Continuing alone
One asks the weakest to return home to rest and one takes care of the disorder. taoscopy.com
Critical Mass28
Embrace resilience during times of overwhelming pressure. Acknowledge the burden, make necessary adjustments, and seek support to prevent collapse. Balance is crucial for enduring success.
↓ Line 1
Taking precautions to prevent damage. A solid foundation is necessary.
↓ Line 5
Unexpected developments occur, but they are neutral in outcome. Acceptance is key.
↓ Great Power34
Harness inner strength wisely; true power comes from patience and understanding, not force.
28 Critical Mass
Other titles: Preponderance of the Great, The Symbol of Great Passing, Excess, Great Excess, The Passing of Greatness, Great Surpassing, Great Gains, Experience, Greater than Great, Greatness in Excess, Dominance by the Mighty, The Passing of Greatness, Excess of the Great, Law of Karma
Judgment
Legge:Critical Mass depicts a weak beam. Under such conditions it is advantageous to move in any direction whatever. Success is indicated.
Wilhelm/Baynes:Preponderance of the Great. The ridgepole sags to the breaking point. It furthers one to have somewhere to go. Success.
Blofeld:Excess! The ridgepole sags. It is favorable to have some goal (or destination) in view. Success! [A glance at the hexagram will show that it is too heavy in the middle and too weak at the ends. A number of firm lines is generally auspicious, but there can be too much of a good thing!]
Liu: Great Excess. The ridgepole is crooked. It benefits to go anywhere. Success.
Ritsema/Karcher:Great Exceeding, the ridgepole sagging. Harvesting; possessing directed going. Growing. [This hexagram describes your situation in terms of your connection to a ruling principle. It emphasizes that pushing the guiding idea beyond ordinary limits and accepting the results is the adequate way to handle it...]
Shaughnessy: Great Surpassing: The ridgepole bows upward; beneficial to have someplace to go; receipt.
Cleary (1): When the great is excessive, the ridgepole bends. It is good to go somewhere; that is developmental. [When the ridgepole snaps, the whole house falls down. In the same way, practitioners of the Tao who promote yang too much, who do not know when enough is enough, who can be great but cannot be small, suffer damage to their spiritual house.]
Cleary (2): When greatness passes, the ridgepole bends. It is beneficial to have somewhere to go, for you will succeed.
Wu:Excess of the Great indicates a beam that warps. It will be advantageous to have undertakings. It will be pervasive.
The Image
Legge: The image of trees beneath a marsh forms Critical Mass. The superior man, in accordance with this, fearlessly stands alone, and stays retired from the world without regret.
Wilhelm/Baynes: The lake rises above the trees: the image of Preponderance of the Great. Thus the superior man, when he stands alone, is unconcerned, and if he has to renounce the world, he is undaunted.
Blofeld: This hexagram symbolizes a forest submerged in a great body of water. The Superior Man, though standing alone, is free from fear; he feels no discontent in withdrawing from the world. [This is suggested by the component trigrams. Water is necessary for the nourishment of the trees, but too much of it can cause serious damage.]
Liu: The lake rising over the trees symbolizes Great Excess. The superior man, when isolated, is undisturbed. If he has to retreat from society, he feels no regret.
Ritsema/Karcher: Marsh submerging wood. Great Exceeding. A chun tzu uses solitary establishing not to fear. (A chun tzu uses) retiring-from the age without melancholy.
Cleary (1): Moisture destroys wood in excess. Thus superior people stand alone without fear, and leave society without distress.
Cleary (2): Moisture destroys wood. Developed people, etc. [Only when sustained by the power to stand alone without fear and avoid society without distress can learning be firmly rooted and development have a proper basis; then it is possible to refine and support the mediocre.]
Wu: Marsh covers over wood; This is Excess of the Great. Thus the jun zi stands alone without fear and withdraws from the world without melancholy.
CONFUCIAN COMMENTARY
Confucius/Legge: Excess is weakly supported at either end, with weakness in both the lowest and topmost lines. The dynamic lines are in excess, but two of them are in the central positions. The trigrams of Flexibility and Satisfaction indicate that there will be advantage in moving in any direction whatever -- there will be success. Great indeed is the work to be done during this extraordinary time.
Legge: Extraordinary times require extraordinary skill in their management. The figure shows two magnetic lines at top and bottom, with four dynamic lines between them -- giving the image of a great beam unable to sustain its own weight. Lines two and five are both dynamic and central however, and from this and the attributes of the component trigrams a good auspice is obtained.
NOTES AND PARAPHRASES
Judgment: A stressful situation is best managed with a comprehensive strategy. (Or: in the chess game of life, one succeeds by planning several moves in advance.)
The Superior Man serves The Work by going his own way, regardless of public opinion.
