Wiki I Ching

Enthusiasm 16.4.5.6 20 Contemplation

From
16
Enthusiasm
To
20
Contemplation

Showing enthusiasm
The field is invaded after the meeting.
taoscopy.com


Enthusiasm 16
Inspiration fuels energy; align enthusiasm with purpose to move forward effectively.


Line 4
True enthusiasm attracts support and leads to great achievements.
Trust in your vision and gather allies.


Line 5
Despite challenges and difficulties, perseverance will lead to survival and eventual success.


Line 6
Misguided enthusiasm can lead to mistakes, but recognizing and correcting them will prevent blame.


Contemplation 20
Pause and observe the world around you.
Gain clarity by distancing yourself from immediate involvement, allowing for a broader perspective.
Insight comes from seeing both the big picture and the subtle details.



Original Readings

16
Enthusiasm


Other titles: The Symbol of Harmonious Joy, Repose, Happiness, Providing-for/Provision, Excess, Merriment, Self-confidence, Contentment, Harmonize, Excitement, Intemperance, Self-deception "Repose in the absolute confidence that the action now being taken is right. Also refers to music." -- D.F. Hook

 

Judgment

Legge: Enthusiasm indicates that feudal princes may be set up and the army advantageously mobilized.

Wilhelm/Baynes:Enthusiasm. It furthers one to install helpers and to set armies marching.

Blofeld:Repose profits those engaged in building up the country and sending forth armies. [This means that perfect certainty as to the rightness of our cause is of great value under the conditions mentioned. The usual meaning of this character is "beforehand" or "happiness." In the English translation of Wilhelm's version, it appears as "enthusiasm." "Repose" was suggested by the Chinese experts who kindly vetted this manuscript. At first I felt hesitant about adopting it, until I realized that, where it is used favorably, it must be understood as the kind of mental repose which follows absolute confidence that the action now being taken is the right one. In lines one, three and six, however, it clearly means failure to act when action is essential; in line five, failure to act owing to incapacity.]

Liu:Happiness. It is of benefit to build up the country (or business), and send the army forth. [Receivers of this hexagram should be wary of exhibiting excessive enthusiasm when beginning a new undertaking. If they are not, there will be misfortune. The hexagram also advises that everything necessary for advancement should be made ready. Then if an opportunity presents itself, it should be seized immediately, without hesitation.]

Ritsema/Karcher: Providing-for , Harvesting: installing feudatories to move legions. [This hexagram describes your situation in terms of what is needed to meet the future. It emphasizes that accumulating strength through foresight and prudence so things can be fully enjoyed is the adequate way to handle it. To be in accord with the time, you are told to: provide-for!]

Shaughnessy: Excess: Beneficial to establish a lord and to move troops.

Cleary (1):Joy. It is advantageous to set up a ruler and mobilize the army.

Wu:Merriment indicates the advantage of establishing principalities and taking military actions.

 

The Image

Legge: Thunder exploding out of the Earth -- the image of Enthusiasm. The ancient kings, in accordance with this, composed their music and honored virtue, offering it especially to God when they worshipped him at the service of their ancestors.

Wilhelm/Baynes: Thunder comes resounding out of the earth: the image of Enthusiasm. Thus the ancient kings made music in order to honor merit, and offered it with splendor to the Supreme Deity, inviting their ancestors to be present.

Blofeld: This hexagram symbolizes thunder over the earth. The ancient rulers venerated heaven's gifts with solemn music and they sacrificed abundantly to the Supreme Lord of Heaven in order to be worthy of their ancestors.

Liu: Thunder arising from the earth symbolizes Happiness. The ancient kings composed music to honor virtue, offering it to God and the spirits of their ancestors.

Ritsema/Karcher: Thunder issuing-forth-from earth impetuously. Providing-for. The Earlier Kings used arousing delight to extol actualizing-tao. Exalting worship's Supreme Above. Using equalizing the grandfather predecessors. [Actualize-tao:ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]

Cleary (1): When thunder emerges the earth stirs: Thus did the kings of yore make music to honor virtue, offering it in abundance to God, thereby to share it with their ancestors.

Wu: Thunder breaks out above the earth with a boom; this is Merriment. Thus the ancient kings used music to praise virtuous accomplishments and made grand offerings to the Supreme Being to be accompanied by their ancestors.

