Indulging in indiscipline
One appreciates being left out rather than being forced to do what others say. taoscopy.com
Grace22
Refinement and grace enhance your presence. Focus on beauty and elegance in actions, but do not let appearance overshadow substance. Simplicity often holds the truest value.
↓ Line 1
Simple grace is best. Avoid ostentation and proceed with humility.
↓ Line 2
Superficial embellishments can lead to misunderstandings and problems.
↓ Line 3
Maintain inner grace and integrity; this will lead to success.
↓ Line 4
True grace is natural and unforced. Wait for the right moment to act.
↓ Before Completion64
Completing a task doesn’t guarantee rest. Remain vigilant, attentive to evolving situations, ready to adapt and act as needed.
22 Grace
Other titles: Grace, The Symbol of Decoration, Elegance, Gracefulness, Luxuriance, Adorning, Public Image, Adornment, Beauty, Conceit, Vanity, Veneer, Façade, Manners, Embellishment, Superficiality, Superficial Appearances, Form vs. Function, "Art," Ego-trips, "Often refers to conceit, vanity or beauty. It stresses that the content is more important than the outward appearance." -- D.F. Hook
Judgment
Legge: Persona should be given its due, but there is no advantage in allowing it to advance and take the lead.
Wilhelm/Baynes:Grace has success. In small matters it is favorable to undertake something.
Blofeld: Elegance. Success! Some small advantage can be derived from having a particular goal (or destination). [The implication is that the advantage is not sufficient to make it worth while to seek that goal or destination unless no special difficulty or inconvenience is involved. The arrangement of the lines in this hexagram is very similar to that in the previous one, but it is adjudged much more suitable. The general idea is that, like nature, we should conform to a regular and well ordered pattern of behavior which, since we are human beings and not mere animals, involves a high degree of refinement. From the point of view of divination, it would seem that this is a time to watch carefully so as to learn how those involved in the situation think and behave, the better to influence them for the good when the opportunity arises.]
Liu:Gracefulness, success. Small undertakings benefit.
Ritsema/Karcher: Adorning , Growing. The small, Harvesting: possessing directed going. [This hexagram describes your situation in terms of its outward presentation. It emphasizes that building intrinsic value by embellishing appearance and displaying valor is the adequate way to handle it...]
Shaughnessy: Luxuriance : Receipt; a little beneficial to have someplace to go.
Cleary (1):Adornment is developmental. It is beneficial to go somewhere in a minimal way.
Cleary (2):Adornment is successful. It is beneficial to go somewhere in a small way.
Wu:Adornment is pervasive and shows small advantage of an undertaking. [Adornment does not change the nature of what it adorns, but merely makes what it adorns appear more attractive. In other words, the change is mostly superficial but not substantive…]
The Image
Legge: Fire at the foot of the mountain -- the image of Persona. Thus the superior man adorns his rule with grace, but makes important decisions in conformance with higher laws.
Wilhelm/Baynes: Fire at the foot of the mountain: the image of Grace. Thus does the superior man proceed when clearing up current affairs. But he dare not decide controversial issues in this way.
Blofeld: This hexagram symbolizes fire at the foot of a mountain. The Superior Man, desiring to ensure the enlightened functioning of the various departments of state, dare not make light decisions regarding legal matters. [The component trigrams, fire below mountain, suggest a brilliance which cannot be perceived from afar. The Chinese commentators go on to suggest that this symbolizes a firm and somewhat severe exterior which hides brilliance and the beauty within. For purposes of divination, this should be taken as a pattern for our comportment in the matter at issue.]
Liu: Fire illuminates the base of the mountain symbolizing Gracefulness. Thus the superior man clarifies ordinary affairs, but does not judge lawsuits.
Ritsema/Karcher: Below mountain possessing fire. Adorning. A chun tzu uses brightening the multitudinous standards without daring to sever litigating.
Cleary (1): There is fire below the mountain, adorning it. Thus do superior people clarify governmental affairs, without presumptuous adjudication. [What superior people see in this is that just as the light of a fire below a mountain is not great, when people are lacking in capacity their vision is not far reaching; therefore the superior people administer and clarify the simple matters of governmental affairs, and do not act presumptuously in difficult matters of adjudication… Not judging presumptuously thus has the meaning of respect for life.]