Wilhelm titles this hexagram Preponderance of the Great. I prefer R.L. Wing's paraphrase of Critical Massas more evocative of the figure's meaning in modern terminology.
In Critical Mass four dynamic lines lurk inside of the hexagram, weakly contained at top and bottom by two magnetic lines. This energetic concentration could explode in an unpredictable release of force, and hence the Judgment tells us to move now (remember: non-action is also action) to avoid unwanted consequences. (Often the outcome is predictable – be prepared to just walk away if and when that is your best move.)
Legge’s translation of the Judgment is:
"...It is advantageous to move in any direction whatever. "
This is a different message than Wilhelm's:
"...It furthers one to have somewhere to go."
Legge’s version implies an almost hysterical flight from danger while Wilhelm's rendition suggests prior intention and planning. The latter interpretation is definitely what is meant here, as confirmed by Cleary’s Buddhist commentary:
When the transformative path is flourishing, contaminations easily arise; it is best to set up guidelines and regulations. When meditation work is advanced, ignorance is about to dissolve; it is best to exercise the mind skillfully.
Coupled with Cleary’s translation of the Image as: “Developed people stand alone without fear, avoid society without distress,” the idea is that one should follow one's best intuition and ignore popular illusions, political correctness or inner fears. (Psychologically: conventional thinking, socially conditioned reflexes, knee-jerk responses, etc.). During a time of Critical Mass, pay close attention to direction from the Self to preserve the Work. This is not the time to follow the crowd. Sometimes this can mean that you are obliged to go it alone – one of the Work’s frequent tests (Cf. line 6):
The Gulf is something that has to be leaped, and leaped alone, stripped of all hindering burdens, in faith ... It is thus one of the crisis points of spiritual progress because of the great temptation to turn back from the unknown to the apparent safety of known things, and to succumb to this temptation is to lose all the fruits of past endeavor. G. Knight -- A Practical Guide to Kabbalistic Symbolism
SUGGESTIONS FOR MEDITATION
Compare the Judgment and Image of this hexagram with those of hexagram number 32, Consistency.
Anthony: We must regain modesty through the effort to rid ourself of strong elements that cause us to press forward. The strong elements may exist in someone else, causing them to assault us with their fear, mistrust or doubt. Strong refers to impetuous movement to resolve what is ambiguous … We can meet the challenge by remaining detached and letting things go through their changes … To be truly rich is to remain modest; to be truly powerful is to remain reticent.
Line 1
Legge: The first line, magnetic, shows one placing mats of the white mao grass under things set on the ground. There will be no error.
Wilhelm/Baynes: To spread white rushes underneath. No blame.
Blofeld: For mats, use white rushes -- no error! [White rushes are less common than ordinary ones and probably make more beautiful mats. The implication may be that, if we decide to do things rather nicely, we might as well go a little further and do them as charmingly as possible.]
Liu: To spread white rushes below leads to no blame.
Ritsema/Karcher: A sacrifice availing-of white thatch grass. Without fault.
Shaughnessy: For the mat use white cogon-grass; there is no trouble.
Cleary (1): Spreading white reeds; no fault.
Cleary (2): Spreading a mat of white reeds, there is no blame.
Wu: Use of white mats in making offerings is blameless.
CONFUCIAN COMMENTARY
Confucius/Legge: She feels the weakness of being in the lowest place, and uses extraordinary care. Wilhelm/Baynes: The yielding is underneath.
Blofeld: The reference is derived from the position of this yielding line below so many firm ones. [A further commentary explains that they symbolize treating things with gentleness.]Ritsema/Karcher: Supple located below indeed. Cleary (2): Flexibility in a low position. Wu: Because the meek is in the low position.
The Master said: To place the things on the ground might be considered sufficient; but when one places mats of the white grass beneath them, what occasion for blame can there be? Such a course shows the height of carefulness. The white grass is a trivial thing, but through the use made of it, it may become important. One who goes forward using such careful art will not fall into any error.
Legge: The first line is magnetic, at the bottom of both the hexagram and the lower trigram of Humility or Flexibility. Therefore she is distinguished by carefulness, as in the matter mentioned, and there is a good auspice.
NOTES AND PARAPHRASES
Siu: At the outset, the man displays considerable care in embarking upon an important enterprise.
Wing: When embarking on an important endeavor, it is necessary to pay particular attention to details at the beginning. The times are indeed extraordinary, and you must be particularly careful to proceed in the right way. Being overcautious is not a mistake.
Editor: The idea is to lay a careful foundation for any enterprise to prevent later instability. Make careful choices now to prevent evil consequences later on.
