Wiki I Ching

Critical Mass 28.2.5.6 56 The Wanderer

From
28
Critical Mass
To
56
The Wanderer

Calling to order
One huffs and puffs by wanting too much to tell others what they have to do.
taoscopy.com


Critical Mass 28
Embrace resilience during times of overwhelming pressure.
Acknowledge the burden, make necessary adjustments, and seek support to prevent collapse.
Balance is crucial for enduring success.


Line 2
New growth and renewal are possible even in difficult situations.
Harmonious unions bring success.


Line 5
Unexpected developments occur, but they are neutral in outcome.
Acceptance is key.


Line 6
Facing overwhelming challenges can lead to misfortune, but maintaining integrity prevents blame.


The Wanderer 56
Embrace the journey.
Stay adaptable and attentive.
Balance independence with humility.
Success comes from accepting change and being resourceful.



Original Readings

28
Critical Mass


Other titles: Preponderance of the Great, The Symbol of Great Passing, Excess, Great Excess, The Passing of Greatness, Great Surpassing, Great Gains, Experience, Greater than Great, Greatness in Excess, Dominance by the Mighty, The Passing of Greatness, Excess of the Great, Law of Karma

 

Judgment

Legge:Critical Mass depicts a weak beam. Under such conditions it is advantageous to move in any direction whatever. Success is indicated.

Wilhelm/Baynes:Preponderance of the Great. The ridgepole sags to the breaking point. It furthers one to have somewhere to go. Success.

Blofeld:Excess! The ridgepole sags. It is favorable to have some goal (or destination) in view. Success! [A glance at the hexagram will show that it is too heavy in the middle and too weak at the ends. A number of firm lines is generally auspicious, but there can be too much of a good thing!]

Liu: Great Excess. The ridgepole is crooked. It benefits to go anywhere. Success.

Ritsema/Karcher:Great Exceeding, the ridgepole sagging. Harvesting; possessing directed going. Growing. [This hexagram describes your situation in terms of your connection to a ruling principle. It emphasizes that pushing the guiding idea beyond ordinary limits and accepting the results is the adequate way to handle it...]

Shaughnessy: Great Surpassing: The ridgepole bows upward; beneficial to have someplace to go; receipt.

Cleary (1): When the great is excessive, the ridgepole bends. It is good to go somewhere; that is developmental. [When the ridgepole snaps, the whole house falls down. In the same way, practitioners of the Tao who promote yang too much, who do not know when enough is enough, who can be great but cannot be small, suffer damage to their spiritual house.]

Cleary (2): When greatness passes, the ridgepole bends. It is beneficial to have somewhere to go, for you will succeed.

Wu:Excess of the Great indicates a beam that warps. It will be advantageous to have undertakings. It will be pervasive.

 

The Image

Legge: The image of trees beneath a marsh forms Critical Mass. The superior man, in accordance with this, fearlessly stands alone, and stays retired from the world without regret.

Wilhelm/Baynes: The lake rises above the trees: the image of Preponderance of the Great. Thus the superior man, when he stands alone, is unconcerned, and if he has to renounce the world, he is undaunted.

Blofeld: This hexagram symbolizes a forest submerged in a great body of water. The Superior Man, though standing alone, is free from fear; he feels no discontent in withdrawing from the world. [This is suggested by the component trigrams. Water is necessary for the nourishment of the trees, but too much of it can cause serious damage.]

Liu: The lake rising over the trees symbolizes Great Excess. The superior man, when isolated, is undisturbed. If he has to retreat from society, he feels no regret.

Ritsema/Karcher: Marsh submerging wood. Great Exceeding. A chun tzu uses solitary establishing not to fear. (A chun tzu uses) retiring-from the age without melancholy.

Cleary (1): Moisture destroys wood in excess. Thus superior people stand alone without fear, and leave society without distress.

Cleary (2): Moisture destroys wood. Developed people, etc. [Only when sustained by the power to stand alone without fear and avoid society without distress can learning be firmly rooted and development have a proper basis; then it is possible to refine and support the mediocre.]

Wu: Marsh covers over wood; This is Excess of the Great. Thus the jun zi stands alone without fear and withdraws from the world without melancholy.