Wu: There is fire at the foot of the mountain; this is Adornment. The jun zi brings openness to administering civil affairs, but refrains from judging cases in criminal litigation.
COMMENTARY
Confucius/Legge: In Persona we see the magnetic central line ornamenting the dynamic lines of the lower trigram, and hence it is said that ornament should have free course. On the other hand, the dynamic top line ornaments the magnetic lines of the upper trigram, and hence it is said that there will be little advantage if ornament is allowed to advance and take the lead. The elegance and intelligence of the lower trigram is regulated by the restraint of the upper trigram. This suggests the observances which adorn human society. We observe the ornamental figures of the sky, and thereby ascertain the changes of the seasons. We observe the ceremonial customs of society, and understand how transformation is accomplished in the world.
Legge: Persona is the symbol of what is ornamental and of the act of adorning. As there is adornment in nature, so should there be in society, but its place is secondary to that which is substantial.
The K'ang-hsi editors say that the magnetic line coming and ornamenting the two dynamic lines in the lower trigram shows how substantiality should have the benefit of ornamentation. The dynamic line ornamenting the two magnetic lines in the upper trigram shows how ornamentation should be restrained by substantiality. Ornament has its use, but it should be kept in check.
The figures of the sky are all the heavenly bodies in their relative positions and various movements, producing day and night, heat and cold, etc. The observances of society are the ceremonies and performances which regulate and beautify the intercourse of men.
"A mountain," says Ch'eng-tzu, "is a place where we find grass, trees, and a hundred other things. A fire burning below it throws up its light, and brings them all out in beauty. This gives the idea of ornament, or being ornamented. The various processes of government are small matters, and elegance and ornament help their course, but great matters of judgment demand the simple, unadorned truth.”
NOTES AND PARAPHRASES
Judgment: There's nothing wrong with showing a little style, but don't become so identified with a role that it makes your decisions for you.
The Superior Man displays wit and charm when that is appropriate, but relies upon shrewd discernment when making serious choices.
Confucius points out the correct attitude for this hexagram in his third sentence -- the elegant intelligence, or "brilliant wit" of the lower trigram is being "sat on" by the mountain of the upper trigram. Brilliant wit is often just an "ornament" to make one look clever in the company of others. Like seasoning on food, a little bit ofPersona or ornamentation is life-enhancing, but too much curry powder overwhelms the meal.
Jung's conception of the Persona points out the fact that it is a major vehicle for the complexes to express themselves under the guise of social interaction:
(The Persona) is only a mask for the collective psyche, a mask that feigns individuality, and tries to make others and oneself believe that one is individual, whereas one is simply playing a part in which the collective psyche speaks. Jung -- The Relations between the Ego and the Unconscious
For an urban shipping clerk to wear cowboy clothes may be a legitimate expression of his personality, or it may be the only outlet available for repressed portions of his psyche. When he begins driving a pickup truck and frequenting Country-Western bars we might suspect that his role is playing him and the real Self is being masked by excessive ornamentation orPersona.
The person cannot be more than an instrument for the manifestation of the self. But people get so attached to their mask that they cannot free themselves from it any more ... They make a king out of the servant and separate themselves from their true being. They force their higher self into exile, into the unconscious. Elisabeth Haich --Initiation
To receive this hexagram without changing lines suggests that perhaps you are more focused on form than meaning, or that superficial appearances are concealing something more substantive in the situation. Look deeper – what’s really going on?
Line 1
Legge: The first line, dynamic, shows one adorning the way of his feet. He can discard a carriage and walk on foot.
Wilhelm/Baynes: He lends grace to his toes, leaves the carriage and walks.
Blofeld: Elegantly shod, he leaves his carriage and proceeds on foot.
Liu: He decorates his toes and leaves the carriage. He would rather walk. [Activity benefits, but stagnation does not.]
