small matters, but never in matters of import. Sometimes form may be dispensed with, but never substance, and the thing must always be done responsibly and with appropriate humility. The symbol of the bird is to teach humility -- it is better for it to descend, keeping near to where it can perch and rest, than to ascend into the homeless regions of the upper air.
NOTES AND PARAPHRASES
Judgment: Ground your flights of fancy.
The Superior Man bends over backwards to be correct.
Small Powers shows the preceding figure of Inner Truth turned inside-out. Here the magnetic lines are all on the outside -- uncontained and uncontrolled. The hexagram often reflects a situation in which the "archetypes": the passions, appetites, emotions, drives and instincts have left their proper places within the psyche and are flying free like birds escaped from the zoo. Most of the lines either depict the danger of such a situation or warn about how to control it.
In this inflated, compulsive state of identity, we and the drive are at our most harmful; the drive will unfold and we will act out its extreme, inappropriate and destructive side. In the process we get the worst of it, along with the other people involved. The wrong thing usually happens at the wrong time and in the wrong place. A capacity for moving toward differentiation and transforming the drive will not arise until the state of identity has been dissolved. This requires a confrontation of the drive as a Thou, as something that is not I, as something separate from ourselves. Only at this point can the inner dialogue begin. Until then the drive remains unconscious, primitive and destructive. Only after the identity has been dissolved by learning to experience the drive as an autonomous entity that is separate from the ego, do we get a chance to choose a right time and place and to develop the positive potential of the drive. E.C. Whitmont --The Symbolic Quest
Interestingly, the only line that seems to be correctly "out of its cage" is the second -- suggesting a situation in which an intuitive inner wisdom takes proper precedence over the usual firm correctness of "reason."