 

COMMENTARY

Confucius/Legge: Enthusiasm shows one dynamic line inspiring responsive obedience in all the others: devoted obedience takes action. Such obedient action conforms to natural law and creates order and discipline in the people. The planets and the seasons follow their natural cycles. The sages similarly obey the laws of their nature and the people acknowledge their regulations and punishments as just.

Legge:Enthusiasm shows harmony and contentment throughout the kingdom -- a time when the people rejoice in their sovereign and readily obey him. At such a time his appointments and any military undertakings would be hailed and supported. Because he is close to the fifth place of dignity, the dynamic fourth line is seen as the chief executive officer of the ruler. The ruler has confidence in him, and all of the magnetic lines yield their obedience. Obedience is the attribute of the lower trigram which here takes the initiative and uses Movement, which is the attribute of the upper trigram.

The symbolism of the Image is more obscure than usual. The use of music at sacrifices is supposed to assist in producing the union between God and his worshippers as well as the present and past generations.

 

NOTES AND PARAPHRASES

Judgment: Delegate authority and gather your forces.

The Superior Man synchronizes his will with the intent of the Self via the principles of the Work.

Enthusiasm is the reverse of the preceding hexagram of Temperance. In Temperance we saw the calm strength of a mountain concealed within the earth. In Enthusiasm we see thunder exploding out of the ground into the sky: the strength that was formerly tempered and restrained is now released. It is significant to note that while every line of Temperance is more or less "favorable,” every line of Enthusiasm is either negative or cautionary -- even the generally positive fourth line carries a hint of warning about “doubt.”

Negatively, Self-Deception (the passion of True Believers) seems to be what this hexagram is portraying. The figure often suggests a callow or deluded buoyancy -- the kind of outlook associated with romantic idealists. In its most negative aspect, Enthusiasm is Intemperance -- the exact opposite of the moderation and restraint shown in the preceding hexagram. The behavior of an untrained Great Dane puppy suddenly bursting into a formal dinner party could be described as "enthusiasm,” but hardly a desirable form thereof. The lower trigram of Obedient Devotion has suddenly employed the action and energy of the upper trigram of Thunderous Shock to express itself. This is inconsistent with the code of the superior man.

Conversely, in its most positive sense, Enthusiasm suggests the surety of total self-confidence. Blofeld translates this as Repose, explaining that the name was suggested to him by his Chinese advisors. We begin to understand this subtle distinction when we compare the seemingly obscure connection with music in the Image with a passage from Chuang- tse:

He who understands the music of heaven lives in accordance with nature in his life and takes part in the process of change of things in his death. In repose, his character is in harmony with the yin principle; in activity, his movement is in harmony with the yang principle. Therefore he who understands the music of heaven is not blamed by heaven or criticized by men ... It is said, "In action he is like heaven. In repose he is like the earth ... Because his mind has found repose, therefore the creation pays homage to him.”

To understand “the music of heaven” is to attain Repose, which is another way of describing the tranquility that comes with furthering the intent of the Self. The only dynamic line in the hexagram is in the minister's place just below the fifth-line ruler. He has the confidence of his sovereign and his actions therefore accord with heaven. We can turn to the Stoics to find an illustration of this idea:

My will is simply that which comes to pass. For I esteem what God wills better than what I will. To Him will I cleave as His minister and attendant; having the same movements, the same desires, in a word the same will as He.
-- Epictetus

Thus we see that the hexagram can describe either one of two opposite conditions -- the intemperate Enthusiasm of ego-confidence (a synonym for Self-Deception), or the calm Repose of true SELF-confidence. The fifteenth and sixteenth hexagrams, each the inverse of the other, represent magnetic and dynamic aspects of the same general idea: Enthusiasm, when it emanates from the Self, is just Temperance in action.


Line 4

Legge: The fourth line, dynamic, shows him from whom the harmony and satisfaction come. Great is the success which he obtains. Let him not allow suspicions to enter his mind, and thus friends will gather around him.

Wilhelm/Baynes: The source of enthusiasm. He achieves great things. Doubt not. You gather friends around you as a hair clasp gathers the hair.

Blofeld: From repose, great results accrue. Harbor no doubts. Why should it be harmful to befriend this official? [The meaning of this terse question is not obvious; but the enquirer may find it apt in the context either of his question or of subsequent events.]

Liu: The source of happiness. One receives great gain without hesitation. Your friends are already successful.

Ritsema/Karcher: Antecedent Provision. The great possesses acquiring. No doubting. Partners join-together suddenly.