Ritsema/Karcher: Adorning one's feet. Stowing-away the chariot and-also afoot.
Shaughnessy: Making luxurious his feet; discarding the chariot and going on foot.
Cleary (1): Adorning the feet, leaving the car and walking.
Cleary (2): Adorn the feet; leave the car and walk.
Wu: He adorns his toes, leaves the carriage behind and walks.
COMMENTARY
Confucius/Legge: Righteousness requires that he should not ride. Wilhelm/ Baynes: It accords with duty not to ride. Blofeld: He declines to make use of the carriage at his disposal. [This implies progressing in the way we know to be right and declining the help of those who are anxious to lead us from the path of rectitude.] Ritsema/Karcher: Righteously nothing to ride indeed. Cleary (2): It is right not to ride. Wu: Because it is right not to ride in it.
Legge: Line one is dynamic in a dynamic place at the bottom of the hexagram. He is also the first line in the trigram of fire or light, suggesting what is elegant and bright. He has nothing to do but to attend to himself; therefore he cultivates (adorns) himself in his humble position. If righteousness demands it he can give up every luxury and indulgence. He neither cares for nor needs adornment, and will walk in the way of righteousness without it.
NOTES AND PARAPHRASES
Siu: At the outset, the man is tempted to create a falsely flattering public image for himself. A simple demeanor is more gracious and fitting to his position.
Wing: Move forward under your own power and avoid false appearances, dubious shortcuts, or ostentatious behavior. It is most important now that you rely upon your own worth.
Wilhelm: (from Lectures on the I Ching): Now the attribute of art, or grace, consists of discarding all nonessential adornments. It consists of leaving out everything superfluous and of confining art to its appointed place.
Editor: The feet here are regarded as more substantive than the carriage, suggesting that one must rely on one's own inner worth rather than a "vehicle" of ostentatious superficiality. Suggested is the need to abandon a crutch of some kind.
The Self is the entity, then, that "plots" the way for an individual life, that directs and demands in an individual fashion. But the Self also insists that the ego take responsibility within the limits that are set for it. The wisdom of life lies in discovering where individual will and choice can operate, where limitations and responsibility begin and end. E.C. Whitmont -- The Symbolic Quest
A. You are able to make your own decisions: you can "stand on your own two feet." Rely now upon your own resources and initiative. (Could be a test.)
Line 2
Legge: The second line, magnetic, shows one adorning his beard.
Wilhelm/Baynes: Lends grace to the beard on his chin.
Blofeld: He adorns his beard.
Liu: He decorates his beard.
Ritsema/Karcher: Adorning: one's hair-growing.
Shaughnessy: Making luxurious his beard.
Cleary (1): Adornment is seeking.
Wu: He adorns his beard.
COMMENTARY
Confucius/Legge: He rouses himself to action only along with the subject of the line above. Wilhelm/Baynes: He ascends with the one above. Blofeld: He does so in order to be able to take part in the enjoyments of his superiors. [There are times when it is wise to conform with the customs of our seniors, even if we attach little value to them.] Ritsema/Karcher: Associating-with the above, rising indeed. Cleary (2): Adornment is seeking, in the sense of rising with those who are higher. Wu: He wants to advance with the one above.
Legge: Line two is magnetic and in its proper place, but with no proper correlate above. The dynamic third line is similarly situated. Therefore they stick together and are as the beard and the chin. What is substantial commands and rules what is merely ornamental.
NOTES AND PARAPHRASES
Siu: The man seeks adornment for its own sake, without regard to his inner spiritual qualities, which it should enhance.
Wing: Grace for its own sake is worthless to you now. It is merely an adornment. If you pay more attention to the vessel than to what it contains, you will entirely miss the meaning of this moment.
Wilhelm (from Lectures on the I Ching): Nothing in itself should be cultivated that is not somehow prepared to subordinate itself to meaning.