Don't you know that the beginning is the most important part of every work and that this is especially so with anything young and tender? For at that stage it's most plastic, and each thing assimilates itself to the model whose stamp anyone wishes to give it. Plato --The Republic
A. Begin carefully.
B. Extreme caution is indicated.
Line 5
Legge: The fifth line, dynamic, shows a decayed willow producing flowers, or an old wife in possession of her young husband. There will be occasion neither for blame nor for praise.
Wilhelm/Baynes: A withered poplar puts forth flowers. An older woman takes a husband. No blame. No praise.
Blofeld: The withered willow tree puts forth blossom -- an old woman takes a vigorous young husband; no blame, no praise! [No blame, in that there is no prohibition against such marriages; no praise, in that they are generally considered far more unsuitable than when the husband is much older than the wife.]
Liu: A withered poplar blossoms. An old woman gains a young husband: No blame, no praise.
Ritsema/Karcher: A withered willow giving-birth-to flowers. A venerable wife acquiring her notable husband. Without fault, without praise.
Shaughnessy: The bitter poplar gives life to flowers: the old wife gets her siring husband; there is no trouble, there is no praise.
Cleary (1): A withered willow produces flowers, and old woman gets a young man for a husband: no blame, no praise.
Wu: A withered willow tree grows a flower. An old woman takes a young husband. There will be neither blame nor praise.
CONFUCIAN COMMENTARY
Confucius/Legge: A decayed willow produces flowers, but how can this secure its long continuance? An old wife and a young husband is also a thing to be ashamed of. Wilhelm/Baynes: How could this last long? It is nevertheless a disgrace. Blofeld: How can such blossom endure for long? From another point of view, both of them should feel ashamed. [The question of blaming or praising such a marriage is in any case of little importance, since it can scarcely be destined to endure for long. The second sentence of the commentary perhaps reveals that, for once, Confucius was inclined to disagree with his beloved mentor, the Book of Change, and to be taken aback by the words "no blame." From the point of view of divination, lines of this sort do not always indicate marriage; this line could mean that we shall do or have done something rather unusual of which the results will be more or less negative.] Ritsema/Karcher: Wherefore permitting lasting indeed? Truly permitting the demoniac indeed. Cleary (2): How can they last? (It) can also be embarrassing. Wu: How long can it last? (They) make an awkward couple.
Legge: Line five is dynamic and central and should be able to achieve extraordinary merit. But he has no proper correlate below, and as line two is inclined to line one, so is line five inclined to line six. But here the willow only produces flowers, not shoots -- its decay will soon reappear. An old wife will have no children. If the line is not to be condemned like line three, neither does his action deserve praise. The shoots produced in line two will grow into a new and vigorous tree, but here the flowers will soon decay, and the withered trunk continue the same. For what will a young man marry an old woman? There will be no children; it can only be from some mercenary motive.
NOTES AND PARAPHRASES
Siu: Notwithstanding promising potentialities the man gives up his alliances with the people below him and seeks the company only of those of higher rank. An unstable arrangement results. Instead of greater security, there will be less. No renewal occurs after the flower saps the tree's remaining energy.
Wing: In critical or significant times it is exhausting to cling to your ideals and ignore the realities of your environment. These realities are the superstructure that supports your life. If you ignore your foundations in your reach upward, you will become unstable and accomplish nothing at all.
Editor: Notice that the original line says that there will be neither praise nor blame. It is the Confucian commentary, written many hundreds of years later, that attaches the idea of "shame” to this position. Following Confucius, Blofeld's footnote also interprets the results as negative: but this is not really warranted from the line itself. The image is a reasonable portrayal of an inconclusive, fruitless or trivial situation. The condition emblemed is one of marking time: marching in place. Psychologically interpreted, the wife can symbolize an emotional component of the psyche: a desire or feeling; the husband would be a mental component: perhaps discrimination. If this is the only changing line, the new hexagram becomes number thirty-two: Consistency, with a corresponding line that confirms the ineffectual condition.
While man is a soul in essence he may, while incarnate in flesh, forget his real origins and indeed live out his whole existence in an animal [like] or vegetable [like] consciousness. Z.B.S. Halevi -- Adam and the Kabbalistic Tree
A. Marking time, treading water -- a harmless but fruitless diversion.
B. A flare-up of an old condition. Something returns, flowers, and dies to no particular purpose.
Line-6
34 Great Power
Other titles: The Power of the Great, The Symbol of Great Vigor, Persons of Great Authority, Great Strength, Great Invigorating, Great Maturity, Accumulated Force, The Strength of the Mighty, Righteous Power, Excessive Force
Judgment
Legge:Great Power necessitates firm correctness.
Wilhelm/Baynes:The Power of the Great. Perseverance furthers.