Shaughnessy: Really excess; if one greatly has gain, do not doubt; cowries and shells slander.

Cleary (1): Being the source of joy, there is great gain. Do not doubt. Companions gather.

Wu: Let merriment have its way. There is much to gain. No doubt about it. Friends will unite their hairpins.


COMMENTARY

Confucius/Legge: His aims take effect on a grand scale. Wilhelm/Baynes:

His will is done in great things. Blofeld: The first sentence indicates the fullest attainment of our will. Ritsema/Karcher: Purpose: the great moving indeed. Cleary (2): The aspiration is carried out greatly. Wu: His aspirations are fully realized.

Legge: The dynamic subject of line four is the agent to whom the happy condition is owing, and it is only necessary to caution him to maintain his confidence in himself and his purpose. His adherents and success will continue.

Anthony: The source of enthusiasm is in believing in our path and its ultimate success, because it is correct. We gather friends and helpers when this belief is strong enough that we do not try to convince people or contend with them. Contending comes from the ego, which secretly disbelieves.

 

NOTES AND PARAPHRASES

Siu: The man is confident, free of suspicions of others, and sincere in his dedication. He instills harmony and satisfaction among his associates. People gather around him in effective cooperation.

Wing: Harmonious times are approaching. It is safe to exhibit your confidence in the future. Your attitude will attract others to you, who will co-operate in your endeavors. In this way you can accomplish great deeds.

Editor: As the only dynamic line in the hexagram, line four is considered to be its ruler. When we note that Legge mentions "harmony and satisfaction" instead of "enthusiasm," we begin to see the meaning behind Blofeld's title of Repose. Indeed, his translation of the line begins: "From repose, great results accrue..." Wilhelm's version gives the idea of consolidating forces "as a hair clasp gathers the hair." Psychologically interpreted, a process of integration is symbolized. The line can sometimes be a gentle admonition to have faith in your own unconscious processes to advance the Work.

The One does not aspire to us, to move around us; we aspire to it, to move around it. Actually, we always move around it; but we do not always look. We are like a chorus grouped about a conductor who allow their attention to be distracted by the audience. If, however, they were to turn towards their conductor, they would sing as they should and would really be with him. We are always around The One. If we were not, we would dissolve and cease to exist. Yet our gaze does not remain fixed upon the One. When we look at it, we then attain the end of our desires and find rest.
Plotinus -- The Enneads

A. A powerful force calmly organizes separate elements to effect a synthesis.

B. Quiet SELF-confidence inspires the allegiance of inner forces, accumulating energy for transformation.

Line 5

Legge: The fifth line, magnetic, shows one with a chronic complaint, but who lives on without dying.

Wilhelm/Baynes: Persistently ill, and still does not die.

Blofeld: Illness is presaged, but it will not last long or cause death.

Liu: Long illness, but still living.

Ritsema/Karcher: Trial: affliction. Persevering, not dying.

Shaughnessy: Determination is illness; if constant you will not die.

Cleary (1): There is a persistent illness, but one never dies.

Cleary (2): Chaste in illness, one never dies.

Wu: It is like having a persistent illness, but not fatal.

 

COMMENTARY

Confucius/Legge: She is mounted on a dynamic line in the central position, and her memories of the past have not yet perished. Wilhelm/Baynes: It rests upon a hard line. That it nevertheless does not die is due to the fact that the middle has not yet been passed. Blofeld: Illness is indicated because this yielding line comes immediately above a firm one. Recovery rather than death is to be expected because this line is, nevertheless, central to the upper trigram. Ritsema/Karcher: Trial: affliction. Riding a solid indeed. Persevering, not dying. Center not-yet extinguished indeed. Cleary (2): Being chaste in illness means riding on firmness. Never dying means not losing balance. Wu: Because its position remains central.

Legge: Line five is magnetic in the place of a dynamic ruler, and in danger of being carried away by the lust of enthusiasm. Her proximity to the powerful influence below is a source of danger. Hence she is represented as suffering from a chronic complaint.


NOTES AND PARAPHRASES

Siu: The man is continually complaining. Yet the very struggling against the daily troubles constitutes his immediate incentive for living.

Wing: Total harmony is obstructed and impossible. Yet the very awareness of this will keep you from sinking again into chaos and eventual defeat.

Wilhelm/Baynes: Here enthusiasm is obstructed. A man is under constant pressure, which prevents him from breathing freely. However, this pressure has its advantage – it prevents him from consuming his powers in empty enthusiasm. Thus constant pressure can actually serve to keep one alive.