Editor: This line does not lend itself to the usual gender symbolism. In my experience neither the Siu nor Wing paraphrases reflect the deeper meaning of this line. Note that Wilhelm's "paraphrase" from his Lectures on the I Chingis not exactly analogous to either of them. In his regular commentary he states: "The third line is the chin and the second is, as it were, merely its appendage. The upward movement that evokes grace takes place in the two lines together. The yielding element can adorn the strong, but cannot add to it an independent quality. This line has significance only in the hexagram taken as a whole; in its individual aspect it is not especially important. (pg 497)” The beard, an "ornament" which conceals the chin which shapes it, suggests the concept of the Persona: The mask that hides the face is analogous to the beard that hides the chin. As suggested by Blofeld's note on the Confucian commentary, in some situations the line can assume a meaning analogous to Matthew 22:21 -- "Render therefore unto Caesar the things which are Caesar's; and unto God the things that are God's” or even: "When in Rome, do as the Romans do." (There are times when the Work could be harmed if unprotected by a facade.)
We have to become aware of ourselves as individuals; apart from the external demands made upon us, we have to acquire a sense of responsibility and a capacity for judgment which are not necessarily identical with external collective expectations and standards, though of course these standards must be given due regard. We have to discover that we use our representational clothes for protection and appearance but that we can also change into something more comfortable when it is appropriate and can be naked at other times. If our clothes stick to us or seem to replace our skin we are likely to be come ill. E.C. Whitmont -- The Symbolic Quest
A. Form follows function.
B. You are only an appendage to a larger reality. Follow what is best in you.
C. Sometimes it is necessary for the substantive to be concealed by the trivial.
D. Sometimes the substantive gives shape to the trivial.
Line 3
Legge: The third line, dynamic, shows its subject with the appearance of being adorned and bedewed with rich favors. But let him ever maintain his firm correctness, and there will be good fortune.
Wilhelm/Baynes: Graceful and moist. Constant perseverance brings good fortune.
Blofeld: His adornments are such that he appears to glisten -- righteous determination maintained up to the very end brings good fortune.
Liu: Decoration with moisture. If you continue, you will have good fortune.
Wu: He appears to have adorned and moisturized himself. Perseverance will bring good fortune.
COMMENTARY
Confucius/Legge: If he maintains his firm correctness, in the end no one will insult him. Wilhelm/Baynes: The good fortune of constant perseverance cannot, in the end, be put to shame. Blofeld: This implies that, to the very end, no one will thwart our purposes. Ritsema/Karcher: Perpetual Trial's significance. Completing absolutely-nothing: having a mound indeed. Cleary (2): No one can ever slight you. Wu: No one would dare to humiliate him.
Legge: The third line is dynamic, and between two magnetic lines which adorn and bestow their favors on him. But this happy condition is due to the accident of place -- he must maintain his correctness to ensure its continuance. It is not ornament, but correct firmness which secures the respect of others.
NOTES AND PARAPHRASES
Siu: The man is enjoying a charmed life, and is given many honors. He should guard against convivial indolence and be aware of its consequences.
Wing: You are in a moment of perfect grace, living a charmed existence. Do not allow such good fortune to make you indolent, for this would bring unhappiness. Continue to persevere in your endeavors and principles.
Wilhelm (from Lectures on the I Ching): When form and its meaning penetrate each other completely, when the work of art is rendered totally transparent, this is only a transitory state, which will necessarily pass.
Editor: The image suggests that circumstances are in your favor, though they may not be due to any particular virtue on your part. Following Wilhelm's insight (see his commentary on the preceding line), that the second and third places in this hexagram are closely interdependent, a Jungian interpretation of their alliance suggests itself: line 2 being the Persona and line 3 being the Ego through which it acts as conditions require. This implies that ego and persona are here coordinated with the Self's agenda -- even if that may be unclear at the moment.
For someone who adheres to [the goal of the knowledge of God] will not be moved to decorate walls with gold or to put a gold border on his garment – unless he intends thereby to give delight to his soul for the sake of its health and to drive sickness from it, so that it will be clear and pure to receive the sciences. Maimonides
A. You're sitting pretty -- don't blow it!
Line 4
Legge: The fourth line, magnetic, shows one looking as if adorned, but only in white. As if mounted on a white horse, and furnished with wings, she seeks union with the subject of the first line, while the intervening third pursues, not as a robber, but intent on a matrimonial alliance.
