Being sidelined
One leaves because one is not being trusted. taoscopy.com
Controlled Power26
Cultivate inner strength and patience to overcome obstacles. Harness your energy wisely and focus on gradual progress.
↓ Line 2
Progress is halted. It is necessary to pause and reassess the situation.
↓ Grace22
Refinement and grace enhance your presence. Focus on beauty and elegance in actions, but do not let appearance overshadow substance. Simplicity often holds the truest value.
26 Controlled Power
Other titles: The Taming Power of the Great, The Great Nourisher, Taming the Great Powers, Great Accumulating, Great Accumulation, Great Storage, Nurturance of the Great, Great Buildup, Restraint of the Great, Restraint by the Strong, Potential Energy, The Great Taming Force, Energy Under Control, Power Restrained, Sublimation, Latent Power
Judgment
Legge: Controlled Power means being firm and correct. If its subject doesn't enjoy his family revenues at the expense of public service, there will be good fortune. It will be advantageous to cross the great stream.
Wilhelm/Baynes: The Taming Power of the Great. Perseverance furthers. Not eating at home brings good fortune. It furthers one to cross the great water.
Blofeld: The Great Nourisher favors righteous persistence. Good fortune results from not eating at home. It is a favorable time for crossing the great river (sea). [I.e. going on a long journey, perhaps abroad.]
Liu: Taming the Great Powers. Persistence benefits. Not to eat at home is good fortune. It is of benefit to cross the great water.
Ritsema/Karcher: Great Accumulating. Harvesting Trial. Not dwelling, taking-in. Significant. Harvesting: wading the Great River. [This hexagram describes your situation in terms of an overriding concern that defines what is valuable. It emphasizes that bringing the variety of things under the control of this central idea is the adequate way to handle it...]
Shaughnessy: Great Storage: Beneficial to determine; not eating at home is auspicious; beneficial to ford the great river.
Cleary (1): In Nurturance of the Great it is beneficial to be chaste. It is good not to eat at home; it is beneficial to cross great rivers. [This hexagram represents incubation nurturing the spiritual embryo. On this path, it is beneficial to still strength, not to use strength. Therefore it says: “it is beneficial to be chaste.” Chastity here means quietude. Stilling strength is nurturing strength. It is good to be still, not active – if one is still, this preserves strength; if one is active, this damages strength. This is the work referred to as “nine years facing a wall.”]
Cleary (2): Great Buildup is beneficial if correct, etc.
Wu: Restraint of the Great indicates prosperity and perseverance. It will be auspicious not to have meals at home. It will be advantageous to cross the big river. [The character chu in the present context has two meanings: one is to accumulate and the other to restrain.]
The Image
Legge: Heaven in the midst of the mountain -- the image of Controlled Power. Thus, the superior man studies the words and deeds of ancient men in order to build his virtue.
Wilhelm/Baynes: Heaven within the mountain: the image of the Taming Power of the Great. Thus the superior man acquaints himself with many sayings of antiquity and many deeds of the past, in order to strengthen his character thereby.
Blofeld: This hexagram symbolizes the sky visible amidst the mountain peaks. The Superior Man, acting from his profound knowledge of the words and conduct of the wise men of old, nourishes his virtue. [The arrangement of the component trigrams suggests glimpses of the sky among the peaks of the mountains. This points to something very far off and thereby indicates the advisability of setting out for some distant place. This is a time for going from home and giving concrete expression to our appreciation of what others have done for us or for the public good.]
Liu: Heaven within the mountain symbolizes Taming the Great Powers. The wise man studies ancient knowledge to improve his character.
Ritsema/Karcher: Heaven located-in mountain center. Great
Accumulating. A chun tzu uses the numerous recorded preceding words going to move. [A chun tzu] uses accumulating one's actualizing-tao. [Actualize-tao: ...ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]
Cleary (1): Heaven is in the mountains, great accumulation. Thus do superior people become acquainted with many precedents of speech and action, in order to accumulate virtue.
Cleary (2): …Leaders build up their virtues by abundant knowledge of past words and deeds.
Wu: Heaven is within the mountain; this is Restraint of the Great. Thus the jun zi accumulates his virtue by remembering past words and deeds.