Anthony: The situation is difficult and uncomfortable. We are still under the influence of striving to achieve results or hedging to prevent them. However, our discomfort is useful in causing us to seek out these attitudes which block our progress.

Editor: At its most neutral, the image suggests a chronic condition currently not amenable to being cured. Sometimes this feels like ironic irritation: the oracle seems to be asking: "When are you ever going to learn?” The ego is clinging to outmoded ways (the "memories" mentioned in Legge's Confucian commentary), and is yet unable to fully comprehend the demands of the Work. If this is the only changing line, the hexagram becomes #45, Gathering Together, with a corresponding line hinting that the source of our illness may be less-than-pristine dedication. Cleary (2):Gathering around the position, there is no blame. If those who are not loyal remain ever-faithful to their original commitment, regret vanishes.”

Better is one’s own dharma, though imperfectly performed, than the dharma of another well performed.
Bhagavad Gita

A. A chronic problem remains unresolved.

B. Nobody’s perfect: do the best you can with what you have.

C. Old illusions obstruct your growth.

Line 6

Legge: The sixth line, magnetic, shows its subject with darkened mind devoted to the pleasure and satisfaction of the time. But if she changes her course even when it may be considered as completed, there will be no error.

Wilhelm/Baynes: Deluded enthusiasm. But if after completion one changes, there is no blame.

Blofeld: Madcap repose. Fortunately a change takes place, so no blame is involved. [Madcap repose implies being tardy to the point of extreme rashness in the face of approaching danger or of a need to act.]

Liu: Deluded happiness. Change after completion. No blame.

Ritsema/Karcher: Dim Providing-for. Accomplishment: possessing denial. Without fault.

Shaughnessy: Dark excess; if complete perhaps you will be informed; there is no trouble.

Cleary (1): Oblivious in joy. What comes about has change; there is no blame.

Cleary (2): … What has come about changes, etc.

Wu: Merriment is obscured. There may be success, but changes are pending. There will be no error.

 

COMMENTARY

Confucius/Legge: How can one in such a condition continue for long? Wilhelm/Baynes: Deluded enthusiasm in a high place: how could this last? Blofeld: Since this is a top line, the state of madcap repose cannot possibly last long. Ritsema/Karcher: Dim Providing-for located above. Wherefore permitting long-living indeed? Cleary (2): Oblivion in joy is at the top. What can last? Wu: How can the situation continue for long?

Legge: The magnetic sixth line at the end of the hexagram is all but lost.

The action of the figure is over, and if she postpones changing her evil ways any longer, there is no hope remaining for her. However, there is still a chance of safety if she will but change.

 

NOTES AND PARAPHRASES

Siu: The man is distracted by pleasure and satisfaction. If he changes after the events of the day have run their course, however, the sober awakening will prevent future errors.

Wing: The person in this position is lost in the memory of a compelling and harmonious experience. The time is past, and what is left is empty egotism. Fortunately, reform is possible. There is an opportunity to move on to a situation of new growth.

Editor: This line has a similar auspice as that of its (improper) correlate in line three. Wilhelm's commentary states: "A sober awakening from false enthusiasm is quite possible and very favorable." Note that “no blame” is mentioned, suggesting that you are more ignorant than culpable in the situation at hand.

While he is in a state of bondage, that is while lusts and falsities rule, the man who is subjected by them supposes that he is in a state of freedom; but it is a gross falsity, for at the very time he is carried along by the delight of his lusts and of the pleasures derived from them, that is, by the delight of his loves; and because it is by a delight it appears to him as free. Everyone thinks himself free while he is being led by some love -- so long as he follows whithersoever it leads.
Swedenborg -- Arcana Coelestia

A. Conquer your illusions and change your ways.

B. Illusions are shattered when pursued to their logical conclusions.

20
Contemplation


Other titles: View, The Symbol of Steady Observation, Looking Down, Observation, Viewing, Looking Up, Observing, Admiration, To Examine, Rulers and Their Subjects, Introspection, Perception, Contemplation of the Work

 

Judgment

Legge: Contemplation shows us a worshipper who has purified himself, but must still present his sacrifice with that dignified sincerity which inspires reverence.

Wilhelm/Baynes: Contemplation . The ablution has been made, but not yet the offering. Full of trust they look up to him.