 

CONFUCIAN COMMENTARY

Confucius/Legge: Excess is weakly supported at either end, with weakness in both the lowest and topmost lines. The dynamic lines are in excess, but two of them are in the central positions. The trigrams of Flexibility and Satisfaction indicate that there will be advantage in moving in any direction whatever -- there will be success. Great indeed is the work to be done during this extraordinary time.

Legge: Extraordinary times require extraordinary skill in their management. The figure shows two magnetic lines at top and bottom, with four dynamic lines between them -- giving the image of a great beam unable to sustain its own weight. Lines two and five are both dynamic and central however, and from this and the attributes of the component trigrams a good auspice is obtained.

 

NOTES AND PARAPHRASES

Judgment: A stressful situation is best managed with a comprehensive strategy. (Or: in the chess game of life, one succeeds by planning several moves in advance.)

The Superior Man serves The Work by going his own way, regardless of public opinion.

Wilhelm titles this hexagram Preponderance of the Great. I prefer R.L. Wing's paraphrase of Critical Massas more evocative of the figure's meaning in modern terminology.

In Critical Mass four dynamic lines lurk inside of the hexagram, weakly contained at top and bottom by two magnetic lines. This energetic concentration could explode in an unpredictable release of force, and hence the Judgment tells us to move now (remember: non-action is also action) to avoid unwanted consequences. (Often the outcome is predictable – be prepared to just walk away if and when that is your best move.)

Legge’s translation of the Judgment is:

"...It is advantageous to move in any direction whatever. "

This is a different message than Wilhelm's:

"...It furthers one to have somewhere to go."

Legge’s version implies an almost hysterical flight from danger while Wilhelm's rendition suggests prior intention and planning. The latter interpretation is definitely what is meant here, as confirmed by Cleary’s Buddhist commentary:

When the transformative path is flourishing, contaminations easily arise; it is best to set up guidelines and regulations. When meditation work is advanced, ignorance is about to dissolve; it is best to exercise the mind skillfully.

Coupled with Cleary’s translation of the Image as: “Developed people stand alone without fear, avoid society without distress,” the idea is that one should follow one's best intuition and ignore popular illusions, political correctness or inner fears. (Psychologically: conventional thinking, socially conditioned reflexes, knee-jerk responses, etc.). During a time of Critical Mass, pay close attention to direction from the Self to preserve the Work. This is not the time to follow the crowd. Sometimes this can mean that you are obliged to go it alone – one of the Work’s frequent tests (Cf. line 6):

The Gulf is something that has to be leaped, and leaped alone, stripped of all hindering burdens, in faith ... It is thus one of the crisis points of spiritual progress because of the great temptation to turn back from the unknown to the apparent safety of known things, and to succumb to this temptation is to lose all the fruits of past endeavor.
G. Knight -- A Practical Guide to Kabbalistic Symbolism

 

SUGGESTIONS FOR MEDITATION

Compare the Judgment and Image of this hexagram with those of hexagram number 32, Consistency.

Anthony: We must regain modesty through the effort to rid ourself of strong elements that cause us to press forward. The strong elements may exist in someone else, causing them to assault us with their fear, mistrust or doubt. Strong refers to impetuous movement to resolve what is ambiguous … We can meet the challenge by remaining detached and letting things go through their changes … To be truly rich is to remain modest; to be truly powerful is to remain reticent.


Line 2

Legge: The second line, dynamic, shows a decayed willow producing shoots, or an old husband in possession of his young wife; there will be advantage in every way.

Wilhelm/Baynes: A dry poplar sprouts at the root. An older man takes a young wife. Everything furthers.

Blofeld: The withered willow tree puts forth new shoots -- an old man takes to wife a young girl. Everything is favorable.

Liu: The withered poplar tree sprouts new shoots. The old man marries a young wife. Everything is favorable.

Ritsema/Karcher: A withered willow giving birth-to a sprig. A venerable husband acquiring his woman consort. Without not Harvesting.

Shaughnessy: The bitter poplar gives life to sprouts: The old fellow gets his maiden consort; there is nothing not beneficial.

Cleary (1): A withered willow produces sprouts; an old man gets a girl for a wife. Altogether beneficial.

Cleary (2): … None do not benefit.

Wu: A withered willow tree grows a young shoot. An old man takes a young wife. Everything is advantageous. [Ancient society gave approval to this kind of matrimony for the desire of having children in the family. Willow trees like water and do well on the bank of marshes. It is not uncommon for a withered old tree to have new shoots.]

