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Splitting Apart23
Unraveling structures; necessary endings. Prepare for new beginnings. Embrace the change, allowing the old to fall away.
↓ Line 3
Separating from the negative influences is wise and without fault.
↓ Line 4
The damage is severe, affecting the core, leading to misfortune.
↓ Line 6
Opportunities remain for the wise, while the unwise face disintegration.
↓ Small Powers62
Focus on the details. Embrace humility and small steps to achieve success. Avoid overreaching or taking on too much to prevent failure.
Original Readings
23 Splitting Apart
Other titles: Splitting Apart, The symbol of Falling or Flaying, Peeling Off, Decay, Flaying, Stripping Away, Intrigue, Deterioration, Collapse, Fracturing, Tearing, Disintegration, Ruin, Unraveling, "Can refer to a physical parting. Making a secure foundation." -- D.F. Hook
Judgment
Legge:Disintegration means that it is not advantageous to make a movement in any direction whatever.
Wilhelm/Baynes:Splitting Apart. It does not further one to go anywhere.
Blofeld: Peeling off. At present, there is no goal (or destination) which can be sought with advantage. [Peeling off in the sense of getting rid of hindrances (or hinderers) one after another. The first four lines of this hexagram symbolize a process of ridding ourselves progressively of all those upon whom we are accustomed to rely, for the powers of darkness are in the ascendant and no one can be trusted. However, in the long run, virtue triumphs, as indicated by line five, and ultimately we are all the more esteemed for our steadfastness, as can be seen from line six.]
Liu: Decay. It is unfavorable to undertake anything.
Ritsema/Karcher:Stripping not Harvesting: possessing directed going. [This hexagram describes your situation in terms of something outmoded or worn out. It emphasizes that eliminating what has become unusable is the adequate way to handle it...]
Shaughnessy: Flaying: Not beneficial to have someplace to go.
Cleary (1):Stripping away does not make it beneficial to go anywhere.
Cleary (2): … It is not beneficial, etc.
Wu: Tearing indicates that it is not advantageous to have any undertaking.
The Image
Legge: The image of a mountain adhering to the earth forms Disintegration. Superiors therefore strengthen their inferiors to secure the peace and stability of their own position.
Wilhelm/Baynes: The mountain rests on the earth: the image of Splitting Apart. Thus those above can ensure their position only by giving generously to those below.
Blofeld: This hexagram symbolizes a mountain resting upon the earth. The truly great shower generosity upon those under them to enable them to live in peace and comfort. [The upper and lower trigrams, mountain and Earth, symbolize the Superior Man and the people in his care.]
Liu: The mountain stands on the earth, symbolizing Decay. Those above should act with benevolence toward those below. Then there will be peace and security.
Ritsema/Karcher: Mountain adjoining with-respect-to earth. Stripping. Using munificence above to quiet the position below.
Cleary (1): Mountains are joined to the earth. Those above secure their homes by kindness to those below.
Wu: The mountain is subordinated to the earth; this is Tearing .Thus those above treat those below with liberal rewards to secure their own positions.
COMMENTARY
Confucius/Legge:Disintegration means overthrowing or being overthrown: the magnetic lines attack the dynamic line at the top in order to change it into one of themselves. It is unwise to move in any direction because inferior elements are now increasing in power. The superior man, observing this, stops all forward movement. He defers to the exigency of the time, realizing that increase and decrease, ripeness and decay are cyclic rhythms.
Legge:Disintegrationis the symbol of falling or causing to fall, and refers to the process of decay or overthrow in both the natural and political worlds. The figure consists of five yin lines below and one yang line on top. Decay has begun at the bottom and crept upward. The hexagram symbolizes the ninth month when summer has passed and the year is about to fall into the sterile arms of winter. In the political world, inferior men have gradually displaced good men until only one remains. The lesson for him is to wait because the power operating against him is too strong. Eventually a change for the better will appear. The specific image is that of a bed and its occupant, and the symbolism describes the attempts made to overthrow him. The lower trigram of Docility and the upper trigram of Keeping Still suggest to the superior man of line six how he can best deal with the prevailing circumstances. The situation is not hopeless -- winter is followed by spring, night by day, and the waning moon soon grows full again. So will it be in the course of human affairs.
The idea behind the Image is that a mountain has the earth for its foundation. If the earth is thick, the mountain preserves its height. So it is with the sovereign and people.