COMMENTARY
Confucius/Legge: The trigrams that compose Controlled Power show the intelligence of Strength and Mass renewing their virtue every day. A dynamic line is in the highest place, displaying the worth of talent and virtue -- his is the power that keeps Strength in restraint and displays the will necessary to the hexagram. Talents and virtue are nourished because he refuses to confine his power within his immediate family. Heaven in the second line responds to the ruler in the fifth, thus it is favorable to cross the great stream.
Legge: Controlled Power symbolizes both restraint and the accumulation of virtue. What is restrained accumulates its strength and increases its volume to become a great reservoir of force. The Judgment teaches that if one is firm and correct in this endeavor he may then engage in public service and enjoy the king's grace.
The dynamic line in the highest place is line six who is above the ruler and has all of heaven in which to move. This, plus the power to suppress the strongest opposition, shows how he is supported by all that is correct.
Concerning the Image, Chu Hsi says: "Heaven is the greatest of all things, and its being in the midst of a mountain gives us the idea of a very large accumulation. This is analogous to the labor of the superior man in learning, acquiring and remembering, to accumulate his virtue."
NOTES AND PARAPHRASES
Judgment:Controlled Power is willpower. The ego renounces selfish indulgences to work for the good of the whole. With such a spirit, great transformations are possible.
The Superior Man studies the precepts of the Work to increase his comprehension and fortitude.
The essential image to remember in this hexagram is that of Mount Everest holding down Heaven itself: raw power is controlled by the sheer mass of Keeping Still. Thus we see that Controlled Power is Willpower -- arguably the most potentially creative force in the universe, because used correctly it can accomplish anything.
The will is, curiously, not recognized as the central and fundamental function of the ego. It has often been depreciated as being ineffective against the various drives and the power of the imagination, or it has been considered with suspicion as leading to self-assertion (will-to-power). But the latter is only a perverted use of the will, while the apparent futility of the will is due only to a faulty and unintelligent use. The will is ineffective only when it attempts to act in opposition to the imagination and to the other psychological functions, while its skilful and consequently successful use consists in regulating and directing all other functions toward a deliberately chosen and affirmed aim. Roberto Assagioli –Psychosynthesis
An extreme example of this is illustrated by Cleary’s commentary on the Judgment where he says: “This is the work referred to as “nine years facing a wall.” The reference is to Bodhidharma (the patriarch who brought Zen Buddhism to China), who meditated facing a wall for nine continuous years until he attained enlightenment.
"If its subject doesn't enjoy his family revenues at the expense of public service, there will be good fortune” is an image of the ego renouncing its illusions of free choice. Psychologically, inner complexes will drain energy from the situation unless the ego has the will to control their manifestation. Every line except the sixth depicts some kind of restraint of power -- only in the top line is the energy available for use. It is significant that the superior man is advised to study the ancient wisdom, for it is in the Mysteries, the Perennial Philosophy, that one discovers the secrets and applications of the will. In other contexts (for example, a question about business matters), this can refer to making connection with sound and established practices.
In the larger philosophical sense, we see that the evolving illusions of every age insure that the masses will remain attached to the wheel of birth and death -- continuously repeating endless variations of the same basic lessons. When each individual is finally ready to escape from these cycles, it is only within the ancient and eternal template of the Work that transcendence can be found.
The analogies between religious ideas in Jewish mysticism that are hundreds of years old and the scientific findings of modern psychology can be explained only by the archetypal structure of the psyche. Man's images and ideas concerning the mysteries of being fall into the timeless patterns arranged by the archetypes of the unconscious; his meditations are determined by them. Within the setting of his culture and his time, he creates new forms for the expression of age-old truths. A. Jaffe -- The Myth of Meaning
Through contact with the Self, negative cycles can be broken and positive cycles begun, but it always requires a mountain's worth of Controlled Powerto make it happen.
Line 2
Legge: The second line, dynamic, shows a carriage with the strap under it removed.
Wilhelm/Baynes: The axletrees are taken from the wagon.
Blofeld: A broken axle.
Liu: The axletree separates from the wagon.
Ritsema/Karcher: Carting, stimulating the axle-strap.
Shaughnessy: The cart throws off an axle-strut.
Cleary (1): A cart is divested of its axles.
Cleary (2): A cart has its axles removed.
Wu: The wooden pieces holding the axle firmly underneath a carriage come off.