 

CONFUCIAN COMMENTARY

Confucius/Legge: Such association is extraordinary. Wilhelm/Baynes: The extraordinary thing is their coming together. Blofeld: He weds her because they have been overmuch together. [From his point of view, it is in any case a matter for satisfaction, so it is taken here to symbolize favorable circumstances. Some commentaries suggest another implication, namely that the old man is able to take on tasks normally difficult for the elderly.] Ritsema/Karcher: Exceeding uses mutual associating indeed. Cleary (2): (He) has her for a companion in spite of being older. Wu: (They) will make a harmonious couple.

Legge: Line two has no proper correlate above, hence he inclines to the magnetic first line below him. This suggests an old husband with a young wife who will yet have children. The action will turn out favorably.

 

NOTES AND PARAPHRASES

Siu: An extraordinary reinvigoration occurs. During unusual occasions it may be desirable to join the lowly in order to permit a new outlook and growth.

Wing: Look to those who are modest in attitude, or are beginners themselves, to help you in your endeavors. This way you are in the company of persons who can understand and share the enthusiasm of your goals. Things will move smoothly and the situation will become revitalized.

Editor: The trigram for Wood beneath the trigram for a Lake or Marsh suggests the idea of a tree that grows near water, hence: a willow tree. Whether dry, withered, decayed or bitter, this old tree experiences an unexpected renewal of life. The elderly husband and young wife are a different metaphor for the same idea, and the symbolism can sometimes refer to a union of thought and feeling. Psychologically implicit is the idea of intellect as mentor and guide to emotional responses: an archetypal relationship.

In such dream wanderings one frequently encounters an old man who is accompanied by a young girl, and examples of such couples are to be found in many mythic tales.
Jung -- Memories, Dreams, Reflections

A. A fruitful renewal.

B. Old ideas are reinvigorated by fresh insights.

C. A creative balance of knowledge and ability.

Line 5

Legge: The fifth line, dynamic, shows a decayed willow producing flowers, or an old wife in possession of her young husband. There will be occasion neither for blame nor for praise.

Wilhelm/Baynes: A withered poplar puts forth flowers. An older woman takes a husband. No blame. No praise.

Blofeld: The withered willow tree puts forth blossom -- an old woman takes a vigorous young husband; no blame, no praise! [No blame, in that there is no prohibition against such marriages; no praise, in that they are generally considered far more unsuitable than when the husband is much older than the wife.]

Liu: A withered poplar blossoms. An old woman gains a young husband: No blame, no praise.

Ritsema/Karcher: A withered willow giving-birth-to flowers. A venerable wife acquiring her notable husband. Without fault, without praise.

Shaughnessy: The bitter poplar gives life to flowers: the old wife gets her siring husband; there is no trouble, there is no praise.

Cleary (1): A withered willow produces flowers, and old woman gets a young man for a husband: no blame, no praise.

Wu: A withered willow tree grows a flower. An old woman takes a young husband. There will be neither blame nor praise.

 

CONFUCIAN COMMENTARY

Confucius/Legge: A decayed willow produces flowers, but how can this secure its long continuance? An old wife and a young husband is also a thing to be ashamed of. Wilhelm/Baynes: How could this last long? It is nevertheless a disgrace. Blofeld: How can such blossom endure for long? From another point of view, both of them should feel ashamed. [The question of blaming or praising such a marriage is in any case of little importance, since it can scarcely be destined to endure for long. The second sentence of the commentary perhaps reveals that, for once, Confucius was inclined to disagree with his beloved mentor, the Book of Change, and to be taken aback by the words "no blame." From the point of view of divination, lines of this sort do not always indicate marriage; this line could mean that we shall do or have done something rather unusual of which the results will be more or less negative.] Ritsema/Karcher: Wherefore permitting lasting indeed? Truly permitting the demoniac indeed. Cleary (2): How can they last? (It) can also be embarrassing. Wu: How long can it last? (They) make an awkward couple.