Blofeld: Lookingdown.[This word often means “contemplation" and I have so translated it when the context so requires.] The ablution has been performed, but not the sacrifice. Sincerity inspires respect. [This is generally understood to mean that the first step has been taken or that one has bound oneself to follow a certain course...but that the main duties are yet to be performed.]

Liu:Observation. The hand-washing ritual is completed, but the sacrifice is still to come. All done and looked upon with sincerity.

Ritsema/Karcher:Viewing: hand-washing and-also not worshipping. Possessing conformity, like a presence. [This hexagram describes your situation in terms of something seen from a distance, out of immediate reach. It emphasizes that carefully observing and divining the meaning is the adequate way to handle it...]

Shaughnessy: Looking Up. Washing the hands but not making offering; there is a return with head held high.

Cleary (1): Observing, one has washed the hands but not made the offering; there is sincerity, which is reverent.

Wu:Admiration indicates a worshipper washing his hands in preparation for the offerings, but not participating in it. He shows sincerity and awe.


The Image

Legge: The image of earth and wind moving above it form Contemplation. The ancient kings, in accordance with this, examined the different regions of the kingdom to see the ways of the people, and set forth their instructions.

Wilhelm/Baynes: The wind blows over the earth: the image of Contemplation. Thus the kings of old visited the regions of the world, contemplated the people, and gave them instruction.

Blofeld: This hexagram symbolizes wind blowing across the earth. The ancient rulers visited the different regions to keep watch over their people and carefully instruct them.

Liu: The wind blowing over the earth symbolizes Observation. The ancient kings visited their territories, observed the people, and gave instruction.

Ritsema/Karcher: Wind moving above earth. Viewing. The Earlier Kings used inspecting on-all-sides, viewing the commoners to set-up teaching.

Cleary (1): Wind is over the earth, observing. Thus did the kings of yore set up education after examination of the region and observation of the people.

Cleary (2): Wind travels over the earth – observing.Kings of yore examined the regions and observed the people to set up education. [In Buddhist terms, the ancient Buddhas examined the “regions” of possible experience and observed the people in various states of being, then set up various teachings to accommodate them, just as the wind travels over the earth reaching everywhere.]

Wu: The wind pervades above the earth; this is Admiration. Thus the ancient kings inspected various regions of the country, observed the sentiments of the people, and laid down their instructions.

 

COMMENTARY

Confucius/Legge:Observation from above -- from the trigram of Flexibility surmounting the trigram of Docility. The ruler is in his correct central position, and thus exhibits his lessons to all below. He has purified himself, but not yet sacrificed. All beneath look to him and are transformed. When we contemplate the spirit-like way of heaven, we see how the four seasons proceed without error. The sages, in accordance with this spirit-like way, laid down their instructions, and all under heaven yield submission to them.

Legge: The Chinese character from which this hexagram is named is used in the sense of both seeing and being seen. The theme is the sovereign and his people -- how he shows himself to them, and how they in turn perceive him. The two dynamic lines at the top belong to the ruler, and the four magnetic lines below represent his subjects. In the Judgment the ruler is portrayed as a worshipper at the commencement of a sacrifice. He is the great Manifester in line five.

The lower trigram symbolizes earth, with the attribute of Docility; the upper trigram symbolizes wind, with the attributes of Flexibility and Penetration. Wind moving above the earth has the widest sweep, and nothing escapes its influence. The personal influence of the ruler effects much, but the ancient kings wished to add to that the power of published instructions which were specially adapted to the character and circumstances of the people.

The spirit-like way of heaven is the invisible order underlying the laws of nature. [Ed. Note: Ritsema/Karcher use the phrase: "Viewing Heaven's spirit tao... The all-wise person uses spirit tao to set-up teaching." Spirit(s), SHEN: independent spiritual powers that confer intensity on heart and mind by acting on the soul, KUEI; gods, daimons. Tao: way or path; ongoing process of being and the course it traces for each specific person or thing; keyword. The ideogram: go and head, leading and the path it creates.]

 

NOTES AND PARAPHRASES

Judgment: Contemplate your motivations and discern the purity of your intent. "Put your money where your mouth is.” or "Walk your talk.”

The Superior Man evaluates and rectifies his attitudes.