Blofeld: The Power of the Great. Persistence in a righteous course brings reward. [This hexagram with a solid group of firm lines topped by a small number of yielding lines obviously signifies strength -- in this case the power to succeed in spite of difficulties. Much of what follows concerns goats -- a symbol presumably suggested by the form of the hexagram, namely a solid body distinguished by a pair of horns -- the yielding lines at the top.]
Liu: Great Power. It is of benefit to continue.
Ritsema/Karcher: Great Invigorating , Harvesting Trial. [This hexagram describes your situation in terms of the invigorating power of a central creative idea. It emphasizes that animating everything around you through this guiding motivation is the adequate way to handle it. To be in accord with the time, you are told to invigorate through the great!]
Shaughnessy: Great Maturity: Beneficial to determine.
Cleary(1):Great power is beneficial when correct.
Wu: Great Strength indicates that it is advantageous to be persevering.
The Image
Legge: The image of thunder over heaven forms the hexagram of Great Power. The superior man, in accordance with this, does not take one step that is not in accordance with propriety.
Wilhelm/Baynes: Thunder in heaven above: The image of The Power of the Great. Thus the superior man does not tread upon paths that do not accord with established order.
Blofeld: This hexagram symbolizes thunder in the sky. The Superior Man never takes a step involving impropriety. [Note: The combination of trigrams meaning thunder and sky suggests something of the awe-inspiring quality of the truly great.]
Liu: Thunder in the sky above symbolizes Great Power. The superior man's conduct does not oppose the rules.
Ritsema/Karcher: Thunder located above heaven. Great Invigorating. A chun tzu uses no codes whatever, nowhere treading.
Cleary (1): Thunder is up in the sky, with great power. Thus do superior people refrain from what is improper.
Cleary (2): … Developed people do not do what is improper.
Wu: There is thunder above heaven; this is Great Strength. Thus the jun zi does not practice what is not proper.
COMMENTARY
Confucius/Legge: In Great Powerwe see that which is great becoming strong. The trigram of Strength directs the trigram of Movement, and hence the whole is expressive of vigor. But that which is great necessitates firm correctness. The attributes of heaven and earth are displayed when firmness and correctness attain their ideal state.
Legge: Because the dynamic lines predominate in Great Power,the figure suggests a state in which there is an abundance of strength and vigor. Is strength alone enough for the conduct of affairs? Of course not! Strength must always be subordinated to the idea of right, and exerted only in harmony with it.
The lower trigram symbolizes Strength, the upper symbolizes Movement. In the Confucian commentary, "that which is great” denotes the group of four dynamic lines which strikes us on looking at the figure, and also the superior men in positions of power, of whom these are the representatives. That the attributes of heaven and earth are displayed means that the power of men should be a reflection of the great power which we see impartially working in nature.
Ch'eng-tzu says on the Image: "Thunder rolling in the sky and making all things shake is the symbol of Great Power." In relating its application to man, he quotes a beautiful saying of antiquity: "The strong man is he who overcomes himself."
NOTES AND PARAPHRASES
Judgment: Control yourself.
The Superior Man does nothing that is not in accordance with the principles of the Work.
Wilhelm and Blofeld translate this hexagram as The Power of the Great., but I prefer Liu's rendition of Great Power, because it has a more neutral connotation. The Power of the Great suggests the might of kings and emperors, and implies "superior" power wielded at one's own discretion. It is too easy to misinterpret this hexagram as a clear injunction to take unilateral action. Such is seldom the case -- the hexagram depicts a charge of latent energy which must be properly managed.
The figure is usually compared with the image of a ram or goat -- the four lower dynamic lines being the body, and the two upper magnetic lines representing the horns. Since this hexagram is the preceding figure of Retreat turned upside down, one can imagine the two together as a person retreating across a pasture pursued by a charging beast. The ram/goat is mentioned in four of the six lines of the hexagram. This is certainlyGreat Power, but in such a crude form it cannot be truthfully called The Power of the Great.
Truly Great Power, as the Judgment tells us, is derived from our will to restrain our emotions, instincts and appetites. Note that lines two and four are the most positively forceful lines in the hexagram and that both imply restraint of power as the proper way to attain one's goals. Without changing lines, the hexagram sometimes refers to provocations in which one is "legitimately” tempted to a self-righteous display of "power.” Remember that other people's ego-trips are none of your concern: the superior man does not respond to them with other than dignified reserve. Regard it as a test and be joyful if you pass it!
Everything found in later literature seems to indicate that these meditative schools required a strong discipline and faithful adherence to a strict regimen. The schools were extremely demanding, and were open only to those willing to devote themselves totally. Before even being admitted to one of these ancient meditative schools, a person had to be not only spiritually advanced but in complete control of all his emotions and feelings. Beyond that, the disciplines of the Torah and commandments were central to these schools, and these disciplines required a degree of self-mastery to which not everyone could aspire. Aryeh Kaplan -- Jewish Meditation