COMMENTARY
Confucius/Legge: He is like a carriage from which the strap under it has been removed -- being in the central place, he will incur no blame. Wilhelm/ Baynes: In the middle there is no blame. Blofeld: We are not to blame. [A relatively serious hindrance threatens, but we are not to blame for it.] Ritsema/Karcher: Centering without surpassing indeed. Cleary (2): But there is no resentment in the heart. Wu: The pieces come off, but the center is faultless.
Legge: Line two is subject to the repression of the fifth line, so he stops his advance voluntarily -- he has the wisdom to do so because of his central place. The strap below, when attached to the axle, made the carriage stop; he himself acts that part.
NOTES AND PARAPHRASES
Siu: The opposition is decisively stronger. The man should wait while storing energy for his next move.
Wing: There is no opportunity for advancement. You are held back by forces that are beyond your reach. Stay where you are and continue to build the resources of your potential energy. Be content with the present situation. There should be no conflict.
Editor: A modern image might be an automobile up on blocks – a vehicle is immobilized. In a strange mixture of metaphors, from the ruler's perspective (see Legge's commentary on line five), this second line correlate is seen as a castrated boar -- a potentially dangerous force which has been transformed into a safe one. Usually the line simply means that no action is possible at this time.
Here I am speaking not of a power complex, or of an identification with the will to power, but rather of the feeling of ability to control oneself and one's actions, and of the power to choose a goal and to do what is necessary to achieve it. This is a positive factor leading to self-discipline and culture, and on its development civilization largely depends. M.E. Harding -- Psychic Energy
A. Stop striving -- nothing can be done now.
22 Grace
Other titles: Grace, The Symbol of Decoration, Elegance, Gracefulness, Luxuriance, Adorning, Public Image, Adornment, Beauty, Conceit, Vanity, Veneer, Façade, Manners, Embellishment, Superficiality, Superficial Appearances, Form vs. Function, "Art," Ego-trips, "Often refers to conceit, vanity or beauty. It stresses that the content is more important than the outward appearance." -- D.F. Hook
Judgment
Legge: Persona should be given its due, but there is no advantage in allowing it to advance and take the lead.
Wilhelm/Baynes:Grace has success. In small matters it is favorable to undertake something.
Blofeld: Elegance. Success! Some small advantage can be derived from having a particular goal (or destination). [The implication is that the advantage is not sufficient to make it worth while to seek that goal or destination unless no special difficulty or inconvenience is involved. The arrangement of the lines in this hexagram is very similar to that in the previous one, but it is adjudged much more suitable. The general idea is that, like nature, we should conform to a regular and well ordered pattern of behavior which, since we are human beings and not mere animals, involves a high degree of refinement. From the point of view of divination, it would seem that this is a time to watch carefully so as to learn how those involved in the situation think and behave, the better to influence them for the good when the opportunity arises.]
Liu:Gracefulness, success. Small undertakings benefit.
Ritsema/Karcher: Adorning , Growing. The small, Harvesting: possessing directed going. [This hexagram describes your situation in terms of its outward presentation. It emphasizes that building intrinsic value by embellishing appearance and displaying valor is the adequate way to handle it...]
Shaughnessy: Luxuriance : Receipt; a little beneficial to have someplace to go.
Cleary (1):Adornment is developmental. It is beneficial to go somewhere in a minimal way.
Cleary (2):Adornment is successful. It is beneficial to go somewhere in a small way.
Wu:Adornment is pervasive and shows small advantage of an undertaking. [Adornment does not change the nature of what it adorns, but merely makes what it adorns appear more attractive. In other words, the change is mostly superficial but not substantive…]
The Image
Legge: Fire at the foot of the mountain -- the image of Persona. Thus the superior man adorns his rule with grace, but makes important decisions in conformance with higher laws.
Wilhelm/Baynes: Fire at the foot of the mountain: the image of Grace. Thus does the superior man proceed when clearing up current affairs. But he dare not decide controversial issues in this way.
Blofeld: This hexagram symbolizes fire at the foot of a mountain. The Superior Man, desiring to ensure the enlightened functioning of the various departments of state, dare not make light decisions regarding legal matters. [The component trigrams, fire below mountain, suggest a brilliance which cannot be perceived from afar. The Chinese commentators go on to suggest that this symbolizes a firm and somewhat severe exterior which hides brilliance and the beauty within. For purposes of divination, this should be taken as a pattern for our comportment in the matter at issue.]