The "ancient kings” in the Image symbolize the creators of an original state of perfection -- an archetypal model toward which the superior man aspires. This idea is common to all mystical traditions, many of which depict this state in the image of an ideal or prototypical man. Here is a summary of the Gnostic conception:

Not only the body but also the "soul" is a product of the cosmic powers, which shaped the body in the image of the divine Primal (or Archetypal) Man and animated it with their own psychical forces: these are the appetites and passions of natural man, each of which stems from and corresponds to one of the cosmic spheres [i.e., planets] and all of which together make up the astral soul of man, his "psyche."
H. Jonas -- The Gnostic Religion

In the Kabbalah, the template of this archetypal man (named Adam Kadmon) exists in each of the four realms of consciousness corresponding to intuition, intellect, emotion and sensation, and "he" is perceived as androgynous in all of these worlds except the last -- the "sensation” world of our physical spacetime reality.

The Adam of these first three worlds was androgynous. The Adam of the fourth world is the Adam of the expulsion, the Adam of flesh traversing the desert of his exile, and the Adam capable of reproducing himself now that he is no longer androgynous.
C. Ponce -- Kabbalah

Considering that androgyny is one of the symbols used in the Western Mystery Tradition to depict the correct union of male and female forces within the psyche, we quickly recognize that the properly matched male and female correlate lines in theI Ching are a Chinese depiction of the identical concept. Note that the messages of the following three quotations are in complete accord with the goal of the Work as outlined in theI Ching:

Somewhere there is an Adam within each of us in need of restoration, in exile from the Garden. The aim of Kabbalism is the restoration of the divine man in the medium of mortal man. We are the laboratory and we are the workers who work in that space.
C. Ponce --Kabbalah

Within our six-foot body we must strive for the form which existed before the laying down of heaven and earth.
The Secret of the Golden Flower

The destiny of man is to build the Heavenly Jerusalem on Earth. In other words, to civilize a planet. It is the aim of the occultist, in consort with all men of good will, to bring about this heavenly fact into earthly reality. And the only way it will come about is by every man doing the right thing at the right time for twenty-four hours a day.
Gareth Knight -- The Work of a Modern Occult Fraternity

The ancient kings in hexagram number-20 base their laws upon their recognition of diversity among the various forces which make up the kingdom of the psyche. Their divine regulations therefore represent the proper ecology existing between heaven and earth, yin and yang, male and female, Logos and Eros. In this regard, theI Ching's version of the Archetypal Man might be seen as hexagram number-63, Completion, in which the polarity of each of the lines is in perfect correlation. (See the editor's commentary on Hexagram number 11 for further insights into this idea.)

The theme of the hexagram is Contemplationof your situation to see if your attitude meets the archetypal standards of the Work. The worshipper in the Judgment has purified himself for sacrifice but has not yet carried it out. Wilhelm uses the word "ablution” in his translation of the Judgment. An ablution is a ritual cleansing associated with a religious rite:

Ablution: In alchemy ... the adept worker achieves [success] only by purifying his soul of all that commonly agitates it. Washing, then, symbolizes the purification not so much of objective and external evil as of subjective and inner evils ... The principle involved in this alchemic process is that implied in the maxim "Deny thyself."
J. E. Cirlot --Dictionary of Symbols

It is important to note that the sacrifice has yet to be performed: preparation is meaningless until it is acted upon. Psychologically, this refers to intellectual "gnosis" which still needs to be grounded in behavior.

Wisdom is achieved very slowly. This is because intellectual knowledge, easily acquired, must be transformed into `emotional,' or subconscious, knowledge. Once transformed, the imprint is permanent. Behavioral practice is the necessary catalyst of this reaction. Without action, the concept will wither and fade. Theoretical knowledge without practical application is not enough ... Intellectually the answers have always been there, but this need to actualize by experience, to make the subconscious imprint permanent by `emotionalizing' and practicing the concept, is the key.
Brian L. Weiss, MD -- Many Lives, Many Masters

Without changing lines, Contemplation is an oracular invitation for you to consider your situation and especially your motivations in regard to it. One way of doing this is to reduce everything to a brief written statement, including your best conscious conclusions. Then ask for a comment from the oracle -- often it will become apparent that you have been undergoing a kind of examination.

 

SUGGESTIONS FOR MEDITATION

The ancient kings are mentioned in the Images of both this figure and number twenty-one, Discernment, immediately following. What are the differences between Contemplation and Discernment, as depicted in these images? How does the concept of sacrifice relate to this, as mentioned in the Judgment? Compare the Judgment of this hexagram with hexagrams and lines 17:6, 45:2, 46:2, 46:4, 47:2, 47:5 and 63:5 for further insights on this extremely important tenet of the Work.