Wilhelm/Baynes: Grace or simplicity? A white horse comes as if on wings. He is not a robber, he will woo at the right time.
Blofeld: He so adorns himself as to seem white as snow. He is, as it were, a white steed. What delays his progress is not an obstacle but a matter of betrothal.
Liu: Simple decoration. A white horse comes as though flying. Not a robber, but a suitor.
Ritsema/Karcher: Adorning thus, hoary thus. A white horse, soaring thus. In-no-way outlawry, matrimonial allying.
Shaughnessy: Luxuriantly, lushly, the white horse is lofty-like; it is not the robbers who confusedly slander.
Cleary (1): Adorned or plain? A white horse runs swiftly. It is not an enemy but a mate. [It is best if one finds what is right when one is weak; the true heart and genuine intention come forth spontaneously, not forced – when there is no enmity or injury, then it is desirable to seek partnership. This is the adornment of the weak seeking clarity.]
Cleary (2): Adorned plainly, a white horse runs swiftly. They are not enemies but partners.
Wu: He adorns himself in white like a white horse with wings. He is a suitor, not a transgressor.
COMMENTARY
Confucius/Legge: The place occupied by the fourth line affords ground for doubt as to its subject. But because the third line pursues not as a robber, but intent on marriage, she will in the end have no grudge against him. Wilhelm/Baynes: The fourth place is in doubt; this accords with its place. "He is not a robber, he will woo at the right time.” In the end, one remains free of blame. Blofeld: This ruling line indicates the existence of suspicion; however, as revealed by the last sentence, nothing blameworthy is involved. [It would seem that someone is suspected of loitering or hesitating for a somewhat sinister reason, but that his motive is in fact an honorable one.] Ritsema/Karcher: Appropriate situation to doubt indeed. In- no-way outlawry, matrimonial allying. Completing without surpassing indeed. Cleary (2): The fourth (magnetic line), in its place, doubts. They are not enemies but partners, and ultimately have no grudge. Wu: If he is a suitor, not a transgressor, he will have nothing to worry about at all.
Legge: Line four has its proper correlate in line one, from whose strength she should receive adornment. But lines two and three intervene and keep them apart so that the only adornment is white. The fourth line is faithful to line one however, and desires their union. Finally line three appears in a good character, and not with the purpose to injure, so that the union between one and four takes place. All this in intended to show how adornment recognizes the superiority of solidity. Compare hexagram lines 3:2 and 38:6. Because of their separation we might doubt how far line four would remain loyal to line one. The loyalty is insured through the character and object of line three.
NOTES AND PARAPHRASES
Siu: The man is faced with the choice between a life of brilliance and one of simplicity. All considerations suggest simplicity. Renouncing potential comforts may seem disappointing at first, but peace of mind will be attained through proper relationship with the sincere supporter.
Wing: You have a choice of two paths. One is the path of adornment and external brilliance; the other is the path of simplicity and inner worth. Your considerations suggest a deeper connection with your true Self. The path of simplicity will lead to more meaningful relationships with others and greater self-knowledge.
Wilhelm (from Lectures on the I Ching): Here is the point where life is silent for a moment, and now the decision must be made how to continue shaping life.
Editor: There are three main ideas here -- first, the idea of being "adorned in white." Clothing symbolizes the opinions and attitudes which "adorn" our personality. To be dressed in white therefore, is to be simple and unpretentious – the opposite of complexity and ostentation.
Second , the image of a flying white horse. This suggests purified (white) psychic energy (horsepower) united with the wings of intellectual aspiration. Wings enable entities to fly in the air -- symbolically, the realm of thought. We are immediately reminded of Pegasus, and although we can assume that the Duke of Chou knew nothing of Pegasus, the symbolic associations are not irrelevant here. Pegasus is associated in Greek mythology with the Muses -- the sources of creativity and inspiration.