Legge: Line five is dynamic and central and should be able to achieve extraordinary merit. But he has no proper correlate below, and as line two is inclined to line one, so is line five inclined to line six. But here the willow only produces flowers, not shoots -- its decay will soon reappear. An old wife will have no children. If the line is not to be condemned like line three, neither does his action deserve praise. The shoots produced in line two will grow into a new and vigorous tree, but here the flowers will soon decay, and the withered trunk continue the same. For what will a young man marry an old woman? There will be no children; it can only be from some mercenary motive.

 

NOTES AND PARAPHRASES

Siu: Notwithstanding promising potentialities the man gives up his alliances with the people below him and seeks the company only of those of higher rank. An unstable arrangement results. Instead of greater security, there will be less. No renewal occurs after the flower saps the tree's remaining energy.

Wing: In critical or significant times it is exhausting to cling to your ideals and ignore the realities of your environment. These realities are the superstructure that supports your life. If you ignore your foundations in your reach upward, you will become unstable and accomplish nothing at all.

Editor: Notice that the original line says that there will be neither praise nor blame. It is the Confucian commentary, written many hundreds of years later, that attaches the idea of "shame” to this position. Following Confucius, Blofeld's footnote also interprets the results as negative: but this is not really warranted from the line itself. The image is a reasonable portrayal of an inconclusive, fruitless or trivial situation. The condition emblemed is one of marking time: marching in place. Psychologically interpreted, the wife can symbolize an emotional component of the psyche: a desire or feeling; the husband would be a mental component: perhaps discrimination. If this is the only changing line, the new hexagram becomes number thirty-two: Consistency, with a corresponding line that confirms the ineffectual condition.

While man is a soul in essence he may, while incarnate in flesh, forget his real origins and indeed live out his whole existence in an animal [like] or vegetable [like] consciousness.
Z.B.S. Halevi -- Adam and the Kabbalistic Tree

A. Marking time, treading water -- a harmless but fruitless diversion.

B. A flare-up of an old condition. Something returns, flowers, and dies to no particular purpose.

Line-6

Line 6

Legge: The sixth line, magnetic, shows its subject with extraordinary boldness wading through a stream, till the water hides the crown of her head. There will be evil, but no ground for blame.

Wilhelm/Baynes: One must go through the water. It goes over one's head. Misfortune. No blame.

Blofeld: While he was fording the river, the water rose above his head -- misfortune, but he was not at fault.

Liu: One walks through the water and it goes over his head. Misfortune, no blame.

Ritsema/Karcher: Exceeding wading submerges the peak. Pitfall. Without fault.

Shaughnessy: Surpassing and fording causes the top of the head to vanish; inauspicious; there is no trouble.

Cleary (1): Excess reaching the peak of destruction is unfortunate; there is no blame on other people. [At the end of Excess of the Great, being ignorant and acting arbitrarily, not knowing the medical substances or the firing process, doing whatever comes to mind, going astray and not returning, the damage is worse the higher one goes; excess reaches the peak of destruction. One calls misfortune upon oneself – it is no fault of others. This is Excess of the Great in the sense of being weak and entertaining illusions.]

Cleary (2): Going too far, passing away at the peak, there is misfortune, but no blame. [Here are only the virtues of flexibility and uprightness, without the ability to solve difficulties, so misfortune cannot be avoided; but one is really not to blame. In Buddhist terms, this is when correct concentration has no insight, winding up as a fall at the peak.]

Wu: He is drowned while crossing the river. This is foreboding, but blameless.

 

CONFUCIAN COMMENTARY

Confucius/Legge: Evil follows wading with extraordinary boldness through the stream, but the act affords no ground for blame. Wilhelm/Baynes: One should not join blame to the misfortune of going through the water. Blofeld: This presages a misfortune for which we cannot possibly be blamed. Ritsema/ Karcher: Not permitting fault indeed. Cleary (2): The misfortune of going too far cannot be blamed. Wu: The ill fortune of getting drowned should not be a cause for blame.

Legge: The sixth line pursues her daring course with an intent to rectify the extraordinary exigency of the time and benefit all under the sky. She is unequal to the task and sinks beneath it, but her motive justifies the judgment on her conduct.

 

NOTES AND PARAPHRASES

Siu: The man pursues his objectives for the public good, regardless of the consequences and danger. Misfortune results. But no blame is attached to his conduct, because there are certain things more important than life itself.

Wing: The goal is worth accomplishing, although the sacrifice to attain it may be confounding in its enormity. No blame is attached to such action, although you should realize the extraordinary reality of what is happening.