NOTES AND PARAPHRASES
Judgment:Disintegration means do not act.
The Superior Man stabilizes his responses and seeks tranquility.
The twenty-third hexagram is the inverse ofReturn, the hexagram immediately following it. Each figure depicts an opposite pole in a cyclic progression. Here the old cycle has disintegrated to the point of dissolution. The following hexagram depicts theReturnto the beginning of a new cycle.
The first four lines of Disintegration show the gradual erosion of a position or frame of reference, symbolized by a bed or couch. The inferior forces creep up from below like termites to undermine a solid foundation. The fifth line shows a gathering of forces for a potentially positive transformation, and the top line suggests the first stages of this transformation. The implication is that times of disintegration needn't always be regarded as negative, or a foregone conclusion. We still have the choice to alter conditions in our favor.
That the superior man "strengthens his inferiors" to insure the stability of his position, means that one stabilizes one's psychological situation by defusing the causes of rebellion -- safeguard the foundation where it is weak. Hexagram number forty-three, Resoluteness, is a negative picture of this figure, and the message in the Image is very similar: "The superior man does not hoard his wealth, but shares it with his subordinates." The idea is subtle -- it doesn't mean to indulge your weaknesses, but to monitor them encouragingly so that they may become transformed into positive forces.
Whenever we go deep enough toward the core of a sub- personality, we find that the core -- which is some basic urge, or need -- is good. For practical purposes, this can be considered an absolute. No matter how many layers of distortion may surround it, the basic need, the basic motivation, is a good one -- and if it becomes twisted, it was because of not being able to express itself directly. The real core -- not what the sub- personality wants, but what it needs -- is good. A basic purpose of the coordination phase is to discover this central urge or need, to make it conscious, and to find acceptable ways in which it can be satisfied and fulfilled. And, provided we have sufficient understanding and skill, it can be satisfied -- if not fully, at least enough to maintain the process of growth. James Vargiu -- Subpersonalities
Line 3
Legge: The third line, magnetic, shows its subject among the over-throwers; but there will be no error.
Wilhelm/Baynes: He splits with them. No blame.
Blofeld: He peels them all off -- no error.
Liu: Falling apart. No blame.
Ritsema/Karcher: Stripping it, without fault.
Shaughnessy: Flaying; there is no trouble.
Cleary (1): Stripping away without fault.
Wu: He tears but he is blameless.
COMMENTARY
Confucius/Legge: That there will be no error on the part of this one among the over-throwers arises from the difference between her and the others above and below. Wilhelm/Baynes: He loses the neighbor above and the one below. Blofeld: This implies losing contact with those above and below. Ritsema/ Karcher: Letting-go Above and Below indeed. Cleary (2): Loses above and below. Wu: He is not associated with those around him.
Legge: Line three also represents an over-thrower, but it differs from the others by being the correlate of line six, who is her ally. Three's allegiance is to the sixth line and not, as with the other magnetic lines, to one of her own kind.
NOTES AND PARAPHRASES
Siu: Because of circumstances beyond his control, the man finds himself associating with evil men. His inner relationship with a superior man enables him to retain his righteous stability, leading to opposition from inferior people.
Wing: Circumstances have led you into a situation in which you must work with inferior persons or ideals. If you can, nevertheless, maintain a strong tie with a superior element, you will avoid Deterioration and free yourself of regretful errors.
Editor: Wilhelm says: "He splits with them." Blofeld renders it: "He peels them all off." These are images of separation or differentiation -- a setting apart. Disintegrationis an upside-down image of the hexagram of Return, and if it is inverted, this line takes the place of line four in Return: "Walking in the midst of others, one returns alone." Wu's Confucian commentary on line three here says: “He is not associated with those around him,” which reinforces this idea.
The disintegrating tendencies very often result in psychosis if the unconscious and conscious clash, for then they have prevailed and the person falls into all those parts which are hostile to each other, as, for instance, when the psychotic person hears different voices which quarrel with each other. On the other hand, we know also that the unconscious contains synthesizing or integrating tendencies, which issue from that regulating center which Jung calls the Self. M.L. Von Franz -- Alchemical Active Imagination
A. Make a distinction between yourself and inferior elements within the situation, perhaps an attitude.
Line 4
Legge: The fourth line, magnetic, shows its subject having overthrown the couch, and going on to injure the skin of him who lies on it. There will be evil.