The third idea is of marriage -- the conjunction of masculine and feminine in a holy union or hieros gamos: the creative synthesis of thought and feeling within the psyche. However, the suitor can't unite with the subject of the line until all confusion has been eliminated from the situation. He is perceived as a "robber" because the barriers to union must be removed ("stolen") before the alliance can take place: in other words, an illusion prevails.
This line (and indeed the entire hexagram) is often received in answer to questions concerning creativity or the creative process. If this is the only changing line, the new hexagram created is number thirty, Clarity.
I discriminate between the ordinary ego-consciousness of the man and his creative personality. Very often there is a striking difference. Personally a creative man can be an introvert, but in his work he is an extravert and vice versa. Jung -- Letters
A. You don't understand the matter at hand. Unseen forces are working toward unity however, and clarity will eventually dawn.
B. The image suggests the gestation of a creative idea.
C. Don't complicate the situation -- a creative solution will mature in the course of time.
64 Before Completion
Other titles: Before Completion, The Symbol of What is not yet Past, Not-yet Fording, Not Yet Completed, Tasks yet to be Completed, Not yet, Yet to be, Before the End, Mission yet Unaccomplished, A State of Transition
Judgment
Legge: Unfinished Business suggests successful progress, butif the young fox that has nearly crossed the stream gets his tail wet, there will be no advantage.
Wilhelm/Baynes:Before Completion. Success. But if the little fox, after nearly completing the crossing, gets his tail in the water, there is nothing that would further.
Blofeld: Before Completion -- success! Before the little fox has quite completed its crossing of the ice, its tail gets wet. [This implies that we are to expect a setback in our plans.] No goal (or destination) is favorable now. [Hence this is a time for waiting and for drawing in our horns. That the LAST of the sixty-four hexagrams should be Before Completion rather than After Completion (#63) may seem surprising until it is recalled that there is nothing final about it; the cycle of change continues, passing from hexagram #64 onto the first hexagram, and so on eternally.]
Liu: Before Completion. Success. A young fox almost across wets his tail in the water. Nothing benefits.
Ritsema/Karcher: Not-yet Fording, Growing. The small fox, a muddy Ford. Soaking one's tail: without direction: Harvesting. (Without direction: Harvesting, WU YU Li: no plan or direction is advantageous; in order to take advantage of the situation, do not impose a direction on events.) [This hexagram describes your situation in terms of being on the edge of an important change of situation. It emphasizes that waiting and accumulating energy to begin the upcoming move is the adequate way to handle it...]
Shaughnessy:Not Yet Completed: Receipt; the little fox at the point of fording, wets his tail; there is no place beneficial.
Cleary (1): Being as yet unsettled is developmental. A small fox, having nearly crossed the river, gets its tail wet, does not succeed.
Cleary (2): Being unsettled leads to success. A little fox, almost crossing, gets its tail wet. Nothing is gained.
Wu:Mission yet Unaccomplished indicates pervasiveness. A little fox almost makes it crossing the river, but gets its tail wet. Nothing is gained.
The Image
Legge: Fire over water -- the image ofUnfinished Business. The superior man carefully discriminates among the qualities of things, and the different positions they naturally occupy.
Wilhelm: Fire over water: the image of the condition before transition. Thus the superior man is careful in the differentiation of things, so that each finds its place.
Blofeld: This hexagram symbolizes fire above water. The Superior Man takes care to distinguish between things before arranging them in order.
Liu: Fire above water symbolizes Before Completion. The superior man carefully distinguishes things, and puts them in their appropriate place.
Ritsema/Karcher: Fire located above stream. Not-yet Fording. A chun tzu uses considering to mark-off the beings residing on-all-sides.
Cleary (1): Fire is above water, not yet settled. Thus superior people carefully discern things and keep them in their places.
Cleary (2): Fire over water – unsettled.
Wu: There is fire above water; this is Mission yet Unaccomplished. Thus the jun zi makes careful distinction of things and their proper places of being.
COMMENTARY
Confucius/Legge: Progress and success are suggested by the magnetic fifth line in the ruler's place. Although he has nearly crossed the stream, the young fox has not yet escaped from the midst of danger and calamity. Getting his tail wet means that the end does not reflect the intent of the beginning. Although the places of the different lines are not those appropriate to them, yet a dynamic and a magnetic line always respond to each other.