Anthony: It is careless to wish to accomplish our task, no matter what happens. Plunging ahead on our own is always dangerous and willful. It is best to retain carefulness, allowing ourself to be guided. Meanwhile, having followed our principles is without blame, even though the result may be dangerous.

Editor: Like anyline in theI Ching, this one is open to more than one interpretation. It can suggest suffering while undertaking a necessary but difficult task, or it can portray one ignorantly “pushing the river” in pursuit of goals one doesn’t really understand. Legge's commentary about being “unequal to the task” is not explicit in the original line -- i.e.: failure is not necessarily a foregone conclusion. Life's lessons are often painful -- that's just the way it is, and you are not to blame for it. Cleary (1)’s mention of “medical substances, etc.,” refers to Taoist alchemical procedures.

If anyone wants to be a follower of mine, let him renounce himself and take up his cross every day and follow me. For anyone who wants to save his life will lose it; but anyone who loses his life for my sake will save it.
Luke 9: 23-25

A. Plunge in and accept the consequences of your choices: Bite the bullet and do your duty.

B. A painful lesson in the school of hard knocks.

C. “The road to hell is paved with good intentions.”

56
The Wanderer


Other titles: The Wanderer, The Symbol of the Traveler, The Exile, Sojourning, The Newcomer, To Lodge, To Travel, Traveling, The Stranger, Strangers, The Traveling Stranger, The Outsider, The Alien, The Gnostic, The Tarot Fool, Wandering, Homeless, Uncommitted, On Your Own, "Can refer to being out of one's element." -- D.F. Hook

 

Judgment

Legge: Transition means that small attainments are possible. If the traveling stranger is firm and correct, there will be good fortune.

Wilhelm/Baynes:The Wanderer. Success through smallness. Perseverance brings good fortune to the wanderer.

Blofeld:The Traveler -- success in small matters. Persistence with regard to traveling brings good fortune.

Liu: The Exile. Small success. To continue leads to good fortune.

Ritsema/Karcher:Sojourning, the small: Growing. Sojourning, Trial: significant. [This hexagram describes your situation in terms of wandering journeys and living in exile. It emphasizes that mingling with others as a stranger whose identity comes from a distant center is the adequate way to handle it...]

Shaughnessy:Traveling. Small receipt. Traveling; determination is auspicious.

Cleary (1): Travel is developmental when small; if travel is correct, it leads to good fortune.

Cleary (2): Travel has a little success. Travel is auspicious if correct.

Wu:Traveling indicates small pervasion. Perseverance will bring auspiciousness.

 

The Image

Legge: A fire on the mountain -- the image of Transition. The superior man exerts cautious wisdom in his punishments, and does not permit prolonged litigation.

Wilhelm/Baynes: Fire on the mountain: the image of The Wanderer. Thus the superior man is clear-minded and cautious in imposing penalties, and protracts no lawsuits.

Blofeld: This hexagram symbolizes fire upon a mountain. The Superior Man employs wise caution in administering punishments and does not suffer the cases brought before him to be delayed.

Liu: Fire over the mountain symbolizes the Exile. The superior man is careful and clever in imposing punishments, and does not delay the cases brought.

Ritsema/Karcher: Above mountain possessing fire. Sojourning. A chun tzu uses brightening consideration to avail-of punishing and-also not to detain litigating.

Cleary (1): There is fire atop a mountain, transient. Thus superior people apply punishments with understanding and prudence, and do not keep people imprisoned.

Cleary (2): Fire on a mountain – traveling. Etc.

Wu: There is fire on the mountain; this is Traveling. Thus the jun zi exercises the utmost deliberations in exacting punishments such that prisoners will not be detained without cause.

 

COMMENTARY

Confucius/Legge:Transition indicates that there may be some small attainment and progress -- the magnetic line occupies the central place in the upper trigram, and is obedient to the dynamic lines above and below it. We also have the attributes of Keeping Still connected with Intelligence in the lower and upper trigrams. Hence it is said that there may be some small attainment and progress. If the traveling stranger is firm and correct as he ought to be, there will be good fortune. Great is the time and great is the right course to be taken under these circumstances!