Wilhelm/Baynes: The bed is split up to the skin . Misfortune.
Blofeld: He continues the peeling off at the mattress of his bed -- misfortune!
Liu: The entire bed rots, reaching the body. Misfortune.
Ritsema/Karcher: Stripping the bed, using flesh . Pitfall.
Shaughnessy: Flaying the good together with the skin; inauspicious.
Cleary (1): Stripping away even the skin on the bed , misfortune.
Cleary (2): Stripping a bed to the skin brings misfortune.
Wu: He rips off the matting in the bed . There will be foreboding.
COMMENTARY
Confucius/Legge: Calamity is very near at hand. Wilhelm/Baynes: This is a serious and immediate misfortune. Blofeld: This presages our being very close to a terrible misfortune. Ritsema/Karcher: Slicing close-to calamity indeed. Cleary (2): Getting very close to disaster. Wu: The danger is imminent.
Legge: Danger is imminent. The bed has been overthrown. The person of the occupant is at the mercy of the destroyers.
NOTES AND PARAPHRASES
Siu: Calamity is imminent. Neither warning nor protection is forthcoming. The man is at the mercy of destroyers.
Wing: You are exposed to danger. Calamity is imminent and you are unable to hold it back. Without warning, you are on the threshold of defeat.
Editor: This is one of the most negative lines in the I Ching-- an image of maximum destruction. Legge’s translation suggests that the dynamic sixth line may be regarded as the bed’s symbolic occupant -- i.e., it's his skin which is being flayed. Psychologically interpreted, this can suggest the Self which is in some sense em-bed-ed in its satellite complexes.
Even at the height of [Hitler's] power there was for him no Germany, there were no German troops for whom he felt himself responsible; for him there was -- at first sub-consciously, but in his last years fully consciously -- only one greatness, a greatness which dominated his life and to which his evil genius sacrificed everything -- his own ego. Colonel-General Franz Halder
A. You are destroying the Work.
Line 6
Legge: The sixth line, dynamic, shows its subject as a great fruit which has not been eaten. The superior man finds the people again as a chariot carrying him. The inferior men by their course overthrow their own dwellings.
Wilhelm/Baynes: There is a large fruit still uneaten. The superior man receives a carriage. The house of the inferior man is split apart.
Blofeld: The ripe fruit remains uneaten. [Few care to accept advice or help, although the Superior Man will gladly give it them.] The Superior Man will acquire a carriage, whereas the mean man will lose his own house. [This line presages great good fortune for the truly virtuous; for, in the end, their virtue is widely recognized and men rally to their support. On the other hand, those who hitherto have managed to obtain good fortune through dishonest methods pursued at a time when virtue as under an eclipse will lose everything they have.]
Liu: A large fruit not eaten. The superior man acquires a carriage. The inferior man's house falls apart.
Ritsema/Karcher: The ripe fruit not taken in. A chun tzu acquiring a cart. Small People Stripping the hut.
Shaughnessy: The stone fruit is not eaten: the gentleman obtains a chariot the little man flays a gourd.
Cleary (1): A hard fruit is not eaten. The superior person gets a vehicle. The inferior person is stripped of a house.
Cleary (2): … The leader gets a vehicle. The petty person, etc.
Wu: The grand fruit is not picked for eating. The jun zi gains a carriage. The little men tear down their shelters. [This is the lone yang line in the hexagram, like a big fruit not yet picked. Translation: the only remaining yang not stripped off by the yin. Here is the jun zi [chun tzu, superior man] who has the support of the people. Despite temporary setbacks, goodness prevails in the end.]
COMMENTARY
Confucius/Legge: The superior man finds himself in a carriage: he is carried along by the people. The inferior men have over-thrown their own dwellings, which can never again be of use to them. Wilhelm/Baynes: He is carried by the people. "The house of the inferior man is split apart": he ends up as useless. Blofeld: The carriage symbolizes the support of the people. The mean wretch who loses his house is ultimately found useless for anything. Ritsema/ Karcher: Commoners: the place to carry indeed. Completing, not permitting availing-of indeed. Cleary (2): The leader (is) carried by the people. The small person is after all unsuitable for employment. Wu: Because the people support him. Because they have destroyed their own usefulness.
Legge: The dynamic sixth line, notwithstanding the attempts against him, survives and acquires fresh vigor. The people again cherish their sovereign, and the plotters have wrought to their own destruction.