Liu: Fire illuminates the base of the mountain symbolizing Gracefulness. Thus the superior man clarifies ordinary affairs, but does not judge lawsuits.
Ritsema/Karcher: Below mountain possessing fire. Adorning. A chun tzu uses brightening the multitudinous standards without daring to sever litigating.
Cleary (1): There is fire below the mountain, adorning it. Thus do superior people clarify governmental affairs, without presumptuous adjudication. [What superior people see in this is that just as the light of a fire below a mountain is not great, when people are lacking in capacity their vision is not far reaching; therefore the superior people administer and clarify the simple matters of governmental affairs, and do not act presumptuously in difficult matters of adjudication… Not judging presumptuously thus has the meaning of respect for life.]
Wu: There is fire at the foot of the mountain; this is Adornment. The jun zi brings openness to administering civil affairs, but refrains from judging cases in criminal litigation.
COMMENTARY
Confucius/Legge: In Persona we see the magnetic central line ornamenting the dynamic lines of the lower trigram, and hence it is said that ornament should have free course. On the other hand, the dynamic top line ornaments the magnetic lines of the upper trigram, and hence it is said that there will be little advantage if ornament is allowed to advance and take the lead. The elegance and intelligence of the lower trigram is regulated by the restraint of the upper trigram. This suggests the observances which adorn human society. We observe the ornamental figures of the sky, and thereby ascertain the changes of the seasons. We observe the ceremonial customs of society, and understand how transformation is accomplished in the world.
Legge: Persona is the symbol of what is ornamental and of the act of adorning. As there is adornment in nature, so should there be in society, but its place is secondary to that which is substantial.
The K'ang-hsi editors say that the magnetic line coming and ornamenting the two dynamic lines in the lower trigram shows how substantiality should have the benefit of ornamentation. The dynamic line ornamenting the two magnetic lines in the upper trigram shows how ornamentation should be restrained by substantiality. Ornament has its use, but it should be kept in check.
The figures of the sky are all the heavenly bodies in their relative positions and various movements, producing day and night, heat and cold, etc. The observances of society are the ceremonies and performances which regulate and beautify the intercourse of men.
"A mountain," says Ch'eng-tzu, "is a place where we find grass, trees, and a hundred other things. A fire burning below it throws up its light, and brings them all out in beauty. This gives the idea of ornament, or being ornamented. The various processes of government are small matters, and elegance and ornament help their course, but great matters of judgment demand the simple, unadorned truth.”
NOTES AND PARAPHRASES
Judgment: There's nothing wrong with showing a little style, but don't become so identified with a role that it makes your decisions for you.
The Superior Man displays wit and charm when that is appropriate, but relies upon shrewd discernment when making serious choices.
Confucius points out the correct attitude for this hexagram in his third sentence -- the elegant intelligence, or "brilliant wit" of the lower trigram is being "sat on" by the mountain of the upper trigram. Brilliant wit is often just an "ornament" to make one look clever in the company of others. Like seasoning on food, a little bit ofPersona or ornamentation is life-enhancing, but too much curry powder overwhelms the meal.
Jung's conception of the Persona points out the fact that it is a major vehicle for the complexes to express themselves under the guise of social interaction:
(The Persona) is only a mask for the collective psyche, a mask that feigns individuality, and tries to make others and oneself believe that one is individual, whereas one is simply playing a part in which the collective psyche speaks. Jung -- The Relations between the Ego and the Unconscious
For an urban shipping clerk to wear cowboy clothes may be a legitimate expression of his personality, or it may be the only outlet available for repressed portions of his psyche. When he begins driving a pickup truck and frequenting Country-Western bars we might suspect that his role is playing him and the real Self is being masked by excessive ornamentation orPersona.
The person cannot be more than an instrument for the manifestation of the self. But people get so attached to their mask that they cannot free themselves from it any more ... They make a king out of the servant and separate themselves from their true being. They force their higher self into exile, into the unconscious. Elisabeth Haich --Initiation
To receive this hexagram without changing lines suggests that perhaps you are more focused on form than meaning, or that superficial appearances are concealing something more substantive in the situation. Look deeper – what’s really going on?