Legge: The written Chinese character for this hexagram denotes people traveling abroad, and is often translated as Strangers. The figure addresses itself to traveling strangers, and tells them how they ought to comport themselves through the cultivation of humility and firm correctness. By means of these they would escape harm, and make progress. The status of traveling stranger is seen as too low to expect great things of them.

It is assumed that the wanderer is in the position of the fifth line. The ideas of humility, docility, calmness and intelligence are derived from the attributes of the component trigrams. These are all characteristics which are proper to a stranger, and are likely to lead to advancement and attainment of his desires. Concerning the Image, K'ung Ying-ta comments: "A fire on a mountain lays hold of the grass, and runs with it over the whole space, not stopping anywhere long, and soon disappearing -- such is the emblem of the traveler."

 

NOTES AND PARAPHRASES

Judgment: During a Transition, keep your willpower great and your expectations small.

The Superior Man sees clearly and does not embroil himself in complexity. He is clear-minded and cautious in judging the truth of the situation, maintaining detachment from the social milieu.

Wilhelm's translation of the title of this hexagram is The Wanderer. A wanderer is one who has no home, or who is between one home and another. This reminds us of the gnostic notion of the "Alien": the incarnate soul exiled to wander in the space-time dimension (i.e., this world).

The alien is that which stems from elsewhere and does not belong here ... The stranger who does not know the ways of the foreign land wanders about lost; if he learns its ways too well, he forgets that he is a stranger and gets lost in a different sense by succumbing to the lure of the alien world and becoming estranged to his own origin ... The recollection of his own alienness, the recognition of his place of exile for what it is, is the first step back; the awakened homesickness is the beginning of the return.
Hans Jonas -- The Gnostic Religion

In the broadest interpretation then, the message in the Judgment: "If the traveling stranger is firm and correct, there will be good fortune" can refer to not becoming entangled in the affairs of this world in which we wander -- an idea emphasized in the first line. Ritsema/Karcher state it explicitly -- defining our challenge as "mingling with others as a stranger whose identity comes from a distant center." This is good general advice for anyone seriously engaged in the Work, since the "distant center" ("God," or the Self) represents the essence we incarnated to serve.

We are strangers in this world, and the body is the tomb of the soul, and yet we must not seek to escape by self- murder; for we are the chattels of God who is our herdsman, and without his command we have no right to make our escape.
Pythagorean ethic

In more specific situations, the hexagram symbolizes a transitional phase. Lines two, three and four all depict "Inns" or temporary resting places (commonly experienced in dreams as images of hotels or motels). The symbolism is identical: the psyche is reflecting an interim situation during a state of Transition.

By definition, a transition is fluid and not yet fixed. Depending upon the choices made, one can go in different directions. In terms of consciousness, it is obvious that the transition can be from a lower state of awareness to a higher one, or vice-versa. Because a transition is an opportunity for deliberate choice-making, the Confucian commentary concludes with: "Great is the time and great is the right course to be taken under these circumstances!"

Lines one, three and six depict very negative situations involving ignorant, arrogant choices. We think of the ego blindly pushing the river of its desires, unable to see the unfortunate consequences it thereby engenders. Line two suggests a solid resting place during our journey, while line four depicts a tenuous, though not necessarily incorrect, similar situation. The fifth line counsels a kind of sacrifice to the ruler (the Self) which results in an eventual reward. The message is to let the Self guide you through a Transition.

 

SUGGESTIONS FOR MEDITATION

Hexagram number fifty-six is the reverse of hexagram number fifty-five. Compare the role of the superior man in the Image of each figure. How are they the same? How are they different? What are the differences and similarities of the component trigrams of each hexagram, and how do they affect their respective meanings?

Notes, August 15, 2009: A new paraphrase of the Judgment and Image:

The Gnostic Alien. Small attainments are possible if the Alien keeps a clear head and maintains his self-discipline. The initiated Adept is intelligent, discreet, and displays vigilant wisdom: he maintains and protects his gnosis via cautious reserve in worldly disputes, eschewing needless contention. [He can do this because he knows that this is an illusory reality: a set-up, a trap, a Loosh factory created by the Demiurge.] A chun tzu uses brightening consideration to avail-of punishing and-also not to detain litigating. [In other words “do the work in the place in which you find yourself” quickly, and efficiently, with as few entanglements as possible under the circumstances. Shun new karma. Implicit is that this experience is preparation for the bodhisattva vow.]