NOTES AND PARAPHRASES
Siu: The evil finally brings about its own demise, and good times return.
The man acquires fresh vigor, and the sovereign is strengthened by public support.
Wing: The forces of Deterioration have ended. The power will return to persons of worthwhile vision, who will again win the support of others. Inferior persons are destroyed by their own evil, for without power, negativity is self-consuming.
Editor: Fruit: Generally, the results of any action, either good or bad: An accrual of Karma. "By their fruits ye shall know them." (The context here being favorable.) Chariot: A vehicle, means of progress, way of going. It can symbolize the psyche as the vehicle of evolution. Here, the superior man (or Self) has a "new way of going." People:"(Symbolic of) the lower mental and emotional qualities; the natural undeveloped instincts and activities which are to be disciplined and used as a means to the end of the manifestation of the Self." [Gaskell --Dictionary of Scriptures and Myths]. Dwelling:in the symbolism of this line, the dwellings of the inferior men are the focal points of autonomous, unregenerate forces within the psyche: desires, appetites, etc. But now these foci are overthrown, so the inferior forces no longer "have a home." Generally speaking, this line tells us that the time of disintegration has passed or will soon change for the better. As Legge points out in his commentary on the hexagram: "The situation is not hopeless -- winter is followed by spring, night by day, and the waning moon soon grows full again. So will it be in the course of human affairs."
Happy is the virtuous man, for he will feed on the fruit of his deeds; Woe to the wicked, evil is on him, he will be treated as his actions deserve. Isaiah 3: 10-11
A. The consequences of past actions have yet to manifest themselves, or you have yet to assimilate an insight concerning a natural separation of positive and negative elements within the situation. However, a reorganization and new synthesis of forces is imaged and stability is being re-established.
62 Small Powers
Other titles: Preponderance of the Small, The Symbol of Excess in Small Things, The Small get by, Slight Excess, Small Exceeding, Small Surpassing, Excess of the Small, Small gains, Conscientiousness, Smallness in Excess, Exceeding the Mean, Proliferation of Details, "Like a bird, do not fly too high or attempt too much because this will lead to disaster." -- D.F. Hook
Judgment
Legge:Small Powers indicates that there will be progress and attainment in small affairs, but not in great affairs. It will be advantageous to be firm and correct. It is like the song of a flying bird: It is better to descend than to ascend. In this way there will be good fortune.
Wilhelm/Baynes:Preponderance of the Small. Success. Perseverance furthers. Small things may be done; great things should not be done. The flying bird brings the message: It is not well to strive upward, it is well to remain below. Great good fortune.
Blofeld:The Small Get By -- success! Persistence in a righteous course brings reward. Small things can be accomplished now, but not great ones. When birds fly high, their singing is out of tune. The humble, but not the mighty, are favored now with great good fortune. [To aim high now would be to put ourselves out of accord with the times.]
Liu:Slight Excess. Success. Continuing is of benefit. Undertaking small things, not great things. The song of the flying bird. It is not good to go up; it is good to stay below. Great good fortune. [Slight Excess signifies the slight excess or small mistake that can prevent the achievement of great things.]
Ritsema/Karcher:Small Exceeding, Growing. Harvesting Trial. Permitting Small
Affairs. Not permitting Great Affairs. Flying bird: abandoning's sound. Above not proper, below proper. The great significant. [This hexagram describes your situation in terms of an overwhelming variety of encounters and details. It emphasizes that an excessive concern with adapting yourself to these inner and outer events is the adequate way to handle it...]
Shaughnessy: Small Surpassing : Receipt; beneficial to determine; possible for little service, but not possible for great service. The sound left by the flying bird is not proper for ascent but is proper for descent; greatly auspicious.
Cleary (1):Predominance of the small is developmental, beneficial if correct. It is suitable for a small affair but not for a great one. The call left by a flying bird should not rise but descend. This is very auspicious.
Cleary (2):Small excess turns out all right. It is beneficial to be correct. It is all right for small matters, not for great matters. A flying bird leaves its cry; it should not ascend but descend – then there will be great good fortune.
Wu: Excess of the Small indicates pervasiveness and the advantage of being persevering. One may succeed in doing small business, but not big one. Like the lingering sound of a bird flying by, it is not suitable to go upward, but suitable to go downward. Great fortune.
The Image
Legge: The image of thunder above a hill forms Small Powers. The superior man, in accordance with this, in his conduct exceeds in humility, in mourning exceeds in sorrow, and in his expenditure exceeds in economy.