Legge:Unfinished Businessis the reverse of Completion: it means that the successful accomplishment of the matter at hand has not yet been realized; the crossing of the great stream is as yet incomplete.
Some have wished that theI Chingmight have concluded with Completion, and the last hexagram have left us with the picture of human affairs all brought to good order. But this would not have been in harmony with the idea of change. Again and again it has been pointed out that we find in the book no idea of a perfect and abiding state. Just as the seasons of the year change and pursue an ever-recurring round, so it is with the phases of society. The reign of order has peaked and declined, and this hexagram calls us to renew the struggle to make things right again. It deals with the conduct necessary to secure this result.
Not one of the lines in the hexagram is in its correct place -- all the dynamic lines are in magnetic places, and the magnetic lines are in dynamic places. At the same time, each of them has a proper correlate, so there is the possibility of some progress.
The symbol of the fox suggests a want of caution on the part of those who try to remedy prevailing disorders. They are unsuccessful and thereby get themselves into trouble. Line two represents this state of mind -- he is dynamic in a magnetic place in the center of the trigram of Peril. He is restless, and attracted by his magnetic correlate in the fifth place, he will be incautious in taking action. The outcome of the issue will be different than what was intended at the beginning.
The trigram of Water is below, and Fire above, showing how the two principles cannot act on each other profitably. This symbolizes the unregulated condition of general affairs now prevailing.
NOTES AND PARAPHRASES
Judgment: Although many achievements fuel our growth, the ego is only the facilitator, not the doer. To ignore this truth creates negative consequences: don't destroy the Work!
The Superior Man critically examines the situation and re-checks his priorities.
This hexagram represents the time before the climax of a cycle, just as the preceding figure symbolizes the time after the climax (and hence the transition to a new beginning). The Work is by no means "almost over" -- the lines all match as correlates, but every one of them unites "upside-down," so to speak. (Turn the hexagram over, and then they are in perfect correlation.) That the superior man "discriminates among the qualities of things, and the different positions they naturally occupy" means that he knows that the correct positions of the lines (the ones they "naturally occupy") are as in hexagram number sixty-three, not this one.
This "backward correlation of lines" is arguably a fair image of the relationship of thoughts and feelings in the average human psyche. The stresses of life are what eventually break up these mismatched correlates through endless cycles of stimulus and response until they finally all unite correctly in a hypothetical "Completion of the Great Work." That this is an ideal rather than a humanly attainable goal is suggested in this quote from Shao Yung:
The principle of the Way finds its full development in Heaven; the principle of Heaven, in Earth; the principle of Earth, in the myriad things; and that of the myriad things, in man. One who knows how the principles of Heaven, Earth, and all things find their full development in man can give full development to his people.
For all practical purposes, it is wisest to aspire to attainable completions and realize that the Work's "full development" is the Self's, not the ego's responsibility.
To strive for perfection is a high ideal. But I say: "Fulfill something you are able to fulfill rather than run after what you will never achieve." Nobody is perfect. Remember the saying: "None is good but God alone" [Luke 18:19], and nobody can be. It is an illusion. We can modestly strive to fulfill ourselves and to be as complete human beings as possible, and that will give us trouble enough. Jung -- The Tavistock Lectures
The Judgment suggests that before any climax or resolution there may still exist an indeterminate amount of free choice to influence the outcome -- only the specific circumstances can suggest how much or how little. As always, the choices are defined within the structure of the situation. The magnetic ruler in the fifth place implies that a favorable outcome is possible, but only through clear perception and willpower can it come about.
The conditional interpretation (boldface italics added) in both Legge's and Wilhelm's translation of the Judgment is necessary for its text to make sense. Note that Ritsema/Karcher define "Without direction: Harvesting" as: "No plan or direction is advantageous; in order to take advantage of the situation, do not impose a direction on events." This is a common oracle response, and sharpens the meaning here. Line one depicts the negative consequences of ignoring the Judgment’s explicit message.