Wilhelm/Baynes: Thunder on the mountain: the image of Preponderance of the Small. Thus in his conduct the superior man gives preponderance to reverence. In bereavement he gives preponderance to grief. In his expenditures he gives preponderance to thrift. [The superior man derives an imperative from this image: he must always fix his eyes more closely and more directly on duty than does the ordinary man, even though this might make his behavior seem petty to the outside world. He is exceptionally conscientious in his actions.]
Blofeld: This hexagram symbolizes thunder over the mountains. The Superior Man now acts with too much reverence, experiences too much sorrow from bereavement and is overly thrifty in satisfying his needs.
Liu: Thunder over the mountain symbolizes Slight Excess. The superior man's conduct is overly humble; In mourning he laments exceedingly, and he is stingy in his spending.
Ritsema/Karcher: Above mountain possessing thunder. Small Exceeding. A chun tzu uses moving Exceeding to reach-to courtesy. A chun tzu uses losing Exceeding to reach-to mourning. A chun tzu uses availing of Exceeding to reach-to parsimony.
Cleary (1): There is thunder over a mountain, exessively small. Thus superior people are excessively deferential in conduct, excessively sad in mourning, excessively frugal in consumption.
Cleary (2): Thunder over a mountain – small excess. Genteel people are exceedingly deferential in conduct, exceedingly sad in mourning, and exceedingly abstemious in consumption.
Wu: Thunder rolls over the mountain; this is Excess of the Small. Thus the jun zi conducts himself with a little excess in respect to others, a little excess in sorrow at mourning, and a little excess in frugality in expenditure.
COMMENTARY
Confucius/Legge: In Small Powers we see the magnetic lines exceeding the others, and giving the intimation of progress and attainment. To be advantageous, such excesses must be associated with firm correctness, and must always be in harmony with the requirements of the time. The magnetic lines are in the central places, and hence it is said that small excesses may be done in small affairs with good effect. Of the dynamic lines, one is not in its proper place, and the other is not central; thus it is said that small excesses should not be done in great affairs. In the hexagram we have the symbol of the flying bird, whose song reminds us that it is better to descend than ascend. To ascend is contrary to what is reasonable in the case, while to descend is natural and right.
Legge: The meaning of this hexagram in which an excess of yin lines prevails, may be grasped by contrasting its image with that of hexagram number twenty-eight, Critical Mass, in which an excess of yang lines prevails. Here the idea is the prevalence of small or inferior powers, and the lesson to be learned is how to distinguish essentials from non-essentials. Is it ever good to deviate from the established course of procedure? The answer is that it is permissible only in small matters, but never in matters of import. Sometimes form may be dispensed with, but never substance, and the thing must always be done responsibly and with appropriate humility. The symbol of the bird is to teach humility -- it is better for it to descend, keeping near to where it can perch and rest, than to ascend into the homeless regions of the upper air.
NOTES AND PARAPHRASES
Judgment: Ground your flights of fancy.
The Superior Man bends over backwards to be correct.
Small Powers shows the preceding figure of Inner Truth turned inside-out. Here the magnetic lines are all on the outside -- uncontained and uncontrolled. The hexagram often reflects a situation in which the "archetypes": the passions, appetites, emotions, drives and instincts have left their proper places within the psyche and are flying free like birds escaped from the zoo. Most of the lines either depict the danger of such a situation or warn about how to control it.
In this inflated, compulsive state of identity, we and the drive are at our most harmful; the drive will unfold and we will act out its extreme, inappropriate and destructive side. In the process we get the worst of it, along with the other people involved. The wrong thing usually happens at the wrong time and in the wrong place. A capacity for moving toward differentiation and transforming the drive will not arise until the state of identity has been dissolved. This requires a confrontation of the drive as a Thou, as something that is not I, as something separate from ourselves. Only at this point can the inner dialogue begin. Until then the drive remains unconscious, primitive and destructive. Only after the identity has been dissolved by learning to experience the drive as an autonomous entity that is separate from the ego, do we get a chance to choose a right time and place and to develop the positive potential of the drive. E.C. Whitmont --The Symbolic Quest
Interestingly, the only line that seems to be correctly "out of its cage" is the second -- suggesting a situation in which an intuitive inner wisdom takes proper precedence over the usual firm correctness of "reason."